The Guns of Navarone

Alistair MacLean's The Guns of Navarone was an eight-part WW2 serial that first appeared in the September 22, 1956 issue of Saturday Evening Post. It was compiled into a hardcover novel in 1957 by Collins. It was then printed in paperback in 1957 by Perma (M-4089) and reprinted multiple times since then. The book was adapted into a blockbuster film in 1961 by Columbia. In 1968, MacLean reunited some of the characters for the book's sequel, Force 10 from Navarone. That book was adapted to film in 1978. Never seeing the movies, my voyage into this story begins with MacLean's original novel, The Guns of Navarone. 

On the fictional island of Kheros, 1,200 British soldiers are marooned. Off the nearby Turkish coast, the Nazis have installed massive, radar-controlled guns that can fire upon any Royal Navy ships attempting to rescue them through the deep water channel. The only hope of rescuing these British troops is by eliminating the guns. That's where Captain James Jensen steps in.

Jensen's plan is to recruit an international special ops team that can climb the staggering 400-foot cliff to penetrate the island's defenses and detonate an explosive device. The team is led by Mallory, an excellent mountain climber with plenty of military experience in Crete. He is in command of an explosives expert, a savage fighting-man, an engineer, and a navigator. It's the perfect team for this harrowing journey through the snowy mountains into the mouth of Hell. 

Having read MacLean's Where Eagles Dare (1967) first, The Guns of Navarone seemed similar in nature, but missed the cloak-and-dagger style. MacLean makes up for it in a big way by adding a hefty load of high-adventure action. At nearly 300 paperback pages, this novel has nearly everything, including mountain climbing, boat battles, gunfights, hand-to-hand combat, drama, and an exhilarating pace that glues the reader to these epic challenges. 

The most interesting aspect of MacLean's storytelling is that he is constantly evolving these characters by placing them in extreme situations. The characters the reader meets at the novel's beginning are grossly changed by the last page. The experiences of war, overcoming adversity, and the trials and tribulations of defying death itself affects these men. I really enjoyed watching the transformation and specifically how Mallory's leadership was modified when faced with an injured team-member. 

Lastly, as a fan of David Morrell's Rambo II character (read my review), it was fun drawing comparisons to MacLean's character of Andrea. The description that Mallory provides of this seemingly immortal, savage fighter, was similar to Colonel Trautman's description of Rambo. Andrea's exploits throughout the novel fighting the Germans, mostly as a loner hero, was a true highlight. I'm not sure this novel is quite the same without the addition of Andrea. It was an integral portion of the story.

The Guns of Navarone is an absolute masterpiece of high-adventure, and I give it the highest recommendation. You won't be disappointed with the story, plot development, or characters. MacLean deserved the heaps of praise his early and mid-career novels received. He was a master craftsman and you owe it to yourself to read one of his best. Whether this one is as good, or better, than Where Eagles Dare is up for debate. I love them both equally.

Note - British author Sam Llewellyn was commissioned to write two additional sequels - Storm Force from Navarone (1996) and Thunderbolt from Navarone (1998). I've read disparaging remarks about those two novels. 

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Blood Alley

In 1955, Blood Alley was simultaneously published as a novel and released as a film by Warner Brothers. The premise is that a U.S. Merchant Marine named Wilder is freed from a Chinese prison by a village hoping to utilize his services to escape to British-controlled Hong Kong. The book was authored by A.S. Fleischman, a popular Fawcett Gold Medal writer who specialized in exotic Asian locales to place his action-adventure novels like Shanghai Flame (1951), Malay Woman (1954), and Danger in Paradise (1953). The book was considered “cinematic”, thus Hollywood gained a copy of the book prior to its release and agreed that Blood Alley would be a great film. Fleischman was asked to write the screenplay, thus both formats were released simultaneously. 

Thankfully, Stark House Press has published a majority of Fleischman's novels, including Blood Alley, which is out now through the subsidiary Black Gat Books. 

The book is a nautical adventure tale as protagonist Wilder captains a steamship through a perilous coastal waterway. In the book's beginning, Fleischman is liberated from a long stint in a Chinese prison. The first few chapters focus on the escape, the journey to the village, and his days spent as a clandestine village local. Wilder learns that the village, through bribery and firepower, were able to spring Wilder, but at a price. Wilder is to transport the villagers to Hong Kong, an island that was controlled by the British government for 99 years (which reverted back to China in 1997).

Fleischman inserts a romantic connection for Wilder in the form of Cathy, a British woman who is anticipating that her father, the village doctor, will be able to join Wilder's quest for freedom. Part of the book is the build-up to learn of the doctor's fate and the impact on Cathy's choice to continue the trek to Hong Kong. The voyage is ripe with gunfights, patrol boat chases, and conflicts on the ship as Wilder is placed in a number of territorial and village disputes. The largest portion of the novel has Wilder battling his own ship, a relic from a bygone era that is forced to do the impossible. 

Despite the fact that Blood Alley was a Hollywood flop, even with iconic John Wayne as the star, Fleischman's novel is a better representation of the story. It's a short, fast-paced novel that doesn't necessarily rely on a lot of characters and backstory. I enjoyed Wilder as the narrative's main star, but the chemistry with Cathy was an enthralling, enjoyable element. Nautical-fiction fans won't be disappointed with the plot's development. It's a sequence of terrific visuals that offers up the breathtaking escapism that the genre demands. That alone makes Blood Alley an easy recommendation. 

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Matt Helm #05 - Murderer's Row

Murderer's Row, the fifth installment in Donald Hamilton's Matt Helm series of spy-fiction, was published in 1962 by Fawcett Gold Medal. The novel was loosely adapted into a film of the same name in 1966. I've mostly enjoyed the series and Hamilton's writing, so I'm continuing in proper order with this installment.

Like the last entry, The Silencers, the next dangerous mission involves a female agent working for the same three-lettered, clandestine organization as Helm. Mac, Helm's boss, explains that the coast of Virginia – Chesapeake Bay – is experiencing an elevated amount of foreign vessels. The theory is that the area is hosting a trafficking operation with foreign powers extracting key personnel from the U.S., including a top-rated scientist with important knowledge regarding American security. The agency wants to locate the scientist and either retrieve or kill him.

A female agent has been inserted into the operation to gain intelligence, however, her perceived credibility has been compromised. Mac, and the agency, need her to regain credibility through nefarious means. Helm is to travel to her hotel room and dish out a scolding punishment from the agency, a savage, violent beating to whip her into shape. The room is bugged by the bad guys, so they will hear and see the beating and realize that this agent does in fact work for the U.S. and is being reprimanded for her poor performance. Mac's last agent, a young rookie sensation, failed miserably on the assignment. Helm is pulled from a Texas vacation to do the job right. Mostly, it all goes accordingly until the female agent unexpectedly dies during the beating.

Helm “killing” a fellow agent creates a tidal wave of issues for him and the agency. Mac attempts a retrieval, and at one point Helm is set-up in an attempt to bring him back to Washington. Helm wants to complete the mission, his superiors feel he is unable to. Against orders, and without support, Helm eventually finds the scientist's daughter, and gets tangled in a wild set of circumstances where he pretends to be a mob hitman named Petroni. There's a dense, complicated family affair between the woman, the scientist, and a bitter married couple. Individually, they each want to pay Helm/Petroni to kill another family member. Surprisingly, Helm accepts the jobs.

Hamilton really threw a curveball into this series installment by creating a unique, nearly comedic approach to the typical spy formula. The female agent dying during the beating was shocking, but where Helm goes after that opening event was just so bizarre and entertaining. Helm's insertion into a high-level, deadly family dispute was amazing, especially considering he agrees to kill two family members for money. It's all for show, of course, but the means to an end is an exciting chain of events that eventually leads from hotels to back-roads, then jail to a boat, then a massive hurricane that bounces the characters around during the book's rousing finale. It was superb pacing and plot development. 

Murderer's Row is probably a high-point in the Matt Helm series. It has a really clever storyline, a plausible sequence of extraordinary events, and a deep character study of the family dynamic and the strenuous ties that bind. This one is just fantastic and highly recommended. 

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Tightrope Men, The

British resident Giles Denison awakens in an unfamiliar place with vague memories of his past. When he stumbles into the bathroom, he is shocked to see the face staring back at him is not his own. The mirror's reflection, and wallet, prove that Denison is a doctor named Harold Meyrick. Upon further inspection, Denison discovers that he is in a hotel room in Oslo, Norway. Going with the flow, and hoping sanity returns, Denison heads to the front desk and learns that he's been a guest of the hotel for three weeks. Finding his car, Denison is further perplexed when he finds a small doll inside with an invitation for a meeting at a nearby popular tourist spot.

When Denison arrives at the rural, forested attraction, he's immediately attacked by three men. Barely surviving the encounter, Denison escapes with his life and is soon arrested by the Norwegian police. Thankfully, Denison finds some solace when men from the British embassy arrive to spring him from jail. They attempt to explain the bizarre circumstances surrounding Denison's newfound identity. It turns out that Dr. Meyrick was assisting British intelligence in locating hidden papers regarding a top-secret weapon. Some red agency captured Meyrick and the perfectly pedestrian Denison. Meyrick is either dead or undergoing torture, while Denison has been brain-scooped and surgically rendered to resemble Meyrick. 

Desmond Bagley's The Tightrope Men (1973) is a clever, high-speed espionage thriller with the obligatory suit 'n tie good guys fighting global terror with an unlikely hero. Denison's transformation from unwilling, shocked suburbanite into the willing and capable spy was really enjoyable. The author injects some humor and a lot of fun banter with Denison, as Meyrick, forced to engage in relationships with Meyrick's friends and a beautiful daughter. The latter becomes a real mess for Denison as he is falling in love with the woman that is supposed to be his daughter. There's reader speculation on who's in the know and who isn't when it comes to Denison's facade as Meyrick, which made for a great mystery. Of course, there's gunplay and action-adventure in the deep, rural wilderness of Finland (similar to Bagley's Running Blind taking place in the remote wilds of Iceland).    

Needless to say, Bagley rarely disappoints. The Tightrope Men is a well-crafted, superb spy-thriller with danger, intrigue, and romance at the forefront. If you love Ian Fleming, Hammond Innes, and Alistair MacLean, then you are probably already familiar with Desmond Bagley. If not, this is a perfect representation of his work. Highly, highly recommended.

Fun Fact about Paperback Warrior – I'm a bit of a Finland history buff and Bagley provides an excellent, digestible history on Finland's relationship with Russia. There's also passages regarding the Karelian Isthmus, an area in northwestern Russia, where the Finnish population was seemingly replaced with Russian. In particular, I've read poems and stories associated with Finland's National epic Kalevala. There's a great Finnish band called Amorphis that writes and performs songs associated with Finnish history and the Kalevala poems. 

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The Brat

The Brat, published in 1957 by Fawcett Gold Medal, was Gil Brewer's 12th career effort, a mid-era crime-noir that is misrepresented by the book's sultry cover. Fans of Brewer's sexier femme fatale novels, like The Vengeful Virgin (1958) or The Tease (1967) may be led to believe that The Brat possesses that same energy level. It includes all of the potent ingredients to make the narrative seemingly explode – wild women, lust, greed, criminality, and average men pushed from their suburban threshold into a world of madness. Like Orrie Hitt, Brewer loved this type of storytelling experience - the sexy seductress weaving a master-plan. But, The Brat doesn't utilize these ingredients to create anything magical. 

In this novel, Brewer mimics Day Keene's more simplistic approach. It makes sense considering the two were friends and even collaborated together. If I didn't know better, I would have pegged The Brat as a Keene novel. The narrative is saturated in genre tropes that are familiar to any seasoned crime-noir fan. The narrative's central element is identical to the “man awakens to find a corpse and flees from the law to prove his own innocence” concept. Only, Brewer exchanges the swanky apartment, soft bed, or suburban house with a bank.

Lee is a fairly wealthy guy before his trip into Florida swampland. It's in the sweltering jungle that he finds the sexy Evis, a backwoods tramp that he can't resist. Her family is redneck loonies, so Evis is rescued by Lee and soon the two ring the wedding bells. But, Evis’ domestication is ripe with greed and self-interest. She carves through Lee's savings, leaving the two almost destitute just a short time later. Evis, who conveniently works at the local bank, pitches Lee a heist plan. She can easily steal money from the bank's vault during her closing shift. Lee slightly agrees, but doesn't want to commit to steering into that lane yet.

Lee arrives from work one evening to find that Evis is working at the bank and she needs him to pick her up. When he arrives at the bank, there's a corpse, missing money, missing spouse, and enough evidence that suggests he collaborated with Evis to commit this criminal act. Terrified of being fried for murder, Lee hits the road to pursuit Evis. Along the way, he is tracked by a greedy sheriff that wants the money all to himself. There's also Lee's best friend that may have been Evis's side hustle to seduce into a joint heist. Lee must avoid the police, find Evis and the missing cash, and prove he is innocent. 

Brewer's novel  is one long road trip as Lee hops from destination to destination searching for clues. The pacing and plot structure never allows the narrative to breathe, making the characters one-dimensional and over-obsessive. This is Day Keene's wheelhouse and he excels at it far better than Brewer. The Brat is similar to Brewer's Sin for Me (1967) novel with its western feel and seemingly endless manhunt. If you must read everything Brewer has written, then you aren't skipping The Brat. Otherwise, there's no need to spend any time reading this less than satisfactory novel.

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Earl Drake #06 - Operation Drumfire

After the success of The Name of the Game is Death (1962) and One Endless Hour (1969), crime-noir author Dan J. Marlowe found his heist hero in protagonist Earl Drake, the “man with nobody's face.” The Earl Drake series, for lack of a better name, includes 12 total novels, all published by Fawcett Gold Medal between 1962 and 1976. We've covered the first five novels right here at Paperback Warrior and continue our coverage with this sixth installment, Operation Drumfire, published in 1972.

In Operation Drumfire, readers become fairly familiar with Earl Drake's backstory. He was a professional bank robber who now works occasional assignments for a special agent named Erikson. It is never explained who Erikson works for beyond hinting at a sub rosa agency deep within Washington D.C. Drake's lover is a tenacious former barkeep named Hazel, who has a talent for gambling on horses and the skills to pilot the couple's airplane. She's also a sexy cowgirl that owns a sprawling ranch built from the fortunes of her former husband. Beginning in the series fifth installment, Operation Breakthrough, the duo is joined by an eccentric martial arts expert named Candy and his Chinese girlfriend Chen Yi.

In this book's opening chapters, Erikson visits Drake and Hazel to show them a video of a bank heist at a horse-racing track. Erikson's agency feels that a think-tank defense contractor called the Institute of Defense Analysis (IDA) may be behind it. The idea is that mathematicians inside the agency put together an elaborate plan to knock off the track. Now, due to Erikson's involvement in a meeting between senior leaders in Mexico and the US, he's touching shoulders with IDA. His growing suspicions of their abilities may lead to chaos with the meeting. He wants Drake and Hazel to infiltrate the agency by going undercover as mathematicians inside their headquarters. 

Honestly, I have no idea what is happening in this book. None of it makes any sense to me. Normally, I can stay fairly entrenched with whatever Marlowe is springing, but I'm not even sure he knew what was going on. It's like a chain of events including a Black Panthers type of military presence in Oakland that Candy must deal with. Then, Drake has to fake his math skills inside the agency while Hazel gains clues for something or another. There's an explosion somewhere and a firefight at the end. It was like Marlowe had individual events he wanted to schedule in the narrative, but had no logical way to connect them. 

But, it isn't all completely lost. Drake changes his old snub-nosed .38 revolver for an automatic .9mm. I felt this was a major change for the character, like a promotion into the big leagues. Also, one of the four main characters is killed off in this installment. Shamefully, I felt good about that. Other than those positives, Operation Drumfire is more like Operation Dumpsterfire. 

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Gold Bait

Colonel Corby spent years fighting in Korea and Vietnam before an injury ended his military career. After rehabbing at a local hospital, Corby cashed out and wanted a retirement somewhere cheap with lots of booze and sex. So, it's in Mexico that entrepreneur Max Haggard finally locates Corby, nestled between bottles of tequila and a beautiful senorita's legs. At the front door, Haggard explains that he has traveled from Korea just to find Corby. He ain't selling vacuum cleaners. What he has to offer is worth over $4 million smack-a-roos.

Haggard reminds Corby of a Korean battle at sea in which Corby, manning a small South Korean boat, managed a direct hit to sink a battleship. But, little did anyone know that the battleship held a metric ton of fun payable in small, shiny gold bricks. Those same bricks are now sitting on the seabed wherever Corby scored the hit. Haggard learned of the ship's fortune in Korea, but no one could locate any whereabouts of the sunken vessel. Only Corby can recall the coordinates After squinting at charts, Corby knows where to find it. But, he's keeping his 'ole kisser shut until they can put together a salvage job. 

Author Walter Sheldon, often writing as Walt Sheldon (once as Ellery Queen), made stacks of dimes writing pulps in the 30s and 40s. Like everyone looking for a better payday, he switched to paperback originals and dished out crime-noir, science-fiction, horror, and action-adventure novels. By the time he wrote Gold Bait, published in 1973 (Fawcett Gold Medal), he had the writing machine well-oiled. So, after consistent success, Sheldon presented Gold Bait in an experimental, different way. 

The first page of the book is a CIA memorandum from Mr. Fancy Pants to another Fancy Pants outlining Corby's possible recruitment into the organization. The memo says that the pages in the book are documents recovered from Corby, other people and agencies. The last page of the book is another CIA thingy suggesting that the documents were reviewed by enough peeps to make a final decision. The last line states that Corby is either eligible or ineligible for recruitment. I'm not telling you how it ends.

So, what are the pages inside? What do they contain? It's a conglomerate (that means buncha) of diary entries from Corby and that blonde bombshell that's on the front cover as well as letters and police reports that tell the tale of this foursome attempting to recover the sunken gold while being watched by the pesky military. Mostly, it all works out and makes this a real cool read, but I wondered how these guys had the time to write diary entries while dodging bullets, assassins, criminals, and scoundrels? 

I'm sure you just gawked at the cover and spent your $5 because it is a Robert McGinnis painting and you're a filthy savage, but if you want to open it up and read the words, I think you may get hooked on Gold Bait. I sense it could have been a series of books starring this Corby fellow blowing up people and places while pulling down panties. But, I don't think a sequel even happened and that's a real bummer. Anyhoo, Gold Bait is recommended. 

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Rebel Wench

Gardner F. Fox (1911-1986) began writing for the comic book industry in 1937. Throughout his prolific literary career, Fox authored over 4,000 comic books and helped create characters like Hawkman and Flash. While reaching an iconic level within comics, Fox also wrote over 150 paperback originals encompassing genres like science-fiction, fantasy, western, and romance. I recently purchased a Historical Fiction ebook bundle from the Gardner Francis Fox Library. Included was Rebel Wench, originally published by Fawcett Gold Medal in 1955. The book is also available as a paperback reprint and also exists in digital through Wildside Press.

Despite the book's cover, the protagonist of Rebel Wench is Billy Joe Stafford, a plantation owner embroiled in the American Revolutionary War in 1781. In the character's history, readers learn that he is a third generation farmer that was taught to hunt and survive at an early age by a Native American. Stafford is respected by the slaves, including his lifelong servant and friend, Old Gem. His marriage to Laura Lee developed a large rift in 1777 – Stafford joined the Continental Army to fight for independence and Laura became a Tory in support of Great Britain. 

The “rebel wench” of Fox's story is Deborah Treat, a beautiful spy working with the rebels under Brigadier General Daniel Morgan. In the opening chapters, Stafford rescues Deborah from the clutches of an evil brawler, a villain that appears repeatedly throughout the narrative. After dismissing Deborah as a prostitute, he soon learns that she is a sharpshooter, a cunning strategist, and a fierce lover. As an aid to Morgan's Rifles, Stafford and Deborah team up to infiltrate British forces controlled by Cornwallis. 

Central to the plot is a striking love-hate relationship between Stafford and his wife Laura. Stafford wants Laura to join the rebellion, but she's in love with a British Colonel who hopes to take over the plantation once Stafford is killed. There's a bit of heated intrigue surrounding a lavish party where Stafford and Deborah pose as siblings to expose plans created by Cornwallis. In sultry style, Fox seduces readers with a few tepid sex scenes, most of which concern Laura's bedroom romps with both Stafford and the Colonel. My interest was the historical aspect and, for the most part, Fox fills the gaps with a great history lesson on battles and guerilla fighting between armies and divisions up and down America's Eastern Coast. 

Rebel Wench would have easily appealed to the 16 year old boy in the 1950s or American soldiers serving abroad. With plenty of gunfights, fisticuffs, beautiful women, and galloping horses, Gardner Fox absolutely knew his storytelling strengths and what his fans were expecting. If you control your own expectations, there's nothing to dislike about this fun adventure. Recommended.

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The Big Bounce

Between 1953 and 1961, Elmore Leonard (1925-2013) authored his first five career novels and all were westerns. Leonard played his first hand of crime-fiction in 1966 with a relatively unknown novel called The Big Bounce. He shopped it to a variety of publishers and they all declined. In 1969, Fawcett Gold Medal published the book simply because it had been adapted to film the same year starring Ryan O'Neal and Leigh Taylor-Young. The movie was a flop, so Hollywood tried again in 2004 with a cast including Owen Wilson, Morgan Freeman, and Charlie Sheen. It was such a disaster that Leonard described it as the “second-worst movie ever made”, alluding to the fact that the first one was the worst. Despite the publication and theatrical horror associated with The Big Bounce, I decided to read it. I wish I had those hours back.

The book begins with three men watching a video tape of migrant worker Jack Ryan (no relation to Tom Clancy) executing a home-run swing with a baseball bat on his crew leader's face. Readers later learn that Ryan was a former Baseball Player and has now spiraled down the labor ladder to the position of Seasonal Picker of Cucumbers in a lakeside region of Michigan. Ryan and acquaintances (he never had friends) rob a lake-house and steal $750 from wallets and purses. Ryan fears that the other guys will get caught simply because the box they placed the wallets and purses could be found.

After being fired from his job for smashing the foreman with the bat, Ryan is hired as a Handyman by a resort owner named Mr. Majestyk (oddly, no relation to the character Leonard created five years later). Ryan spends time in his new position avoiding an average-looking female guest who desperately wants to get lai....wants to have her window fixed. Ryan hooks up with Nancy instead, a young seductress who is banging two men, one of which is the owner of the cucumber farm. Ryan and Nancy run around shooting glass objects while planning to steal the payroll money from the farm.

I have no Earthly idea why anyone in Hollywood wanted to make a film from this novel. Or, why anyone would want to attempt it again. The book is mindless with its lack of plot structure and features one of the most uninteresting protagonists I've read. I nearly gave up reading it twice, but just kept pushing onward out of respect for Elmore Leonard. There isn't anything remotely compelling about the story, the character development, pace, or dialogue. If you must read everything Leonard wrote, then I guess you owe it to yourself to experience the good and the bad. Beyond that, avoid this book!

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Danger in Paradise

Stark House Press continues to reprint the literary work of A.S. Fleischman. The talented Navy veteran, magician, and author began writing genre paperbacks in 1948, a career that led into his more prominent role as a children's storyteller. Among his westerns, movie novelizations, and crime-fiction, the genre that most feel was Fleischman's strong suit was exotic adventure. Novels like Shanghai Flame, Counterspy Express, Malay Woman, and Blood Alley are set in and around Asian locations. In 2018, Stark House reprinted Fleischman's Malay Woman and Danger in Paradise as a two-in-one with an introduction by David Laurence Wilson. Having read, reviewed, and enjoyed Malay Woman, I was excited to read 1953's Danger in Paradise to experience more of the author's thrilling exotic adventures.

Jefferson Cape is a Montana native that works as an international geologist in the Far East. After a long voyage across the Java Sea with a crazy Australian captain, Cape is happy for a day stop in Buleleng, Indonesia. The temperature is red hot, the beer is hotter, and the mosquitoes are like a thick drapery of disease and despair. But, Cape is on dry land, at a bar, enjoying these tiny moments when a beautiful woman approaches him for an unusual request.

The woman explains that she has a very tiny package that she needs to export out of Buleleng. It's a business card with Russian wording on the back. She explains that this has to do with terrorists in the country and arms trading. She wants him to carry it back to the states and deliver it to the CIA. Unfortunately Cape agrees and his entire world comes crashing down. The woman seemingly disappears and Cape finds himself stranded and on the run from a Chinese gunman, a powerful businessman, and terrorists as his ship sails away. His only ally is a sexy, mysterious woman, but she somehow knows the lady from the bar and is connected to this whole deadly fiasco. 

Danger in Paradise wasn't as entertaining as I had hoped. I felt that Fleischman had too many ideas and couldn't really flesh them out in a uniform way. In fact, in the first couple of pages, Cape looks at the woman in the bar and says, “Okay, I'll bite.” I felt like this was Fleischman after writing a couple of the early pages for a plot he hadn't quite constructed yet. He's reminding himself that he has this American man in a bar meeting a mysterious woman. Where can he take this rudimentary idea? Unfortunately, he takes it too far.

At 160 pages, the narrative is saturated in chase sequences that left me bewildered about which characters were after each other. I wanted the story to be explained quickly so I could enjoy the twists and turns, but once it was unveiled, I needed some story elements concealed to keep it interesting. Gunrunning, terrorists, exotic locales and shady ladies should be an easy story to tell. But, Danger in Paradise drowns in the details and becomes a convoluted chore. Of course, Fleischman can write his tail off, but the end result left me exhausted. Get the book HERE.

Matt Helm #04 - The Silencers

Matt Helm is starting to stir the place up. After dismissing the first two installments of this Donald Hamilton spy series, I knew I owed it to myself to just keep reading these titles. Thankfully, the author's western traditionalism elevated the third book, The Removers, and I found myself liking it. While I've always been critical of Helm's actual heroism, I still love Hamilton's hard-boiled storytelling. The dialogue is snappy, the complex wrinkles of international espionage are smoothed over, and these stories seem to improve more and more. Needless to say I was happy to pursue the series fourth installment, The Silencers. It was published by Fawcett Gold Medal in 1962 and now exists as a reprint in physical, digital and audio.

On the last page of The Removers, Mac instructed Helm that his next assignment would involve a rural mountainside retreat. In the opening pages of The Silencers, Helm has completed this mission (details were never revealed) and is now on his newest job in New Mexico. Mac instructs Helm to cross the border into Mexico to extract a female agent code-named Sarah (she was a minor character in the series debut, Death of a Citizen). There, he teams up with another agent named Pat LeBaron to find Sarah working as a stripper in a rowdy bar in Juarez. After making eye contact with Sarah, the room explodes in violence as she is fatally stabbed (mission failure) and LeBaron is shot to death (secondary mission failure). But, Helm manages to get Sarah's sister Gail to safety. 

In talking with Mac, Helm learns that Sarah had sold-out the U.S. to become an asset for a foreign enemy. Upon her death, she had a microfilm of stolen secrets ready to provide to the enemy. Luckily, Gail has the microfilm and Helm seduces her out of her clothes to find it. In a motel room, Helm is attacked by two bad guys, but learns they are working for another U.S. agency that doesn't necessarily want to coordinate their efforts with Mac's department (CIA vs FBI feud). 

Mac advises Helm that the main bad guy is a spy named Sam Gunther, a man Gail describes as a smooth talking cowboy. The two pursue Gunther into Carlsbad, California and learn that he has aligned with top scientists to launch a missile into a group of politicians and scientists running highly-publicized seismic tests in the area. Got it? It took me a while. But, all of this is told in a rapid-fire pace that places Helm in fights with various foreign agents and an awesome finale in an old ghost town church.

There's nothing to dislike about The Silencers and, once again, the series shows improvement. In a minor way, this Helm assignment was like a Nick Carter: Killmaster installment with the layers of over-the-top action and stereotypical criminals. There's a little more comedy inserted in between fights, leading some fans to believe Hamilton was displaying a fondness for Richard Prather. I could sense some similarities, but Helm is a far cooler character than silly 'ole Shell Scott. 

The Silencers is another great installment to this highly respected series. Helm and I started off on the wrong foot, but after that mess with his wife (The Revengers), I'm starting to like this guy. Hamilton writes with conviction and energy, and doesn't necessarily drown the reader in details. He does just enough to make Helm a hero, but doesn't overdo it. The end result makes it a fantastic reading experience and a worthy Bond opponent (if the literary world needed one). Get a copy HERE

The Skin Game

Frank Bonham (1914-1988) is best remembered as an author of young adult fiction and westerns from the pulp era into the advent of paperback originals. However, he also authored three crime novels, including The Skin Game, originally released by the prestigious Fawcett Gold Medal imprint in 1962.

Our main character is a former cop turned Parole Officer named Sam Garrett. He’s provided the task of supervising a parolee named Gene Foreman, a man Sam knew years ago when they were both police officers. Gene is technically a sex offender who was recently released on parole from prison after serving 26 months. It’s not as bad as it sounds. He was consorting with a girl who said she was 19 but was actually 17 and - boom - he’s automatically a statutory rapist.

A cop named Donovan has a real hard-on for Gene and wants to bring him in as a suspect for a recent sex crime. Sam doesn’t think Gene did it, but is duty bound to bring his old friend in for police questioning. The problem? Gene abandoned his apartment and is nowhere to be found. Parole Officer Sam needs to locate his old friend before he violates the terms of his parole and further cements his status as a suspect in Donovan’s investigation.

The stakes escalate exponentially when the police learn of a sexual thrill-killer who gets women to pose for naked photographs before brutally murdering them. With Gene completely off the grid, the police naturally gravitates to him as a suspect. Is it possible that this ex-cop has a screw loose and is indiscriminately killing sexy babes while on parole? That’s one of the mysteries encapsulated in this 160-page paperback. There are some unexpected twists along the way, and the novel isn’t always about what it seems.

For a guy who only dabbled in the Fawcett Gold Medal style of crime noir fiction, Bonham nailed the style and plot structure very well. There was plenty of sexual titillation, and characters who aren’t what you think they are. The Skin Game has been reprinted by Cutting Edge, which is a good thing considering it’s a solid example of what made mid-20th century paperbacks something really special. Get the book HERE

Matt Helm #03 - The Removers

Ian Fleming's mega-star James Bond influenced a number of spy fiction titles, including Assignment and Nick Carter: Killmaster. One of the most popular is the Matt Helm series authored by Donald Hamilton. It ran from 1960-1993 with 27 total books. I was lukewarm on the series first two installments, but the character still intrigued me enough to warrant further pursuit. I grabbed a copy of The Removers, the third installment of the Matt Helm series. It was originally published by Fawcett Gold Medal in 1961 and remains readily available today in audio, digital and physical reprints.

In Death of a Citizen, the series debut, Helm is married to a woman named Beth and has three children. He's a former OSS agent (the early CIA) that established a writing career and a sense of normalcy after retirement. But, events drag him back into the spy business and he rejoins his former department. I didn't particularly like the book, despite its enormous popularity, and felt that it was incomplete. The idea that Helm simply left his wife and kids (and has an affair nonetheless) didn't sit well with me. Thankfully, The Removers circles back to his family and completes the origin tale in its entirety.

The Removers begins by explaining that Beth Helm is now remarried and lives on a cattle ranch in Reno, Nevada with her kids. She's now Mrs. Lawrence and her husband is a British chap that has a shadowy past. Helm receives a letter from Beth asking him for a favor. Thus, the opening chapter has Helm in Reno preparing for an uncomfortable meeting with his ex-wife. However, Helm also receives word from his boss Mac that a young agent is working an assignment in Reno and may need a light assist. 

Helm learns from Beth that her husband was involved in a prior business similar to Helm's. Because of some sort of past event, shady people are threatening the family. Helm takes it all with a grain of salt until he meets Beth's husband Logan. Helm's theory is that Logan isn't really British, but is legitimately some sort of skilled professional capable of defending Helm's kids and ex-wife. In fact, Logan politely, but sternly, advises Helm to leave the ranch and never look back. 

The star of the show is Moira, a young and sexy woman that physically distracts Helm. The two get it on, and in doing so Helm learns that Moira is the daughter of Big Sal Fredericks, a Reno mobster. Fredericks is employing a foreign spy/enforcer named Martell, a man that Mac warns Helm about. After learning that Logan Lawrence is a former gun for Fredericks, Helm begins to connect the dots. Logan left the business, but Fredericks needs him for one more run to Mexico to recapture stolen heroin. Logan refuses, thus the not-so-gentle rub.

All of this ties in beautifully and creates a really engaging story. Helm engages in some awesome dialogue, never comically witty, but maintaining a hard-edged coolness. The action scenes are fairly swift and keep the narrative flowing into a much longer finale that is soaked with violence. Oddly, it was told with a sense of western traditionalism. The hero rides to the rural cabin in the woods to fight the unruly bad guys that have raped and captured his woman. But, that hero isn't really Helm. 

In a clever way, Hamilton mirrors Helm's origin story by telling a similar tale with Logan Lawrence. In this case, Lawrence is the one married to Beth and is called back into action after violent events begin to intrude into his retirement. Arguably, Logan is the real hero.

My main beef with Matt Helm is that he personifies the hardened tough guy. He talks tough, his first-person perspective is menacing, and he genuinely has old war stories or missions that he shares to validate his callous command. But, he never actually does much fighting. In the first two books, Helm doesn't really get the job done and people unexpectedly die. In this book, Helm watches Moira get abused by two women until her own dog makes the save and kills the would-be-rapists. Helm is knocked in the head outside of his motel room and then captured by Martell and Fredericks. 

In the finale, Logan is shot in the leg and placed on the sofa. Helm is tied up and has to listen to his ex-wife being raped in the next room. He has the audacity to question why one-legged, bleeding Logan isn't doing anything about it. The book's rowdy conclusion has Logan saving Helm's life. But, for whatever reason it all just works and Hamilton's prose is so damn cool. I loved the timeline and pacing, the brilliant conclusion of Moira (the obligatory spoiled sex kitten), Beth's neediness, the escalated violence, and Logan's expertise in disposing of the bad guys. Helm should have been the hero (and maybe he is somehow?), but I can settle for him as a co-partner.

I've already started the fourth volume, The Silencers. In the opening chapters, Helm is sent on a mission to Mexico to save a female agent. Wouldn't you know it...she's stabbed to death in front of him. But, it's written so well that I don't even care how inept the hero is. I'm sure an alternate hero will rise to the occasion. Buy a copy of the book HERE

Travis McGee #01 - The Deep Blue Good-by

Crime-fiction author John D. MacDonald began the Travis McGee series with three novels, including The Deep Blue Good-by, originally published in 1964 by the powerhouse publisher of the time, Fawcett Gold Medal. The novel introduces McGee as a salvage consultant that helps clients recover stolen funds. The deal is that if McGee can successfully make the recovery, he keeps a percentage plus additional funds to cover expenses accrued. MacDonald's niche is that McGee performs most of these jobs in and around the Floridian coast on his houseboat, the Busted Flush. I've enjoyed MacDonald and wanted to explore this popular character a little more. I'm starting with the “official” series debut, The Deep Blue Good-by.*

In the book's opening chapters, McGee's newest lady “friend” asks what he does for a living. McGee explains the nature of his business to her and soon gains a referral in the form of a young, voluptuous dancer named Cathy Kerr. McGee's new client is rather reserved and quiet, but explains that her father served in WW2 and had been sentenced to prison for killing another soldier. Prior to his capture, Cathy feels that her father buried something valuable in the building materials of his house in the Florida Keys, but it was stolen by a man named Junior Allen. Her father is now dead, the valuable thing is still missing and Cathy is dancing for peanuts. McGee explains the terms of the deal and becomes involved in an enthralling mystery.

The search leads McGee to Lois Atkinson, a woman who was abused and robbed by Junior Allen and left in a near-death state. McGee, with the aid of the good doctor, nurses Lois back to heath and learns even more about this dubious Mr. Allen. McGee and Lois eventually form an emotional bond that spills over into sex – Lois requiring security and McGee seemingly recovering from some ailments of the past (the series will later hint at his military career, lost loved ones, etc.). 

McGee embraces the mantle of the noble hero, bent on punishing Junior Allen for the atrocities he's committed and the young lives he's ruined. McGee's investigation is multifaceted - what is the valuable thing, how did Cathy's father obtain it, where is it now? The job combs a great swath of area from Florida to New York and points in between. The more McGee learns, the more vicious and terrifying Allen becomes. The inevitable confrontation leads to a boat chase and a spectacular fight scene on board.

Like James Bond, or any popular fictional hero, one can jump into numerous rabbit holes online to learn more about the character and the series (movies, color scheme, boat, etc.). We even covered the character on a podcast episode here, so there's a lot to explore if you are interested. I went into the novel thinking it would be a fun, sexy splash in the water with comparisons to a more violent Shell Scott. I couldn't have been further off. 

This was more like Lawrence Block's early Matthew Scudder novels, just a little more sexy. Junior Allen proved to be a calculated, sick psycho with a penchant for power grabs. McGee's clients are victims, some more scarred and disgruntled than others. I truly felt a sense of obligation to these victims, as if McGee was righting a personal wrong for me. The ending was an emotional roller coaster that left me gutted. The closing scenes with McGee and Cathy had such an impact, and set the tone for the character. He's the hard-boiled hero, but thankfully it's complex. 

Sexy, violent, captivating, and mysterious, The Deep Blue Good-by is a masterpiece that you need to read right now. Or, reread it again. There's an obvious reason for the fuss...Travis McGee is the real deal. 

* MacDonald authored the first three Travis McGee novels in quick succession and submitted all of them to the publisher at the same time. To my knowledge, no one really knows which was the very first. 

Buy a copy of the book HERE

The Mob Says Murder

Albert Conroy was one of the cadre of pseudonyms employed by Philadelphia native Marvin H. Albert (1924-1996) to flood the market with his innovative crime and western novels of the mid-20th century. As far as I can tell, he wrote 14 paperbacks as Albert Conroy/Al Conroy between the years 1952 and 1972, including a stand-alone crime-noir paperback from 1958 titled The Mob Says Murder.

Eddie Driscoll is six years into his state prison life sentence for a fatal bank robbery he didn’t commit. In his day, he did plenty of bank holdup jobs, just not the one that landed him in the pen. Driscoll spends his days pining away for his wife who left him and remarried a year into his sentence. Nevertheless, he remains infatuated and in love with the memory of her soft flesh against him.

One day, Driscoll gets an unexpected visitor in prison. It’s a spicy Mexican dame is pretending to be his cousin delivering a cryptic message that Driscoll interprets as an invitation to bust out of the prison with the help of unknown friends on the outside. This evolves into an early-novel breakout that's about as good as any pulp fiction jailbreak I’ve ever read. Before you know it, Driscoll goes from lonely and horny inmate to a most-wanted fugitive.

The person pulling the strings to orchestrate Driscoll’s shaky freedom is a mobster named Bruno Hauser who runs a nightclub and illegal gambling joint called The Ocean Club. Hauser has a problem - the anti-crime governor has been sending state law enforcement goons to Hauser’s joint to bust up the place and interrupt business. Hauser’s solution? The governor must go. Interestingly, the same governor was once the prosecutor who wrongfully put Driscoll away for life. After his guilty verdict six years ago, Driscoll swore revenge on the prosecutor, and Hauser is hoping to utilize Driscoll as an assassin to remove their shared enemy from office permanently. After all, busting a guy out of prison means he owes you a big favor, right?

Albert has crafted another crime-noir masterpiece here. I thought I knew where the plot was headed based on the cover art spoiler, but it quickly became clear that the artist and copywriter had never read the book themselves. The novel’s characters are vivid and the dilemmas - both practical and moral - are taken seriously by the author. The relationships between the characters are especially well-drawn and add a dose of humanity to this ultra-violent and sexy 141-page lost classic. The plot is perfectly constructed and the dialogue is crisp. There’s really nothing to dislike about this novel.

The Mob Says Murder is another work of pulp literary greatness by Albert. The more I read from him, the more I’ve come to believe that he was a uniquely excellent writer of his era and a step above his peers. For reasons unclear to me, I don't believe this one has ever been reprinted since it hit the spinner racks in 1958. Maybe someone will read this review and do something about that. It’s really something special. Get a copy HERE

Paperback Warrior Primer - Clifton Adams

Clifton Adams was a wine connoisseur that loved jazz music and Oklahoma history. He also wrote a bunch of violent, gritty novels about heroes and outlaws. He won two coveted Spur Awards and was admired by many of his contemporaries. Popular crime-noir author Donald Westlake cited Adams as an influence on his beloved Parker series of heist novels. We've reviewed many of Clifton Adams' novels and we hope today's Paperback Warrior Primer will prompt you to explore his robust bibliography. 

Clifton Adams was born in Comanche, Oklahoma in 1919. He began writing at an early age. However, his writing development paused when he joined Hell on Wheels, officially known as the U.S. Army's Second Armored Division. During WW2 he served as a tank commander in both Africa and Europe. 

After WW2, he utilized the G.I. Bill to attend University of Oklahoma to study professional writing - a degree that focused on making a living as a writer. It was there that he won the “Oklahoma Writer of the Year” award. In his acceptance speech he said, “There’s only one way to approach the kind of writing I do - and that’s as a business. I’m not selling art. I’m selling entertainment.”

And with that idea as his North Star, he succeeded. In his career, he wrote 50 full-length novels and 125 short stories the magazines and digests. His first professional sale was the short story "Champions Wear Purple", published in Adventure in January 1947. His first novel, Desperado, is often cited as his finest work. It was originally released as a Fawcett Gold Medal paperback in 1950. It was a monster hit and spawned a sequel in 1953 called A Noose for the Desperado. Both books remain available as reprints from Stark House Press. 

Besides the two Desperado books, his only other recurring character was Amos Flagg, a western series written under the pseudonym of Clay Randal. The series ran from 1964 to 1969 for seven installments. He also wrote five stand-alone novels under the Clay Randal name between 1953 and 1963. He also wrote six westerns between 1958 and 1963 under the name of Matt Kinkaid. Celebrating his western writing, he won two Spur Awards from the Western Writers of America - 1969 for Tragg’s Choice and 1970 for The Last Days of Wolf Garnett.  

While most of his literary work falls into the western genre, he also wrote crime-fiction. Whom Gods Destroy and Death's Sweet Song were both published in 1953 by Fawcett Gold Medal. His 1956 crime-noir, Never Say No to a Killer, was published by Ace under the pseudonym Jonathan Gant. All three of these books have been reprinted by Stark House Press. He also used the Gant name to author The Long Vendetta, published in 1963 by Avalon. Under the name Nick Hudson he authored The Very Wicked, published in 1960 by Berkley. 

Clifton Adams died from a heart attack in 1971 in Comanche, Oklahoma. According to our research, the author's papers are kept at the American Heritage Center at the University of Wyoming. For more information, listen to the Paperback Warrior Podcast episode about Clifton Adams HERE.

Circle of Secrets

Jon Messmann proved to be a prolific and diverse author throughout the 1970s and 1980s. He created the wildly successful The Trailsman series of adult westerns, contributed installments in the Nick Carter: Killmaster spy series as well as authoring his Handyman and Revenger series of men's action adventure novels. Messmann also wrote horror and stand-alone thrillers, but surprisingly, he also authored gothic romance novels under the pseudonyms Claudette Nicole and Pamela Windsor. After reading a lot of Messmann's work, I decided to try one of his Nicole gothics, Circle of Secrets. It was published by Fawcett Gold Medal in 1972.

Kim Morrison and Mary Ellen met and became friends in college. Years later, the two still remain long distance friends and communicate through letters and phone calls. Oddly, Mary Ellen only talks to Kim after midnight and maintains a bit of secrecy concerning her personal life. On their most recent phone call, Mary Ellen seemed distressed, motivating Kim to pack her bags to make a visit. The next day, Kim receives the deed to Mary Ellen's house, a beautiful old plantation home off the coast of Georgia. The property, known as Starset, has been passed down from generation to generation, and apparently Kim is the new owner. But, what's going on with Mary Ellen?

Kim's visit to Georgia is plagued with issues. She receives an ominous telephone call warning her to stay away from Starset. Within a few miles of Starset, someone shoots Kim's tire. Further, there are multiple attempts to murder her using things like rattlesnakes and faulty stairs. Kim discovers that Starset has remained empty for years and there is no sign that Mary Ellen has recently lived in this house. After further investigation, Kim discovers an old gravestone on the property...and Mary Ellen's name is on it. Mary Ellen has been dead for three years! Has Kim been communicating with a ghost this whole time!?!

Circle of Secrets is a more of a murder mystery than a gothic. Traditionally, these gothic novels describe the house in so much detail that they become a character. In those books, most of the suspense and intrigue occur inside the walls of the lavish mansion or castle. Messmann still includes the mansion (and vulnerable woman), but he places most of the mystery outside of the house. Like a toned down detective novel, Kim interviews the minister, coroner and town residents about Mary Ellen's mysterious death. Slowly, the book evolves from the ghostly tease to a flat-out crime-noir mystery. However, Messmann rips the rug out from under the whole thing on the very last pages. It becomes a frustrating open-ended finale where readers can draw their own conclusions on who, or what, is terrorizing Kim. 

If you can purchase a copy of Circle of Secrets on the cheap, then I recommend it. It's a murder mystery cloaked by gothic drapery with great artwork and colors. Additionally, Messmann is such a great writer that even this average read is enhanced by his storytelling magic. 

Buy the brand new edition from Cutting Edge Books HERE.

The Girl with No Place to Hide

Between 1958 and 1961, Philadelphia native Marvin H. Albert (1924-1996) employed the pseudonym Nick Quarry to write a six-book series starring a hardboiled Manhattan private detective named Jake Barrow. The series has been largely lost to the ages until a recent resurrection by Stark House imprint Black Gat Books. The third installment, 1959’s The Girl with No Place to Hide, is back as a mass-market paperback for modern readers to read and enjoy.

Jake is our narrator for this taut 185-page mystery. After leaving a strip club at 2:30 in the morning, our hero witnesses a woman – a real dish, by the way – being dragged into an alley by a thug. Jake dispatches the mauler, saves the damsel in distress, and brings her to his apartment for safekeeping. Her name is Angela, and she’s filled with secrets. Angela is convinced, with good reason, that someone is trying to kill her. However, she doesn’t trust Jake enough to share the complete story. Jake steps out of his apartment for a few minutes before returning to find that Angela has disappeared.

Without a paying client, Jake takes it upon himself to find Angela and learn who is trying to kill her and why. He makes a logical leap that her threat is somehow tied to a grisly murder of a newspaper ad man around the same time and leverages his relationships with NYPD homicide to get the inside scoop. There’s a side plot involving a middleweight prizefighter with an approaching title bout. There’s also wiretaps, heaving breasts, thugs who kill, thugs who need killing, dirty cops, love triangles, torture, extreme violence, and 1950s stylized sex. No joke, this paperback has something for everyone, and the influence of Mickey Spillane’s Mike Hammer shines brightly throughout every page.

As a character, Jake is a hardboiled archetype who loves the ladies, booze, and using his gat when pushed too far. Albert is an unsung hero of the paperback original era who was equally proficient in the crime and western genres, and The Girl with No Place to Hide presents the author at the absolute top of his game. The mystery and its solution were perfectly crafted with enough red herrings to keep the reader guessing until the satisfying solution. Let’s hope this reprint sells like hotcakes, so Stark House/Black Gat bring back more Jake Barrow mysteries. Highest recommendation.

Addendum

Although The Girl with no Place to Hide is the third installment in the Jake Barrow series, the paperbacks can be read in any order. Here’s the original series order – all published under the Nick Quarry pseudonym by Fawcett Gold Medal:

1. The Hoods Come Calling (1958)
2. Trail of a Tramp (1958)
3. The Girl with No Place to Hide (1959)
4. No Chance in Hell (1960)
5. Till it Hurts (1960)
6. Some Die Hard (1961)

Get the book HERE

Pop. 1280

Jim Thompson (1906-1977) is a celebrated author of noir paperbacks from the 1940s through the 1950s. I've struggled with his writing style and haven't latched onto that one Jim Thompson novel that inspires me enough to fully appreciate his literature. Many point to Pop. 1280 as one of his finest works. It was originally published in 1964 by Fawcett Gold Medal and has been reprinted numerous times since. 

Nick Corey is Sheriff of Potts County, a rural riverside town with a population of 1,280. Corey sleeps late, drinks at work, accepts bribes from the local whorehouse and rarely carries out police work. He's the ultimate scoundrel. After years of being verbally and physically abused by two town pimps, Corey requests the aid of a nearby county sheriff named Ken Lacey. Corey sits down with Lacey to explain his dilemma. After ridiculing Corey, and providing a lot of racist comments, Lacey instructs Corey to become deadly aggressive. 

When Corey comes back to town, he takes Lacey's ill-informed advice to heart. He shoots and kills both pimps and tosses their bodies into the river. These murders push Corey to continue this vicious aggression and put caution to the wind. Corey also begins having an affair with his wife's friend Rose while simultaneously engaging in a sexual relationship with a town woman named Amy. Throughout Thompson's speech, Corey plans and kills people while ensuring his re-election in the upcoming vote.

If Pop. 1280 is Thompson's masterpiece, then I have little hope that I will ever like the author. I hate novels where I must reside in the mind of a psychopath. The novel is presented in the first person of Corey's perspective and I just wanted to escape his model of thinking. While these types of "ride with the killer" novels are popular, I just can't seem to enjoy them. With the killer, and the killer's intentions, in full display, there is no real mystery or suspense. It's like trying to get the toothpaste back in the tube. Once it is out, it's out.

Like most of Thompson's novels, every character is a worthless human being devoid of any common decency. I didn't have any reason to love anyone, and I didn't care what happened to them. I need a well-written narrative with characters that I can identify with and sense a kind of connection with. I need to care about the characters. Thompson provides none of that. Instead, his objective is just to create excessive characters that are profane, too sexual and have very little common sense. In poor taste, he passes these characters off as an inbred race of rednecks.  

I know I don't understand the full significance of Thompson's writing and what makes it truly unique. That's okay, I don't have to understand it or like him. His dialogue, murderous viewpoint and morally flawed characters attract generations of worshiping fans. I'm glad he has a fan base. After trying to enjoy a handful of his novels, I probably will never open another one. This kind of literature seems beneath me. There are remarkable books from remarkable authors. From my perspective, Jim Thompson is not one of those. 

Buy a copy of this book HERE

Don't Speak to Strange Girls

Harry Whittington was a master of crime-noir, but wrote novels in many different genres like romance, sleaze, slave gothics and westerns. I've mostly been attracted to his crime novels and westerns, but I wanted to step out of my comfort zone and try something different. I decided to purchase his 1963 paperback Don't Speak to Strange Girls. It was originally published by Fawcett Gold Medal and now exists as an ebook by Prologue Press.

Clay Stuart is a 45 year old movie star living in Hollywood, California. Clay is from a poverty-stricken family in Nebraska and now lives a life of luxury. He's experienced decades of marquee film success as a leading man in war and westerns. In the first few pages, Clay attends the funeral of his longtime wife, Ruth. Back in his spacious mansion, Clay begins to receive the encouragement and greetings of his dedicated staff. His business manager is Marty, his agent is Marc and his assistant Kay deals with the rest. The trio urge Clay to mourn, but to get back to work as soon as possible. It will do him some good. 

Clay doesn't go back to work. Instead, he grieves with bottles of alcohol and a sense of displacement. His wife is dead. What happens now? Marty and Marc both attempt to cheer Clay up with hunting trips, prostitutes and a script for a new western called Man of the Desert. Even Clay's studio execs want him back. But Clay is despondent and can't find a reason to rise and exist each day. That's when Joanne Stark arrives.

The initial introduction is made over the telephone. One day, Clay responds to the phone and a young woman mysteriously charms him. Her questions are rather innocent, but she has a self-confidence that most women do not possess when chatting with celebrities. Clay wants to know how she obtained his unlisted number and she flirts around the answer. Eventually, he bids her farewell and dismisses the call as a starstruck fan who got lucky with a Hollywood insider. She'll never call again. But she does. And, for the first time in a long while, Clay feels excitement again. He gains a thrill that he hasn't experienced in decades. Joanne Stark is an amazing individual... by phone. Should they meet?

Against the advice of almost everybody, including his wise old butler, Clay invites this young woman into his home. When Joanne shows up, Clay is astounded by her beauty. She's like a living, breathing doll. Her behavior is both seductive and innocent, a rare combination which causes a reversal of roles. Clay is infatuated with Joanne. She explains that she has a love for Clay since she was little and that she wants what he has. She wants to become an actress, she wants to be famous, she wants to be rich.

Despite Kay's judgment, Clay and Joanne start a fire that burns for weeks. Both are madly in love and Clay, who could be Joanne's father, feels young again. As Whittington's narrative expands, Clay begins to suspect that Joanne may be using him to gain a shortcut into Hollywood. But he's so in love, he doesn't care about it. Is he able to maintain a one-way relationship with this young, beautiful woman? Once she gains her own fame and fortune, why will she still need Clay? After Clay's agent looks into Joanne's small town history, things begin to look rather bleak for Clay's future. This woman is a wildcat.

Whittington can write his ass off and Don't Speak to Strange Girls is exceptional. There's so many introspective aspects to the story that make it so compelling. Whittington wants to know what we could do for fame and fortune? He examines the Hollywood elite and how it compares to the daily lives of average Americans. It's a fish out of water story, but it goes both ways - Joanne caught up in the filthy rich and Clay adjusting to a younger generation. When each is exposed to the other's social world, it triggers a chain reaction that affects their emotions in several unusual ways.

Like the films A Star is Born and (ahem) Pretty Woman, Don't Speak to Strange Girls brilliantly exposes the consequences and fallout when the average human consumes too much too quickly. It's elementary, but not in the hands of Harry Whittington. Instead, it's one of his greatest novels and it doesn't contain a single murder. Well, maybe just that one near the end. But you should find out on your own. That's a pretty big invitation. 

Buy a copy of this book HERE