The Angry Mountain

From 1937, Hammond Innes launched a career as an iconic writer, which dominated him as a cornerstone of high adventure fiction. Averaging a book per year, The Angry Mountain was the author's 14th novel, originally published in 1950. The book uses the natural disaster subtype of action-adventure, this involving an authentic volcano called Mount Vesuvius. 

In The Angry Mountain, Innes features former Royal Air Force pilot Dick Farrell. In WW2, Farrell fought the Germans only to be shot and captured along with his comrades Reece and Shirer. As a prisoner of war, Farrell was brutally tortured at the hands of a German surgeon. After an immense barbarity, Farrell's leg was cut off at his knee. Reece and Shirer broke out of the camp and Farrell was liberated at the end of the war. 

At present, Farrell is working for a British machine tool company. The company sends him to Czechoslovakia where he meets a former British intelligence agent that he worked alongside with during the war. After a strange sequence of events, Farrell discovers that this former agent is taken into custody as an enemy of the state. After being questioned by the communists, Farrell finally travels to Italy to convey a message to Reece and Shirer. But once there, he realizes that his German tormentor is still alive and has taken the identity of Shirer.

Needless to say, there are a lot of dense storylines that prevail throughout The Angry Mountain. Farrell's memory of the atrocities of war, his disability due to the torture and his personal anguish on failing his countrymen all tie into his paranoia that somehow this German torturer has returned to his life. The bulk of the narrative features Farrell spending his days with a beautiful dancer named Countessa Vale as the two frolic through the countryside. Eventually, the entire cast of characters ends up in Vesuvius where the active volcano erupts. 

The first half of The Angry Mountain introduced a diamond smuggling scheme that I really expected to take off. Instead, the book's second-half is a frantic escape from the volcano as Farrell is forced to become the hero and placed in a position to recover the sanity that he feared was once lost. In many respects, Farrell is the same kind of imperfect hero that appears in a number of Hammond Innes novels, only this one both emotionally and physically endangered. 

As a compelling read, Hammond Innes delivers a smooth prose that easily flips the pages. Although not a masterpiece, The Angry Mountain has enough story, character development, forward motion and mystery to keep it interesting. For that reason, it is well worth your time.

Buy a copy of this book HERE

The Pursuit of Agent M

DeWitt Samuel Copp (1919-1999) authored fiction and nonfiction books with themes relating to military history, aviation, the Cold War, and espionage. His experience in the Army Air Corps during WWII, and role as a flight instructor pilot provides a unique realism to his writing. Copp also served in the Central Intelligence Agency and taught history and civics at St. Luke's School in Connecticut. 

Copp's literary work includes Notebooks, a three-book series of action-adventure novels written under a pseudonym of Sam Picard. As Nick Carter, Copp authored two novels in the Nick Carter: Killmaster series. The talented writer penned a screenplay for an episode of One Step Beyond, a Twilight Zone-esque anthology show on ABC and scripted episodes for other television programs like Three Musketeers, Kraft Theatre, and Lux Video Theatre. 

His spy-thriller The Pursuit of Agent M has been recently released in a new edition by Cutting Edge in digital and physical formats. The book was originally published as a hardcover in 1961 by Hammond and in paperback by Popular Library a year later. It has remained out of print until now. 

Agent M is Mark Costain, an American spy working for the CIA under the name Mark Vorak. His cover is that he is an engineering director at a Czechoslovakian company that manufactures rockets and missiles. In the time-period of the book's release, Czechoslovakia was a communist country controlled entirely by the very red Soviet Union. 

When readers first meet Costain, he is desperately struggling through the cold, harsh landscape of Czechoslovakia attempting to reach the freedom of the Austrian border. In close pursuit is the Czech military, who have positioned Costain as Public Enemy #1. Considering the novel is a man-on-the-run suspense-thriller, the book's simplistic title is perfectly fitting. 

The Pursuit of Agent M is presented in four acts that feature Czech characters aiding Costain's escape. In the first act, Costain meets an old man tending to his sheep. The brief relationship examines Costain's confession that he was stealing government secrets. The wise old man, who hides Costain from the military, doesn't chastise Costain over killing a police officer. Instead, the old man is infuriated over Costain's “theft” of government intelligence. This surprising response to theft versus murder is an intriguing debate. 

Costain's second meeting is with a poet-philosopher that lives in a one room apartment. The poet insists that he isn't Costain's enemy and allows him safe harbor with food and rest. The only repayment requirement is for Costain to hesitantly listen to the poet's readings asking for praise. When the poet risks death for Costain's getaway, Copp's narrative is morally uplifting, showing readers a most basic human principal. 

The third act, and arguably the most exciting, features Costain's hostage, a woman that is revealed to be the mistress to Krupina, a Czech official coincidentally leading the manhunt to find Costain. This sequence is a fevered, tight-laced portion of Copp's narrative that focuses on the woman's relationship with Krupina, and her efforts to assist Costain as a way to extract revenge on her lover. These events are central to a rural farmhouse with plenty of cat-and-mouse tactics between Costain, Krupina, and the mistress that they both are relying on. It's a brilliant premise that leads to Costain's retrieval of an aircraft, that eventually leads to disaster. 

The book's final act is a resounding resolution that introduces key characters that are paramount to Costain's original mission in Czechoslovakia. The characters include a young woman, Lisa, that shares a romantic chemistry with Costain. It's this satisfying conclusion that breathes a new life into the story, revealing Costain's experiences during WWII, both as a pilot and a prisoner-of-war. The circle becomes complete as Copp presents a roaring sequence of events that spring from a treacherous doctor and his association with the communist government. It's a unique twist on the story relevant to Costain's employer and the horrifying atrocities committed while serving as an undercover agent in the German Gestapo. 

The Los Angels Times said, “The writing and style of the book are superior”, when reviewing The Pursuit of Agent M. I would wholeheartedly agree with their praise as Copp's writing was certainly unique, charismatic, and often endearing. The book, rightfully categorized as a spy-thriller, contains a remarkable amount of emotion - human endurance, philosophy, the consequences of war, moralistic thinking, and personal indebtedness. It's a mature approach to the old-fashioned Cold War, espionage thriller that leaves a strong, noticeable effect on readers. 

As a casual, man-on-the-run story, the novel can be enjoyed as pure escapism, but it would be a travesty to ignore Copp's fundamental, underlining messages sprinkled throughout his work. It really sets him apart from his other military-fiction and espionage contemporaries of that era in a Hemingway style – invigorating circumstances propelling human need and suffering. Whether there is a happy ending is in the eye of the beholder. 

Buy a copy of this book HERE.

The Cassandra Crossing

Robert Katz (1933-2010), not to be confused with the film and television producer Robert A. Katz, was an author, screenwriter, and non-fiction writer from Brooklyn, New York. He authored numerous books and even faced criminal charges for his book Death in Rome (1967). The charge was defaming the memory of Pope Pius XII, which he was convicted and sentenced to 14 months in prison. The verdict was later overturned. 

My only experience with Katz is his 1977 novelization The Cassandra Crossing. Katz, along with three other writers, penned the screenplay for the movie in the early 1970s. The film was produced and released in 1976 with an all-star cast that included Sophia Loren, Martin Sheen, Ava Gardner, O.J. Simpson, and Richard Harris among others. Seeing that he already penned one-fourth of the screenplay, he chose to write the novelization, which was published in 1977 courtesy of Ballantine. I've never seen the movie because I'm a book guy.

The narrative begins in Europe as a Swedish duo attempt to break into a lab located at the International Health Organization (IHO). Oddly, only two U.S. Marines are there to stop any takeovers of the extremely deadly diseases housed in this facility. One of the two baddies, using a 357 Magnum with a silencer (which is mostly impossible), shoots the soldiers. But in the ruckus one of the Swedes is killed and the other manages to spill a deadly strain of the pneumonic plague (or something like that) all over himself. He then manages to escape the horde of U.S. Marines that are chasing him and boards a passenger train.

Katz then quickly introduces a ton of characters to readers in short paragraphs. As the narrative continues, the short paragraphs rotate around to present each of the characters' personal stories and situations. For example, the main character (if there really is one) is an acclaimed doctor named Chamberlain. His ex-wife (he divorced her twice) is on board as well and the two have a romantic fling while bickering about their prior marriages. It was an enjoyable and cute little shindig. Other characters include a hitman disguised as a priest, a small group of musicians and a groupie, a married couple, and the wife of a famed German businessman (or royalty). 

A group of doctors back at the IHO begin preparing for ways to re-route the train to a former Nazi concentration camp in Janov, Poland. To get there, they need to re-route the train through the Carpathian Mountains across a damaged and poorly constructed bridge – The Cassandra Crossing. As the passengers begin to get sick, the train is rerouted and the inevitable “ride or die” scenario comes to fruition as the train rolls on. 

There were four people writing this mess of a movie - keep that in mind. The film  earned the description “profoundly, offensively stupid” from the NY Times and “an unintentional parody of a disaster film” from Gene Siskel of the Chicago Tribune. While I enjoyed the overall plot design, I could never quite place what was happening on board the train with so many characters. Katz, anticipating the confusion, placed a checklist of characters at the beginning of the book with short descriptions – which kinda helped. But, there were so many aspects that just seemed pointless. 

Why even go to this former Nazi concentration camp in the first place? What's the point of possibly spilling a train and its diseased passengers into a ravine if the bridge may collapse? Why chance it? There were so many questions screaming in my brain as I was reading what should have been a high-octane thriller that burned up the pages on hot rails to Hell. 

The Cassandra Crossing isn't a terrible reading experience. As much as I was confused, I still found enjoyment in the overall concept. If you find the paperback affordable, it might be worth reading when you've had enough technically dense dives into Geoffrey Household's work to just need something less attentive. Lukewarm recommendation at best. Get it HERE.

Killinger #01 - Killinger (aka The Turquoise-Yellow Case)

I read something online the other day that said Hell will be attempting to insert a USB into your computer for eternity. The catch is that no matter which side you place up, it will never properly fit. While that form of Hell would certainly warrant good behavior for a lifetime, I have a different version of Hell. It would require the condemned party to be placed on a small deserted island for eternity with an indestructible copy of Keith Parnell's paperback novel, and Hall of Shame inductee, Killinger. 

The front-cover blurb of the 1980 Pinnacle version, placed cleverly beside a rifle-toting, fit-as-a-fiddle Steve Holland, says this about Killinger:

“He likes his wine good, his women bad, and his enemies dead.”

What it fails to mention is that the book is nearly 250 pages in length and that anyone subjecting themselves to one page of this nonsense will suffer unimaginable horrors. This is Roadblaster bad, which is the epitome of bad literature. Whether it slides into the fiction-abomination, smelly cesspool as that novel is in the eye of the beholder, or nose of the sniffer. 

Jedediah Killinger III is retired and lives on a large yacht called Sybaris, docked in uneventful Santa Barbara, California. The boat has a secretary, a Japanese houseboy, 13 flavors of ice-cream, wood carvings of sexual positions, and lots of wine and fresh fish. In his spare time, he works as a maritime insurance investigator. Which brings him into an assignment to look into a shipping junk called Katja that was damaged at sea. Conveniently, the damaged vessel is docked near his own boat.

Killinger's investigation is basically just trying to bed down the daughter of the vessel's owner. He never leaves the dock area, has no actual purpose in the book, and just stands by eating, drinking, and partaking in intercourse with various characters. But, there's a heavy wooden crate on the damaged vessel and two people desire the crate. 

The plot is so dull and boring that it pains me to even outline it here. Two criminals, K.Y. Smith and Count Vaclav Risponyl, both want the crate. But, they feel like they must steal the crate. Think of the old roadrunner and coyote cartoon. There's elaborate attempts to steal the crate, which requires a giant crane, that end in disaster. These attempts are unintentionally comical, convoluted, and completely uninspiring. It's like how a great action installment, like Executioner or M.I.A. Hunter, would have a plot like this for about a half-page just to further the actual plot. Unfortunately, Parnell uses this simple plot for a full 250 page novel. 

Killinger should be avoided at all costs. It's tough, because Pinnacle released two versions, one in 1974 with a different cover and title as The Turquoise-Yellow Case, obviously cashing in on John D. MacDonald's nautical private-eye series Travis McGee and its color-coded naming convention. The 1980 version is simply Killinger. To add lemon juice to the wound, there is a second Killinger novel called The Rainbow-Seagreen Case. Essentially, three opportunities for you to have a Hellish reading experience. Stay alert in the book stores for this literary danger. Handle with care. See something, say something. 

Buy a copy of this book HERE 

Island of the Dead

It would be difficult to discuss zombie novels without including a cornerstone of the genre, Brian Keene. Many consider his novel The Rising (2003), along with Robert Kirkman's The Walking Dead, as catalysts for zombie pop-culture of the 2000s. Keene's novel spawned a sequel, City of the Walking Dead, and two additional entries that live in the very undead world of The Rising. Additionally, Keene authored stand-alone "zombie" novels like Dead Sea (2007), Entombed (2011), and The Complex (2016). Now, in 2024, he returns with another living dead novel in Island of the Dead, published by independent publisher Apex Book Company with glorious artwork by Mikio Murikami (Silent Q Design). The book flips the narrative by placing zombies in a sword-and-sorcery environment, an ambitious hybrid described by Keene as Robert E. Howard (Conan the Barbarian) meets George Romero (Night of the Living Dead).

In the book's opening pages, slaves aboard a galley ship learn that Einar is from the northern barbarian tribes. But Einar, who has worked as a thief, mercenary, pirate, and a bodyguard across sweltering deserts, mountain peaks, and jungles, is quick to explain to his fellow captives that his tribe doesn't call themselves barbarians. As introductions are made, readers learn that Einar was arrested after a tavern brawl that left several people dead. He now serves as a slave on a ship lifting, pushing, and pulling oars across the sea to a war-torn land. 

Einar hesitantly advises a charismatic slave named Chuy that he plans on escaping the ship. After convincing the guards that he must relieve himself at the head, Einar is able to overtake the guards and free the slaves. However, a freak storm has appeared that creates a disaster for the ship and crew. While the fight for liberation ensues, monstrous tidal waves thrust the men into the depths of the ocean as the ship is destroyed. When Einar awakens he discovers he has washed ashore on an island alongside a few fellow slaves and a number of guards. What is this mysterious island? What horrors does it host? These are all enjoyable surprises that await readers as they explore the Island of the Dead.

Keene makes a valid reference to Robert E. Howard with his Conan-styled hero Einar. The barbarian often speaks like the Cimmerian, referring to friend and foe as “dogs” while expertly wielding a sword to hack and decapitate enemy hordes. His diverse background parallels Conan's own experiences as a pirate, thief, and mercenary. In fact, in terms of Conan lore, Island of the Dead's early premise is similar to Lin Carter and L. Sprague de Camp's 1967 story “The City of Skulls”, which was adapted to comic form in Savage Sword of Conan #59, Conan the Barbarian #37, and even the “Blood Brother” episode of the Conan: The Adventurer animated show. 

The placement of this barbaric hero in a zombie-styled universe is an exhilarating concept enhanced by the violence, gore, and temperament of Keene's unique storytelling. In a horror sense, this story delivers the goods in grand fashion. However, looking beyond the zombie dangers, the story also possesses a cagey human element that presents both the slave and ruler's eternal dilemma and the political strife that ignites a powder keg. These apocalyptic stories always prove that human design and the quest for power leads to chaos and ruin. As scary as they may be, the zombies are just the innocent weapons of man's destruction.

Island of the Dead is out now and you can get your copy HERE.

The Last Great Death Stunt

Author Clark Howard was a frequent contributor to the mystery magazine digests including Ellery Queen and Alfred Hitchcock. As a writer, war historian and boxer, Howard's shift into full-length novels often propelled his diverse characters into violent and extreme situations. I've had wonderful experiences with Howard's 1970s novels like The Last Contract and Siberia 10 and find him to be a true unsung hero in the world of men's action-adventure novels. One of Howard's most unusual books is the novel The Last Great Death Stunt. It was originally published by Berkley Medallion in 1977 with a story-line set in the not-too-distant future.

In Howard's premise, the world has evolved into two different political cultures – socialist and communist. Because of this tranquil world peace, people no longer care about winners and losers. Boxing, football, baseball and other popular sports have completely faded away. In this future the world has become obsessed with Death Stunts that feature “athletes” pushing their endurance to the very edge of existence. These fearless few propel themselves as close to death as humanly possible in daring stunts in front of colossal audiences for endorsement money and television payouts. The greatest Death Stunt performer them all? Jerry Fallon.

Almost supernaturally talented, Fallon had the heart, mind and body to perform the most awe-inspiring Death Stunts of all-time. From insane motorcycle jumps and thrilling auto races to the highest of high-wire acts, Fallon left behind a legacy proving he was the greatest of all-time. However, over the last few years, a new competitor has risen to the ranks as a true contender to Fallon's legacy – Nick Bell.

Bell has performed many of the same stunts as Fallon, only more dangerous and extreme to shatter the world's remembrance of Fallon's feats. In spectacular fashion, Fallon is now being called the best ever by the media but he has one more stunt to perform. On New Year's Eve, Fallon has promised the world he'll deliver the last great death stunt. He's taking a 220-foot plunge into the Pacific Ocean...off the Golden Gate Bridge.

In the book's opening chapter, a special report from the U.S. President is broadcast nationwide. On New Year's Day, Death Stunts will be banned across the country. Anyone performing a stunt will risk criminal charges and possible imprisonment. Because of this new law, Bell's promise to perform one more stunt is thrust into the national spotlight. California's law enforcement will barricade the bridge and a special wire mesh is designed to keep anyone from jumping. Fallon's chances of solidifying his daredevil legacy are slim. Can he overcome the authorities and make one last splash at fame and fortune?

At just over 200-pages, Clark Howard has so much to say in The Last Great Death Stunt. To fully appreciate his alternate or future United States one must understand 1970s pop-culture. Flamboyant daredevil Evel Knievel was flirting with disaster while entrancing and captivating Americans with his wild motorcycle stunts. His death defying feats included jumping canyons, rivers and obstacles and even jumping from skyscraper to skyscraper in New York. Knievel was often paid $25,000 per stunt and is recognized alongside Harry Houdini as a truly special performer who risked life and limb for his audience. Howard's idea of the government banning Death Stunts probably arose from an incident wherein state and federal authorities refused Knievel's request to jump the Grand Canyon in 1971.

Howard's novel also possesses a strikingly prophetic tone. In this alternate and not-too-distant future, movie theaters have closed due to theatrical releases now airing on television for nominal fees (pay-per-view didn't even exist at the time of Howard's writing) mirroring the 2021 film industry. Additionally, music concerts don't exist any longer and it's hinted that these performances are similar to the film industry – direct to television for a fee. There are other nuances like automobiles that run on alternative energy, the decline of sports audiences (look at today's NASCAR) and the overall idea of individuals performing solely for endorsement money (like our YouTube stars). While this future is mostly a positive one, there is also a strict rule on childbirth. Parents can only birth one child, a federal regulation that keeps the population manageable.

Beyond the current and future cultural implications, Howard's book makes for compelling fiction. The narrative centralizes around Bell's quest to leap off the Golden Gate Bridge and the political opposition he must face. There's a side story on the U.S. President placing the burden on California's Governor, who then promises San Francisco's Mayor political favor if he can prevent Bell's jump. It's a small portion of the narrative that's filled with some graphic sex and the more seedy side of American politics.

The highlight of The Last Great Death Stunt is Jerry Fallon. Large portions of the story center around Fallon and his family. The narrative showcases Fallon's career highlights and his uneventful retirement into the life of a suburban husband and father. As the press increases coverage of Bell's jump (including a mock of ABC's Live World of Sports), Fallon begins to mentally fragment. The idea of his legacy being erased or tarnished pushes Fallon into intense deliberation – should he try and beat Bell by doing the same stunt? Considering his plush retirement, the narrative tightens to marital disputes between Fallon and his wife April. She's thankful that Fallon survived his dangerous obsession. She doesn't want to relive the fear again. It's Howard's intimate writing that really helps clarify the allure of death and the addiction these performers face. The eternal conflict of cheating death by the thinnest of margins is constant throughout the narrative. It's also the age-old contest of old gunslinger versus the young fast hand. Simply who's better - Jordan or Lebron? Tyson or Jones? Norris or Lee? It's a fascinating comparison that exists every generation.

The Last Great Death Stunt is absolutely superb and once again proves that Clark Howard was an amazing writer. His premise is such an exciting and clever take on what was a pop-culture phenom at the time. Surely Evel Knievel was an inspiration, but Howard's not too distant future is the perfect backdrop for such an unusual tale. There's just so much to like about this novel and it's one that I think I'll probably re-read at some point in the future. Consider this the highest possible recommendation.

Buy a copy of this book HERE

The White South

Many titles by Hammond Innes posses a nautical theme. From seafaring adventures like The Wreck of Mary Deare to oceanic oil rig thrillers like North Star, Innes explored the world searching for a great story. His mid-career novel The White South, published in 1949, takes readers to the frigid waters of the Antarctic. As both a survival tale and nautical quest, the book's synopsis promises an ice shaking boat disaster in giant seas. Go ahead and take my money. I'm sold. 

Like many average males, Duncan Craig is no longer complacent with his suburban existence as a London desk clerk. In the Navy, he traveled the world, commanding a ship in WW2 and his heart is aching for a more meaningful and exciting life. After selling his belongings, Craig has a plan to move to South Africa. But, in a London airport, Craig's life changes dramatically.

After asking a favor, Craig is attempting to join a charter plane to Capetown. The flight is owned by the South Antarctic Whaling Company, but specifically Colonel Bland. After making his plea for one of the five seats on board, Bland willingly allows Craig to join them. On board is Bland's daughter-in-law Judie and an assortment of minor characters. Craig overhears that Judie's father works for Bland as a manager of sorts on a whaling ship. But, a conflict has risen due to Bland promoting his own inexperienced son Erick. Judie and Erick are married, but she hates the man and considers him a lying scoundrel who partnered with the Germans during WW2. The fact that Erick may pass her father in seniority makes her furious.

Eventually, Bland learns of Craig's experience with boats and makes him an offer he can't resist. Craig will command one of the whaling ships in the Antarctic sea. In the midst of the job proposal and hiring,  he learns that Judie's father mysteriously committed suicide by jumping overboard. Judie feels that Erick killed him, but that's a mystery that eventually expands. After inquiring into the details, Craig begins investigating the circumstances surrounding the man's death. Thus, Craig and Judie fall in love.

This is a nautical adventure and Innes spends some time acclimating readers on the whaling industry, which I found surprisingly interesting. Craig's inexperience is the catalyst for this educational journey, but eventually tragedy strikes. In the icy seas, Erick rams his ship into Craig's in a high-stakes deadly version of bumper cars. The two ships sink and the passengers are forced onto the ice. A rescue attempt then traps another ship between two icebergs. 

The book's final 100-pages is a brutal cold weather survival tale as Craig orchestrates an escape attempt while contending with warring factions over supplies, injuries, and the few lifeboats remaining. He's an admirable hero that must overcome extreme adversity among men that don't necessarily respect his fishing inexperience. Thus, there's no surprise that Craig is the unlikely hero that rises to the occasion for the greater good. 

There's a lot for readers to busy themselves with including memorization of who's who among the Norwegian names. Placing the characters and their locations on the ice was sometimes difficult. Because of that, the reading requires some focus and concentration to stay on task. It's not a heavy lift, but still requires minor endurance. If you love Hammond Innes, this is another stellar addition to his bibliography. Get it HERE

The Big Bounce

Between 1953 and 1961, Elmore Leonard (1925-2013) authored his first five career novels and all were westerns. Leonard played his first hand of crime-fiction in 1966 with a relatively unknown novel called The Big Bounce. He shopped it to a variety of publishers and they all declined. In 1969, Fawcett Gold Medal published the book simply because it had been adapted to film the same year starring Ryan O'Neal and Leigh Taylor-Young. The movie was a flop, so Hollywood tried again in 2004 with a cast including Owen Wilson, Morgan Freeman, and Charlie Sheen. It was such a disaster that Leonard described it as the “second-worst movie ever made”, alluding to the fact that the first one was the worst. Despite the publication and theatrical horror associated with The Big Bounce, I decided to read it. I wish I had those hours back.

The book begins with three men watching a video tape of migrant worker Jack Ryan (no relation to Tom Clancy) executing a home-run swing with a baseball bat on his crew leader's face. Readers later learn that Ryan was a former Baseball Player and has now spiraled down the labor ladder to the position of Seasonal Picker of Cucumbers in a lakeside region of Michigan. Ryan and acquaintances (he never had friends) rob a lake-house and steal $750 from wallets and purses. Ryan fears that the other guys will get caught simply because the box they placed the wallets and purses could be found.

After being fired from his job for smashing the foreman with the bat, Ryan is hired as a Handyman by a resort owner named Mr. Majestyk (oddly, no relation to the character Leonard created five years later). Ryan spends time in his new position avoiding an average-looking female guest who desperately wants to get lai....wants to have her window fixed. Ryan hooks up with Nancy instead, a young seductress who is banging two men, one of which is the owner of the cucumber farm. Ryan and Nancy run around shooting glass objects while planning to steal the payroll money from the farm.

I have no Earthly idea why anyone in Hollywood wanted to make a film from this novel. Or, why anyone would want to attempt it again. The book is mindless with its lack of plot structure and features one of the most uninteresting protagonists I've read. I nearly gave up reading it twice, but just kept pushing onward out of respect for Elmore Leonard. There isn't anything remotely compelling about the story, the character development, pace, or dialogue. If you must read everything Leonard wrote, then I guess you owe it to yourself to experience the good and the bad. Beyond that, avoid this book!

Buy a copy of the book HERE

Killer Blizzard

Before pursuing a career in journalism and public relations, Dan Jorgensen studied creative writing at Colorado State University, where he wrote his first book, Killer Blizzard. The novel was published by Major Books in 1976 and lives today as a Kindle Unlimited selection.

The paperback opens with a violent prison break with a pair of inmates escaping into the wintery night. It’s a good evening for an escape because police and emergency services are otherwise occupied while buckling down for the arrival of a blizzard — a Killer Blizzard, in fact!

We also meet a lovely young couple named Rollie and Jean, who live in a farmhouse. Rollie is a highway patrolman, and Jean’s job is being pregnant. As luck would have it, shortly after Rollie leaves for his Killer Blizzard patrol, the half-frozen, escaped inmates stumble into the farmhouse demanding refuge from pregnant Jean.

Meanwhile, Patrolman Rollie is dealing with a series of blizzard-related emergencies on the roads while his wife is forcibly hosting the two hoods. The paperback nicely balances the weather-disaster genre with a criminals-on-the-run noir as the chapters toggle back and forth quite well.

The author was clearly influenced by Fawcett Gold Medal paperback original novels of the 1950s and 1960s. His writing is straightforward and uncomplicated with no-frills linear plotting. There’s just enough character development to understand everyone’s motivations, but it never slows down the action.

The novel builds to an exciting climax that is quite satisfying to read, and it went in directions I wasn’t necessarily expecting. All-in-all, this was a pretty good read. Don’t spend a fortune acquiring it, but if you are seeking a vintage paperback to enjoy with your Kindle Unlimited subscription, you’re sure to enjoy Killer Blizzard. 

Buy a copy of this book HERE.

Paperback Warrior Podcast - Episode 90

It's Episode 90 and we're bringing you a two-fisted 1970s WW2 paperback series called Sgt. Hawk by Patrick Clay. Also, Tom hits the road hunting for books in Alabama while Eric checks out new books from Justin Marriott and Robert Deis. Also, Robert Silverberg, John Jakes, William W. Johnstone, Warren Murphy and disaster fiction! Listen on any podcast app, paperbackwarrior.com or download directly HERE

Donate to the show HERE 

Listen to "Episode 90: Sgt. Hawk" on Spreaker.

The Girl in the Trunk

Bruce Cassiday (1920-2005) wrote books in nearly every genre, but it’s his crime and mystery fiction that have stood the test of time and inspired reprints from modern publishers. Case in point: the Bold Venture Press re-release of his 1973 police procedural, The Girl in the Trunk.

The entire paperback takes place over about 12 hours in Honolulu, Hawaii. Jim Egan is a brutal but effective white Honolulu Police detective who’s always ready to bruise his knuckles on a mugger’s jaw. For Egan, it’s less about his professional duty and more about revenge. Years ago, his wife was raped and knifed in front of his house in Waikiki. Since then, the detective has never been the same and finds himself in a perpetual Dirty Harry mode.

Meanwhile, Ki Auna is a young and handsome undercover Hawaiian cop with a personal charm, high IQ, and ability to build rapport that makes him successful. He’s also terrified of the ocean, which presents a real life obstacle when you live on an island surrounded by the churning sea. When Egan and Ki are paired up to investigate a major embezzlement from a local import-export company, we find ourselves in a typical buddy-cop story where two opposite personalities work towards a logical solution with plenty of cultural tension in the mix.

At the paperback’s outset, an undersea earthquake in Chile triggers a set of tsunami waves working their way west across the Pacific Ocean headed for Hawaii (Reviewer Note: This happens frequently in real life. Most of the time, it’s a false alarm. In 1960, it was deadly). The killer tidal wave headed for Hawaii gives Cassiday the opportunity to ratchet up the tension with an impending doomsday scenario humming in the background among the police procedural stuff.

But what about the girl in the trunk? The cover promised a naked blonde corpse in the back of a sedan. What gives? Well, that happens as well, but it takes a few chapters for the financial crime caper to evolve into a dead naked lady story. Is the embezzler also a lady killer? Or is something more sinister afoot? It’s up to Egan and Ki to solve the crime and catch the bad guy before Oahu is washed away by a tidal wave.

The author throws a variety of subplots including one involving the chief of detectives whose daughter embraces the counter-culture of Hawaiian sovereignty and the hippie grifters fronting the movement. Meanwhile, Egan’s brutal treatment of Waikiki muggers is stirring up controversy with the local newspaper that the department doesn’t need. The ensemble cast assembled reminded me of Ed McBain’s 87th Precinct meets Hawaii Five-O.

To his credit, Cassiday gets Honolulu culture and topography pretty accurate with all the right landmarks in all the right places. He also does a commendable job of profiling the mixed-plate of various ethnicities comprising Hawaii’s local populous. Honolulu’s real urban problems - muggings, poverty and racial unrest - were spot-on, and the paperback never falls into the trap of overplaying the focus on beach culture with cartoonish Hawaiian characters. Somehow, Cassiday grasped local culture with great accuracy.

A few years ago, I read and reviewed a 1957 Bruce Cassiday paperback called The Buried Motive that I felt was sub-par. I’m glad I gave the author another shot as The Girl in the Trunk is a far superior novel in every way. It’s a well-written murder mystery, police procedural, tropical island adventure, and disaster novel rolled into 189 pages. What’s not to like?

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Hawkwood

Andrew P. O'Rourke (1933-2013) was a judge and County Executive of Westchester Country, New York, He was also the Republican candidate for New York governor in 1986, eventually losing to Mario Cuomo. Along with his political aspirations, O'Rourke pursued a short writing career in the 1980s. He authored two men's action-adventure novels, The Red Banner Mutiny (1985) and Hawkwood (1989). Discovering the latter novel at a used bookstore, I was intrigued enough by the artwork to tackle this 275 page Bantam novel. 

The novel's opening chapter is one of the more suspenseful sequences I've read in a long time. The set-up is that a man and his family have been targeted by Mob killers. These opening pages play out as a cat-and-mouse game where the assassins are in the man's house hunting the family from room to room. But, the man has a trap door that leads through the walls to a hidden staircase. In an attempt to escape with his family, they are caught in the basement and systematically murdered. 

Next, a Vietnam veteran named Gerald H. Wood is on a plane recalling his most recent assignment, disabling an alarm system. Readers quickly put together that Wood clipped the electronic system so the Mob assassins could kill their target. Through a backstory that runs about 50 pages, readers are introduced to this titular hero. Wood graduated from college earning an engineering degree. Rather than pursue that lucrative career, he enlisted in the military and attended Officer Candidate School. Later, he became a Green Beret and gained himself 15 months in Vietnam. In the military he met and fell in love with a kingpin's daughter. Welcome to the family.

Hawkwood becomes a rather epic, sweeping character study when Wood becomes disenchanted with the Mob lifestyle. His wife wants a divorce, but Wood realizes divorce to the Mafia is more like death. In a convenient way, Wood is transporting four-million bucks on a commercial airliner when the plane crashes. Wood barely escapes death, but finds the disaster the perfect cover to flee the Mob. Using the cash, Wood takes the name of John Hawkwood, a historically famous Englishman turned mercenary. The book's second-half deposits Hawkwood in Argentina, and through a wild series of events, he's thrust into a war between Argentina and England in the Falkland Islands. 

Obviously, there is a lot to unpack in Hawkwood. The origin portion of the novel is similar to Mark Roberts' introduction of Mark Hardin, the protagonist of The Penetrator series. There are some similarities with that title as well as James Dockery's presentation of Bucher in The Butcher series. The idea of a man on the run from the Mob is a popular one and O' Rourke does it well. The author is able to bridge together a number of major storylines, as well as transition the novel from a vigilante style, containing a few typical genre tropes, to a mercenary military adventure. Those are all positives.

The only negative aspect to Hawkwood is a deep transition into a type of Tom Clancy tech-thriller with time spent on analysis of the Argentina/English war and some of the military history associated with the highly contested Falkland Islands. I felt this removed Hawkwood from the action, and displaced a lot of the momentum and character building. I also found the ending fitting, but it certainly was a finale that could have created a series. The character's transformation, and setup, would have made for a sequel and future series installments if the author or Bantam wanted to pursue a continuation. 

Hawkwood should appeal to fans of 70s and 80s action-adventure titles like Death Merchant, The Butcher, and The Penetrator. While slightly more literary, it has all of the genre tropes that those hefty series titles possessed. Recommended. 

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Roadblaster #03 - Blood Ride

I am requesting that this book be enshrined into the Library of Congress. Paul Hofrichter, aka He Who Creates the Horror, should be commended for not only this novel, but the trilogy of trophies known as the ‘Roadblaster’ series. It’s truly extraordinary, a spectacle of grand design. Those of you familiar with my reviews of this novel’s predecessors, “Hell Ride” and “Death Ride”, understand just how low I place this author on the rungs descending into that scorching, skin-searing abyss known as Hell. “Blood Ride” far surpasses the legendary status of the prior books and lowers to the ranks of what can only be deemed as the new "worst piece of fiction ever created". It’s an utter abomination worthy of high praise and endless critique at world-renowned libraries like the Reading Room of the British Museum and The Vatican. I’d like great Monasteries like Saint Gall and Benedictine to marvel over its printed pages for centuries to come.

Paul Hofrichter, the horror…the absolute horror.

Stack, our “Roadblaster”, begins this final chapter of spiraling doom with a visit with a biker gang aptly titled The Harley Davidson Club. They request that he accompany them across the Golden Gate Bridge to locate two sisters of a deceased gang member. It’s only four days after the nuclear bombs annihilated America and Stack is concerned about his parents, kids and loving wife back in New York. Rather than mourn the potential melting of his entire family, he graciously accepts the offer. At one point, the narrator explains that Stack wants the military to fly him – a New York city cab driver by trade – to New York so he can check on his loved ones. He clarifies to a biker that he can’t drive his van across the US for fear of depleting his fuel or experiencing engine failure. He dismisses the fact that cars are strewn everywhere, and that fuel should be in abundance considering the nukes just fell and people are still driving. But, instead of vanning cross-country, he’s walking across the cables to a stranger’s house to locate two sisters that are probably dead. The walk…takes 60 pages.

Mercifully, Stack reaches the other side, and, instead of searching the ruins of the house, he sits down for lunch. Later, an elderly man swings by hoping that Stack will offer his tuna. Stack doesn’t and the whole chapter is just awkwardly dedicated to…lunch. Food is brought up again in the next chapter as Stack and the group disregard the importance of searching for bodies and decide a night at the beach frolicking and eating crabs is an important use of precious time. In 12-pages of utter nonsense, Hofrichter explains that it’s a cruelty to cook crabs while they are alive. He goes on for pages and pages of how barbaric it is to eat crabs and lobsters boiled or broiled. At one point, the group can’t properly boil the crabs, so they fetch a pot of dirty, radioactive seawater to use. After crabs, an aimless Stack gets invited by a female colleague to engage in anal sex (because she doesn’t want to become pregnant). Stack, consistently demanding more than anyone in this post-apocalypse nightmare, says it physically hurts too much. The female, in her infinite wisdom, requests he run to the water and fetch another cup of dirty, radioactive seawater and pour that on his penis and reenter. I barely have words.

Somewhere, around page 160ish, Stack is thinking about the abandoned B-52 in the mountains. If you will recall, the first book discussed the bomber and a motorcycle gang in demand for a B-52. The stereotypical gang, The Bloodsuckers, are still running around wanting this plane so they can rule California, eat pizza and commit intercourse with the state’s residents. They are big on intercourse. So, they remain in the book and the author spends time introducing us to them in long backstories with absolutely no point or story development. One character he describes as angry because of his “prison experience”. Apparently, this guy could only masturbate on his cot with his knees bent. He wanted to do it lying completely flat but couldn’t due to the gay prisoners seeing him. This experience has made him angry with the world and only a B-52 bomber can expel that pent-up sexual frustration. There are pages of this, so much that with only 20-pages remaining the plot finally rears its ugly head.

Stack wants to use a Soda Truck (let’s call it “Shasta”) to transport the missiles and bombs from the plane’s wings and undercarriage. He has no tools for this and the weapons weigh over 500-pounds. Once he places them on Shasta, he will then drive them to a river, load them on canoes and float them into an underwater cave. The reason? He feels if they are left in the sun for an extended period they will heat, creating an explosion. Thus, placing them on water in an underground cave resolves this potential environmental disaster. The Bloodsuckers appear. Stack and his group shoot at them. The Bloodsuckers go back home. Telos. The End.

At the 160th page of this 190-page book…we still don’t have purpose, planning or anything remotely resembling a damn plot or what is promised to us on the cover. At the end, we still don’t. We deserved that cloak and smoking CAR-15 and we damn sure deserved that painted motorcycle-outlaw cave shit at the bottom. Hofrichter, you thief extraordinaire, you baited and hooked us again only to troll us at the deepest depths like some slimy, trash eating carp. I’m gutted, defeated and scorned…but in your unskillful brilliance you have miraculously provoked me to tell others about this literary monstrosity. Somehow, your ‘Roadblaster’ atrocities will live eternally, carrying on long after I’ve departed this world. For that, I applaud your half-assed effort and bow to your coveted immortality.