Showing posts with label Louis L'Amour. Show all posts
Showing posts with label Louis L'Amour. Show all posts

Friday, December 28, 2018

Trail to Peach Meadow Canyon

“The Trail to Peach Meadow Canyon” is a short Louis L’Amour novel (about 73 modern pages) that originally appeared in the October 1949 issue of “Giant Western” magazine. Since then, it has been reprinted several times in various L’Amour compilations. It’s also available as a Kindle eBook for three bucks.

The setup for this story is awesome. Mike Bastian is an orphan who was raised by enigmatic rancher Ben Curry as his own son. However, in addition to book smarts, Curry taught young Mike a unique set of skills including pistol marksmanship, quick draw, knife throwing, lock-picking, and safecracking. As Mike reaches adulthood at age 22, he learns the truth: his adopted father is an old-west crime lord who has personally engineered Mike to be the ultimate criminal mastermind who can take over as the new Godfather of the West.

The sheer scope of Curry’s criminal empire is staggering. He has over 100 men working for him - mostly executing Curry-planned heists far away from his base of operations in a giant mansion along the Colorado River where Curry lives like a feudal lord. However, Curry is getting old and wants to retire to his distant ranch with his estranged wife and children while enjoying his wealth for his remaining years. And he wants young Mike - who has never committed a crime in his life - to take over his underworld empire.

This creates a moral dilemma for Mike who loves Curry but is not immediately excited about immersing himself in the dark side and basically becoming Darth Vader on a horse. As an orientation to the life, Curry tasks Mike with handling the planning of an upcoming heist of a train transporting gold from the mines. What if Mike declines the offer? Will he accidentally force the hulking kingpin’s hand to wipe out his own adopted son?

All of this was shaping up to be a cross between The Godfather and Richard Stark’s Parker in the Wild West when the novel took an abrupt left turn. Mike meets a girl with whom he has a connection that presents our young hero with a new - and substantially lower-stakes - moral dilemma to solve. This causes the heist novel to quickly become a rescue-the-girl book - an exciting adventure as well, but not the book I was expecting after the great world-building L’Amour does in the story’s first half.

In any case, the author’s writing is top-notch and his descriptions of western settings and topography of the region are incredibly vivid. The book’s resolution was satisfying enough even if it wasn’t the bloodbath heist story I was expecting. In any case, “The Trail to Peach Meadow Canyon” is a quick read and an easy recommendation.

Buy this story HERE

Thursday, December 13, 2018

Where There's Fighting

Louis L'Amour (1908-1988) is considered a cornerstone of western fiction. During his prolific career he penned 100 novels and around 400 short-stories. While the majority of his work focused on the western frontier, L'Amour also wrote detective, adventure and military fiction. One of those is the WW2 short “Where There's Fighting”, which was originally published by “Thrilling Adventures” in January, 1942 and reprinted for the compilation book “Yondering”. 

The story focuses on an American fighting man joining a four-man British patrol in the Greek mountains. It's set in April, 1941 at a time when Germany invaded Greece. The British landed 57,000 troops to halt the advancement, but after only eight fierce days of combat the British needed to evacuate. To do so, they left behind smaller battalions to use as rear guard action against the pursuing forces.

The British battalion ultimately chosen to die is Ryan, Benton, Pommy and Sackworth. Both Benton and Ryan are hardened combat vets and know that their mountainside .30-caliber and rifles won't be enough to hold off the German advancement. They realize it's just a stalling tactic, one emphasized as certain death by the emotional Pommy and Sackworth. However, they find a soldier has approached them carrying a .50-caliber. Who is this strange man? Friend or foe?

The solider is American Mike Horne, who's survived a brutal guerrilla campaign in Albania. As Horne is explaining his fighting career, the British troops are in disbelief. Thus L'Amour's short-tale comes alive, a fitting representation to fit the story title. Horne explains that he goes “where there's fighting” and begins to list off an impressive resume that featured battles in Sicily, China and Libya while learning to parachute in England. What's astonishing to the Brits is that Horne doesn't necessarily stick to commands, which comes in handy as he explains cutting and running to the foursome after initial heavy fire with the Germans that night. The narrative quickens to a firefight in the mountains with the five holding off waves of Germans with two machine guns and rifles. 

At only 13-pages, “Where There's Fighting” embodies the spirited adventure of L'Amour, a troubadour in his own right who wore many hats before becoming a full-time writer. I think this character – Mike Horne - is the definition of our genre's hero. He runs to the sounds of battle, actively engaging the enemy in jungles, mountains and at sea. His last words echo the essence of L'Amour's universal fighting man:

“Then Africa, Pommy, or Syria or Suez or Russia or England. They'll always be fighting them somewhere, an' that's where I want to be.”

Buy a copy of this story in "Yondering" HERE

Tuesday, February 20, 2018

Callaghen

Louis L'Amour took a break from range wars and rustlers in 1972. “Callaghen” is a departure from his patented shtick, setting the action within the ranks of the Army. It features 34-year old Callaghen, an Irish soldier who has fought internationally, and at one point served as a Sergeant. His abrasive views of command have tarnished his career, demoting him repeatedly to lowly private and an assignment to a remote fort in the Mojave desert – in the heart of Indian country. This fort is essentially a security detail protecting the road to Las Vegas and Vegas Springs. Callaghen is 20-years in and discharge papers are arriving late, so this security detail and the inability to retire leaves the character disgruntled. While Callaghen isn't exactly the most interesting guy, the action intensifies just enough to keep me flipping the page...while checking the number at the bottom.

The plot is silky thin when our protagonist discovers a treasure map on a dead lieutenant. Apparently this leads to a river of gold and astonishingly a slew of outlaws convinced that Callaghen knows where this treasure is. Whether the map actually leads to anything remains to be seen, but L'Amour works with what he has – Indians, outlaws, speculative treasure, desert and the mandatory female characters that Callaghen is protecting. There's also some back story between the female lead, a despicable commander and the main character...but really no one cares. The most interesting aspect to the story is the lack of water in the desert. I found this struggle the most fascinating. Eventually, guns do catch fire and there's some action in the desert and cliffs. 

I can't say anything overly negative or positive about this one. It was a western, it kept me company and L'Amour is a skilled writer (albeit one that elongates senseless scenes). Often I wonder if I really like L'Amour's writing or if all those years watching my father read him has planted some sort of nostalgic childhood reasoning that if Dad liked it...I do too. Maybe that's enough for anyone to like anything.

Wednesday, December 13, 2017

Hanging Woman Creek

‘Hanging Woman Creek’ was released in 1964 by Bantam Books. For me, it’s considered one of L’Amour’s early books due to being released about 15 years into his writing career. At 150 pages, it fits snugly into the author’s “short but exceptional” western template. Set in frosty Montana, L’Amour introduces us to the rough and tough Pronto Pike. He’s a down on his luck journeyman who drifts from job to job all over the country. Like many paperback cowboys, Pronto is decent with his fists and Hell with a rifle. He’s a great cattle guy, a hard worker…but his temper has been the bane of his existence. So, it’s fitting that the book opens with Pronto being released from an overnight stay in jail along with a couple of other drifter types – Van Bokkelen (who may be wanted for murder) and an older African American boxer named Eddie Holt. 

After separating themselves from Bokkelen, both Eddie and Pronto team up to find work before the bulk of winter hits the Montana timbers. After asking around, the duo find a great stint punching cattle for a rancher named Bill Justin. It’s a good gig – warm cabin, plenty of wood, a few books and the calm day to day activities of babysitting cattle through the winter. Eddie, while not a skilled rancher, earns his keep by preparing good meals and teaching Pronto some boxing lessons. In turn, Pronto shows Eddie how to punch cattle. However, the good vibe at Hanging Woman Creek doesn’t last long.

L’Amour slowly envelopes the story with an impending sense of gloom, enhanced by the cold, rural landscape. After learning that cattle rustlers are among them, Pronto finds a murdered man in the snow (with a bit of mysterious horseprints). With tensions high and both men feeling watched and unsettled, Pronto rides into town to present the dead man and to make a sworn statement. There, he finds an Irish beauty named Ann Farley, the sister of a nester named Philo Farley, an old friend of Pronto’s. Ann explains that her brother could be in trouble and needs a ride out to his cabin just shy of Hanging Woman Creek.   

I am recommending this one to any action and western fans, and with that being said, I don’t want to elaborate too much further for fear of spoilers. The heart of the book is ultimately a classic western…but it’s loaded with atmosphere and mystery. Where’s the rustlers, who’s leading them and what’s behind the murders? How is Philo and Ann Farley tied to it? While the first third of the book develops great characters, the middle really expands on that and introduces mystery and intrigue. The last third is Hell bent for leather, matching the book’s cover perfectly.

L’Amour is a master storyteller and this one has all of his best ingredients. Action, mystery, interesting (and lovable) characters and a frantic sense of pacing. It’s a short read packed with atmosphere and firepower. ‘Hanging Woman Creek’ is highly recommended…and won’t let you down until that noose snaps tight.

Buy a copy of this book HERE