“Hell on Earth” is the second novel in Jake Spencer’s (real name Jerome Preisler) post-apocalyptic trilogy ‘Swampmaster’ and was released by Diamond in 1992. Often compared to the ‘Mutants Amok’ series by David Bischoff (under house name Mark Grant), ‘Swampmaster’ is a senseless no-brainer, complete with mad scientists, Native American commandos and tumor covered mutants waging war in the Florida Everglades. It’s boneheaded Neanderthal action that makes very little sense to the reader…and author. But it exists, and by that fact alone I feel obligated to read and review it for the men’s action and adventure fans.
The series debut, “Swampmaster”, explained that nuclear war has devastated what was once the US. Since then, civilization as we know it has changed dramatically. By 2009, the country has been fragmented and now consists of 16 states that have unified to form The National Front (TNF). This TNF union is tyrannical and backed by big military. To live in one of these states is to ultimately sacrifice freedom and liberty; slavery and labor for food and shelter. While this is an umbrella theme through the series, the trilogy only focuses on Florida’s coastline and a small pocket of resistance led by a Seminole martial artist named John Firecloud…or Swampmaster depending on scene and page.
In the first novel Firecloud liberates a train carrying circus performers and uses the passengers as allies in his battle against The National Front in St. Augustine. “Hell on Earth” picks up a month or two later with Firecloud, acrobatic twins The Marcuses, Zeno and love interest Saralyn ambushing a convoy of heavily armed TNF troopers in the Everglades. In one outrageous scene, the Marcus twins handspring across the battlefield to draw fire away from Firecloud’s crew. Unbelievable. In another early scene a Dodge Colt station wagon emerges through the jungle carrying a carload of mutants dressed as clowns and wearing women’s wigs. These “White Trash” mutants are covered in tumors and festering sores and serve as slave mercenaries by TNF. It is this sort of stuff that carries “Swampmaster” into the realms of the ridiculous. I’m not sure if it propels the action or unintentionally serves as a distraction.
The premise for “Hell on Earth” is the TNF are setting up a new military compound off of Long Pine Key called Life Harvest. This is a laboratory sitting on an enormous oil well platform in the Gulf of Mexico. There’s a Dr. Guderian there who is playing mad scientist and allowing soldiers to remotely control mutants through brainwaves. Firecloud’s white stepbrother Bill Coonen is featured as a hired mercenary for TNF and proves to be a worthy opponent. Senior leader Groll, a recurring vile villain from the series’ opener, is in charge of the operation and routinely curses and kills his own men to show superiority while playing video games like ‘Hitler’s Legacy’ and ‘Auschwitz’. Opposing the over-the-top antagonists is the likable good guys. There’s Firecloud’s band and a cool little shopkeeper named Joe that just wants to help people.
Swampmaster learns of the existence of Life Harvest and leads The Marcuses and Saralyn in a high-speed assault featuring armed boats and jet skis. Both Saralyn and Swampmaster get captured and taken back to Life Harvest for the obligatory torture sessions. After strenuous and brutal exercises, Swampmaster is led to an arena where he must battle a seven-foot mutant that is controlled by Groll remotely. Saralyn attempts to free herself simultaneously as The Marcuses attempt to blow up the platform. It’s a climactic and awarding finale that sees all guns blazing in a rescue attempt, sea battle and a surprise twist that reveals itself to the shock of the reader. All of these elements play an important role in the book’s upgraded quality when compared to its predecessor. While certainly not top-tier literary fiction, “Hell on Earth” is enjoyable and rescues the series from the ‘Mutants Amok’ and ‘Roadblaster’ occupied cellar.
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William W. Johnstone released his seventh ‘Last Mountain Man’ book in May of 1990 for Zebra. “War of the Mountain Man” continues the adventures of paperback warrior Smoke Jensen and his westward war with land barons, rapists, outlaws and criminal fast-draws. At this point in time, it’s all rather cookie cutter as Johnstone seemingly just phones in the action by recycling fights and enemies and placing them in subsequent books. At one point, two characters shockingly absorb Smoke’s account of killing over 200 men in prior adventures. It’s a testament to the series' high body count and the protagonist’s own immortality. Smoke may be grazed by bullets or fists, but his unwavering legacy just continues on – maybe at the expense of the reader.
The book’s opening chapter explains that Smoke and his wife Sallie have sent the kids abroad via a steamship. Sallie wants to spend some time alone with Smoke and wants the two of them to go visit an old school colleague, Victoria, in Montana. Victoria and her husband Robert have inherited a ranch in Hell’s Creek where a land baron named Max Hutchins resides. Smoke is weary of the visit, but is reading between the lines – Sallie needs Smoke’s skills to liberate the two ranchers. The two arrive at a small town on the Swan River where Smoke is informed that a survivor named Jake Lewis is still alive. Readers may remember that Smoke avenged the death of his first wife in a camp called Uncomphagre in the series’ first book. Jake, a survivor of Smoke’s Uncomphagre raid, is working for Hutchins which is an easy connect-the-dots for the author and an inevitable showdown for readers to anticipate.
Barlow is a corrupt little place where Hutchins has killed off the paper editor, Marshall, and tarred and feathered the minister. He’s replaced them all with his own men, something that Smoke corrects instantly upon arrival. Collectively, he rallies the town’s 30 willing citizens to fight back against Hutchins and his 100 gunners. The town votes to elect Smoke as the sheriff and soon the town is rebuilt – bank, shops, school, police force, etc.
Barlow is an unusual spot geographically. The north end is controlled by Hutchins and the south is ruled by an equally vile criminal in Red Malone. The two split the gambling, whoring and raping equally and Smoke soon cuts off all supply trains in and out of Hell’s Creek. There’s no railroad to this part of the country…so needless to say Smoke prompts the ultimate war with Malone and Hutchins. A bulk of the book’s story is hit and run tactics by both men, some rapes, burning and, of course, some death. The finale is predictable as the town defends the raiders in the not so epic showdown.
Johnstone never seems to run out of books, yet he is clearly out of ideas here. Malone and Hutchins are molded from the same elements as the series’ prior bad guys – Potter, Stratton, Richards, Hanks and McKorkle. These books wouldn’t be nearly as lethargic if we actually saw Smoke injured or simply pressed face first to the boards. Instead, Smoke is arrogant to the point of annoying because he, like the reader, knows he is invincible. It’s nearly pulp fiction as Smoke runs around, often completely alone, and kills off dozens upon dozens of bad guys. We love the hero, but at the same time we need vulnerability. Smoke is never in danger. It’s unfortunate, but this series is rather stale and lifeless with a barrel-chested hero that has immortality.
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Author Gilbert Ralston is better known for his writing credits in Hollywood. Ralston helped create the “The Wild Wild West” show and wrote for similar television pieces like “Laredo”, “The Big Valley” and “Gunsmoke” in the 1960s. Ralston, born in Newcastle, Ireland, attended college at Sierra Nevada College, worked as a journalist and was a member of the Western Writers of America. All three of these experiences, combined with his screenplay skills, contribute to the look and feel of this series, ‘Dakota’. The series debut, “Dakota Warpath”, was released by Pinnacle in 1973 under the guise of just another hard-hitting action series. It isn’t necessarily in the mold of a ‘Death Merchant’ or ‘Destroyer’. This is more of a white-knuckle detective vehicle…that still manages to delivers the same goods.
Dakota is a half Piegan, half Shoshoni detective working out of the Sierras in Nevada. He’s an ex-Marine who served in Vietnam as a talker for an advanced unit. Apparently, Dakota and his two brothers were surrounded in the bush and only Dakota survived. There is a slight discrepancy to this story later as Dakota tells a Marine pilot he was a Ranger. In my research, only Army had Rangers but this could be associated with Dakota attending Army Ranger school at one point and possibly learning demolition. Regardless, Dakota emerges from the war and becomes a police force in New York before moving back to the Sierras to work his family’s ranch while simultaneously doing investigative work (and rodeo). All of this seems like a whole lot of hyperbole on the part of the author – but I’m going to say I absolutely love this character. In a lot of ways Dakota is the perfect merger of Craig Johnson’s dedicated sheriff Longmire and his loyal friend Henry Standing Bear. Again, this book was released in 1973 but is nearly the perfect precursor to Longmire. Dakota embodies the intelligent, western working man in the able hands of a brilliant writer.
“Dakota Warpath” performs its obligations as a series debut – introducing the character while also building validity. In the early pages we gain most of the above through a conversation between Dakota and a longtime friend named Sam Lew. Dakota is introduced to a potential new client, unknown at the time as Amy Rainey. She explains her husband was murdered in a Nevada town called Poison Springs and those same killers are targeting her. Before Dakota can take the case, Sam’s car explodes killing both Sam and Rainey. It’s Dakota’s crime to solve – did the killers target Sam or Amy and why? The town’s sheriff deputizes Dakota and soon the location is moved to Poison Springs. It’s your typical one-horse town controlled by a millionaire named Burton Ashley. He runs the place including its casino and ranch brothel. Dakota plays nice with Ashley for a little while, and later teams with the town’s deputy, Phillips, a journalist named Spring and a brief love interest in Janet. Dakota also teams up with a Navajo kid named Louis as he investigates the Rainey murders and Ashley’s complex criminal empire.
Ralston writes this book as a testimony to his screenplay experience. It reads like a movie or television episode where a lot of “on page” action isn’t necessarily described in exhaustive detail. For example, Dakota can walk into a familiar place and just know some of his hometown’s residents and friends. The burden isn’t on Ralston to explain how Dakota knows them or what they are wearing or where they are standing during dialogue. I actually prefer this style of writing and it certainly trims the fat off to leave room for the “meat and potatoes”. It keeps the book moving at a fairly high pace even if you were to cite the slow burn build up of the first half. The books finale is a firestorm for the last 40-50 pages, placing Dakota in the desert hills with a .38 against a half-dozen armed bad guys. That portion of the writing is very western oriented and captures intense cat and mouse tactics as Dakota defends his position. Nestled in between detective work, fist fights and gun battles s are some really touching moments where Dakota consoles a senile, elderly man, calls his mother nightly and returns a 15-year old girl to her father. It isn’t bravado, bullet belts and bare chests – Dakota is a human that makes mistakes throughout the book and isn’t afraid to admit it. There were four more books in this series and I wish there were more. Sadly, Ralston passed away in 1999 at the age of 87. He leaves behind a legacy of quality media including this career highlight - in my opinion. ‘Dakota’ comes highly recommended and should please fans of the ‘Longmire’ series.
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I’m notating this review as “Doc Savage 08” due to Bantam releasing these in paperback order. “The Land of Terror” was originally released as the second ‘Doc Savage Magazine’ issue in April, 1933. The confusion may lie in the fact that Bantam released their books out of the series' original publishing order (under house name Kenneth Robinson). I’m still a new reader of this character and many sources advise me to just read them in any order. So, with that explanation clearing the air…
“The Land of Terror” picks up after the events of the series debut, “Man of Bronze”. Savage is now receiving his pipeline of funds and can afford to travel the world righting wrongs. In one early effective scene Savage hands a fistful of cash to a woman experiencing blindness. He encourages her to use the money and a personalized handwritten note to seek out a surgeon friend of Doc’s. He does this while chasing a bad guy, which is ultimately the book’s setup and early premise. It turns out Doc’s friend and chemist Jerome Coffern is melted by a mysterious substance released by the villain Kar. In furious opening chapters, the reader is tagging along as Savage is on a highspeed foot chase to capture Coffern’s murderer. The killer is attempting to dodge Savage’s advance by running through New York streets, downtown apartment buildings and onto a tourist ship in the Hudson River. It’s a long but entertaining sequence of events that culminates in the killer escaping.
Later, Savage does a little detective work and learns that the melting substance being used is called the Smoke of Eternity and Kar’s gang plans to use it for robbing banks and other dastardly deeds. As a gumshoe, Savage learns that Coffern, a taxidermist named Bittman and a guy named Yuder traveled to a remote New Zealand location known as Thunder Island. After asking Bittman, an old friend of Doc’s father, about the trip, Bittman suspects that Yuder could really be the mysterious Kar and that the Smoke of Eternity could have originated from Thunder Island. After another furious chase scene that involves Monk being captured, the team pursue the bad guys from New York to Thunder Island. From here it falls into what I perceive as the typical Doc Savage adventure tale - exotic location, strange creatures, gunfire and a quest or chase to thwart some evil mastermind.
It’s only Dent’s second issue of writing this character but it’s clearly evident he has a firm grasp on what he wants to express to the reader. The first half of the book works really well as a simultaneous chase scene while still asking probing questions as an investigative pursuit of plot. The second half is by far the best as Doc’s team faces dinosaurs and Kar’s henchmen inside of a volcano. Fans of the series often point out the fact that this entry includes five killings, something Doc’s team doesn’t do much (if any) of in future volumes. High body count on a pursuit of vengeance. I’m okay with it.
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Robert Tine’s ‘Outrider’ series comes to a premature ending with book five, “Built to Kill”. Genre fans hold the series in high regard – keeping in mind that it’s a fun, senseless ride that doesn’t convey any realism or seriousness. It’s 80s post-nuke fiction with all of the characteristics or stereotypes that go with it. The publisher, Pinnacle, was sold shortly after this book’s release in 1985, bringing to a halt the series with a promised book six (pictured below) never reaching fruition. Regardless, this closing chapter has a great makeshift ending that wraps up storylines and characters from the past four novels. I’m extremely satisfied with calling this book the ultimate finale.
Each of the past four novels had our hero Bonner battling marauders, gangs and tyrants in each of North American’s new territories – Slavestates, Hotstates and Snowstates. Chicago, where Bonner and other loners live, has always been a neutral city surrounded by dried up lake Michigan. It’s a hard area to attack, made even more difficult with the amount of firepower possessed by these loners and renegades. However, arch enemy Leatherman poses a scheme to align the territorial leaders into a collective combat force to take Chicago. It sounds awesome on paper…but realistically we just know Leatherman plans to eliminate everyone but his own forces. He wants to rule the whole continent and thinks the downfall of Chicago will be the best opportunity.
The author brings in all of the familiar characters of the series – Beck, Bonner, The Means, Clara, Lucky and even a surprise visit from a guy named Starling. At times it’s intentionally humorous and I found myself laughing out loud at the antics of Starling and Beck. Lucky actually plays a big part in the book, moving him from under the hood to a spot in the front seat. I always liked the character and it was really entertaining to see more of him. From an action stance, the novel does spend a lot of time setting up what is essentially a 10-page fight. I thought the inevitable confrontation between Leatherman and Bonner was more fizzle than spark. The book could have been fleshed out with a little more action but publishing and time restraints probably limited the author’s creative force. Overall, this series was highly entertaining and closed out perfectly in my opinion. Grab copies of these books and keep them safe and dry. Pass them on down the line and let the next generation explore this wacky and wild genre we know and love.
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Stephen Mertz is widely considered the main creator of the ‘M.I.A. Hunter’ series. He, along with Bill Crider and Joe Lansdale, wrote a majority of the series’ 17 books. For book five, “Exodus from Hell”, popular action and western author Chet Cunningham apparently came on board. I’ve spent a great deal of time digging under stones and bridges to provide the definitive verification of this – but just can’t seem to gain anything other than Joe at the Glorious Trash blog sourcing the book’s author in his review. It would certainly make sense as Cunningham also wrote the non-numbered book “Stone: M.I.A. Hunter” between books five and six. However, jury still out at the time of this review.
“Exodus from Hell” is another Jove paperback, released in 1986 under house name Jack Buchanan. Fans of the series know exactly what to expect when they flip open the novel – Mark Stone, Hog Wiley and Terrance Loughlin kicking serious jungle ass. This fifth entry in the series does plenty of that, but is unique to this line because it reverses the order of events from the series’ predecessors. While prior books followed the same formula, this book surprisingly does things just a little differently.
As the book begins we have a familiar scene unfolding with Stone and his mercenaries deep into Cambodia. The trio, along with hired assistance, quickly dispose of a small unit of Vietnamese soldiers before approaching a prison camp that’s housing three American prisoners of war. We are introduced to two of these characters as the author describes in graphic detail their daily rituals, struggles and punishment. In a furious opening scene, the camp is liberated and the trio are able to rescue two of the three soldiers. The third had perished under the harsh conditions before the rescue. Here’s where things get a little bit divergent. Instead of the book focusing on the heroes receiving the assignment, scouting the location and then making the finale rescue, this book reverses the order of events. “Exodus from Hell” is true to its name. This book captures the escape and trek out of hostile land.
If we assume the book is written by Cunningham, then his descriptive combat throughout the book would be at least partially written from experience. Cunning served in the Korean War, fought in two battles and, according to his website, participated in numerous line-crossing and prisoner patrols. All of that is presented with detail and authority here. He’s an engaging storyteller and really brings focus and clarity to the dangers awaiting Stone and company – the jungle environment, fatigue, opposition. As Stone attempts to get his company out of harm’s way, they can only watch in horror as the rescue chopper explodes. Thus, the premise of the book, hiking on foot through 200 miles of jungle to cross over into safehouse Thailand. Along the trek the group has one P.O.W. completely delusional, strong guy Wiley being injured and carted and a missionary that is attempting to transport six children out of harm’s way. All of these elements collectively create a perfect storm.
I hold this series in fairly high regard overall. It’s connected to my childhood and with that comes a certain kinship. But these books are just really well written, whether it’s Lansdale, Mertz, Cunningham or whoever. “Exodus to Hell” is a series highlight for me and one that definitely stands the test of time. It’s saturated with combat violence, presenting a gritty story of survival, but occasionally muffles the bang with heartfelt strives for peace. It’s a great story and I highly recommended it even if you aren’t a fan of the series. If you love this genre…you simply can’t go wrong here.
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“It’s 1996. The Fight to Save America Has Just Begun”. This slogan adorns the top of Tom De Haven’s ‘U.S.S.A.’ debut, “Book One” (also seen online as “Top Secret”). With its Avon release in 1987, this young adult novel paints a disturbing portrait of a future Dystopian America. De Haven borrows a bit from Ray Bradbury’s iconic ‘Fahrenheit 451’ to fuel this nightmarish vision of the United States of Secure America, a military controlled, ultra-right-wing state that has aligned closely with the Soviet Union. While “freedom” is still a viable option, its sacrifices are free speech, independent media and privacy. While the book was written and released in the 80s, a lot of the author’s themes and ideas predict what is happening in our own present day. It’s unsettling, yet a vivid reminder of how liberty is a hard fought and precious commodity.
In the book’s premise, a coup occurs in Washington on January 19th, 1995 that eliminates the government’s infrastructure. Congress is ultimately fired, along with the president. The military, led by a de-facto leader named General Sawchuk, takes control of the US proclaiming it the U.S.S.A. They align with the ultra-right-wing policies of the Soviet Union and, together, begin a worldwide campaign to tackle the Middle East and Mexico. All of this is recounted in the early chapters by the main character, Eddie Ludlow, in first person narrative.
At the beginning of the novel we learn that one year has passed since the coup, and patriotic “renewal” is enforced by aggressive New Cops and the military. Eddie is a high school student living in a small, midwestern town. The novel’s opening pages has Eddie and some friends sneaking off to a secret bazaar that allows students to sell and swap banned music. In a horrifying scene that echoes Bradbury, we see the New Cops arrive, dousing all of the outlawed media with flamethrowers. While that sort of imagery doesn’t envelope the entire novel, it definitely sets the tone that this is a foreign US.
A majority of this series opener is spent on just the day to day activities in and out of high school. It’s catered to the young adult crowd (arguably 12-17) so you won’t find heavy gunfire. There’s some, not a lot. Instead this one really soaks up the atmosphere of a very different “land of the free”. There’s one news channel and it is state controlled. Robotic birds serve as roving “big brother” cameras. The school only uses state propaganda and regularly replaces teachers with new government heads. One of Eddie’s teachers, Mr. Graham, asks, “Is patriotism – the love of one’s country – always the same thing as the love of one’s government?” This is during a discussion of ‘All Quiet on the Western Front’. Later, Eddie learns that Mr. Graham has been fired and seemingly homeless after challenging his students to think outside of the box.
While Eddie’s day to day is outlined, De Haven introduces some lovable characters in Mike, Roger and Eddie’s love interest, B.J. As the kids start to question their existence in the new regime, they team with an underground resistance group headed by “Denim Guy”. He challenges the group to think about the USA and how important it was and still is. They all strive to fight back, but understand “freedom isn’t won in an hour”. There’s a number of smaller plot lines – Eddie’s father is a reporter and is filming various protests across the country. B.J.’s father is employed as a scientist by the military and questions his country’s morals and ethics. The book’s finale is a bullet ridden chase scene that propels the story into later books.
De Haven was born in 1949 and I can see where his life experiences factored into the story. 50s and early 60s rock and roll could have been a bit taboo for him as a young man, perhaps an inspiration for some of the anti-media tactics of the New Cops. The author has written several fantasy novels, a Superman book and comes back to this series for it’s last entry, book four. I think he did a fantastic job placing himself into Eddie’s “young” thought process. The pacing is about right for this introductory tale, but will need to pick up as the series progresses forward. I own book two also but will need to locate and purchase the others. Based on this volume, it should be money well spent.
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