Hit and Run

The December 1954 issue of “Manhunt” featured a “Complete New Novel” by hardboiled crime writer Richard Deming called “Hit and Run.” The original novella was later expanded by Deming into a lean Pocketbooks paperback release in 1960. “Hit and Run” is an amazingly good story about a hard-luck private eye named Barney who happens to witness a hit-and-run accident involving a beautiful woman driver. He concocts a scheme to blackmail her into engaging him to cover up the accident and keep her out of trouble. From there, Deming takes the reader on a twisty ride not unlike the violent Fawcett Gold Medal short novels of that era. It’s hard to summarize the plot any further without spoiling several jaw-dropping plot twists, but suffice to say that this short novel was a total delight and is worth hunting down.

Night Has A Thousand Eyes

"Night Has a Thousand Eyes" is a highly-regarded 1945 noir suspense classic written by Cornell Woolrich (“Rear Window”) under the pen name of George Hopley. It was later reprinted under Woolrich’s more successful pseudonym, William Irish, and in the modern era, under Woolrich’s own name. After it’s release, the novel was adapted for the screen in 1948 starring Edward G. Robinson, and the movie’s theme song became a hit and lives on as a jazz standard.

The story opens with good-hearted loner police detective, Tom Shawn, saving a distressed 20 year-old woman, Jean Reid, from jumping off a bridge in the middle of the night. He corrals her to a safe place to hear her story.

In Chapter Two, the story toggles into the first-person narration as Jean tells her tale to Detective Shawn. The story of her spooky journey to the bridge’s railing takes up about the first half of the novel, and we learn that Jean is the wealthy daughter of a successful silk importer living on the U.S. east coast (city unmentioned) in a large estate filled with servants.

While Jean’s beloved father was away on a west-coast business trip, a servant confides that the servant’s psychic friend had a vision that Daddy’s return flight would crash. Knowing that clairvoyants are hogwash, Jean initially dismisses the prediction as nonsense and banishes the servant from the estate. As the return flight time grows closer, Jean grows panicky and desperately tries to telegram her father to have him skip the flight. Before Daddy could get the message, the plane crashes in the Rocky Mountains with no survivors.

Any more details would be spoiling some pretty cool plot points. Suffice it to say that Jean and a companion spend much of the novel’s first half tracking down the psychic to determine how this reclusive oracle could have known about the crash in advance. Supernatural powers? Fraud? Foul Play? The psychic’s subsequently accurate predictions further support Jean’s belief in the claimed supernatural powers.

The novel’s second half cuts back to the third-person narration where the reader re-joins Jean, fresh from a thwarted suicide attempt, and Detective Shawn, ready to investigate the authenticity of Jean’s fantastic story of a seemingly-accurate clairvoyant along with a team of police colleagues. The police procedural half of the book was the stronger of the two halves and helps justify the book’s claim to classic status.

Woolrich was a talented writer and the pages are filled with rich prose designed to evoke a dark mood. It’s clear that he regarded this novel to be an important work of literary fiction rather than a genre paycheck. At times, this made for a wordy, slow-moving slog as the simplest action (walking from a car to the psychic’s front door, for example) takes pages to complete when it could have been an economical simple sentence. The things that happen in this novel are occasionally interesting, but it takes pages and pages of hand-wringing and emotional torment for the actions to actually occur. This 368 page novel only had enough actual plot to fill a lean 150-page novella.

The other problem with the book (primarily the first half) is our heroine protagonist. Jean is a clingy, spoiled rich girl caught in a perpetual emotional wreck. Her story and overwrought tone have all the hallmarks of a melodramatic gothic novel. In fact, one of the many reprintings of the book was marketed as “A Paperback Library Gothic” compete with a genre cover depicting Jean fleeing from a imposing mansion in the dark.

The second half investigative procedural has solid moments, and the reader becomes invested in the quest to determine the truth of the mysterious psychic and the predictions that shook the foundation of Jean’s family. However Woolrich’s tiresome wordiness remains, and  the third-person narration does little to dull the sting of Jean’s dramatic histrionics and personality shortfalls. 

It’s hard to understand why this novel is so highly regarded among noir fiction fans. While writing a novel that’s half Daphne Du Maurier and half Ed McBain is no small feat, the tense conclusion to the book’s central mysteries is moronic and unsatisfying. Fans of crime fiction, horror fiction, and literary fiction deserve much better from their sacred canon. Life is too short. Take a hard pass on this so-called classic.

Hawker #05 - Houston Attack

I’ve really grown fond of this ‘Hawker’ series by Randy Wayne White (writing as Carl Ramm). While the series began on flat-feet, each installment thereafter has further developed the Hawker character. White has incorporated friends and business associates into the overall collective, defining roles but providing the series room to breathe and grow. Book five, “Houston Attack”, continues that formula and it culminates into one of the best episodes of the 11-book run.

This novel begins mid-story with Hawker approaching the Texas border from Mexico. He’s disguised as a Mexican worker utilizing paid bad guys to smuggle him into the US. There’s an exchange with a young woman, Cristoba de Abella, before Hawker learns the whole operation is human trafficking. Gunfire ensues, and the opening chapter closes out with the reader confused on exactly what is transpiring. Luckily, Chapter Two retroactively brings us back to the event’s origin. A brief recap is made of the prior four books (I like this) and we learn that Hawker has taken 3-4 months off to rest and tend to prior wounds. His ex-wife Andrea comes to visit bearing bad news – her brother has been killed on the Texas-Mexico border.

The plot involves Hawker consulting with the Texas district attorney regarding the man’s murder. He was working undercover and had a rap sheet on the human trafficking players. The D.A. asks for Hawker to finish the job by going undercover (brilliantly as a one-armed migrant worker) and exposing the ring. It’s all centralized at a large Texas ranch, which Hawker infiltrates from within. Soon, he is teaming with a Texas Ranger to not only assist the feds, but to destroy the entire operation at it’s roots. White has Hawker utilizing the same weapons – survival knife, CAR-15, plastic explosive – in each book, and while it’s repetitive, I like the consistency. Hawker successfully uses them for each novel in new and clever ways.

Overall, this one has a little bit of everything - humor, action, intrigue and a little romance. It’s a fantastic stand-alone story but propels the series forward with even more alliances as well as questions. Perhaps Hawker pairs with the Texas Rangers again in future installments? Will he re-marry his ex-wife Andrea? Will Hawker’s employer Hayes return in the next book? White’s little nuances make the reader ask probing questions. It also forces us back again and again. I’m ready to see where “Vegas Vengeance” takes us next.

Lady Gunsmith #01 - The Legend of Roxy Doyle

Legendary western author Robert Randisi (writing as J.R. Roberts) introduces a new series character in “Lady Gunsmith: The Legend of Roxy Doyle”. This fun, sexy novel ties in nicely to Randisi's other successful adult western series, ‘The Gunsmith’. However, you don't need to have read any of ‘The Gunsmith’ books (there are well over 400) to enjoy Lady Gunsmith's origin story. The book was released in March of 2017 by publisher Speaking Volumes.

The novel introduces us to Roxy Doyle as a child on a wagon train journey westward in 1866. Violent events transpire that culminate in a separation of Roxy from her father. Roxy's growing into adulthood and the quest to find her dad serve as the driving action propelling this story forward. Along her journey from town to town, Roxy meets wary sheriffs, bounty hunters, rapists, famous outlaws, criminals, sex partners (plenty of those, by the way), and Clint Adams, the hero of ‘The Gunsmith’ series. Roxy is a likable character who takes charge of her own sexuality and independence. She's constantly overcoming the burden of her own beautiful looks and sex appeal. There's plenty of violent gun-play and intrigue to keep the reader entertained.

Randisi wrote a short-lived series in 2012 called ‘Angel Eyes’ with a sexy female character mining much of the same territory. That series ended too soon, so we can be thankful that many of the same concepts are being explored here. There's nothing really negative to say…it's an easy read with short chapters and lots of dialogue. You'll never feel lost or confused. By now, the author has got this genre well figured out. My only caveat is that this is an adult western, so there are many scenes of graphic sex interspersed with the explosive action, mystery and gun-play. If sex scenes bug you, this book is not for you. For the rest of us, we can all celebrate the launch of this great new series. With many of the adult western series titles (‘Longarm’, ‘Trailsman’, ‘Slocum’) now cancelled, Roxy Doyle is a great new addition to the genre.

Lucky at Cards (aka The Sex Shuffle)

During the heyday of paperback originals of the 1950s and 1960s, a prolific author could compound his income by selling books to multiple publishers under a variety of pseudonyms. It’s become the hobby of many modern fans to serve as detectives and pulp anthropologists to uncover the real authors of the genre novels of the era. Sometimes, a reprint publisher does the work for you. Hard Case Crime acquired the rights to reprint Lawrence Block’s sexy 1964 con-man caper novel, “The Sex Shuffle”, written under Block’s Sheldon Lord moniker. Hard Case Crime gave the book a new title, “Lucky at Cards”, and commissioned some new cover art for the re-release under the author’s own name. 

Our narrator and anti-hero Bill Maynard is a former magician and professional poker cheat known to his fellow con artists as Wizard.  When we meet Maynard, he is recovering from a beating in Chicago when he receives an invitation to a friendly game from his dentist. After practicing his fake shuffles and tricky deals in the mirror for awhile, he’s ready to thicken his wallet with his card manipulation skills. 

The reader is given a fascinating tour through the tricks and nomenclature of a professional card mechanic. At the game, Maynard brings in some good money dealing from the bottom of the deck (“a subway deal”) and bypassing the top card (“dealing seconds”) while the middle-class pigeons are none-the-wiser. The short con gets complicated when the  host’s trophy wife catches him and let’s Maynard know in con-man parlance that he’s been made without alerting the game’s other players. In a private conversation later, we learn that sexy femme fatale Joyce has a colorful past, and she’s grown sick of playing the role of a dutiful bride to her boring lawyer husband. 

After some fairly hot (by 1964 standards) forbidden coupling, Maynard and Joyce hatch a plot to make an end-run around the husband’s less-than-generous will to get his money and run away together. Complications - including a love triangle - arise along the way peppered by more lusty sex scenes. The con runs into problems and the reader is treated to plenty of twists and turns along the way. It’s a helluva good ride. Without spoiling anything, the final climactic scene of the novel was a contrived and corny let-down followed by a more satisfying and redeeming epilogue. 

Even early in his career, Lawrence Block had a knack for first-person narrative readability. The dialogue is snappy, and the conversational style makes this an easy and fun story. The action is all cerebral - more like The Sting or The Cincinnati Kid - than the violent crime novels of the era. The sex scenes are erotic without being graphic - a delicate needle to thread. 

There are probably better paperbacks to serve as an introduction to Block’s vast body of work, but The Sex Shuffle/Lucky at Cards is a worthwhile read for hardcore Lawrence Block fans. It’s a quick and easy read with lots of cool moments and vivid characters. 

The Rat Bastards #02 - Death Squad

Len Levinson's (as John Mackie) 'The Rat Bastards' series began with “Hit the Beach!”(1983), an outstanding wartime action/adventure novel, careening from the harrowing to the exhilarating and back again like a roller coaster. It wasn’t very likely that the follow-up novel could be just as good, and it isn’t. 

It's better! 

Although “Hit the Beach!” was tense and exciting, it was also episodic, lacking a real plot. It's simply about a combat platoon on Guadalcanal fighting back waves of Japanese soldiers. But the sequel, “Death Squad” (1983), is a story with a clear beginning, middle and end, and that structure gives it more power. It’s pulp fiction, but it’s extremely well-written, and the characterizations, dialogue and pacing are all superb. 

In this novel, the platoon has survived the meat-grinder of “Hit the Beach!” and heads out on a highly dangerous reconnaissance mission over to the far side of the island, where they’ll be isolated deep behind enemy lines. Their task is to find out where Japanese supplies and reinforcements have been landing. 

The mission gets off to a good start but the guys are in for a very rough time and before it’s over there will be snakes, snipers, capture, crocodiles, torture, torpedoes and always (always!) relentless action, bloodshed and suspense. Every time you think you know what’s about to happen, you’re hit with a surprise and just when the adventure seems to be over, there’s a spectacular extended climax that tops everything. 

Good luck finding a pulp action/adventure novel better than “Death Squad”. War is truly hell for the Rat Bastards, but it’s a 200-page thrill ride for the reader.

The Enforcer #02 - Calling Doctor Kill!

There's no secret that I loathed the very existence of Andrew (Andrea) Sugar's 'The Enforcer' debut. It's preposterous plotting and dull narrative left a lot to be desired. The pretentious “enforcer” bit never came to fruition, nor did the Mafia or kill contracts per the appetizing front cover. In my review of that series debut, I requested “less spiders in a bag, less laser beams and much better writing” as my definitive closing statement for the jury. Thankfully, my willpower to read the second series entry, “Calling Doctor Kill!”, didn't evaporate as this novel is a pleasant surprise and a fair representation of what I had expected from the series name.

In this novel, protagonist Alex Jason is requested by the institute to infiltrate a complex hospital operated by the mysterious Syndicate. Jason is provided a new body (his brain can transfer bodies every 90 days) and an identity as a new doctor hired by the hospital. The mission is to free Dr. Rosegold, the brilliant mind behind the whole “transferring to a new body” routine. Rosegold is a brilliant entrepreneur with a tremendous skill-set, thus an easy target for the Syndicate. They have him captured in a coma-like state inside the heavily fortified hospital. It's an attempt to pry information on the body transfer process for an overall goal of creating seemingly immortal mobsters. Aim high, shoot high.

In the first novel, Sugar placed Jason in over his head as a combat-heavy jungle soldier without an ounce of military experience. That plodding, lifeless debacle of having him blow up an oil reserve in a banana country was absurd beyond words. In this book, Jason infiltrating a hospital using his brain instead of brawn makes logical sense. Instead of explosives and laser beams, this book is grounded with a solid dose of espionage, a thrilling pace and an effective setting that creates a sense of isolation and forthcoming doom. It's a chilling atmosphere, making Jason's undercover mission compelling, riveting and all-together just a damn fine read. Sugar never misses a beat. “Calling Doctor Kill!” finally showcases this writer's talent as well as a tremendous amount of potential for the series.