The Hot-Shot

Kansas native Fletcher Flora (1914-1969) wrote 13 novels and 150 short stories after returning from WW2 combat. His writing generally falls into the crime fiction genre with a few diversions into the world of lesbian pulp fiction. “The Hot-Shot” is a coming-of-age paperback published by Avon in 1956. The short novel is now available in every format as a cheap eBook.

“The Hot-Shot” is narrated by Skimmer Scaggs, a dimwitted high school senior living on the wrong side of the tracks with his dysfunctional parents. One day he accidentally learns that he has a natural gift for sinking baskets on the court, and with a little coaching quickly becomes a high school basketball prodigy. The author was a high school basketball coach before being drafted into the U.S. Army in 1943, so he knows his way around the game. As a result, the sports action scenes are vividly recounted.

For Skimmer, instant popularity and local celebrity follow his awakening as a basketball star. The school pads his grades, and he’s finally able to lay a girl in the country club set. Moreover, a dead-end future is no longer his destiny as basketball provides the ticket to get out of his lousy town and away from his crummy parents.

For most of the paperback, the coming of age narrative far overshadows the crime story revealed fairly late in the novel. The crime in question involve the dilemma of whether to shave points for a local racketeer in exchange for some steady cash and regular sex with an irresistible torch singer. The point-shaving scheme was probably innovative at the time before Northwestern University’s football team was caught by the FBI doing almost the exact same thing decades later. “The Hot-Shot” is a fun read but shouldn’t be confused with a crime fiction classic.

The writing style adopted for Skimmer’s narration almost perfectly apes that of Holden Caulfield from 1951’s “Catcher in the Rye” by J.D. Salinger. Lawrence Block did the same thing years later with his Chip Harrison series with pleasing results. If you enjoy that type of first-person writing (and I do), you’ll probably enjoy this novel quite a bit (and I did). Just don’t go into it expecting a tightly-plotted hardboiled crime story. Recommended.

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Color Him Dead

Charles Runyon has worn a number of hats in his lifetime – Army service in Korea, farmer and industrial editor. Quitting his job to become a full-time writer didn't quite lead to the lap of luxury, but it did produce over 25 novels including Edgar Allan Poe award winner “Power Kill” (1972). Runyon's third work, Gold Medal paperback “Color Him Dead”, was released in 1963, just two years prior to what is arguably his most notable work - “The Prettiest Girl I Ever Killed”. The novel has been reprinted by Prologue in both digital and physical formats. 

“Color Him Dead” introduces us to Indiana prisoner Drew. In the book's prologue, Drew has had a brutal altercation with another inmate that's placed him in isolation. When called to the warden's office, Drew learns that his mother has passed away. In that same frenzied prologue, Drew, accompanied by guards, attends his mother's funeral only to escape in a high-speed chase afterwards. In flashbacks we realize that Drew is after a woman named Edith, but it's too early for Runyon to reveal the reason. 

The opening chapters explains that Edith is now married to a Caribbean dictator named Barrington. The two reside on a rural island that Barrington rules with an iron fist. While in command of slaves, villagers and industry, Ian spends his day fornicating with the local slaves while attempting to impregnate Edith monthly. Ian's enforcer is the brutish Doxie, a cruel henchman who repeatedly beats slaves to death in an effort to impress his employer. Where does Drew fit in?

Without revealing too many spoilers, Drew and Edith once had a life together. Due to certain circumstances, Edith sent Drew to prison as an innocent man. Now that Drew has escaped prison his sole purpose in life is to kill Edith. Where the novel excels is Runyon's rather clever idea to have Edith experience amnesia. What's the fun in killing someone who doesn't actually remember the reason you're doing it? That's the focus of the narrative as Drew, shockingly, seduces Edith in an attempt to jog her brain into remembering him. As the ploy continues, Drew starts to fall in love with Edith all over again. 

While this novel may sound a little mushy and out of place on the crime rack, believe me...it's a real barn burner. Doxie and Barrington's attempts to displace Drew is brimming with action, fistfights and an exciting gun battle in the island cliffs. Further, there's a whole second thread of action as Drew partners with two islanders to kill Barrington and end his rule. While there's a good amount of romance – and sex – between Drew, Edith and the lovely Leta, it's paralleled by an equal amount of high-octane action. Runyon's writing is fast-paced with an intriguing cast of characters to keep the pages turning. Overall, I couldn't be more satisfied with this book. 

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Geneva Force

Author Joseph R. Rosenberger wrote a number of men's action adventure novels throughout the 70s and 80s. His 70-book vigilante series 'Death Merchant' ranks in the highest echelons of popularity alongside 'Nick Carter', 'The Executioner' and 'The Butcher'. Prior to his death in 1993, the author had conceived a new vigilante series entitled 'Tenkiller', paralleling the same format he utilized with 'Death Merchant'. The debut, “Geneva Force” (1989 Pageant), stands as the only series contribution.

This “Geneva Force” refers to Mason Tenkiller, a globe-trotting fighting man who seeks to punish terrorist cell The Red Brigade. In the opening pages we read newspaper clippings advising that Tenkiller's wife and son were killed in a terrorist blast. But, do we know if Tenkiller has the ability to wage a one-man war on international terrorism? 

After a furious fire-fight in an abandoned German brewery, chapter two settles in with a resume showcasing Tenkiller's validity as the “Geneva Force”. He graduated from Notre Dame with a master's degree in psychology. After refusing an appointment at West Point, Tenkiller joins the Fifth Special Forces Group Airborne and serves four years in Vietnam. Later, he's recruited by the CIA and excels as a GS-12 rating and promoted to the European Terrorist Desk at the U.S. Embassy in Rome. After his family's murder in 1984, Tenkiller begins his crusade to right the wrongs of Europe. 

Rosenberger's deeper plowing was in hopes of harvesting a rogue killing machine that was courted by both the CIA and KGB. In a fertile story-line, heads of the CIA and KGB meet under the assumption that they will capture Tenkiller and force him to be a lone member of a joint taskforce used to kill targets for both agencies. It's a unique twist that aligns the two super-powers in a conventional way. This novel focuses on Tenkiller's annihilation of Red Brigade hierarchy while evading capture by the CIA and KGB men. There's even a brief reference to Rosenberger's claim to fame – the Death Merchant himself, Richard Joseph Camellion. 

By 1989, Rosenberger had clearly ran out of ideas. After two decades of cashing checks for 'Death Merchant', along with entries like 'C.O.B.R.A.', 'Kung-Fu' and 'Shadow Warrior', this series spark is simply re-imagining Camellion as the newer Tenkiller. So much that the body count reaches extraordinary heights, the gun porn outweighs the writing and this character uses wigs and make-up to hide his killing agendas. These are all consistent with the 'Death Merchant' series. So, why do we need another? Ultimately, I'm not sure if Rosenberger had any more entries drafted or submitted for this ill-conceived series. Regardless, his death just five years from this book's release would erase any further volumes of Tenkiller's fate. 

Read “Geneva Force” if you absolutely need 'Death Merchant' part 71. 

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Man Outgunned

My father recently gave me a copy of Lewis B. Patten's “Death Rides a Black Horse”. It was my first foray into the Patten brand of western fiction. I absolutely loved the novel and reviewed it here. Running with that excitement, it was just a matter of time before I could get my hands on another of Patten's work – 1976's Signet paperback “Man Outgunned”.

The novel begins during a Fourth of July town picnic in Placita, Colorado. With it's citizens happily preparing fireworks and baked goods by a river, six escaped prisoners arrive to find the local bank barely staffed. In a gut-wrenching display, the prisoners shotgun the bankers (decapitating one) and unmercifully kill an elderly, pleading couple in the streets. During an extremely poor choice of timing, 16-year old Sally Dickerson returns to town for some cooking supplies and is kidnapped by the six outlaws.

Sheriff Morgan McGuire and his deputy Donovan soon learn about the murders and robbery and form a makeshift posse to run the outlaws to ground. Unfortunately, the outlaws are a half-day away and the posse isn't fit for a long, hard ride. With Sally's grieving father in tow, the group gallops their horses to death and lose ground finding new rides. It's here that the narrative really settles in as only McGuire and Donovan are left to run the outlaws down. I won't share an important spoiler here regarding Sally Dickerson...but this is a western and these are six hardened criminals with a 16-yr old girl. Patten doesn't hold back punches. 

In a cruel twist of fate the story loses Donovan and McGuire is left as the “Man Outgunned” against the murderers. There's a couple of really good side-stories that develop regarding a Mexican sheriff, an orphaned boy and a grieving widow. Patten threads these elements into the novel's road trip, focusing on McGuire's date with destiny while attempting to build even the weakest of alliances to fight the overwhelming odds.

If you love westerns, this is a mandatory read. Patten is absolutely a master of the craft and one of the better writers of any genre. “Man Outgunned” is one of the best books I've read in 2018 (this review being published a few months later) and another fine entry in what has become a treasured author. Buy everything the man has written. It's worth every cent.

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Frantic

In 1956, French hardboiled crime author Noel Calef wrote a paperback called “Elevator to the Gallows” (“Ascenseur Pour L’Echafaud”) that was followed by a highly-regarded French film adaptation with a Miles Davis soundtrack. The novel was translated into English and released by Fawcett Gold Medal under the title “Frantic” in 1961. The book was not reprinted for decades thereafter and is regarded as a crime fiction rarity coveted by serious paperback collectors. Black Gat Books (a Stark House imprint) recently re-released the novel in English sparking a major literary event for fans of classic noir fiction.

Julien Courtois is a successful owner of a Paris-based import-export firm who is working late on a Friday night. He has a dutiful wife at home and a desirable secretary at work. He also owes a good bit of money to the loan shark who works one floor above his office in a high-rise urban building. In the novel’s opening scene, Julien executes an exquisitely-planned murder of the loan shark whose body is sure to be found at the office when people return to work on Monday.

The novel’s central action begins when Julien attempts to make his getaway from the office building and finds himself stuck in the building’s elevator. Remember, it’s after-hours before a weekend and there’s a corpse upstairs waiting to be found. Moreover, this is before cell phones and modern alarm systems, so Julien has a real dilemma on his hands as the minutes become hours alone inside the small elevator’s compartment.

“Frantic” reminded me of a very good episode of “Alfred Hitchcock Presents” in which the everyday hassles of life create the twists and turns spoiling an otherwise successful crime. The translation of the prose from the French by R. F. Tannenbaum is serviceable, but it’s clear that you’re reading a translated work. In any case, the core plot is pretty great and a reader is never lost as Julien deals with his confined-space dilemma.

While Julien is confined to an elevator, the events of the short novel are not. The action shifts to Julien’s wife who is convinced that her husband’s absence is proof of an affair, and sets out to find her missing man. The central story about a killer trapped in an elevator was terrific. However, the author filled out the novel with side plots involving several couples navigating their relationship issues that made for a cumbersome read at times. I kept wanting to skim over those sections to get back to the main plot. All the storylines converge later in the novel, so I suppose the filler was ultimately forgivable.

Black Gat Books is to be commended for rescuing this novel from the dustbin of history and preserving the original cover art for this re-release. I don’t think the book was a crime fiction masterpiece, but it wasn’t dreadful either. It was interesting to see what the French version of a Fawcett Gold Medal crime novel was like, so I suppose it was worth my time. Consider this a weak recommendation.

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Nothing in Her Way

The industry often cites heavyweights like Keene, Brewer and Whittington as literary kings within the crime fiction genre. While never as commercially successful, author Charles Williams was equally as masterful, penning a number of 1950s paperback classics. One of these, Nothing in Her Way (1953), has been reprinted as a Stark House Press double with River Girl (1951).

The novel can be viewed in two separate halves with connecting characters and stories. Ideally, it's a heist novel with two different pitches – one involving a risky, elaborate real estate deal and the other a “fixed” horse race. The two heists are thickly woven with a robust cast of scoundrels, each with their own strengths and weaknesses when it comes to the rather dense, but easily digested, story arcs.

Mike (obligatory first person protagonist) and Cathy are out to avenge their fathers' wrongdoing in a botched business transaction. Their fathers worked at a building firm that reached its pinnacle of success supplying infrastructure in Central America. Both men were pinned under a rather scrupulous business arrangement that sent them both to prison while partners Goodwin and Lachlan made off as wealthy benefactors. Fast-forward 16 years and Cathy has formed a fairly spectacular heist-revenge caper.

In the book's opening pages, Mike is recruited by Cathy and a seasoned con man in Bolton. The ploy? Oddly, to con Goodwin into purchasing land he already owns from Mike. While the idea seems preposterous to Mike and the reader, the narrative explores Mike pretending to be a chemist studying sand in a small desert town – desert owned by Goodwin. How does it shake up? No spoilers here, let's just say the first half ends in a fiery crescendo of fists, bullets and a complex getaway. 

The second half, as you might have guessed, focuses on Lachlan. With Goodwin...ill-disposed...the tables are stacked to have Lachlan bet a fortune on a horse race that he perceives is fixed. The idea of a predetermined horse race seems impossible, but it's up to Mike and Cathy to don another disguise to con Lachlan into thinking it's legit. As complicated as that might be, it's further hampered by an old creditor named Donnelly wanting a piece of the stakes...or Cathy dead. 

I just can't say enough positive things about this Charles Williams masterpiece. After reading it, I immediately thought about how it would look as a film. In researching material for this review I discovered it was adapted for film already! In 1963 the book was adapted into the French comedy Peau de banan, which later released in the US as Banana Peel. Whether you track it down or not, don't skip out on this novel. The gem is available both physically and digitally and has been re-printed several times including the Stark House double.

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Dead End

Under the pen name of Ed Lacy, author Len Zinberg wrote 28 novels between the years 1951 and 1969. In December 1958, “Mercury Mystery Magazine” ran a 100-page novella by Lacy called “Time Wounds All Heels.” The story was expanded and published as a hardcover in 1958 as “Be Careful How You Live” which was reprinted in 1959 as a paperback titled “Dead End.” It’s currently available as a cheap eBook in all formats.

As the story begins, two cops named Doc and Bucky (our narrator) are laying low in a filthy, roach-infested hideout with a million bucks cash in three ratty suitcases. How did they get there? What’s the story with all that cash?

Lacy slowplays the explanations over the course of the novel comprising mostly of flashbacks from Bucky’s youth and police career leading up to the million dollars in ill-gotten gains. The narrator cop grew up as a hard-scrabble youth with a troubled family background who learned to use his fists early in life. Eventually, he discovers police work and drifts into a life with problematic choices involving on-the-job graft.

Bucky’s moral descent is hastened once he latches onto Doc, a fellow police detective who becomes a father figure to Bucky. Doc’s expertise is making police work lucrative while also working hard to fight crime and solve important cases. All of this comes to a head when a big case brings a million bucks into the officers’ lives quite unexpectedly.

It took a bit for this novel to really grab me, but once it took off, it was a fantastic read. I suspect that the original 100-page novella was about perfect, and it was later filled out to novel length by adding flashbacks of Bucky’s youth and filler scenes delving into his complex relationship with his parents.

Either way, the crime story at the core of this novel is compelling as hell. Lacy’s writing is predictably top-notch, and the plot was never predictable. Mostly, I’m thrilled to see that there are people hard at work keeping Lacy’s fiction alive for today’s readers. This one is highly recommended for fans of fast-moving 1950s hardboiled crime fiction.

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