Hans-Otto Meissner (1909-1992) enjoyed a writing career with three different specialties: political history books, travelogues and adventure fiction. After attending universities at Heidelberg and Trinity, the majority of his life was diplomatic work in London, Moscow, Milan and Tokyo. Utilizing his world travels, Meissner retired and began his career as a successful author. My first experience with Meissner is the novel “Duel in the Snow.” It was originally released in German in 1964. It was later re-printed and published at least three more times in 1970, 1972 and the pictured 1974 reprinting by Pyramid. Each iteration features different cover art.
In December 1941, the US was bombed by the Japanese at Pearl Harbor. Six months later the Japanese targeted another US property, the island of Attu. Focusing all of their efforts on Europe, the US forgot to guard the back door, so the Japanese forces occupied the island and began constructing landing strips that they hoped to use for bombing runs on America's West Coast cities. The location of Attu is important because it lies just off the coast of Alaska. In fact, in 1935 General Billy Mitchell advised the US Congress that whoever holds Alaska will hold the world. He felt it was the most important strategic place on the planet.
The opening pages of Meissner's novel depict the quick occupation of Attu and introduces key characters to the narrative – Japanese Captain Hidaka and Alaskan game warden McCluire. With Attu's grueling weather patterns, complete with frigid temperatures and howling winds, the actual launching of fighter planes from the island was a harrowing endeavor. Meissner's fictional narrative has the Japanese forces conceiving a plan to parachute a dozen soldiers into the northern section of Alaska. Led by the talented Hidaka, their mission is to transmit the weather patterns back to leaders on Attu so they can plan air attacks accordingly. Knowing that the radio broadcasts will be intercepted by US intelligence, the Japanese team will need to consistently travel through the wilderness avoiding detection, never residing in one location for too long. Hidaka's team realizes they will never be retrieved and that this is essentially a do-and-die mission.
Learning of the Japanese mission, the US doesn't have enough resources to allocate to Alaska for a seek and destroy operation. They would need men who not only possess combat experience, but men who are familiar with this barren stretch of frosty wilderness. After assembling a small team of inexperienced Alaskan scouts, US military brass enlists Alaskan game warden and survivalist extraordinaire McCluire to lead the expedition. McCluire hesitantly agrees and the narrative is set into motion with the team hunting Hidaka through the snowy mountains.
How this novel has flown under the radar is beyond me. At a robust length of 256-pages, I was entranced. Meissner's keen ability to develop both parties into likable foes and the patience he uses to create white-knuckle suspense is just so rewarding for the reader. Under the guiding hand of another author, the book could have been rather one-dimensional. While offering the obligatory “seek and destroy” theme, Meissner introduces Alaskan history, regional and Japanese fighting customs and a surreal look at grim survival. Western fans will love the rugged Alaskan interior while military fiction (and even non-fiction) enthusiasts will gravitate to this rather unknown chapter of the war – The Battle of Attu.
No matter which sub-genre you enjoy, the overwhelming sensation is adventure. Hans Meissner has created a stunning action-packed novel that I nearly read in one sitting. I found myself re-arranging my day to avoid any stoppage in the story. I think this book will have that same effect on you. Go hunt down a copy of this extraordinary book.
Buy a copy of this book HERE
On this show we'll discuss the mysterious career of author and publisher Peter McCurtin. We examine McCurtin's "Escape from Devil's Island" as well as two new reviews - "Duel in the Snow" by German author Hans Meissner and the debut Malko novel "West of Jerusalem" by Gerard De Villiers. (Music credit to Bensound). Stream the episode below or on services like Spreaker, Apple, Google and Stitcher. Download the show HERE.
Listen to "Episode 06: Who is Peter McCurtin?" on Spreaker.
I was left scratching my head at the recent news that Michael Fassbender will produce and star in a Hollywood film adaptation of the ‘Malko’ series of paperbacks by Gerard de Villiers. Why Malko? Why not Mack Bolan? Why not Donald Hamilton’s Matt Helm? The paperbacks I’ve seen on the used bookshelves sure don’t look like much.
The Malko series (called the S.A.S. series in France) began in 1964 and was written in French by Gerard de Villiers (1929-2013) with 200 installments and millions upon millions of copies sold. An English translation of the first book in the American numbering scheme, “West of Jerusalem” was released by Pinnacle Books in August 1973. The novel was installment #9 in France, but I get the impression that series order isn’t all that important in the Malkoverse, so I picked up a copy at the used bookstore to see what all the fuss was about.
The series hero is Malko Linge, an Austrian prince who graduated from Harvard in 1954 and has been working on a contract basis for the CIA for a decade when we join him in the 1960s. He inherited a castle in Austria that is in need of serious renovations, so he continues taking CIA gigs to generate sufficient cash flow to pay contractors. Malko’s foreign background provides the operative with instant cover and credibility while operating overseas. His public face is that of a dashing international jet-setting playboy - pretty much the truth for the Austrian nobleman. As is typical in these type of books, Malko is the best we have.
“West of Jerusalem” opens with the dramatic public suicide of the CIA director. His aides and colleagues are baffled by his mysterious demise and turn to Malko to investigate the reason. The trajectory of the case sends Malko to New York, Switzerland and beyond with plenty of action along the way. The novel has a block of key scenes in the 1960s psychedelic subculture - a setting I’ve always found annoying and cliched. There’s also some rather retrograde depictions of gay people in the story. Bear in mind, the paperback was originally published in 1967, so these quibbles are really just artifacts of the era.
Even though Pinnacle packaged the novel with a corny painted cover indicative of the publisher’s lowbrow early-1970s offerings, Malko has more in common with Ian Fleming’s James Bond than Don Pendleton’s Mack Bolan. Malko is a professional spy conducting an investigative mission in order to solve a vexing mystery. There’s plenty of violent action, but it’s never cartoonish or over-the-top as we see in The Butcher or The Penetrator paperbacks. Moreover, the villain’s plan is reasonable - nothing silly like a Nick Carter: Killmaster story. There’s also a realism to the author’s writing unseen in other big-font, painted-cover paperbacks of the era. The English translation is solid with no indication that the original manuscript was written in French. Moreover, this is a CIA adventure (as opposed to a French intel service), so readers of American spy fiction will find themselves on familiar cultural ground.
With some minor quibbles, I enjoyed the hell out of this fast-moving, well-written paperback, and I now have a better understanding why the series was wildly-popular in Europe. I can’t wait to hunt down other early entries and review them for you here. Regarding the forthcoming Hollywood adaptation, I’m no longer asking why. A better question is: Why did they wait this long?
Buy a copy of this book HERE
Baltimore Trackdown is the 88th entry in the long-running The Executioner series. Written by journeyman Chet Cunningham (1928-2017), the novel was released by Gold Eagle in 1986. Cunningham contributed to a number of Mack Bolan volumes including the 79th installment, Council of Kings, which includes characters that later appear in Baltimore Trackdown. A series education isn't a prerequisite as these books can still be enjoyed in any order.
Mob kingpin Carlo Nazarione has infiltrated the Baltimore Police Department. With a vast, cascading stream of money, Nazarione and his criminal cohorts have purchased plenty of badges in their quest to run a gambling empire on the East Coast. The mob are using a veteran named Captain Harley Davis to monitor the bribery channels and to solicit new members for the crooked cop brigade. However, one of Mack Bolan's oldest and most trusted confidants, Leo Turrin, has planted an informant within the ranks. It's this collaboration that allows Bolan easy access at his new targets.
For the most part, Cunningham utilizes Don Pendleton's early template to create this rousing Bolan adventure. The paperback deploys series the series trope of a young, innocent woman who's raped and murdered by the criminals as a motivating spark for The Executioner. Bolan, as if he needs more purpose, seeks to avenge her death. Gambling halls and bars are familiar landscapes for Bolan to fulfill his mission, but it's not until page 114 where things really become interesting.
In a clever tie-in with Cunningham's work on The Executioner 79: Council of Kings, a hitman named Vince Carboni appears. What's unique is that there is no mention of this character anywhere in the first 114 pages aside from a line stating that Carboni has been hired to finish Bolan for good after a firefight in Portland failed to eliminate the hero. In research, this recollection links to the 79th entry where Carboni is enforcing for the Canzonari's West Coast mob. None of this really matters, just a simple way to inject Carboni into 44 pages of this book.
The author shines as Carboni and Bolan do battle on a farm in rural Maryland. The cat-and-mouse tactics are some of the best scenes in my experience with The Executioner books. Carboni ultimately controls the high ground, manning a 30-06 rifle from a farmhouse window. Bolan, trapped in a shed, attempts to dodge in and out of farm vehicles, buildings and eventually rooms within the house. The battle spills into cornfields, the road and back to the farm again before this side-story finally reaches its conclusion. This battle echoes David Goodis' effective farmhouse gunfight in Down There, also known as Shoot the Piano Player (1952), only more modern and quite a bit longer.
Overall, this is an exceptional Executioner entry with very engaging narrative and characters. While over the top at times, the book has a surprising sense of realism due to its more personal presentation – urban America on the take. If you are looking for a fantastic post-Pendleton Bolan work, this makes the short-list.
This novel and the entire Mack Bolan universe was discussed on the fifth episode of the Paperback Warrior Podcast: Link.
Buy a copy of this book HERE
John Robb (1917-1993) was a British journalist and author of science fiction, westerns, gangster thrillers, and war stories who was born with the name Norman Robson but legally changed his name to his popular pseudonym. In 1960 and 1961, Robb authored three short adventure novels starring Interpol agent Red Radford that were originally published as small hardcovers (Hardy Boys style) in England, but these definitely aren’t children’s books.
“Black Legion” is the first Red Radford novel from 1960. The novel opens at a French Foreign Legion outpost in the Sahara desert. A half-dead Arab stumbles into the Legionaries with a story too outrageous to be true. He claims that a cadre of French soldiers came to his village, gunned down two men, and forced the rest into slavery. Later, the French began hearing more rumors of fighter jets overhead and heavy artillery weapons hidden among the rocks and chasms of the desert. Who are these rogue soldiers and what are their ties to the French Foreign Legion, if any?
British Special Agent Hugh “Red” Radford, assigned to Interpol in Paris, is given the assignment to travel to Africa, embed with the Foreign Legion, and investigate these reports of a rogue detachment of Legionnaires menacing villagers in the desert. Out of an abundance of caution, Radford adopts a cover as a British-born officer of the Legion on a map-making survey. The character of Radford reminded me of a combination of Edward Aaron’s Sam Durrell and Hollywood’s Indiana Jones with a pulp hero’s earnestness.
Once in the field, it becomes abundantly clear that the mysterious fighters holed up in the massive Sahara ravine plateau have advanced war-making firepower and murderous intent. Radford and a couple sidekicks - an American and a Frenchman - set out in a helicopter to find the truth. The adversaries he encounters are diabolical and compelling as all hell with a plot that can only be stopped by the bravery and ingenuity of a spy like Radford.
“Black Legion” is a fantastic combo of a spy adventure with a compelling mystery. The international fighting force of the French Foreign Legion provides an interesting culture within which our hero operates. The novel wastes no time before plunging Radford and the reader into the bloody action and intelligent intrigue. There are suicide missions, bloodthirsty, locust-eating Arabs, and graphic knife fights. Radford is a a great hero, and the author knows his way around exciting action sequences, literary combat and vivid chase scenes filled with daring adventure for pages upon pages. There are several scenes in the novel that beg to be filmed in a big screen adaptation, and I’m surprised no one has made that happen.
Ignore the vintage packaging that recalls children’s books of the same era. There’s no way this novel was written for kids - unless your teen has a particular interest in the bad-blood arising from the French occupation of Algeria. That said, you don’t really need to know anything about the region, the history, or the politics to enjoy the hell out of “Black Legion.” Western spies battling desert lunatics is a timeless storyline that transcends any particular conflict or era. I was overjoyed to read this pulp thrill-ride and can’t wait to read the other two books in the series.
Although dying at the early age of 37, William Ard (1922-1960) penned over 30 novels under his own name as well as pseudonyms like Mike Moran, Jonas Ward, Ken Hamlin and Ben Kerr. As Thomas Wills, Ard wrote two novels starring private investigator Barney Glines, “You'll Get Yours” (1952) and “Mine to Avenge” (1955). Stark House Press imprint Black Gat has re-printed “You'll Get Yours” at an affordable price to attract new generations to this talented writer.
Press agent Archie St. George has summoned Glines to his office to meet aspiring actress Kyle Shannon. St. George has encouraged Shannon to explain her dire situation to Glines in hopes she will hire him to investigate. Shannon has her debut film on the cusp of theatrical release after years of modeling leggings. Shannon doesn't want the public to realize she has inherited a fortune from her dead father. Apparently women in the 1950s can't become legitimate film stars if they come from wealthy stock. So, the secret of her fortune, as well as the $100,000 in diamonds she carries in a suitcase, is being suppressed from the public until she reaches widespread appeal. Then her personal fortune will simply blend into her robust box-office earnings with none the wiser.
Glines becomes involved because someone has stolen her diamonds. Shannon, hoping the thief won't reveal the diamond's owner to the public, wants Glines to recover the jewelry. This is an elementary plot and Wiliam Ard thankfully knows it. That's why he throws a box of wrenches in the gears to surprise the characters and reader. This isn't just an average jewel heist.
The thief contacts Glines and advises he will ransom back the jewels for a meager $20K. Suspicious of the offer, Glines accepts the deal and offers Shannon's money for the box of diamonds. After looking through the box, Shannon wants to know where the real fortune is. Puzzled, Glines points out that the diamonds are indeed there. However, Shannon's real treasure were a series of nude photos that she kept secure with the diamonds...in her missing suitcase. Suspending belief, I'm buying it I suppose. Now, Glines next job is to locate the stolen pictures before the thief can ransom them to the press.
Glines’ role as investigator inevitably leads to him falling in love with Shannon. But she's in love with St. George, who alone seems to have more interest in Shannon's wealth and potential than her sultry red hair. As Glines digs deeper into the heist, he finds himself tangled in a heroin ring that leads to his own false arrest. Attempting to prove his innocence, he teams with a homicide detective to track Shannon's extortionist through New York.
For a 1952 paperback, Ard pulls no punches. There's a number of deaths, detailed drug abuse and a somewhat critical inspection of police procedure. In terms of violence...let's say 1970s and 80s men's action-adventure might be a close comparison. In one shocking scene, thugs hold Glines down while absolutely obliterating a drugged out hooker in a hail of bullets. That's bold. But what's really interesting about Ard's position is his candid look at the price of popularity. Even in today's modern times, we still see this same situation: celebrities' privacy auctioned off to the highest bidder. Then it was calendars and magazines, today it's social networks, leaked sex tapes and TMZ.
With “You'll Get Yours,” Ard proves to be a cunning architect of plotting as he scripts the perfect storm of bribery, jealousy, extortion and intrigue. The book's fiery finale asks if there is more for Barney Glines. Let's hope Stark House has the affordable answer. This novel's sequel, “Mine to Avenge,” demands a hefty price tag as an out of print used paperback online.
This book was discussed on the fourth episode of the Paperback Warrior Podcast: Link
Buy a copy of this book HERE
‘The Gunsmith’ series of adult Westerns by Robert Randisi (writing as J.R. Roberts) is the most enduring - and the last man standing - of the mega-successful adult western titles. It’s also the most consistently good, thanks to having one author and visionary at the helm rather than a rotating cast of hired guns writing under a house name. The series started in 1982 and new installments are still released on a regular schedule, so I decided to check in with a 2019 episode, “Gunsmith #446: Deadville.”
Clint Adams is The Gunsmith, a drifter hero and gunfighter who rides from town to town finding adventures and getting laid in the Old West. Over the years, Randisi has played with the idea that Adams has achieved a kind of folk hero celebrity status in the untamed American West. This has made for a fun premise in several different novels, and provides the motivation for the villains of “Deadville.”
Mayor Tom Simon of Wentworth, Nebraska has cooked up a scheme to make his crappy, dying village into an 1800s boomtown. He’s studied the success of towns like Deadwood and Tombstone and believes he’s cracked the code of their success. These towns have benefited from the violent deaths of famous gunfighters - such as Wild Bill Hickok in Deadwood. His plan is to entice the famous Clint Adams into town, have The Gunsmith killed in a dramatic fashion, change Wentworth’s name to Deadville, and a tourist Mecca is born!
A few months later, The Gunsmith is lured to Wentworth under false pretenses - stopping to get laid along the way. Now, Mayor Simon’s toadies can’t just shoot Adams in the back and expect Deadville to be the next OK Corral. The killing of Clint Adams requires some drama and theatricality to make the story go viral, so he enlists the help of a gunfighting local outlaw named Bad Tony Bacon to lay the groundwork for a staged killing within city limits.
There’s a cool vibe in “Deadville” that reminds me a bit of the movie “The Truman Show.” Many of the citizens and leaders of Wentworth understand that they are creating theater to set up the sequence of events leading to The Gunsmith’s murder. The only one without any knowledge of the gag seems to be Clint Adams himself. Randisi’s writing is forward-moving and breezy with lots of dialogue and short chapters making the pages fly by. The sex scenes are graphic and very explicit, but they can be skipped or skimmed if you’re the type to blush easily.
What we really have here is a mystery where The Gunsmith attempts to understand what Mayor Simon is planning before Adams starts catching bullets with his body. Randisi is a seasoned writer of both mysteries and Westerns, so he’s on familiar ground here - particularly after authoring over 500 adult western novels. The story was very compelling but there wasn’t a lot of action outside of the bedroom until deep into the paperback. Overall, “Deadville” is formulaic as hell and probably not a great selection for your wife’s book club, but the story is a lot of fun with tons of sex and a likable stalwart hero. What’s not to like?
This book was discussed on the fifth episode of the Paperback Warrior Podcast: Link
Buy a copy of this book HERE
