Fletcher Flora (1914-1968) was born in Kansas and served in the U.S. Army during World War 2. After the war, he became a mystery writer while continuing to serve as an Education Advisor to the Army. The promise of sex in his novels is always front and center in the marketing, but his stories were never as graphic as the tawdry covers promised. Flora’s Killing Cousins was a 1960 hardcover later reprinted in 1961 as an Ace Double and several other times since then. It’s currently available as both an ebook and audiobook.
Willie is married to Howard, but she’s also the town slut in their affluent suburb of Kansas City. It seems that a sizable number of men in the town - certainly at their country club - have taken their turn with Willie over the years. One some level, Howard knows this is happening and chooses to look the other way like a good cuckold.
All this changes when Howard catches his wife servicing his brainy cousin, Quincy. Willie’s infidelity with a family member is a bridge too far, and Howard packs his bags to leave Willie once and for all. This leads to an altercation in which Willie shoots Howard dead with a pistol in their home. No spoilers here - this early-novel killing is disclosed in the opening pages.
Of course, this is just the novel’s setup. The heart of the story is how Willie deals with the dead body of her husband lying in her bedroom. She enlists the help of her lover Quincy to manage the disposal of his cousin’s corpse while planning the elaborate cover-up together.
Flora writes Killing Cousins in a breezy and darkly humorous style reminiscent of a good episode of Alfred Hitchcock Presents. This tonal choice makes sense as the author sold dozens of stories to Alfred Hitchcock’s Mystery Magazine and anthologies throughout his writing career. The focus is not on the horror of Willie’s infidelities and husband-killing but rather how she and Quincy navigate suburban norms and niceties in their attempt to get away with it.
I enjoyed the hell out of this short novel and you probably will too with three important caveats: First, all the characters are pretty reprehensible, so there’s no hero to really get behind. Second, it’s not an action-packed novel at all. It’s more like a chess match between the protagonists and the their obstacles. Lastly, this is a crime novel, not a mystery. There are twists and surprises along the way, but there’s nothing for the reader to solve. None of these issues detracted from my enjoyment of the book, but you should know what you’re getting. Recommended.
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During the 1950s and 1960s, Men’s Adventure Magazines like Stag and For Men Only told salacious stories - often masquerading as non-fiction journalism - of daring deeds and lusty ladies around the world. The magazines were illustrated with vivid action drawings by many of the same artists who created the cover art for the vintage action and crime paperbacks we adore.
Robert Deis and Wyatt Doyle have preserved many of the great stories and art from these magazines in a series of anthology books called Men's Adventure Library published by New Texture. These books are associated with the website MensPulpMags.com. One such compilation focuses on Walter Kaylin (1921-2017), a top writer in this interesting sub-genre. The book is called He-Men, Bag Men and Nymphos, and it’s a lovingly-curated Kaylin Greatest Hits collection with 15 of the writer’s stories from the men’s adventure magazines spanning from 1956 to 1978. There are also a few tribute pieces about Kaylin and his work.
Reviewing a short-story compilation is always a challenge, so I’ll just touch on three representative highlights:
“Snow-Job From a Redhead”
This story originally appeared in the June 1956 issue of Men. It’s a first-person narration by Fred who violently steals a small statue of a black bull from a fellow crook in an ambush doublecross. He’s part of a small smuggling crew meeting at a rooming house near Los Angeles operated by a sexy redhead who’s initially resistant to Fred’s advances.
What is it about the statue that makes it worth killing to possess? Can Fred withstand pressure from the local police? Will he get lucky with the redhead? Can he get away with his mini-caper, or will his lustful big mouth get in the way? All of these questions are answered in this gripping short story.
Kaylin writes in a dialog-heavy style without a lot of exposition, which allows the reader to catch up to the action in progress. The anthology editors were wise to start the compilation with a great double-cross story like “Snow-Job From a Redhead.” After finishing it, you’ll want to move onto other Kaylin stories.
“The Nymph Who Leads an African Death Army”
With a title like that, I needed to know more, which was often the idea behind the headlines and illustrations in these men’s magazines. This particular story originally appeared in the October 1960 edition of Men. The piece is presented as a piece of journalism - like a feature one might read in the National Geographic or The New Yorker - but every word came from the mind of Kaylin.
The story is about Max Bosch and his group of international solders-of-fortune known as the Butcher Boys who arrive in Camaroon and take over a peaceful village. The group of tough thugs is presented in contrast to Harry Tapp, a benevolent American living peacefully among the natives, establishing small businesses such as a general store and used car dealership. He’s a prince of a guy who teaches the Africans to play “Three Blind Mice” on the trumpet, a plot point that becomes brilliantly relevant as the tale moves to its violent climax.
Kaylin could write a helluva fight scene and this story has plenty to enjoy as Tapp turns to a full-breasted hill woman named Aunt Edna for assistance with his mercenary problem. She has a close relationship with a badass crew of African jungle dwellers, and she’s happy to supply them as muscle for Tapp’s crusade against Bosch’s Butcher Boys...for a price.
As alliances shift and the bloodbath becomes inevitable, “The Nymph Who Leads an African Death Army” becomes an exciting survival story and a high-point of this superb collection.
“Surf Pack Assassins”
Kaylin was such a prolific contributor to these
magazines that his stories often appeared under pen names to hide the fact that his imagination was saturating the market. This was the case for his piece in the August 1967 issue of Male magazine titled “Surf Pack Assassins” originally published under the pen name Roland Empey.
Kaylin has a lot of fun with this one trotting out the surf lingo in this story of an informal American surfing club riding the waves as part of an international hang ten tour. They’re a rowdy crowd who surfs all day and drinks themselves blind by the beach bonfire every night. Harmless fun, right?
As the story continues, it becomes clear that not all as it seems with the surf society. African democracy leaders are dying in cities corresponding with the surf crew’s travels. Yes, as the title promises, these aren’t ordinary surf-bums, they are a covert group of talented killers.
Meanwhile, a member of a U.S. intel agency is investigating the surfers to see if its even possible that a group of burnouts could possibly be assassins. The undercover infiltration story is exciting stuff and every bit as good as the best Nick Carter: Killmaster paperback. The story went on a bit too long, but it was a thoroughly enjoyable read.
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He-Men, Bag Men and Nymphos is an important collection of delightful stories from a writer who deserves to be remembered. The guys at Men's Adventure Library should be commended for putting together such a lovely-packaged book packed with winning stories and illustrations from the original magazine stories.
Mostly, I’m glad Walter Kaylin is being remembered. He was a talented writer with an interesting niche market that could have easily been lost to the ages if it weren’t for this important volume. Kaylin wrote a single mystery novel for Fawcett Gold Medal called Another Time, Another Woman published in 1963 that I’d like to check out sometime. In the meantime, there are a smattering of Kaylin magazine stories in other anthologies covering this genre to read and enjoy. Highly recommended.
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Louis L'Amour remains the most popular and mainstream western author with sales exceeding 300 million books. With over 100 original novels, most of which are still in print, the writer's prolific presentations of America's wild frontier have influenced or impacted countless authors, screenwriters and even U.S. Presidents. While most of his literary work was stand-alone westerns, L'Amour also created five specific series titles – Talon, Chantry, Kilkenny, Hopalong Cassidy and the wildly successful Sacketts.
The Sackett series began in 1960, ten years into L'Amour's literary career of authoring full-length novels. Starting with The Daybreakers, the series ran for 17 total installments, finishing in 1985 with Jubal Sackett. L'Amour died in 1988, and I would imagine if he had lived longer he would have continued with more contributions to the series. While The Daybreakers was the first novel to feature members of the Sackett family (circa 1870), the series publishing order isn't parallel to the time periods L'Amour would explore. In fact, the family's origins weren't fully explained until 1974's Sackett's Land, which is the beginning of a four-book adventure series chronicling the family's history from 1599-1620. The remainder of the Sackett novels take place in the mid to late 1800s. Paperback Warrior typically indexes based on the chronology of the story, so essentially Sackett's Land is represented as the first novel.
The book begins in Cambridgeshire, England in 1599. Protagonist Barnabas Sackett is living a meager life in a marshy residence called The Fens. While never starving or destitute, Barnabas works in the quarries and lives off the acreage he inherited from his father Ivo, a career fighting man. While crossing an area called Devil's Dyke, Barnabas finds a large sum of old coins in the mud. With aspirations to buy an adjoining piece of property, Barnabas heads into town to appraise his riches. But his joy is short-lived when he becomes embroiled in a dispute with the Earl's nephew, Rupert.
Realizing that he can't remain in England, Barnabas decides that America, the New World, might be a fresh start. With his riches, he buys supplies that will allow him to trade and hunt for furs in America. Hoping to capitalize on the lucrative fur-trading business, he arranges to sail with a Captain who respected his father. After an early connection with the Captain's beautiful daughter Abigail, Rupert and thugs mug Barnabas and place him on a ship of pirates heading to the New World. It's here where he leans heavily on his survival skills, outwitting the pirates while enslaved. But, his joy is short-lived when he finally arrives in the mysterious New World. Contending with pirates, Native Americans, wildlife and the harsh weather, Barnabas realizes that his dreams of a new start may bring about his bitter end.
With Sackett's Land, L'Amour's writing prowess is clearly influenced by Robert Louis Stevenson and Johann David Wyss. This is an adventure story, complete with swords, muskets and cannonballs. While it is an alternate approach for L'Amour, it was evident that after 80+ novels of 1800s gunslingers, the author wanted to explore different eras of storytelling. The novel's epic presentation, with historical context, was a dynamic and welcome change. L'Amour emphasizes the numerous adversities many of our forefathers experienced as they entered a vast, mysterious land in North America. It was also clear that Barnabas' story would continue, with lots of foreshadowing inserted by the author. The book's next titles focus on the main character's dreams of going “to the far blue mountains”, a goal that Barnabas sets after viewing the far off peaks and ridges.
Overall, Sackett's Land is one of my favorite novels of any author. I've read it a couple of times and have encouraged many young people to explore the book as well. While American schools continue to heap Shakespeare plays on students, I wish they would incorporate this novel into their required reading curriculum. It is these novels that have become the new “classic literary tale”.
Note - If you enjoy this novel, Fair Blows the Wind (1978) is a similar tale focusing on the first Chantry member to arrive in America circa 1600s.
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Jonathan Craig (real name: Frank Smith) was an excellent crime fiction novelist of the 1950s and 1960s who really deserves to be remembered today. His Sixth Precinct police procedural mysteries were his best known books, but he also left behind an impressive array of stand-alone novels as well. In 1952, Falcon Books published a Jonathan Craig book called Junkie marketed to leverage the public hysteria over drugs and jazz. The novel was reprinted in 1962 by Lancer Books is Frenzy, and remains available today as an affordable ebook.
Steve Harper is a Washington, DC jazz trumpeter whose mentor and best friend Hal has been murdered by strangulation in his own apartment. Here’s the catch: before the police found Hal’s body, someone identifying themselves as Kathy Mason called the cops and said she’d killed Hal and was going to kill herself. The problem is that Kathy is Steve’s steady girlfriend. Now Kathy is missing and the cops want Steve’s help in finding her. Is she even alive? And if so, is she a murderer?
The possibility that Kathy killed Hal can’t be dismissed out of hand because she is a recovering drug addict. I’m talking about Smack, Junk, Horse, The Big H, also known as the plague of the jazz scene: Heroin. Steve thought she was off the junk for the three months they’ve been dating, but the evidence is pointing towards her continued usage and the possible murder of Hal.
Junkie/Frenzy is deceptively packaged as a salacious look behind the curtain of the seedy world of drug addicts when it’s actually a pretty straightforward murder mystery by an outstanding crime fiction author. The plot moves along quickly, and the characters are well-developed and three dimensional. The author explores the male instinct to rescue beautiful, damaged girls, and it’s easy to have empathy when Steve’s white knight complex is on full display.
There are some decent twists and turns along the way, and the author keeps the action and revelations flowing nicely throughout the short paperback. The mystery itself has a satisfying conclusion, and while this isn’t Jonathan Craig’s masterpiece, it’s certainly another one in his win column.
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Nick Carter: Killmaster series was one of the post popular and enduring titles in men’s adventure fiction with 261 installments between 1964 and 1990. Robert Randisi remains one of the most entertaining and highly-regarded authors in the private eye and western genres. The promise of these two successful brands colliding in Killmaster #181: “The Decoy Hit from 1983 was too intoxicating of a combination to pass up, so here we go.
In 1983, the Defense Intelligence Agency used human couriers to transport sensitive information from Point A to Point B. The paperback’s premise is that a someone is killing these intel deliverymen en route and stealing their top secret paperwork. The U.S. national security community turns to the super-secret government agency called AXE that employs our hero, Nick Carter. The agency chooses Nick to deliver a package to a missing scientist in London for the purpose of locating the man and smoking out the courier assassins.
Along the way Nick encounters Stephanie, the sexy daughter of a murdered DIA courier also seeking to learn the truth about her father’s demise. Of course, this leads to the trope where the professional spy is forced to team up with the erotic, bumbling amateur. Nick and Stephanie’s investigation keep them bouncing from Washington to London to Paris to Switzerland to Rome.
Randisi wrote this installment using the same winning formula he employs in his popular Gunsmith series of adult westerns - extremely short chapters, propulsive action, and lots of dialogue. This makes for a speedy and never-boring read, but it felt more like a mystery than a pure spy novel. Randisi was stuck with some of the dumber traditions the Killmaster series forced upon him, including the proper names given to Nick’s knife and gun (Hugo and Wilhelmina), but those elements of the story were largely just background noise. One upside is that Randisi also brings his knack for graphic sex scenes to The Decoy Hit - kid’s stuff compared to The Gunsmith - but more explicit than Ian Fleming ever dreamed.
Overall, The Decoy Hit is not a masterpiece of espionage genre, but it’s a fun action-mystery from a talented author working with an established franchise. Most importantly, it’s a very good installment in the wildly inconsistent Nick Carter: Killmaster series, and is certainly worth your time.
Afterward:
The Killmaster series employed a deep bench of authors writing under the Nick Carter house name during the 26-year publication history. This made the continuity, quality, and writing style a bit of an inconsistent mess. The best way to navigate the series is to go straight to authors you know and trust. Robert Randisi is one such writer who can always be counted on to deliver a quality product. His Killmaster titles are as follows:
#152: Pleasure Island (1981)
#155: Chessmaster (1982)
#169: The Mendoza Manuscript (1982)
#173: The Greek Summit (1983)
#181: The Decoy Hit (1983)
#184: Caribbean Coup (1984)
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After Dashiell Hammett successful Continental Op series of 1920s detective stories, the publishing world was ablaze with private-eye novels and short-stories. Adding fuel to the fire, Brett Halliday (real author: Davis Dresser) launched an empire of novels and magazines starring detective Mike Shayne. Mickey Spillane's Mike Hammer rose to the occasion and sold millions of paperbacks. It's no surprise that by the late 1940s, prolific crime novelist Frank Kane would enter the fray with his private-eye, Johnny Liddell. The series included 29 novels and numerous short-stories. The debut full-length, About Face, was published in 1947 but later was re-named Death About Face. In the 1950s, Dell reprinted a majority of these novels with new cover designs, including About Face, which was renamed The Fatal Foursome.
In the series' first three installments, Liddell is a New York City sleuth working for a detective agency called Acme. Later, the character would be an independent private-eye free from any pesky agency’s rules and regulations. In this series opener, Liddell has been summoned to Hollywood to investigate the disappearance of a pretty-boy movie star named Harvey Randolph. The client is a rotund, loud-mouthed producer who may have more than just a professional interest in the actor's exodus.
Liddell's procedural routine involves a lot of people, a lot of questions and a lot of alcohol. Once the protagonist finds Randolph, things escalate rather quickly. Everyone involved in Randolph's disappearance is suddenly wearing bullet-holes and Liddell fears he might be next. While teaming with a sultry reporter named Toni Belden and coroner Doc Morrisey, Liddell navigates a complex world of insurance fraud and body doubles. But is any of it really entertaining?
If you love detective fiction, then Frank Kane's literary creation is just right for the genre's era. There isn't anything overly complicated about the character – he's got the rod and know-how to discover who's taking the next powder. It's slightly humorous, overly fantastic (using the ol’ make-a-new-face-for-the-criminal-routine) and soaked with masculinity. While Liddell is one-dimensional, the pairing of Toni and Doc expanded the narrative to allow different viewpoints and theories on motive and murderer. I preferred their commentary more than the hero’s insights.
While certainly a mainstay in crime-fiction, Frank Kane's debut Liddell story is average at best. Maybe social media groups or a deep dive online could produce a “best of” list of preferred series reading. For me, the debut doesn't catapult Frank Kane into my next batch of books to read. There's so much better stuff out there.
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Paperback Warrior has covered a lot of post-apocalyptic fiction paperbacks of the 1980s. Series installments in the Deathlands, Out of the Ashes, and The Last Ranger to name a few. One of the longest running post-apocalyptic series was The Survivalist by Jerry Ahern and his wife Sharon. It was originally published by Zebra from 1981-1993 and consisted of twenty-nine total books. In a 2010 interview with Survival Weekly, Jerry Ahern described the series as one long soap opera, a giant novel of around two million words. Since Jerry's death in 2012, Sharon has collaborated with mystery-thriller author Bob Anderson to write and publish an additional seven novels between 2013-2019. The entire series has been made available at an affordable digital price.
The series debut, Total War, introduces readers to John Rourke, his wife Sarah and their two children. As a former medical student, Rourke dropped out of college and joined the military. As a career soldier, Rourke later joined the CIA in their Counter Terrorism division. Now, Rourke spends his time training survival and fighting techniques globally. In the book's opening act, John departs the family's Georgia home on a business trip to Canada. It's during this time that WWIII takes place.
The book's first half is a slow-burn with a dozen characters, including the U.S. President, positioning pawns to defend Pakistan from the Soviet Union. During the increased tension, U.S. and Soviet subs come to blows and the chain reaction has 60% of America dead. The U.S. President's delay on launching nuclear missiles left most of the American military defeated but still destroying 40% of the Soviet Union's population and devastating their industrial complexes.
Once the elaborate, and plodding, chess match is over, Total War shifts into the traditional post-apocalyptic formula. With John aboard a passenger jet, the pilots become blinded and John is forced down in Albuquerque, New Mexico. Across the country, Sarah and the kids are dealing with looters and marauders who quickly attack their residence. After a number of skirmishes and fighting, John and an unlikely ally face an army of savage bikers. Faced with insurmountable odds, John fights for the opportunity to gain enough supplies and fuel to start the long journey back to Georgia to locate his family.
Doomsday series titles such as Phoenix, Roadblaster, and Swampmaster all have familiar threads – brutal motorcyle gangs and an obligatory quest for the protagonist to find a loved one. This mono-myth is a common one and is often placed in extreme scenarios like nuclear war and zombie outbreaks. In the case of the Survivalist debut, the familiar formula actually works quite well. I read the book in one sitting and was extremely pleased that the Ahern shifted the novel's premise from political power plays to a rugged, hardened action story complete with characters that were engaging. While the tale is well-told, the storytelling technique was outstanding if you simply suspend disbelief.
While I've been critical of Ahern’s other work (I'm pointing at you Track), I'm glad I was able to find enjoyment with this series. I'm looking forward to reading more installments and encourage you to seek out these affordable digital reprints. If you love panic and hysteria, you'll find this is a real treat.
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