Buffalo Hunter #04 - Hellhole

The Leisure first edition version from 1973 lists “Hellhole” as 'Buffalo Hunter' number one (note Belmont Tower also released the book with a different cover in 1973). It's in bold black ink on page three.

We know from front cover images floating on used online sellers that 1973's “Four Ugly Guns” has a clear “#2” printed with the series logo on the cover. However, there's evidence that states the first printing was in 1970. It would seem as if it was released first, yet later the publishers deemed it as second in the series. The same can be said for 1973's “Gunslammer” (aka “Secret of Sulphur Creek”) boasting a “#3” on it's cover and evidence of an original printing in 1970. I'm not sure why the publishers would have flipped the series order, but the author advised me the correct order is "Gunslammer", "Four Ugly Guns", "The Name's O'Brien" and this fourth book, "Hellhole".

Deep online excavating shows a title called “Hunter's Moon” released by Lenox Hill Press in 1971. The blurb from that states, “The days of the buffalo hunters are recreated in this novel about a man named O'Brien”, the series protagonist. For some reason, the publishers failed to include this book in the series. It doesn't achieve a numerical place in the series chronology and seemingly has been skipped. Robert Hale Limited also released a version of the book in 1974 and apparently didn't include a number or any indication it was part of a series.

Regardless of how we approach the series, or in what order we read, “Hellhole” is a very enjoyable western novel. The opening chapter has O'Brien fingered as the man who murdered two men and a young girl. The reader knows the Latimer gang committed the atrocity, we were there. But the backwoods sheriff and deputy don't, thus a harsh and speedy sentencing that puts O'Brien in hard labor at the notorious Bradenton prison.

Two-thirds of the book is the brutal day to day of O'Brien overcoming adversity and finding reason to rise and exist each day. He's put under torturous conditions by the sadistic prison warden and forced to fight for meals while mining underground for long, grueling hours. The plot develops into the inevitable “escape and payback” routine but Hayes smoothly builds the tension and mood. Will he escape? Where does he run? Who's Latimer? These are all questions that both the reader and O'Brien pose. Hayes sorts it all out for us, but paces the story effectively that we just snack to fill up. Fans of brisk, yet calculated westerns should love “Hellhole”.

Buffalo Hunter #08 - Revenge of the Buffalo Hunter

I hold Ralph Hayes' early western series 'Buffalo Hunter' in high regard. I've read and posted rave reviews here for the series first, second and fourth books - “Gunslammer”, “Four Ugly Guns” and “Hellhole”. I've yet to see any other books of the series in the wild except the eighth title, “Revenge of the Buffalo Hunter”. While the first seven books, from what I can gather, were penned in the 70s, Hayes took most of the 80s off due to the action genre tanking. He practiced law and his wife was a successful artist, so I'd take the stance that he may have used this book to get the creative flow going again. Unlike the prior titles, which were strictly Leisure/Belmont, this book was released by Pinnacle in 1992. Does it have the same impact as the 70s entries? Hell no.

While enjoyable enough for a paperback western, this isn't on the same magnitude as the prior books. O'Brien, the Buffalo Hunter, is still the protagonist, but he's written a little differently. Unlike previous character conventions, this O'Brien has way too many friends, talks a little differently (way more profanity than usual) and relies on a boot knife. The last part is trivial, but it defies the character's violent means to an end – Sharps rifle, Remington lever and 10-gauge sawed-off. His ability to maim and throw a heavy boot knife is symbolic of the creative liberties taken with an already well-defined character. It just isn't my O'Brien.

The premise of the book is a dodgy duo of outlaws – the Gabriel Brothers. They rape, kill and rob everything in Arizona and New Mexico, seemingly with no opposition. While this is a factor that is in heavy rotation with Hayes' westerns, it's way too convoluted for its own good. They end up killing O'Brien's friend and raping the daughter, which puts our character on the hunt. While that's simplistic and an easy tale to tell, this narrative builds in the extraordinary – we have Pat Garrett and the Earps. As if Hayes needed to include iconic cowboys, he has Garrett corresponding with O'Brien multiple times, and an unnecessary scene with Virgil Earp. The action is uneven and spread throughout multiple locations, and introduces a crowded cast featuring bounty hunter Sumner and a hunting partner McGraw. There's a spiritual element included about a white buffalo enigma that's a load of nonsense. 

If I hadn't read any prior 'Buffalo Hunter' titles, I may have a higher level of patience for this novel. Knowing the history of the character, and it the entertainment factor of the prior books, this one is just lukewarm on the scale. It's a good read for new fans of the genre, but far better series novels exist and more impressive Hayes novels are out there.

Someone Is Bleeding

You know that feeling when a friend starts dating a totally hot but totally crazy girl? You can see the crazy right away, but all he sees is the hot? You know it’s gonna go sideways, and you want to scream at him to be careful, but you know it’ll fall on deaf ears. 

That’s what it was like reading Richard Matheson’s first published novel, “Someone Is Bleeding”. 

During his life, Matheson mastered several genres from science fiction (“The Shrinking Man”), horror (“I Am Legend”, “Hell House”) and westerns (“Journal of the Gun Years”). “Someone Is Bleeding” was published in 1953 by Lion Books, but it has the story structure of a Fawcett Gold Medal crime paperback where an Everyman is plunged into a world of violence by falling for a femme fatale. 

In this case our hero-narrator is Los Angeles novelist Dave Newton. On a quiet day at the beach, Dave sees the irresistible Peggy sunbathing and decides he has to meet her.  The reader quickly realizes that Peggy is a hot mess filled with neurosis and sexual hang-ups.  It seems that every relationship in her life has been filled with dysfunction and sexual abuse -  her ex, her lawyer, her father, her landlord – no one knows how to function around Peggy in a proper manner, but Nice Guy Dave is sure going to try. 

The first quarter of the novel is mostly a tepid relationship drama as Dave learns to navigate the cyclone of man-drama that follows Peggy everywhere. It’s not until a character winds up murdered with an ice-pick in the eye that the action and intrigue begins. Dave knows that Peggy is damaged goods and even finds himself asking if a woman can be “rape prone” in the same way that some men are accident prone (these were less compassionate times regarding such matters, it seems).

As the bodies pile up within Peggy’s orbit, a compelling murder mystery evolves for Dave to solve. Could Peggy be murdering these people? Or is a bigger conspiracy afoot? The novel’s violence escalates with vivid villains and some great action sequences making the reader grateful for not bailing during the first quarter’s tale of tormented romance. 

Matheson was a remarkable talent, and it’s fun to visit his humble beginnings in this short crime story. Finding the original paperback is a pricey proposition, but the book has been reprinted as an eBook and in a compilation titled Noir. This one is definitely worth your time.

A feature on Richard Matheson aired on the seventh episode of the Paperback Warrior Podcast: Link 

Buy a copy of this book HERE

Buffalo Hunter #01 - Gunslammer (aka Secret of Sulphur Creek)

Locating a complete bibliography of Ralph Hayes work is eclipsed only by the maze of riddles and investigations into the storied treasure on Oak Island. In other words, it's an absolute mess. None of his series' could be as convoluted as 'Buffalo Hunter'. The Leisure first edition version from 1973 lists “Hellhole” as 'Buffalo Hunter' #1 (note Belmont Tower also released the book with a different cover in 1973). It's in bold black ink on page three as #1. Big as Ike. 

We know from front cover images floating on used online sellers that 1973's “Four Ugly Guns” has a clear “#2” printed with the series logo on the cover. However, there's evidence that states the first printing was in 1970. It would seem as if it was released first, yet later the publishers deemed it as second in the series. The same can be said for 1973's “Gunslammer” (aka “Secret of Sulphur Creek”) boasting a “#3” on it's cover and evidence of an original printing in 1970. I'm not sure why the publishers would have flipped the series order, but they did and that's our burden to carry as genre enthusiasts and fans. Our shelfie-selfies will show the wrong order, but we'll know the truth.

In a letter from author Ralph Hayes in February of 2018, he provided a chronological order of his westerns and 'Secret of Sulphur Creek' is the first. Later, Leisure (and maybe Belmont) stamped the title of “Buffalo Hunter #3: Gun Slammer”. I'm calling this the first book and it introduces us to the series protagonist, O'Brien. While none of the books provide much background on the character, the series follows the familiar serialized formula of just placing one heroic badass in the midst of a firestorm of corruption and evil. That is the series' strength, thus “Gunslammer” or “Secret of Sulphur Creek” is absolutely perfect.

The novel has three ruthless outlaws riding into Sulphur Creek. Eli, Crazy Jake and Hotshot Lacy immediately kill every living thing that backtalks. The barbaric carnage originates from the town's nearby gold mine, now hidden away due to the number of deaths related to digging and blasting. The town, thinking death was the curse of greed, swore to secrecy and stoutly refuse revealing the location of the mine. Eli systematically kills until someone will provide the location. The town is stubborn as a mule and soon the streets are running red.

Meanwhile, O'Brien is on a nearby buffalo hunt and runs out of water. Dying in the desert, a deputy stumbles upon O'Brien and nurses him back to makeshift health. In a hilarious scene, O'Brien takes the man's water, then jerks his gun, empties it and hands it back to him. Then he takes his horse and asks the deputy if he wants a ride back to town. The deputy - in utter shock - stupidly asks, “You want me to ride into town on the back of my own horse?”. Hilarity continues to ensue as O'Brien, never caring for the human population, just ignores the outlaws and the killing. He wants to fetch liquor and get sloshed while waiting for his supplies to arrive. He walks into the bar, past the outlaws, steps around a dead woman and man (the horror!) and grabs two bottles of whiskey off the back shelf. He asks the three hardmen where the bartender is and Eli – mystified - responds, “We killed him”. O'Brien, ignoring utter chaos, just says “Nobody to pay then” and walks out. 

Eventually, he gets caught up in the entanglement of the secret mine, outlaws and a crooked horse trader that becomes an ally. The narrative has the young deputy facing the three killers alone. There's some backstory on O'Brien's hunting partner Shanghai Smith, who shows up to face O'Brien/align with the baddies.  Often, O'Brien is just on the cusp of goodness, debating on killing the outlaws or just staying drunk in bed. It's the Buffalo Hunter charm, or lack thereof, that just makes this series incredibly enjoyable. It's wicked, violent, hilarious and one of the best westerns I have read. I was tempted to flip the last page to the first and read it all over again. Get this one.

Buffalo Hunter #02 - Four Ugly Guns

Ralph Hayes ('The Hunter', 'Stoner'), has an unknown number of these 'Buffalo Hunter' books. As I alluded to in my review for the first book, “Gunslammer”, this series' is mired in controversy. The numbers on the front cover aren't necessarily the chronological order they were written. For example, this book's page 43 states O'Brien had never been locked up before. This defies the whole plot of the publisher stamping #1 on “Hellhole”, which has O'Brien locked away in a brutal prison. This is illogical and irritating to my completest psyche. The only solution is the fact that continuity has no bearing on any of these stories. Hayes, in a letter from February of 2018, provided me a chronological order of his westerns and this would be the second book, sandwiched between "Gunslammer" and "The Name's O'Brien".

“Four Ugly Guns” fires away with O'Brien avenging the murder of Ethian Tobias. In the opening pages, O'Brien discovers Tobias and his family rotting in a cabin, and has a lead on four very ugly killers. It's a simple plot, with Hayes letting us tag along for the 'ole “kill the killers” shtick. The reader's investment is trailing the four, and watching the political intrigue unfold. A despicable villain we love to hate, The Kidd, is running a bank robbing scheme with the mayor while possessing the town. The foursome kill, rape and slosh the joy juice, seemingly waiting for O'Brien to arrive.

What I find so entertaining about this series is the legitimacy of the hero. O'Brien, while husky and good with a gun, isn't invincible. He is careless, and narrowly escapes death by sheer luck. This book finds him jailed, aggressively beaten by vigilantes and horseless in the desert. He finds a way to survive, but often he needs assistance from store clerks, doctors, a rehabilitated criminal or some divine deity. While believable in a sense, the action sequences are over-the-top. Hayes over utilizes O'Brien's girth often, but by that point we hate the villain so much that we are complacent with the physical advantages. 

Overall, another brilliant piece of western fiction by an author that continues to impress me. These books are becoming very difficult to find even using online retailers like Abebooks. I paid nearly $10 for this one - battered, broken and abused. 

Gregory Hiller #01 - A Silent Kind of War

Following the success of Ian Fleming’s novels, nearly every paperback publisher of the 1960s commissioned espionage series novels with varying results. Belmont Books took a whack at a spy series from 1964 to 1966 with five books starring CIA operative, Gregory Hiller. The literary arms race to crown the American James Bond had no clear winner (Matt Helm, perhaps), but this obscure series sure had some great moments.

Author Jack Laflin is a fine writer, but he didn’t leave Belmont Books with an easy task to market this series. In book one of the series, “The Spy Who Loved America”, we meet a Soviet KGB undercover spy, Pyotr Grigorivitch Ilyushin, who was training in Russia for a long-term undercover assignment in the USA. He receives plastic surgery to alter his Slavic appearance and attends a secret academy designed to teach undercover spies how to act credibly American, a fun concept later co-opted by Nelson Demille in his excellent novel, “The Charm School”. 

(A few spoilers from the inessential Book 1 of the series follow:)

Grigorivitch’s training worked too well, and he began to think and act like an American. Pretty quickly upon his arrival in the US, he is captured by the CIA and informed that he’s fooling no one. The CIA convinces this Russian Spy Who Loved America to change his name to Gregory Hiller and work as a CIA spy. The novel ends rather abruptly thereafter.

Do you see the marketing problem here?

Technically, Book 1 of the 'Gregory Hiller' series is “The Spy Who Loved America”, but the words “Gregory Hiller” don’t appear until the last page of the book. The knowledge that a Gregory Hiller series even exists kinda spoils the ending of Book 1. It’s probably more helpful to conceptualize “A Silent Kind of War” as 'Gregory Hiller' Book 1 and “The Spy Who Loved America” as a prequel/origin story.

In any case, A Silent Kind of War (aka: “Piotr Grigorivitch Ilyushin #2” or “Gregory Hiller #1”) is a spy novel representing Hiller’s first mission as a CIA operative. The job takes him to Hawaii with a mission to uncover a commie plot to sew unrest into the fabric of the 50th state’s newly-Americanized, yet very Oriental, culture. He poses as a writer and tourist with directions to liaison with two well-connected CIA operatives permanently stationed in Hawaii as points-of-contact. Hiller is specifically chosen for this assignment because he knows how the communist mind works.

The mystery of who is behind this plot against Hawaii is quickly given some clarity when Hiller runs into a freelance Hungarian spy he knew in his previous life. The last time that Hiller (as Piotr) saw Anton Korzenyi, it was 1958 in East Berlin when Korzenyi was using a mallet on the testicles of a would-be defector to extract information. Korzenyi’s presence in Honolulu lends a greater sense of urgency to Hiller’s mission since now both democracy and testicles are now at stake.

The stakes rise when happenstance brings Hiller into possession of an important object belonging to Korzenyi that the Hungarian desperately wants returned. This cat and mouse game drives the novel’s actions for the first hundred pages. Along the way, Hiller meets and falls for a tourist girl whose safety later becomes compromised by Hiller’s Cold War mission.

There are some very violent torture and fight scenes in this short novel, and the sense of urgency to Hiller’s mission is palpable. Another fun element is that this is Hiller’s first assignment for the CIA, and he screws it up quite a bit along the way. Good people die because of his inexperience and ineptitude. This isn’t a normal spy novel starring a perfect American superman. Hiller is vulnerable and very human.

Granted, the author deployed some lazy narrative devices along the way including the trope of a villain who takes the time to present a long monologue about his evil master plan before attempting to kill the hero. The dialogue was fairly clunky at times and could have benefited from a more critical editor. But at 159 pages, “A Silent Kind of War” is a quick and easy read - not a masterpiece of the genre but a fun diversion for espionage fiction fans.

Edge #05 - Blood on Silver

Working under the pen name George G. Gilman, Terry Harknett had a handful of good ideas in mind for his new 'Edge' western, “BLOOD ON SILVER”. He created a couple of unique characters (one is a giant Zulu in a derby, and the other is a kill-crazy Quaker whose thundering speech is peppered with “thee” and “thy”), along with two or three very strong action sequences.

But as it is when children pound on the pieces of a jigsaw puzzle to make them fit, these elements don’t really come together very well, and the plot lacks cohesion. As soon as you get a feel for the story, it’s suddenly about something else, and before you’ve really made the adjustment, it’s turned into something else again. 

It could be argued that nobody reads an 'Edge' novel for the story. This series is famous (or notorious) for its over-the-top gory violence, and I guess there were Edge readers who salivated over the grisly depictions of pain and suffering the way Longarm readers sought stimulation in the extensive sex scenes. You pretty much have to expect violence in a paperback western, and usually that sort of action keeps things lively. But the Edge novels are something else. Virtually every character the reader encounters, no matter how trivial, will be killed off in excruciating ways, and innocent bystanders often get it worse than the bad guys. There’s a difference between two-fisted action and brutality porn, and this series leans toward the latter.

In the opening pages of “BLOOD ON SILVER”, for instance, Edge watches indifferently from the safety of a barn as an entire wedding party is slaughtered by the Quaker and his gang. It’s a powerful sequence. But Harknett cranks it up to eleven. Before it’s over, the bride has been seized, stripped, tied upside down to the pulley rope of a water well, nearly drowned over and over, then tortured with a lit cigar (you can guess where that cigar is ultimately applied as the lusty gang crowds around to watch), before she’s finally killed. 

Again, for some readers this will be the visceral highlight of the book. For the rest of us, it’s nasty overkill which gets in the way of enjoying the story. Harknett isn’t a hack. He can deliver action, color and suspense without soaking everything in blood, as his 'Adam Steele' series proves. But Pinnacle Books demanded crazy violence for the 'Edge' series. (Why? For readers in prisons and psych wards?) So we get exactly that.

There are other idiosyncrasies on display here. One is the author’s insistence on ending every chapter with somebody (usually the humorless Edge) making a wincingly unfunny wisecrack. There’s also a little sloppiness here and there, as when Edge watches a wagon load of silver disappear into a lake and mutters, “Hi-yo silver, away” in a story set decades before the Lone Ranger was created.

For a really good 'Edge' western, try the third book, “APACHE DEATH”. It’s plenty violent, without wallowing in pointless sadism, and everything that’s good about this series is distilled into that novel. The things that work a bit less successfully can be found in “BLOOD ON SILVER”.