“Killer Thriller” is the 2019 follow-up to Lee Goldberg’s comedic action bestseller, “True Fiction” about Ian Ludlow, a men’s adventure novelist who is unexpectedly thrust into the life of a bona fide action hero. Like the first installment, the novel straddles the line between being a parody of the Jack Reacher-style of adventure paperbacks and delivering a genuine kick-ass thrill-ride of a novel.
The character of Ian Ludlow is a fictionalized version of Goldberg himself - a TV mystery scriptwriter turned successful novelist. In fact, Goldberg began his career writing the macho “.357 Vigilante” series using the pseudonym of Ian Ludlow. “Killer Thriller” begins with Ludlow on a book tour hyping his latest testosterone-fueled novel, and Goldberg does a nice job of getting readers up to speed on the events of “True Fiction,” so no one is left behind.
Because Ludlow’s fiction has an uncanny way of becoming fact, he is approached by the CIA to become an operative using his writing job as cover. And because this is a fun - and sometimes silly - action novel send-up, Ludlow is soon in the mix with an international conspiracy to cripple America in a manner similar to a novel Ludlow is currently outlining.
The backdrop of “Killer Thriller” is a potential trade war with China during an internal U.S. policy debate over free trade vs. protectionism. Meanwhile, Chinese interests are putting a giant thumb on the scale with political assassinations in the U.S. and the kidnapping of Hong Kong’s best and brightest business minds. Production is also beginning in Hong Kong on a film based on Ludlow’s recurring character, which gives Goldberg a chance to poke some fun at Hollywood preposterous adaptations of outlandish contemporary men’s fiction and the influence of the China market on modern Hollywood.
As with the first installment, there are tons of Easter eggs in the novel for genre fanatics. For example, the movie studio adapting Ludlow’s novel is “Pinnacle Pictures” - presumably a nod to the iconic 1970s paperback house. Current events also get a send-up with a billionaire fictional U.S. President tweeting too much while alienating our NATO allies.
Joined by his hot and heroic lesbian sidekick Margo, Ludlow is off to China to monitor the adaptive filming of his old novel while researching the plot of his next one. As expected, he gets swept up in a real-life Chinese conspiracy that eerily mirrors his own plot outline for an unwritten novel.
Like it’s predecessor, “Killer Thriller” is a helluva lot of fun to read. The plot and action sequences are both absurd and absorbing. If you’re a fan of men’s action novels and their film adaptations, you are the intended audience for this love letter to our genre. Time will tell how many times Goldberg will be able to go to this same well, but I’m all-in for the Ian Ludlow thrillers. Highly recommended.
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In Don Pendleton's “Death Squad” (1969), the second of the long running vigilante series 'The Executioner', we are introduced to Mack Bolan's Vietnam colleagues - Bill Hoffower, Tom Loudelk, Angelo Fontenelli, Juan Andromede, Gadgets Schwartz, Pol Blancanales, Jim Harrington and George Zitka. While it's a short-lived cameo, this death squad assists Bolan with a Mafia hit that goes south. While the entire team is nearly wiped out, it was an interesting concept that would eventually lead to more team-based action in its affiliates like Able Team, Stony Man and Phoenix Force.
Pendleton would pen 37 of the first 38 Executioner novels before handing Gold Eagle the rights to produce the books using a myriad of authors. The stipulation that the author's name be printed on the copyright page is important, allowing fans like myself an easy peek at the book's creator without having to roll the sleeves up for a paper trail (I'm talking to you Killmaster). After 60 volumes of 'The Executioner' (titled 'Mack Bolan' at this point), Gold Eagle decided that they could increase the profits from $2.25 per book to $3.95 by increasing the size to 350+ pages under the 'Super Bolan' series. These were simultaneously released at the same time Executioners were flooding the market, providing plenty of paperback Bolans to meet reader demands.
Writer Stephen Mertz was a Pendleton prodigy and by the early 1980s was knee-deep in the Bolan universe. His resume and experience with Bolan provoked a “retcon” idea of re-imagining earlier events in Bolan's life. Thus, “Super Bolan #4 – Dirty War” is written as a time capsule piece depicting events that would happen to the character during his second tour in Vietnam. The idea of a sprite young Bolan in the hands of a veteran author like Mertz is altogether intriguing. The stars aligned to even have veteran artist Gil Cohen design the cover, the ultimate Bolan fan's dream.
The book begins in the present day as Bolan is thinking back to his Death Squad's unfortunate deaths. He's on a Mafia hit of his own and thinking back to his time in Vietnam as sergeant and the various missions that his men performed. In a unique chapter one, 30-yr old Bolan is at Pittsfield Municipal Airport in Massachusetts with his family. We know this would be the last time he would see his parents/sister and Mertz writes this into the narrative. Bolan has premonitions that he won't see his family again. Kudos to the author for also allowing some backstory on Mack's father Sam and his early fights with the mob enforcers. At one point, before Mack's departure, Sam is attacked and Mack comes to his aid. It's this aspect that I don't think was conveyed by Pendleton – that Mack knew what was happening back home prior to the first few letters arriving on his second tour. In this re-imagining, he knew all along.
The action heats up in Vietnam as we see Bolan and his death squad liberating a young woman and child from a NVA stronghold near the Cambodian border. It's intense cat-and-mouse tactics that mirror Bolan's solo fights much later in life. But here we have Bolan as squad leader, effectively orchestrating the Hell that is unleashed on the NVA base. In a neat fan experience, Mertz provides a cameo of pilot Jack Grimaldi. Familiar readers will know that Grimaldi and Mack originally meet in Executioner #10, later to become longtime allies within the Stony Man group. Retconning that exchange, Mertz has Grimaldi rescue the Death Squad from the NVA fight and pilot the group to safety. While Grimaldi and Bolan never officially meet here, both are respectful to each other leading Grimaldi to think to himself, “I wonder if our paths will ever meet again”. This is fun stuff.
“Dirty War” eventually tangles with plenty of firefights and escapes, building in a hot lead assault on Bolan's camp, a hunt and destroy mission and the eventual escape from enemy patrols in Cambodia. At 376-pages, it never gets too exhausting with dialogue or slow motion. This is 80s Bolan – 1,2,3,Kill at its finest. Mertz is clearly having a lot of fun with the concept and adds tremendous depth to the characters that made up that original Death Squad. Without giving away the spoilers, we know that Gadgets and Pol would survive that Mafia battle and go on to form Able Team (launched in 1982 by Gold Eagle).
Fans of the Bolan universe, this is simply mandatory reading. It's fun, indulgent and clever. It's clearly designed for the series' fans but should be considered an important part of the Bolan origin story. If you are new to the series, I would start here and then work into Executioners 1 and 2. But regardless of order, just read it.
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Thanks to the guiding hand of creator and author Robert Randisi (writing as J.R. Roberts), the Gunsmith series of Adult Westerns has the most consistently high-quality stories of the genre. Not coincidentally, it’s also the only long-running series still around today. In 2017, Randisi launched a spin-off series starring Roxy Doyle, the ‘Lady Gunsmith’, and two years later, we are now six installments deep into the series.
Book six is playfully titled “Roxy Doyle and the Desperate Housewife,” and the plot initially leans on the series’ central thread - Roxy’s search for her missing bounty hunter father. She finds herself chasing a rumor to a small Wyoming town where dad was allegedly headed. This being an Adult Western, Roxy wastes no time getting laid as soon as she gets off the trail before settling in to wait for her father’s arrival.
While Roxy is on the lookout for Dad, a woman named Jane arrives in town looking for Roxy. Once they meet, Jane discloses that she’s been married to Roxy’s elusive father for a few months, and they live just a short ride away. The next morning Roxy rides to the town Jane described, and no one there knows anything about Jane or Roxy’s dad. Why would this strange woman give Roxy a bum steer? Is she really Roxy’s step-mom?
The mystery moves to Idaho and is unraveled over subsequent chapters among traditional Western action. I won’t spoil the details here, but it involves a ton of cash from a bank robbery and a gang of outlaws seeking to recover the loot. There are double-crosses galore culminating in a satisfying conclusion leaving Roxy to ride another day.
Lady Gunsmith #6 is a quick and entertaining read - short chapters, lots of dialogue, plenty of graphic sex and explosively violent action. Randisi is a seasoned literary entertainer, and he’s got the Adult Western formula down pat. His series books are crafted in such a manner that they don’t require sequential reading, so “Roxy Doyle and the Desperate Housewife” is as good an entry point as any. Recommended.
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Author Day Keene, real name Gunard Hjertstedt (1904 -1969) wrote over 50 novels and is often placed in the top echelon of crime fiction along with Gil Brewer, Harry Whittington (he shared an agent with Keene) and David Goodis. Keene's “Death House Doll” was one of ten books the author released over the two-year span of 1953/1954. It's an astonishing feat for any writer, especially considering the magnitude and levels for which Keene was writing. Released by Ace in 1953, the book was re-printed by Prologue Books in 2012 in both physical and digital versions.
The novel concerns a Chicago woman on death row who was convicted of fatally shooting a diamond salesman. Her only opportunity to escape the chair is Army Sergeant Mike, her lover's brother that made a promise he's determined to keep. As the book opens, Mike visits inmate Mona and advises that his brother, in a dying breath, asked Mike to look after Mona and their baby. Unbeknownst to him, Mona was forced into prostitution by mobster Joe LaFanti after Mike's death. She might have gone one step further and taken the rap for the murder. But why plead guilty all the way to death row? What precious life is worth more than her own?
Keene writes at a whirlwind pace, consistently placing “Death House Doll” and its readers one step from the determined Captain Corson, the lead on Mona's conviction. While Mike gets further entangled in Mona's case he becomes the enemy to both LaFanti and Corson, both convinced that he's the benefactor of the murder – the man's diamonds weren't found with the body. With this much treasure still escaping the bad guys, LaFanti puts his men on Mike in a rough and tumble action spree that seemingly envelopes the book's second-half.
“Death House Doll” is another fine example of Keene's writing style – a blend of mystery, action and compelling characters. While Mike is the distinct good guy, the other characters have enough depth to blur the lines between right and wrong. It isn't necessarily cookie-cutter in its presentation, instead thrusting the story into the hands of readers in the same fashion as Mona's surprising circumstances are heaved onto Mike. We, along with Mike, never have a moment of composure. The race is on to free Mona, or at least find the definitive answer to the diamond murder. It's a dense narrative with a number of plot threads, but this author is a smooth read and knows his audience.
Engaging, entertaining...Keene absolutely delivers the goods. Again.
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Lawrence Block’s Matthew Scudder series about an alcoholic ex-NYPD Detective working as an unlicensed private detective started in 1976 and has been a reliably great crime fiction character arc over the past 43 years. Scudder has more-or-less aged in real time over the course of the series which is why I was so intrigued to read Block’s 2019 take on Scudder in the new 160-page novella, “A Time to Scatter Stones.”
As we join our hero narrator, he’s still sober and still married to Elaine at age seventy-something. His bad knees generally don’t stop him from walking around Manhattan, but an ice pack is needed to ease the pain when he gets home. Block does a nice job getting readers up to speed on Scudder and Elaine’s backstories. Elaine is a former prostitute who just started attending her own support-group meetings for women who were in the life - an analogous situation to Scudder’s own AA meetings that he’s been attending for 35 years.
Elaine is sponsoring a young ex-prostitute named Ellen who recently quit escorting. The problem is that she has one client who is not taking no for an answer and insists on seeing for paid sex her despite her demure protestations. She wants Scudder’s help to make the creep lay off and go away. The stakes are increased as his behavior becomes increasingly stalky.
The first problem is identifying the stalker because it turns out that johns don’t always give their prostitutes their real names. The second problem is that 2019 Scudder is not the same ass-kicker as 1989 Scudder. It’s fun to see a beloved PI who is physically past his prime engaging in old-school gumshoe work, as the story drives toward a satisfyingly violent confrontation and a sexy conclusion.
I’m pleased to report that even at age 80, Lawrence Block still has his writing chops. His knack for snappy dialogue is better than ever, and his plotting is flawless. Block is a mystery fiction grandmaster and a national treasure. If “A Time to Scatter Stones” turns out to be Scudder’s last appearance, Block can rest easy knowing the journey of this beloved character ended on a high note. Highly recommended.
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The king of European thrillers might be an unrecognizable name: Rene Lodge Brabazon Raymond. That's reality, but better recognition would be the fictitious name of James Hadley Chase (1906-1985). In fact, Raymond utilized Chase, James L. Docherty, Ambrose Grant and Raymond Marshall pseudonyms to write 90 novels. Using the sound strategy of picking at random, my first Chase novel is 1970's “Like a Hole in the Head”.
Protagonist James Benson is a Vietnam veteran and former Army sniper. With a distinguished career of 80+ kills, the retired Benson and his wife Lucy are now settling into their new home in Miami, Florida. Benson has purchased a derelict gun range in hopes that his post-military career will be a lucrative one. With only a handful of students and overwhelming repairs, the two are scraping to make ends meet.
Benson is approached by savvy businessman Savano with a rather interesting proposal. Savano claims that he is in a half-million dollar wager that his son, Timoteo, can outshoot a rival's son. One would assume Timoteo is a decent marksman, right? The fact is that Savano was a little inebriated when making the wager – his son can't even lift a rifle much less make a tremendous display of shooting. The offer is for Benson to train Timoteo to shoot. The issue is that the competitive shooting takes place in just nine days. Benson, learning that Timoteo isn't a trained shooter, refuses the job. It's a good move on his part...until money talks.
Savano is a convincing man and soon introduces Timoteo to Benson. Immediately, Benson refuses the job again knowing that Savano's son is a sissy. The boy has a sense of entitlement and a spoiled lethargy that makes him detest guns. After the meeting, Benson refuses the job...AGAIN. Savano, stating that money can perform miracles, offers Benson $25K to train Timoteo. Benson AGAIN refuses and the offer is doubled. Now, Benson knows there's just too much at stake to refuse the deal. Benson must make Timoteo his equal on the range in exchange for $50K. That's a story the reader can't put down.
But, like all of these action-thrillers, the story isn't all that it seems. In fact, this story really becomes entwined with Savano's empire and a wager that is soaked in blood instead of money. Is Savano telling the truth about the wager, or is there something way more dangerous on the line? With Lucy being used as a bargaining chip, the story takes a number of twists and turns that left me reeling. I couldn't put this book down.
I'll repeat that this is my first foray into the world of James Hadley Chase. The man is way more talented than what these sultry (trashy) covers suggest. With an enticing plot development, the author rides these characters to the grave, screaming from the hearse long after the last shots are fired. It's these characters that Chase toys with, placing ordinary people into extreme circumstances to see what will break. That's “Like a Hole in the Head”. This is a must read for action fans...but with fair warning: This book will evaporate your day.
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Because of the association with his mentor H.P. Lovecraft and the success of Alfred Hitchcock’s “Psycho,” author Robert Bloch (1917-1994) is remembered as a horror writer, but he also did a lot of work in the crime fiction genre. In fact, I would maintain that “Psycho” is more of a suspenseful crime fiction story than a horror novel anyway, but that’s a different argument for a different day.
Bloch’s novel “The Kidnaper” was released by upstart crime fiction paperback house, Lion Books in 1954 - five years before “Psycho.” It was reprinted by Tor Books in 1988 with a horror-themed cover and a modernized spelling of the title as “The Kidnapper.” Decades later, Bloch cited the novel as among his best work.
Our narrator is Steve Collins, a freight train riding drifter and petty criminal who breezes into town and lands a job working the night shift at a factory. Steve’s not a very nice guy, and you need to be comfortable spending 180 pages with a cold antihero operating with a severely-busted moral compass. If you need a white-hat protagonist in your fiction, look elsewhere.
Shirley Mae is the four year-old daughter of a wealthy businessman in town. Steve’s new girlfriend is the kid’s nanny, and he sees this as a real opportunity to make some big cash in a kidnapping and ransom gambit. He enlists the help of his dimwitted friend in the execution of the scheme which goes very wrong, and the majority of the novel is Steve’s attempts to salvage the operation, get the dough, and get lost.
This is a seriously dark noir novel that was clearly inspired by Jim Thompson, who was doing basically the same thing at the same time. It was also an excellent book if you’re looking for something gritty as hell to read. Steve is an unapologetic sociopath but otherwise logical and level-headed, so the book doesn’t force you into a mentally ill mind for the narration as in many of Thompson’s paperbacks. Bloch does a fantastic job keeping the action moving, and the tension-filled pages really fly by.
As long as you know what you’re getting and are comfortable with untidy crimes in your crime fiction, “The Kidnaper” is an easy recommendation.
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