Baltimore Trackdown is the 88th entry in the long-running The Executioner series. Written by journeyman Chet Cunningham (1928-2017), the novel was released by Gold Eagle in 1986. Cunningham contributed to a number of Mack Bolan volumes including the 79th installment, Council of Kings, which includes characters that later appear in Baltimore Trackdown. A series education isn't a prerequisite as these books can still be enjoyed in any order.
Mob kingpin Carlo Nazarione has infiltrated the Baltimore Police Department. With a vast, cascading stream of money, Nazarione and his criminal cohorts have purchased plenty of badges in their quest to run a gambling empire on the East Coast. The mob are using a veteran named Captain Harley Davis to monitor the bribery channels and to solicit new members for the crooked cop brigade. However, one of Mack Bolan's oldest and most trusted confidants, Leo Turrin, has planted an informant within the ranks. It's this collaboration that allows Bolan easy access at his new targets.
For the most part, Cunningham utilizes Don Pendleton's early template to create this rousing Bolan adventure. The paperback deploys series the series trope of a young, innocent woman who's raped and murdered by the criminals as a motivating spark for The Executioner. Bolan, as if he needs more purpose, seeks to avenge her death. Gambling halls and bars are familiar landscapes for Bolan to fulfill his mission, but it's not until page 114 where things really become interesting.
In a clever tie-in with Cunningham's work on The Executioner 79: Council of Kings, a hitman named Vince Carboni appears. What's unique is that there is no mention of this character anywhere in the first 114 pages aside from a line stating that Carboni has been hired to finish Bolan for good after a firefight in Portland failed to eliminate the hero. In research, this recollection links to the 79th entry where Carboni is enforcing for the Canzonari's West Coast mob. None of this really matters, just a simple way to inject Carboni into 44 pages of this book.
The author shines as Carboni and Bolan do battle on a farm in rural Maryland. The cat-and-mouse tactics are some of the best scenes in my experience with The Executioner books. Carboni ultimately controls the high ground, manning a 30-06 rifle from a farmhouse window. Bolan, trapped in a shed, attempts to dodge in and out of farm vehicles, buildings and eventually rooms within the house. The battle spills into cornfields, the road and back to the farm again before this side-story finally reaches its conclusion. This battle echoes David Goodis' effective farmhouse gunfight in Down There, also known as Shoot the Piano Player (1952), only more modern and quite a bit longer.
Overall, this is an exceptional Executioner entry with very engaging narrative and characters. While over the top at times, the book has a surprising sense of realism due to its more personal presentation – urban America on the take. If you are looking for a fantastic post-Pendleton Bolan work, this makes the short-list.
This novel and the entire Mack Bolan universe was discussed on the fifth episode of the Paperback Warrior Podcast: Link.
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John Robb (1917-1993) was a British journalist and author of science fiction, westerns, gangster thrillers, and war stories who was born with the name Norman Robson but legally changed his name to his popular pseudonym. In 1960 and 1961, Robb authored three short adventure novels starring Interpol agent Red Radford that were originally published as small hardcovers (Hardy Boys style) in England, but these definitely aren’t children’s books.
“Black Legion” is the first Red Radford novel from 1960. The novel opens at a French Foreign Legion outpost in the Sahara desert. A half-dead Arab stumbles into the Legionaries with a story too outrageous to be true. He claims that a cadre of French soldiers came to his village, gunned down two men, and forced the rest into slavery. Later, the French began hearing more rumors of fighter jets overhead and heavy artillery weapons hidden among the rocks and chasms of the desert. Who are these rogue soldiers and what are their ties to the French Foreign Legion, if any?
British Special Agent Hugh “Red” Radford, assigned to Interpol in Paris, is given the assignment to travel to Africa, embed with the Foreign Legion, and investigate these reports of a rogue detachment of Legionnaires menacing villagers in the desert. Out of an abundance of caution, Radford adopts a cover as a British-born officer of the Legion on a map-making survey. The character of Radford reminded me of a combination of Edward Aaron’s Sam Durrell and Hollywood’s Indiana Jones with a pulp hero’s earnestness.
Once in the field, it becomes abundantly clear that the mysterious fighters holed up in the massive Sahara ravine plateau have advanced war-making firepower and murderous intent. Radford and a couple sidekicks - an American and a Frenchman - set out in a helicopter to find the truth. The adversaries he encounters are diabolical and compelling as all hell with a plot that can only be stopped by the bravery and ingenuity of a spy like Radford.
“Black Legion” is a fantastic combo of a spy adventure with a compelling mystery. The international fighting force of the French Foreign Legion provides an interesting culture within which our hero operates. The novel wastes no time before plunging Radford and the reader into the bloody action and intelligent intrigue. There are suicide missions, bloodthirsty, locust-eating Arabs, and graphic knife fights. Radford is a a great hero, and the author knows his way around exciting action sequences, literary combat and vivid chase scenes filled with daring adventure for pages upon pages. There are several scenes in the novel that beg to be filmed in a big screen adaptation, and I’m surprised no one has made that happen.
Ignore the vintage packaging that recalls children’s books of the same era. There’s no way this novel was written for kids - unless your teen has a particular interest in the bad-blood arising from the French occupation of Algeria. That said, you don’t really need to know anything about the region, the history, or the politics to enjoy the hell out of “Black Legion.” Western spies battling desert lunatics is a timeless storyline that transcends any particular conflict or era. I was overjoyed to read this pulp thrill-ride and can’t wait to read the other two books in the series.
Although dying at the early age of 37, William Ard (1922-1960) penned over 30 novels under his own name as well as pseudonyms like Mike Moran, Jonas Ward, Ken Hamlin and Ben Kerr. As Thomas Wills, Ard wrote two novels starring private investigator Barney Glines, “You'll Get Yours” (1952) and “Mine to Avenge” (1955). Stark House Press imprint Black Gat has re-printed “You'll Get Yours” at an affordable price to attract new generations to this talented writer.
Press agent Archie St. George has summoned Glines to his office to meet aspiring actress Kyle Shannon. St. George has encouraged Shannon to explain her dire situation to Glines in hopes she will hire him to investigate. Shannon has her debut film on the cusp of theatrical release after years of modeling leggings. Shannon doesn't want the public to realize she has inherited a fortune from her dead father. Apparently women in the 1950s can't become legitimate film stars if they come from wealthy stock. So, the secret of her fortune, as well as the $100,000 in diamonds she carries in a suitcase, is being suppressed from the public until she reaches widespread appeal. Then her personal fortune will simply blend into her robust box-office earnings with none the wiser.
Glines becomes involved because someone has stolen her diamonds. Shannon, hoping the thief won't reveal the diamond's owner to the public, wants Glines to recover the jewelry. This is an elementary plot and Wiliam Ard thankfully knows it. That's why he throws a box of wrenches in the gears to surprise the characters and reader. This isn't just an average jewel heist.
The thief contacts Glines and advises he will ransom back the jewels for a meager $20K. Suspicious of the offer, Glines accepts the deal and offers Shannon's money for the box of diamonds. After looking through the box, Shannon wants to know where the real fortune is. Puzzled, Glines points out that the diamonds are indeed there. However, Shannon's real treasure were a series of nude photos that she kept secure with the diamonds...in her missing suitcase. Suspending belief, I'm buying it I suppose. Now, Glines next job is to locate the stolen pictures before the thief can ransom them to the press.
Glines’ role as investigator inevitably leads to him falling in love with Shannon. But she's in love with St. George, who alone seems to have more interest in Shannon's wealth and potential than her sultry red hair. As Glines digs deeper into the heist, he finds himself tangled in a heroin ring that leads to his own false arrest. Attempting to prove his innocence, he teams with a homicide detective to track Shannon's extortionist through New York.
For a 1952 paperback, Ard pulls no punches. There's a number of deaths, detailed drug abuse and a somewhat critical inspection of police procedure. In terms of violence...let's say 1970s and 80s men's action-adventure might be a close comparison. In one shocking scene, thugs hold Glines down while absolutely obliterating a drugged out hooker in a hail of bullets. That's bold. But what's really interesting about Ard's position is his candid look at the price of popularity. Even in today's modern times, we still see this same situation: celebrities' privacy auctioned off to the highest bidder. Then it was calendars and magazines, today it's social networks, leaked sex tapes and TMZ.
With “You'll Get Yours,” Ard proves to be a cunning architect of plotting as he scripts the perfect storm of bribery, jealousy, extortion and intrigue. The book's fiery finale asks if there is more for Barney Glines. Let's hope Stark House has the affordable answer. This novel's sequel, “Mine to Avenge,” demands a hefty price tag as an out of print used paperback online.
This book was discussed on the fourth episode of the Paperback Warrior Podcast: Link
Buy a copy of this book HERE
‘The Gunsmith’ series of adult Westerns by Robert Randisi (writing as J.R. Roberts) is the most enduring - and the last man standing - of the mega-successful adult western titles. It’s also the most consistently good, thanks to having one author and visionary at the helm rather than a rotating cast of hired guns writing under a house name. The series started in 1982 and new installments are still released on a regular schedule, so I decided to check in with a 2019 episode, “Gunsmith #446: Deadville.”
Clint Adams is The Gunsmith, a drifter hero and gunfighter who rides from town to town finding adventures and getting laid in the Old West. Over the years, Randisi has played with the idea that Adams has achieved a kind of folk hero celebrity status in the untamed American West. This has made for a fun premise in several different novels, and provides the motivation for the villains of “Deadville.”
Mayor Tom Simon of Wentworth, Nebraska has cooked up a scheme to make his crappy, dying village into an 1800s boomtown. He’s studied the success of towns like Deadwood and Tombstone and believes he’s cracked the code of their success. These towns have benefited from the violent deaths of famous gunfighters - such as Wild Bill Hickok in Deadwood. His plan is to entice the famous Clint Adams into town, have The Gunsmith killed in a dramatic fashion, change Wentworth’s name to Deadville, and a tourist Mecca is born!
A few months later, The Gunsmith is lured to Wentworth under false pretenses - stopping to get laid along the way. Now, Mayor Simon’s toadies can’t just shoot Adams in the back and expect Deadville to be the next OK Corral. The killing of Clint Adams requires some drama and theatricality to make the story go viral, so he enlists the help of a gunfighting local outlaw named Bad Tony Bacon to lay the groundwork for a staged killing within city limits.
There’s a cool vibe in “Deadville” that reminds me a bit of the movie “The Truman Show.” Many of the citizens and leaders of Wentworth understand that they are creating theater to set up the sequence of events leading to The Gunsmith’s murder. The only one without any knowledge of the gag seems to be Clint Adams himself. Randisi’s writing is forward-moving and breezy with lots of dialogue and short chapters making the pages fly by. The sex scenes are graphic and very explicit, but they can be skipped or skimmed if you’re the type to blush easily.
What we really have here is a mystery where The Gunsmith attempts to understand what Mayor Simon is planning before Adams starts catching bullets with his body. Randisi is a seasoned writer of both mysteries and Westerns, so he’s on familiar ground here - particularly after authoring over 500 adult western novels. The story was very compelling but there wasn’t a lot of action outside of the bedroom until deep into the paperback. Overall, “Deadville” is formulaic as hell and probably not a great selection for your wife’s book club, but the story is a lot of fun with tons of sex and a likable stalwart hero. What’s not to like?
This book was discussed on the fifth episode of the Paperback Warrior Podcast: Link
Buy a copy of this book HERE
In this episode, we discuss the massive Mack Bolan universe, including the origin, spin-offs and legacy of "The Executioner". Additionally, Eric reviews the 88th "Executioner" novel, "Baltimore Trackdown", by Chet Cunningham. Tom reviews the newest adult western novel, "Gunsmith: Deadville", by Robert Randisi. Listen below or on streaming services like Apple, Google, Spreaker, YouTube, Stitcher, etc.
Listen to "Episode 05: The Executioner Mack Bolan" on Spreaker.
Arnold Hano is an esteemed sportswriter, winning numerous accolades including 1963's Sportswriter of the Year. His 1955 non-fiction account of the 1954 World Series, “A Day in the Bleachers”, placed him in the annals of baseball history. Along with freelance work, including The Saturday Evening Post and The New York Times, Hano wrote many paperback originals under the pseudonyms of Gil Dodge, Matthew Gant, Ad Gordon and Mike Heller. Using his managing editor experience with Bantam, Hano became editor-in-chief of Lion Books from 1949-1954, developing crime-noir legends like Jim Thompson and David Goodis.
While working at Lion Books, Hano wrote a classic western tale entitled “The Last Notch”. This 1958 novel was released under the name Matthew Gant to avoid the optics of publishing himself in his authoritative role as editor-in-chief. The book was reprinted in 2017 by Stark House Press under imprint Black Gat Books. It features an introduction by David Laurence Wilson, including insights from Hano on his career and literary body of work. As of the time of this review, Hano is still writing at the age of 97.
“The Last Notch” is a western. The genre tropes are clearly evident – cattle rustlers, six-guns and fast-draws...of both iron and whiskey. However, it is written to exclude one of the centerpieces of the frontier story. There's no clear hero. No white hats to be seen. It is devoid of any strict boundaries between right and wrong, and lacks any social conventions for the characters. It's as if Hano's goal was the non-traditional definition of a hero. It's not until the book's closing pages that the moral courage is unveiled, finally allowing readers the satisfaction of some semblance of a heroic figure...as little as that may be. But I think that is where “The Last Notch” excels as an abstract western tale that defies the mandatory genre attributes.
The book's central character is an old gun-slinger named Slattery, an bi-racial killer-for-hire who has accepted his final contract - $5,000 to kill a “target to be named later”. Faces and names mean very little to men like Slattery, so he accepts the job and does what killers do - hangs out at the bar with similar men. One of them is a cold-blooded youth named The Kid, essentially Slattery's heir apparent. The arrogant young man wants to knock off Slattery and assume his position as the King of the Killers. Slattery isn't buying it and refuses to face The Kid in a gun-duel.
The territory has a newly-elected governor who is issuing amnesty to men like Slattery. In retribution for his sins, the tired gun-hand wants to kill one more time, accept “forgiveness” from the elected official and turn in his guns for a pardon. In a way, Slattery feels this act is a cleansing of the sins, a way to simply ride off into the sunset and die. The book's exciting dilemma is revealed when Slattery learns his $5,000 target is the governor himself.
Hano employs a back-story inspired by the mega-success of 1957's “Mandingo” by Kyle Onstott to paint Slattery's past as a plantation slave and his subsequent birth out of wedlock following the coupling of a white master and a black slave. The author uses the opportunity to provide adversity for Slattery, essentially shaping him into a grim-faced killer, a sweeping hand of death that just does the job and coldly forgets about the last one. Mixed into the narrative is a riveting side-story of amnesty for cattle rustlers, which cleverly crosses into Slattery's goals of killing the governor.
There are basic westerns, and then there are special westerns like “The Last Notch”. Genre authors and hopefuls would do very well to improve their plotting by simply reading the book's 14th chapter, if nothing else. While the action heats up in the finale, it's a slower, more methodical approach bordering on psychological suspense that sets this apart from rudimentary western storytelling. Kudos to Stark House Press and Black Gat for bringing this fantastic novel back into circulation.
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Leonard Zinberg (1911-1968) was an accomplished author of crime and noir fiction during the dawn of paperback original novels as a popular form of entertainment. His first published book was “The Woman Aroused” originally released in 1951 by Avon under the pen name “Ed Lacey,” a pseudonym later streamlined into “Ed Lacy” for the majority of his published works. His debut has been reprinted several times and remains available as a 99 cent Kindle eBook.
When we meet our narrator, George Jackson, he is separated from his fashionista wife. They still get together once a month to watch a movie, screw, and fight, but the functional marriage is basically over. George works as a writer for an oil company’s internal newsletter and shares his backstory with the reader about growing up as a child in Manhattan with a successful plumber as a father. His personal history is fascinating and broadcasts to the reader that this won’t be your typical helping of noir fiction.
One morning George is surprised by a visit from an old friend named Hank Conley who has just returned to New York after nearly a decade in the Army - a period that encompassed World War 2 and its aftermath. Hank gives George an envelope containing $7,000 in cash and asks George to stash the loot until Hank’s divorce is final, so he can begin enjoying his savings. It helps to bear in mind that in 1951, $7,000 was enough money to base an entire novel around.
Of course, Hank dies under suspicious circumstances while George remains in possession of the $7,000 - creating a moral dilemma for our hero. While still deciding that to do, George travels across Manhattan to meet Hank’s widow, and you can see exactly where this is going. Then things turn in a very different - and much, much darker - direction than I was anticipating. I don’t want to give it away, but this was way more twisted and perverse than the femme fatale story I was expecting. Instead, the author wrote a novel about survivors coping with the traumas of war that echo long after the final shots are fired. “The Woman Aroused” is not really a crime novel, an action story, a mystery, or a noir drama. The book isn’t easy to classify, but it’s unquestionably the kind of fiction that will stay with you long after it’s over.
This being the first novel for Zinberg/Lacey/Lacy, it’s clear that the author had a lifetime of thoughts and ideas in his mind to play with in his narrative. As such, this short work is peppered with Big Ideas about war, peace, love, marriage, economics, atrocities, and more. Just because a paperback is essentially pulp fiction doesn’t mean it can’t be thoughtful - and deeply unsettling - in the process. If you’re looking for something completely different, “The Woman Aroused” is a well-executed literary oddity. Recommended.
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