Paperback Warrior Podcast - Episode 17

Episode 17 presents an investigation into the wildly popular sub-genre of Plantation Fiction, sometimes referred to as Slavery Gothics. Eric is proud to present his newest addition to the Paperback Warrior Hall of Shame. Eric reviews a 1973 Pinnacle novel called "Brannon!" by Daniel Streib. Tom investigates the mystery behind a 1969 boxing/plantation fiction novel called "Mantee". Stream it below or download directly (LINK). You'll find the episode and show wherever great podcasts are streaming. Listen to "Episode 17: Slavery Gothics (Plantation Fiction)" on Spreaker.

Talk of the Town

Before “Cosmopolitan” was a women’s magazine dedicated to unlocking the mysteries of the female orgasm, it was a publication for the whole family featuring short fiction across several genres. In April 1958, “Cosmopolitan” ran a short story by crime-noir author Charles Williams titled Stain of Suspicion. The story was later expanded into a full novel as Talk of the Town. Subsequent editions of the paperback reverted back to the original title.

The book opens with Chatham getting into an accident in a small Northern Florida town that leaves him stranded for a few days while his car is being repaired. He meets Georgia, the town’s comely hotelier who is getting harassing phone calls accusing her of murdering her late husband. Through narration, we learn that Chatham is a recently-divorced former San Francisco police officer exiled from the force for excessive brutality. Being stranded for a few days in a motel with a damsel in distress is an easy set-up for him to play the hero.

More than other paperbacks by Charles Williams, Talk of the Town is an actual mystery novel with an investigator, suspects and a solution. There are really two mysteries to be solved here. First, who is trying to wreck the health, sanity, and financial security of Georgia through a targeted campaign of obscene accusations and harassment? Second, who actually murdered Georgia’s husband and why? It seems that the whole town has it out for this perfectly pleasant woman. Is she really blameless?

While Talk of the Town is clearly a well-written novel, it lacked the great characters that make me love the work of Charles Williams. This was just a pretty basic mystery novel rather than the superior femme fatale noir from earlier in his career or the maritime adventures of his later works. The small-town mystery itself was pretty ho-hum for my taste and lacked the biting edge of a smutty 1950s crime paperback.

Charles Williams remains one of my favorite authors, but you can safely skip Talk of the Town without missing much unless you are seeking to be a total completist. You won’t hate the book, but it was pretty substandard when placed alongside the author’s best moments.

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Sick Heart River (aka Mountain Meadow)

Scottish author John Buchan (1875-1940) was a Unionist politician, a Member of Parliament for Scottish Universities and a Governor General of Canada. While his career flourished in diplomacy, Buchan used this time to simultaneously focus on his literary work. His critically acclaimed novel, “The Thirty-Nine Steps”, was published in 1915 and adapted for cinema in 1935 by Alfred Hitchcock. My first introduction to Buchan is his last published work, “Sick Heart River”, which was titled “Mountain Meadow” in the US. It was released in 1941 posthumously and bears a striking resemblance to Buchan's personal life.

Like Buchan, the book's protagonist is Scottish-born attorney Edward Leithen, a member of parliament and a seasoned diplomat. Leithen is diagnosed with Tuberculosis, a devastating disease that decimated Europe and the Americas during the 1800s. Refusing to enter a sanatorium for treatment (which typically resulted in a 50% morality rate), Leithen has premonitions of dying in the wilderness, specifically a meadow in upper Quebec that he fondly remembers from his travels. Coincidentally, a longtime friend asks Leithen to assist in locating a man named Galliard who has abruptly abandoned his prosperous business career for a remote section of Canada.

After learning more about the man's past and the wife he's left behind, Leithen decides that he wants to accomplish one final job while allowing the forces of nature to bring his demise. Partnering with Hare Indians (natives of Canada) and a tracker named Lew, the group embarks on a journey through upper Canada and into the outer regions of the Arctic Circle. On the quest, the group discovers that Galliard has joined Lew's brother in a stretch of wasteland called Sick Heart River.

Leithen's background in Canada, notably the Quebec region, pairs well with the Buchan's own experiences. Saddling Leithen with a chronic condition and placing him in the author's footsteps appears to foreshadow Buchan's own unfortunate death in 1940. But unlike Leithen, Buchan's death was the result of an accident. How did he write this mortality tale with so much authenticity? I don't know. But what I can tell you is that this novel was probably intended for a much different reader than myself.

“Sick Heart River” is a book weighted with deep philosophy and a euphoric sense of nature and its surroundings. I would imagine that at the time of release, readers probably knew what to expect from this talented author. My confusion lies in the bizarre marketing scheme created by Pyramid Books in 1968. Utilizing the original US title of “Mountain Meadow”, the publisher featured the painted cover (pictured) that showcases the novel as an adventure story with the intriguing invitation of “A bizarre manhunt becomes a trek into terror.” It's a clear attempt to capture men's action-adventure enthusiasts under a false pretense. The back cover synopsis adds fuel to the fire: “...pitted the strength of his body against the hellish frozen world and the even more hellish violence of man.” Pyramid was attempting to create everything from nothing.

If you are in search of a great wilderness adventure tale involving a manhunt, track down “Duel in the Snow” by Hans-Otto Meissner. It's far superior to this watered down story. “Mountain Meadow” is nothing more than a dying man's journey into the wilderness and his reflections on life, nature and morality. It is written well, but unfortunately it’s also a plodding and dull work that left me counting down the pages.

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Liz

Frank Kane is primarily known as the author of the popular series of novels and short stories from 1944 though 1965 starring private eye Johnny Liddell. He also wrote a handful of stand-alone novels including 1955‘s “Liz” and 1958’s “Syndicate Girl,” both of which have been re-released by Stark House in one volume.

Liz Allen is a voluptuous young woman - a drifter on the road at age 19. When we meet her, she’s in the county lock-up being whipped with a belt at the hands of a corrupt sheriff. Kane knew exactly what he was doing by writing the scene both shockingly violent and pruriently erotic. The tables quickly turn, and the sheriff learns that revenge is a bitch - named Liz!

Kane knew damn well that his target audience for this one were horny, twisted dudes like you and wrote for that audience. Check this out from the opening scene:

“She was long-legged, full-hipped. Her breasts were round, firm and pink-tipped, her stomach flat. The whiteness of her thighs and buttocks was marred by the angry red welts left by the strap.”

After escaping the clutches of the evil sheriff, Liz makes her way to a roadhouse where she lands a job as a “bar girl” pushing drinks and avoiding companionship with lonely men looking to cop a feel. The bar has cabins out back in case Liz and the other bar girls want to hustle a few bucks on the side. It's here where she arouses small-town horndog Gunson. She convinces him to drive her out of town on his dime. Gunson and Liz soon become natural born killers, cruelly robbing and killing a hotel manager before Liz chances upon an opportunity to ascend the criminal hierarchy.

A Syndicate kingpin pays Liz to become a woman named Lorna Andrews. Under the guise of a swanky "cigarette girl" (she hip-sways brand cigarettes to patrons), Liz seduces a federal prosecutor into an uncompromising situation. With the set-up, newspaper photos are secretly taken and the prosecutor is ridiculed and ruined by the press. The Syndicate wins, but Liz isn't through with the game.

We quickly learn that Liz is no pushover and she’s done playing the victim to predatory men. In fact, she’s kind of a badass worthy of the men’s adventure genre. Using connections and experience, Liz climbs the Syndicate ranks through a vast array of sex, violence and smooth bribery.

I was struck by the intensity of the vengeful violence in a book that was originally marketed as a sexy sleaze paperback. The reality is that “Liz” felt like Mack Bolan meets Thelma & Louise. Kane's penchant for barbaric violence is balanced with salacious sexual teasing. Liz rarely puts out, which works as a magnetic conservative charm. The enjoyment for the reader is pondering this consistent question: Is she just sexing him up for the slaughter?

“Liz” is recommended as a unique crime-noir, a hybrid of tantalizing sexual desires thrust into a treacherous Mob crossfire. Kudos to Stark House Press for offering another hard to find paperback to the masses. This one is hard to beat.

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Doc Savage #12 - Quest for Qui

“The Quest of Qui” was originally published as the July, 1935 issue of “Doc Savage Magazine”. When Bantam Books reprinted these classic stories in paperback novel format, this title became #12 in their series (July 1966). It was written by Lester Dent under the house name of Kenneth Robeson.

Tourists aboard a yacht called Sea Scream find what appears to be a Viking Dragon Ship off the coast of Long Island, NY. Venturing closer, they discover the ship's passengers resemble Vikings and they are holding a beautiful blonde as prisoner. The mysterious discovery leads to the threat of violence when the Vikings exchange boats with the Sea Scream's passengers. The Viking ship, and it's passengers, arrives safely back to harbor while the Sea Scream goes missing.

In the opening chapters, Johnny (William Harper Littlejohn) finds some clues that suggests the Viking ship may have sailed near the Labrador Coast, an arctic area in the Canadian Northeast. He flies solo to the area and discovers a wounded man and a bunch of bad guys. Escalating the mystery further, the rest of Doc Savage's “fabulous five” crew are all attacked in New York by phantom like entities that throw knives and spears. What!?!

After aligning with a wealthy business owner, Savage and company fly to Labrador searching for Johnny, a missing plane and some evidence that the theft of the Sea Scream is connected to the personal attacks the team experienced. Once there, the gang fights with greedy criminals, dwarves, and Vikings while trying to survive the harsh conditions.

I can't help but feel as though Dent just gets in his own way while writing this story. After the entire 119-pages, I still don't understand any of it. Why? Because Dent spends most of his time fixating on the adventure without explaining any of it. Who are the criminals? Why are the Vikings ageless? What is the mysterious glowing liquid found in the New York harbor? Why and how are invisible entities attacking the team? None of this is explained. It's as if Dent just wanted to get out in front of this story and provide atmosphere, wild adventure and an epic fight...without actually designing a coherent plot.

I'm just a casual Doc Savage fan and have enjoyed prior installments. But this novel was really difficult to enjoy within the murky haze of an undeveloped plot. Whoever said the most beautiful view comes after the hardest climb never read “The Quest for Qui.”

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Modesty Blaise #01 - Modesty Blaise

The character of Modesty Blaise was conceived as a comic strip in 1963 by British writer Peter O’Donnell. The success of the strip landed O’Donnell a film deal, and he wrote an early draft of the screenplay starring his sexy, female spy for a movie that was eventually released in 1966. A year before the movie’s release, O’Donnell adapted his unproduced screenplay into the first of 11 Modesty Blaise paperback novels in this highly-regarded series.

Unlike a lot of action series paperbacks that join the fully-formed main character in progress, “Modesty Blaise” is a true origin story of the female gang leader turned spy. Modesty grew up an orphan in a Baltic refugee camp and worked her way into the position of a wealthy, international organized crime leader before retiring to Great Britain at age 26. Modesty’s unusual skill set, gained from running a clandestine network, comes to the attention of the British Special Intelligence Service (SIS) who want to recruit her as an operative.

At the paperback’s opening, SIS bosses travel to Modesty’s opulent London penthouse on a recruiting mission, and the reader is treated to a run down of her remarkable biographic history. The government guys have an ace-in-the-hole: her long-time friend and former sidekick, Willie Garvin, is being held in a prison in a far-flung banana republic and will likely be hanged in a week. They provide Modesty with the details on Willie’s confinement in exchange for a favor to be named later. This is the perfect tactic to use on Modesty - as opposed to, say, blackmail - because of her sense of loyalty and honor.

Modesty’s first order of business is to plan and execute a prison break to free Willie (the sidekick, not the whale). It’s important to note that Modesty is a badass similar to Scarlett Johansson’s version of Black Widow from the Marvel movies. Once reunited, Modesty and Willie share that they are both bored-as-hell with retired life and want to get back into the action. Maybe the favor that the British clandestine service wanted can liven up their lives?

The government’s assignment for Modesty involves a massive shipment of diamonds to a middle-eastern Sheik in trade for a sizable shipment of oil. The Brit intel chief is worried that there are plans afoot to hijack the diamonds and wants Modesty to use her middle-eastern underworld connections to determine if such a plot exists and to thwart it before the diamonds are stolen. It’s this storyline that provides the core of the novel.

Quite ignorantly, I always lumped the ‘Modesty Blaise’ series in with the slew of moronic, female James Bond parodies - like ‘The Baroness’ or ‘Cherry Delight: Agent of N.Y.M.P.H.O.’ However, it’s clear that O’Donnell had a real vision for his character that went beyond a T&A spy lampoon, and his writing is superb. Without question,Modesty is a sexy operative, but her debut adventure is never cartoonish (oddly, considering the character’s comic strip origin), pandering, or stupid.

I don’t want to spoil much else, but I will say that the villain of this Modesty Blaise prose debut was extremely well-drawn, sadistic, and violently unhinged. This debut really does everything right, and I’m excited to read the next installment.

Based solely on the debut, here’s where the series stands in the larger spectrum of 20th Century spy-adventure series:

Modesty Blaise is...

- Way better than ‘Nick Carter: Killmaster’
- One notch better than the ‘Sam Durrell Assignment’ books by Edward S. Aarons
- Slightly better than ‘Malko’ by Gerard de Villiers
- Solidly better than Don Smith’s ‘Secret Mission’ series
- Light years better than ‘The Baroness’ by Paul Kenyon
- A good deal better than the ‘Joe Gall’ books by Philip Atlee
- A little bit better than The Man from U.N.C.L.E. novels
- Not as good as the first 10 ‘Matt Helm’ books by Donald Hamilton

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Paperback Warrior Podcast - Episode 16

This episode delivers an informative feature on Richard Stark's iconic anti-hero "Parker". Tom also reviews the fifth entry in the Parker series titled "The Score". Eric takes his first look at the 1980s action series "The Specialist" by John Shirley. Additionally, Tom tells viewers about his acquisition of exciting vintage crime-noir. Stream below or download directly (LINK).  Listen to "Episode 16: Parker" on Spreaker.