Jan Stacy (The Last Ranger) and Ryder Syvertsen (C.A.D.S.) originally met in the 1960s at Washington Square Park in New York City. Caught up in the beatnik cultural movement, the lifelong friends began swapping story and book ideas as well as songs. After working together on two non-fiction novels, Great Book of Movie Monsters (1983) and Great Book of Movie Villains (1984), the two collaborated on a post-apocalyptic series titled Doomsday Warrior under the pseudonym of Ryder Stacy. The series was published by Zebra and ran for a total of 19 installments between 1984 through 1991. The first four novels, Doomsday Warrior, Red America, The Last American and Bloody America were authored by both Stacy and Syvertsen. The remainder of the series was penned solely by Syvertsen. My review is for the series' debut, Doomsday Warrior.
The first installment is set in the year of 2089 where most of the world is either controlled by the Soviet Union or in a widely contested battle with the communist country. Most of the U.S. was decimated by nuclear bombs and the survivors maintain a meager living either as slaves or wretched scavengers that have succumbed to radiation's side-effects. With the nuclear attack occurring in 1984, the book's characters are all second to third generation survivors, a unique approach that mirrors another popular doomsday series, Deathlands.
The series stars Ted Rockson, an action-oriented adventurer that leads an American resistance group called the American Free Cities. While most of the U.S. is controlled and enslaved by the Soviet Union, underground cities still remain that are free and liberated from communist control. Rockson resides in Century City, an expansive free society that exists under a section of Colorado's Rocky Mountains (similar to Jan Stacy's character Martin Stone in The Last Ranger). Rockson's role is to lead reconnaissance patrols on missions to discover new supplies, weapons and enemy patrols. It's during one of these missions that readers are first introduced to Rockson and his Firefighter Team.
After blowing up a large bridge and a number of Soviet personnel carriers, Rockson's team comes under heavy fire from communist forces. After numerous casualties, the team retreats back to Century City to formulate a new plan of attack. The intense battle is reported back to three Soviet leaders – Killov, Zhabnov and Vassily. The trio, who compete for political power, begin an expeditionary patrol to find more resistance fighters. After locating a few underground cities, the Soviets are able to capture a number of American prisoners. Using an advanced technology called a Mind Breaker, the Soviets are able to pull pertinent information from American prisoners. Soon, the captives begin revealing locations of more underground cities that the Soviets hope to nuke.
The first 189 pages of Doomsday Warrior is clearly a debut novel that focuses on Rockson's attempts to break into a Soviet stronghold in Denver to rescue prisoners. His mission is to retrieve the captives, destroy the Mind Breaker units and prevent the Soviets from gaining the location of Century City. It's a riveting, explosive narrative that rivals and exceeds most of the 1980s post-apocalyptic novels (Wasteworld, Deathlands, Survivalist, Phoenix, Outrider, etc.). While that was enjoyable, the logic behind the book's second half is puzzling.
It is immediately clear that a new book begins at page 189. At 347 total pages, one would think Zebra would have capitalized on this and released the book's second half as second installment. These books were retailing for $2.95 each, essentially Zebra would have been doubling their money from avid consumers. Regardless of the publisher's marketing strategy, Doomsday Warrior's second narrative explores Rockson's attempts to locate a technologically advanced race in America's Pacific Northwest region.
The narrative begins with an expeditionary unit returning to Century City to report a strange mutant male they found near the Pacific coast line. This area remains vastly unexplored and the team was surprised to find people, evolved animals and a swath of jungle and wilderness that remains nearly intact despite the Soviet Union's devastating nuclear attack. Rockson, hoping to journey even further than the former team, recruits three men to assist him in exploring this new, untapped resource.
Stacy and Syvertsen really hit their stride in this second story arc. The narrative finds the crew battling mutant monsters, deadly quicksand, Soviet KGB forces and mutant, Neanderthal men. The team's exploration of a shopping mall was extremely enjoyable with just the right amount of humor to keep me laughing throughout. While the military style tactics utilized in the book's opening narrative are missing, Doomsday Warrior's second half is surprisingly far superior. The epic adventure, fast-paced writing, character development and action was absolutely top-notch.
The Doomsday Warrior series is off to a tremendous start with this rock-solid debut installment. As the series continues, I understand the quality begins to decline. However, knowing what the future holds for the series doesn't spoil the fun of this early volume. If you read nothing else by Stacy or Syvertsen, at least sample this novel. I think it represents everything that fans and readers loved about 1980s post-apocalyptic pop-culture. Recommended.
Buy a copy of Doomsday Warrior HERE
Thursday, April 9, 2020
Paperback Warrior Unmasking – Jan Stacy’s End of the World
Beginning in 1986, Popular Library published a 10-book series of men's action-adventure novels titled The Last Ranger. It catered to pop-culture's fascination with the post-apocalypse and was fueled by blockbuster films like Mad Max and The Road Warrior. The books starred a lone hero named Martin Stone, a rugged journeyman searching for his sister after a Soviet nuclear attack destroyed most of North America. The over-the-top action featured zany villains, beautiful women, mutants and monsters all competing for authority in American's wastelands. Each novel of this enjoyable series is credited to an author named Craig Sargent. A deep dive online reveals that Sargent was actually Jan Stacy, a rather unknown author that contributed to other post-apocalyptic novels including Doomsday Warrior and C.A.D.S.
Unfortunately, Jan Stacy died in 1989 and his life has remained a mystery to readers, fans and scholars....until now. Paperback Warrior was able to locate Jan Stacy's only known living relative, his stepbrother Samuel Claiborne. In a lengthy interview, Paperback Warrior was able to piece together Stacy's short but remarkable life including his inspiration for writing, his fascination with doomsday fiction and his talented musicianship. Our latest Unmasking article hopes to answer questions that have been posed for decades about this mysterious author.
The end of the world leads us to the beginning...
Jan Stacy was born in New York City in 1948 and grew up during the “duck and cover” time-frame of Post War hysteria between the communist Soviet Union and the U.S., an era that reached a fevered pitch during 1962's Cuban Missile Crisis. Stacy was just a teenager when his father succumbed to alcoholism. His death eventually led to Stacy's dependence on heroin as a teenager. To break the addiction, his mother sent him to Africa to reside with his uncle, an ambassador. As a testament to overcoming drug addiction, Stacy later started a drug rehab program for teens called Encounter.
After attending the liberal arts college Sarah Lawrence, Stacy found himself as a mainstay in the beatnik culture surrounding New York City's Washington Square Park. It's here that Stacy began his artistic and politically charged endeavors.
“Jan began as a folk singer in Washington Square and it was like a really big network with people like Patti Smith and Robert Mapplethorpe. This hippie culture is where Jan's artwork and his music came from despite the masculine novels that he would later write. Jan's mother was extremely involved in the War Resisters League and worked a lot in The Village counseling young people on how to avoid the Vietnam War draft. I haven't been able to locate it but there is a photo somewhere of Jan burning his draft card in Washington Square in 1966,” explained Claiborne.
In addition to music, the early 1970s found Stacy exploring Xerox Artwork, an artistic trend that had become a staple in the punk music scene.
Claiborne recalls, “I can remember Jan and I would cut the labels off of Campbell's soup cans and he would make these custom labels with odd artwork and put them on the cans. It became a huge hit and Jan would sell them on the street. Campbell's threatened to sue Jan for $16-million over it so he stopped. Later, Jan opened an art gallery in Soho called Fear of Art and it was just around the corner from Talking Heads' singer-songwriter David Byrne. We used to always think that Byrne got the inspiration for the album Fear of Music from Jan's Fear of Art gallery,”
It was in Washington Square that Stacy met his longtime writing partner, Ryder Syvertsen. After Stacy obtained a job working at the New York Times' Classified Advertising Department, both Stacy and Syvertsen began writing music with Claiborne and coming up with book and story ideas. In 1983, the two collaborated on a non-fiction book titled Great Books of Movie Monsters, published by Columbus Books. The two followed a year later with the Great Book of Movie Villains. In 1984, Stacy produced his first solo book titled Rockin' Reels: An Illustrated History of Rock and Roll Movies.
“Jan loved pulp and movie monsters and we shot a music video involving monsters and quite possibly the most cheesy stop-action movie monster of all-time. We loved the cheesy movies where you can practically see the strings. We did band rehearsals every Saturday and then that afternoon we would watch Kung Fu double-features. We would rehearse, then watch 4-hours of Kung Fu movies and then go smoke pot. But Jan loved horror movies and was a fan of Night of the Living Dead,” explained Claiborne.
Beginning in 1984, Stacy and Syvertsen collaborated on a post-apocalyptic series titled Doomsday Warrior under the pseudonym Ryder Stacy. The eponymous first novel is set in the year of 2089 where most of the world is either controlled by the Soviet Union or in a widely contested battle with the communist country. Most of the U.S. was decimated by nuclear bombs and the survivors maintain a meager living either as slaves or wretched scavengers who have succumbed to radiation's side-effects. The series was published by Zebra and ran for a total of 19 installments between 1984 through 1991. The first four novels, Doomsday Warrior, Red America, The Last American and Bloody America were authored by both Stacy and Syvertsen. The remainder of the series was penned solely by Syvertsen.
In 1985, another post-apocalyptic series emerged from Zebra titled C.A.D.S. (Computerized Attack Defense System). It also ran from 1984 through 1991 and consisted of 12 total novels. The house name given was John Sievert but this was a combination of different authors. The first novel, Nuke First Strike, was authored by both Jan Stacy and Ryder Syvertsen. Installments 2-8 were penned solely by Syvertsen with books 9-12 authored by David Alexander (Phoenix).
Jan Stacy's most prominent literary work would emerge in 1986. The Last Ranger series was published by Popular Library and ran for 10 total installments through 1989 (and ultimately Jan's death). The series protagonist, Martin Stone, is introduced to readers as an athletic, cocky teen who defies his father, a stern and conservative military leader. When the Soviet Union begins a nuclear assault on the U.S., Stone and his family retreat to an underground mountain fortress where Stone's father teaches him survival, martial arts and weapons for a number of years. Once his father dies, Stone emerges from the compound only to witness his mother being murdered and his sister abducted. The monomyth series emphasizes Stone's struggles with authority as he searches the wasteland for his sister. It was Stacy's third consecutive post-apocalyptic series of novels, a trend that may have been formulating at a young age.
“The doomsday thing was really a culmination of things. Jan growing up in the 1960s during the Cold War scare. His mom was Jewish and you have to remember that the European Jewish attitude is that God is out to get them. The idea that you just can't rely on anything was prevalent. Think of Woody Allen, a paranoid guy who thought the world was out to get him. Jan was like that and he loved Doctor Strangelove [1964 black comedy film]. Jan and his mom were also at odds and had a strained relationship. She was a committed pacifist and I think sometimes Jan would write these macho books as a way of defying her,” says Claiborne.
The Last Ranger's Martin Stone paralleled Stacy's own life in many ways. Stacy's strained relationship with his alcoholic father and his avoidance of the Vietnam War mirror events in the series self-titled debut. As the series continues, Native American mysticism is introduced as well as Stone's fighting skills in the martial arts.
“When Jan went to Africa to break his heroin addiction, he brought back these gorgeous African spears. I still have one of them. He also brought back a lot of Asian martial arts stuff. Jan was a great martial artist. He studied Chi Kung, Ba Gua, Hsing Yi and Tai Chi. Jan moved Chi around instead of just using brute strength. He was interested in internal martial arts. He also boxed at the famed Wu Tang Physical Culture Association. It was this crazy squatter place in The Village ran by Frank ‘The Snake’ Allen. Jan started training there and was a really short, fast wiry martial artist,” explained Claiborne.
Stacy was in a lot of musical acts from 1978-1988 and when he was age 29 he asked the younger Claiborne to join his band. The two formed a trio with Peter Ford called Things Fall Apart, which Stacy named after the novel by Chinua Achebe. Things Fall Apart existed from 1983 to 1987 and had started to find their own sound and audience. The act began opening on Saturday nights at the famed CBGB club in New York City. Just as the band had begun making strides, Stacy surprisingly told the members he didn't want to play gigs anymore.
Claiborne said, “I can remember Jan acting different by 1987. He stopped sharing his drinks or food with me and told me to start rolling my own. That sort of thing. When he said he didn't want to gig any longer we sort of became apart for a couple of years. I remember my daughter being born in May of 1989 and seeing Jan's mother at the hospital. I told her I had ran into Jan a little while back and he looked like death. She got so upset and I was later told that Jan had tested HIV-positive, but I knew right then he had AIDS. Jan was a bi-sexual in New York City and at the time they didn't know how to treat it. They tried AZT on him but Jan just couldn't tolerate the drug.”
In February of 1989, Zebra published the only stand-alone novel Jan Stacy wrote, a vigilante novel called Body Smasher. Claiborne explains the idea behind the novel:
“The book's cover features the real-life professional wrestler Captain Lou Albano. Jan got to meet the wrestler and talk to him about the book. The idea was the book was going to tie into a wrestling promotion. It was a whole cross marketing idea that was to be a successful series of books.”
Stacy's later installments of The Last Ranger were written in a dark, negative tone with Martin Stone facing extreme adversity. In 1988's The Damned Disciples, the series' ninth novel, Stone is enslaved by a religious cult, drugged and forced to stir an enormous pot containing a sedative called Golden Nectar for weeks. I think this novel best orchestrates Stacy's endless cycle of AIDS medications. His body's resistance to AZT could have been Stone's own resistance to the forced drugs provided by his jailer. Claiborne seems to think this was a case of life imitating art. In fact, Stacy may have been on his deathbed when he authored The Last Ranger series finale, aptly titled Is This The End?
Claiborne remembers Stacy's last days:
“Jan was still working at the New York Times when he got sick. I am speculating that he made about $5K per book for the adventure novels. St. Martin's Press was involved with the non-fiction books and they paid more. Jan also had received an advance on a memoir he was going to write about getting off heroin. But Jan did what a lot of people did with AIDS and just stayed distant. Didn't want to hang out. Didn't want to talk about AIDS or anything. I remember calling Ryder Syvertsen maybe in July or August of 1989 and he told me if I wanted to see Jan to go to the Cabrini Medical Center in New York City because he was in a coma. One of Jan's martial arts teachers, Mr. Chen, was this unbelievable World War 2 veteran and he gave Jan some Chi and was able to wake him up from the coma. Jan left the hospital and wanted to go to Cape Cod, Massachusetts to live with his mother and my father. I drove him up in a Dodge Astro Van and I remember he was so small at the time and he had difficulty getting up the steps. We got to the house and Jan was reserved. He motioned for me to come over and he told me he loved me. That was a rare thing and he told me he didn't want to die. His health got really bad at the house and my father and his mother put him back in the hospital where he eventually succumbed to his illness.”
Stone suddenly knew he'd be seeing his mother and father again real soon. Well, that would be nice. He wondered in a strangely calm way within the storm of his fear just what it would be like to die. And suddenly he wished with a burst of incredible force that surged through his body right up from the depths of his libido that he could get laid once more before he died. - Excerpt from Is This The End?
Jan Stacy Bibliography:
Non-Fiction
Great Book of Movie Monsters (1983) w/Ryder Syvertsen
Great Book of Movie Villains (1984) w/ Ryder Syvertsen
Rockin' Reels: An Illustrated History of Rock and Roll (1984)
Fiction
Body Smasher #1: Body Smasher
Body Smasher #2: Death March
Doomsday Warrior #1: Doomsday Warrior (1984) w/Ryder Syvertsen
Doomsday Warrior #2: Red America (1984) w/Ryder Syvertsen
Doomsday Warrior #3: The Last America (1984) w/Ryder Syvertsen
Doomsday Warrior #4: Bloody America (1985) w/Ryder Syvertsen
C.A.D.S. #1: Nuke First Strike (1985) w/Ryder Syvertsen
Last Ranger #1: Last Ranger (1986)
Last Ranger #2: Savage Stronghold (1986)
Last Ranger #3: Madman's Mansion (1986)
Last Ranger #4: Rabid Brigadier (1987)
Last Ranger #5: War Weapons (1987)
Last Ranger #6: The Warlord's Revenge (1988)
Last Ranger #7: The Vile Village (1988)
Last Ranger #8: The Cutthroat Cannibals (1988)
Last Ranger #9: The Damned Disciples (1988)
Last Ranger #10: Is This The End? (1989)
Buy a copy of The Last Ranger HERE
Unfortunately, Jan Stacy died in 1989 and his life has remained a mystery to readers, fans and scholars....until now. Paperback Warrior was able to locate Jan Stacy's only known living relative, his stepbrother Samuel Claiborne. In a lengthy interview, Paperback Warrior was able to piece together Stacy's short but remarkable life including his inspiration for writing, his fascination with doomsday fiction and his talented musicianship. Our latest Unmasking article hopes to answer questions that have been posed for decades about this mysterious author.
The end of the world leads us to the beginning...
![]() |
Left: Jan Stacy / Right: Samuel Claiborne |
After attending the liberal arts college Sarah Lawrence, Stacy found himself as a mainstay in the beatnik culture surrounding New York City's Washington Square Park. It's here that Stacy began his artistic and politically charged endeavors.
“Jan began as a folk singer in Washington Square and it was like a really big network with people like Patti Smith and Robert Mapplethorpe. This hippie culture is where Jan's artwork and his music came from despite the masculine novels that he would later write. Jan's mother was extremely involved in the War Resisters League and worked a lot in The Village counseling young people on how to avoid the Vietnam War draft. I haven't been able to locate it but there is a photo somewhere of Jan burning his draft card in Washington Square in 1966,” explained Claiborne.
In addition to music, the early 1970s found Stacy exploring Xerox Artwork, an artistic trend that had become a staple in the punk music scene.
Claiborne recalls, “I can remember Jan and I would cut the labels off of Campbell's soup cans and he would make these custom labels with odd artwork and put them on the cans. It became a huge hit and Jan would sell them on the street. Campbell's threatened to sue Jan for $16-million over it so he stopped. Later, Jan opened an art gallery in Soho called Fear of Art and it was just around the corner from Talking Heads' singer-songwriter David Byrne. We used to always think that Byrne got the inspiration for the album Fear of Music from Jan's Fear of Art gallery,”
It was in Washington Square that Stacy met his longtime writing partner, Ryder Syvertsen. After Stacy obtained a job working at the New York Times' Classified Advertising Department, both Stacy and Syvertsen began writing music with Claiborne and coming up with book and story ideas. In 1983, the two collaborated on a non-fiction book titled Great Books of Movie Monsters, published by Columbus Books. The two followed a year later with the Great Book of Movie Villains. In 1984, Stacy produced his first solo book titled Rockin' Reels: An Illustrated History of Rock and Roll Movies.
“Jan loved pulp and movie monsters and we shot a music video involving monsters and quite possibly the most cheesy stop-action movie monster of all-time. We loved the cheesy movies where you can practically see the strings. We did band rehearsals every Saturday and then that afternoon we would watch Kung Fu double-features. We would rehearse, then watch 4-hours of Kung Fu movies and then go smoke pot. But Jan loved horror movies and was a fan of Night of the Living Dead,” explained Claiborne.
Beginning in 1984, Stacy and Syvertsen collaborated on a post-apocalyptic series titled Doomsday Warrior under the pseudonym Ryder Stacy. The eponymous first novel is set in the year of 2089 where most of the world is either controlled by the Soviet Union or in a widely contested battle with the communist country. Most of the U.S. was decimated by nuclear bombs and the survivors maintain a meager living either as slaves or wretched scavengers who have succumbed to radiation's side-effects. The series was published by Zebra and ran for a total of 19 installments between 1984 through 1991. The first four novels, Doomsday Warrior, Red America, The Last American and Bloody America were authored by both Stacy and Syvertsen. The remainder of the series was penned solely by Syvertsen.
In 1985, another post-apocalyptic series emerged from Zebra titled C.A.D.S. (Computerized Attack Defense System). It also ran from 1984 through 1991 and consisted of 12 total novels. The house name given was John Sievert but this was a combination of different authors. The first novel, Nuke First Strike, was authored by both Jan Stacy and Ryder Syvertsen. Installments 2-8 were penned solely by Syvertsen with books 9-12 authored by David Alexander (Phoenix).
Jan Stacy's most prominent literary work would emerge in 1986. The Last Ranger series was published by Popular Library and ran for 10 total installments through 1989 (and ultimately Jan's death). The series protagonist, Martin Stone, is introduced to readers as an athletic, cocky teen who defies his father, a stern and conservative military leader. When the Soviet Union begins a nuclear assault on the U.S., Stone and his family retreat to an underground mountain fortress where Stone's father teaches him survival, martial arts and weapons for a number of years. Once his father dies, Stone emerges from the compound only to witness his mother being murdered and his sister abducted. The monomyth series emphasizes Stone's struggles with authority as he searches the wasteland for his sister. It was Stacy's third consecutive post-apocalyptic series of novels, a trend that may have been formulating at a young age.
“The doomsday thing was really a culmination of things. Jan growing up in the 1960s during the Cold War scare. His mom was Jewish and you have to remember that the European Jewish attitude is that God is out to get them. The idea that you just can't rely on anything was prevalent. Think of Woody Allen, a paranoid guy who thought the world was out to get him. Jan was like that and he loved Doctor Strangelove [1964 black comedy film]. Jan and his mom were also at odds and had a strained relationship. She was a committed pacifist and I think sometimes Jan would write these macho books as a way of defying her,” says Claiborne.
The Last Ranger's Martin Stone paralleled Stacy's own life in many ways. Stacy's strained relationship with his alcoholic father and his avoidance of the Vietnam War mirror events in the series self-titled debut. As the series continues, Native American mysticism is introduced as well as Stone's fighting skills in the martial arts.
“When Jan went to Africa to break his heroin addiction, he brought back these gorgeous African spears. I still have one of them. He also brought back a lot of Asian martial arts stuff. Jan was a great martial artist. He studied Chi Kung, Ba Gua, Hsing Yi and Tai Chi. Jan moved Chi around instead of just using brute strength. He was interested in internal martial arts. He also boxed at the famed Wu Tang Physical Culture Association. It was this crazy squatter place in The Village ran by Frank ‘The Snake’ Allen. Jan started training there and was a really short, fast wiry martial artist,” explained Claiborne.
Stacy was in a lot of musical acts from 1978-1988 and when he was age 29 he asked the younger Claiborne to join his band. The two formed a trio with Peter Ford called Things Fall Apart, which Stacy named after the novel by Chinua Achebe. Things Fall Apart existed from 1983 to 1987 and had started to find their own sound and audience. The act began opening on Saturday nights at the famed CBGB club in New York City. Just as the band had begun making strides, Stacy surprisingly told the members he didn't want to play gigs anymore.
![]() |
Left to Right: Samuel Claiborne, Peter Ford, Jan Stacy Photo Credit: Peter Ford |
In February of 1989, Zebra published the only stand-alone novel Jan Stacy wrote, a vigilante novel called Body Smasher. Claiborne explains the idea behind the novel:
“The book's cover features the real-life professional wrestler Captain Lou Albano. Jan got to meet the wrestler and talk to him about the book. The idea was the book was going to tie into a wrestling promotion. It was a whole cross marketing idea that was to be a successful series of books.”
Stacy's later installments of The Last Ranger were written in a dark, negative tone with Martin Stone facing extreme adversity. In 1988's The Damned Disciples, the series' ninth novel, Stone is enslaved by a religious cult, drugged and forced to stir an enormous pot containing a sedative called Golden Nectar for weeks. I think this novel best orchestrates Stacy's endless cycle of AIDS medications. His body's resistance to AZT could have been Stone's own resistance to the forced drugs provided by his jailer. Claiborne seems to think this was a case of life imitating art. In fact, Stacy may have been on his deathbed when he authored The Last Ranger series finale, aptly titled Is This The End?
Claiborne remembers Stacy's last days:
“Jan was still working at the New York Times when he got sick. I am speculating that he made about $5K per book for the adventure novels. St. Martin's Press was involved with the non-fiction books and they paid more. Jan also had received an advance on a memoir he was going to write about getting off heroin. But Jan did what a lot of people did with AIDS and just stayed distant. Didn't want to hang out. Didn't want to talk about AIDS or anything. I remember calling Ryder Syvertsen maybe in July or August of 1989 and he told me if I wanted to see Jan to go to the Cabrini Medical Center in New York City because he was in a coma. One of Jan's martial arts teachers, Mr. Chen, was this unbelievable World War 2 veteran and he gave Jan some Chi and was able to wake him up from the coma. Jan left the hospital and wanted to go to Cape Cod, Massachusetts to live with his mother and my father. I drove him up in a Dodge Astro Van and I remember he was so small at the time and he had difficulty getting up the steps. We got to the house and Jan was reserved. He motioned for me to come over and he told me he loved me. That was a rare thing and he told me he didn't want to die. His health got really bad at the house and my father and his mother put him back in the hospital where he eventually succumbed to his illness.”
Stone suddenly knew he'd be seeing his mother and father again real soon. Well, that would be nice. He wondered in a strangely calm way within the storm of his fear just what it would be like to die. And suddenly he wished with a burst of incredible force that surged through his body right up from the depths of his libido that he could get laid once more before he died. - Excerpt from Is This The End?
Jan Stacy Bibliography:
Non-Fiction
Great Book of Movie Monsters (1983) w/Ryder Syvertsen
Great Book of Movie Villains (1984) w/ Ryder Syvertsen
Rockin' Reels: An Illustrated History of Rock and Roll (1984)
Fiction
Body Smasher #1: Body Smasher
Body Smasher #2: Death March
Doomsday Warrior #1: Doomsday Warrior (1984) w/Ryder Syvertsen
Doomsday Warrior #2: Red America (1984) w/Ryder Syvertsen
Doomsday Warrior #3: The Last America (1984) w/Ryder Syvertsen
Doomsday Warrior #4: Bloody America (1985) w/Ryder Syvertsen
C.A.D.S. #1: Nuke First Strike (1985) w/Ryder Syvertsen
Last Ranger #1: Last Ranger (1986)
Last Ranger #2: Savage Stronghold (1986)
Last Ranger #3: Madman's Mansion (1986)
Last Ranger #4: Rabid Brigadier (1987)
Last Ranger #5: War Weapons (1987)
Last Ranger #6: The Warlord's Revenge (1988)
Last Ranger #7: The Vile Village (1988)
Last Ranger #8: The Cutthroat Cannibals (1988)
Last Ranger #9: The Damned Disciples (1988)
Last Ranger #10: Is This The End? (1989)
Buy a copy of The Last Ranger HERE
Wednesday, April 8, 2020
Bugles West
Frank Gruber (1904-1969) authored 18 crime-fiction novels starring the clumsy and destitute New Yorker Johnny Fletcher. Along with writing 300 short-stories, Gruber also brought the world over 30 westerns written under his own name and pseudonyms like John K. Vedder and Charles K. Boston. Looking for a solid western this week, I sought out another of Gruber's frontier westerns, Bugles West. It was originally published in 1954 and has been reprinted numerous times, most notably by Bantam in 1982 with a cover painting by Lou Feck (known for his men's magazine artwork in Argosy and Adventure).
Tom Logan and Jim Dressen grew up as friends in Michigan. While serving as officers in the Union Army during the American Civil War, the two were captured by the Confederacy. They were placed in Andersonville, a notorious prisoner-of-war camp in Georgia. While there, the two collaborated with 28-other prisoners to escape. The prisoners were quickly caught and most were executed. It was Logan's belief that Dressen was a traitor and he was directly responsible for the soldiers' deaths. After the war, Dressen rose in the ranks to Lieutenant in the U.S. Army. Logan became an accessory in bank robbery, and at one point rode with the famed James-Younger gang consisting of the outlaws Jesse James and Cole Younger.
The book opens with a furious gunfight in Montana as a stagecoach is assaulted by the Sioux. Logan, who's on his way to Fort Abraham Lincoln to enlist, comes to the aid of the coach and helps repel the Sioux. This opening scene is a whirlwind of action that Gruber would later re-imagine in his 1967 novel This Gun is Still. When the Army arrives, Logan learns that one of the passengers is a beautiful woman named Alice. After a few early sparks, the two strike up a bond and follow each other to the fort. But once Logan arrives, he learns that Alice's sister is married to....Jim Dressen!
Gruber injects a plethora of story ideas into this short, 120-page western novel. American history buffs can probably gather that Logan and Dressen are both serving in the area that hosted Andrew Custer's Last Stand, otherwise known as the Battle of the Little Bighorn. In fact, through the book's exciting middle pages the events leading to the epic confrontation between Native Americans and the U.S. Army is brought to life through Andrew's younger brother Thomas and his efforts to arrest a tribal chief named Rain-in-the-Face.
Logan's efforts to avoid his involvement in the James-Younger gang led to his enlistment in the U.S. Army. But once there, the narrative explores his meeting with Dressen and the fallout – Dressen attempting to kill Logan to silence their history and Logan appealing to ranking officers to trial Dressen for treason. There's a number of subplots involving Logan's confrontation with another officer as well as his romantic attraction to Alice. Gruber envelopes the narrative with sympathetic nods to the Native American struggles and their resistance to the “enemy” U.S. troops while showcasing Captian Thomas Custer as an arrogant, bumbling senior officer.
Bugles West is a rip-roaring tour de force. Frank Gruber, while tragically underrated, remains as one of history's best western storytellers. I can't say enough good things about his action-oriented writing style and the literary legacy he created. Bugles West is highly recommended.
Buy a copy of this book HERE
Tom Logan and Jim Dressen grew up as friends in Michigan. While serving as officers in the Union Army during the American Civil War, the two were captured by the Confederacy. They were placed in Andersonville, a notorious prisoner-of-war camp in Georgia. While there, the two collaborated with 28-other prisoners to escape. The prisoners were quickly caught and most were executed. It was Logan's belief that Dressen was a traitor and he was directly responsible for the soldiers' deaths. After the war, Dressen rose in the ranks to Lieutenant in the U.S. Army. Logan became an accessory in bank robbery, and at one point rode with the famed James-Younger gang consisting of the outlaws Jesse James and Cole Younger.
The book opens with a furious gunfight in Montana as a stagecoach is assaulted by the Sioux. Logan, who's on his way to Fort Abraham Lincoln to enlist, comes to the aid of the coach and helps repel the Sioux. This opening scene is a whirlwind of action that Gruber would later re-imagine in his 1967 novel This Gun is Still. When the Army arrives, Logan learns that one of the passengers is a beautiful woman named Alice. After a few early sparks, the two strike up a bond and follow each other to the fort. But once Logan arrives, he learns that Alice's sister is married to....Jim Dressen!
Gruber injects a plethora of story ideas into this short, 120-page western novel. American history buffs can probably gather that Logan and Dressen are both serving in the area that hosted Andrew Custer's Last Stand, otherwise known as the Battle of the Little Bighorn. In fact, through the book's exciting middle pages the events leading to the epic confrontation between Native Americans and the U.S. Army is brought to life through Andrew's younger brother Thomas and his efforts to arrest a tribal chief named Rain-in-the-Face.
Logan's efforts to avoid his involvement in the James-Younger gang led to his enlistment in the U.S. Army. But once there, the narrative explores his meeting with Dressen and the fallout – Dressen attempting to kill Logan to silence their history and Logan appealing to ranking officers to trial Dressen for treason. There's a number of subplots involving Logan's confrontation with another officer as well as his romantic attraction to Alice. Gruber envelopes the narrative with sympathetic nods to the Native American struggles and their resistance to the “enemy” U.S. troops while showcasing Captian Thomas Custer as an arrogant, bumbling senior officer.
Bugles West is a rip-roaring tour de force. Frank Gruber, while tragically underrated, remains as one of history's best western storytellers. I can't say enough good things about his action-oriented writing style and the literary legacy he created. Bugles West is highly recommended.
Buy a copy of this book HERE
Aground
Charles Williams was a phenomenal crime-noir author who often set his stories in rural small towns. Many of his books included a tramp or a statuesque beauty who wreaks havoc on the male protagonist's moral compass. Like his contemporary John D. MacDonald, Williams also wrote a handful of men's action-adventure novels with nautical themes.
Scorpion Reef (aka Gulf Coast Girl), The Sailcloth Shroud, And the Deep Blue Sea were all hits with crime-noir enthusiasts and the author's fans. One of Williams' most respected works is the 1963 suspenseful sea-thriller Dead Calm. The novel was adapted for cinema in 1989 and featured Nicole Kidman and Sam Neil. However, some readers may not realize that Dead Calm is actually a sequel to Williams' 1960 novel Aground, so I’m beginning at the beginning.
The author introduces readers to WW2 veteran John Ingram. Through flashbacks we learn that John's wife tragically died in an auto accident and that his former business, a port harbor, was destroyed in a fire that also killed his business partner. Now, John works as a boat broker, a profession that has him inspecting boats and assessing their value to lower the cost for his perspective clients. In the book's opening chapters, readers learn that John has been hired by a man named Hollister who wants to purchase a boat for business purposes. After surveying a schooner called The Dragoon in Key West, John calls Hollister and reports that the yacht is in great condition and ready for purchase. John then returns to Miami where he is met by the police.
Unbeknownst to him, John was tricked into participating in stealing The Dragoon from its port. The owner reports that the inspection routine was really just a way to scout the boat for his accomplices. On the night of John's departure, the boat was stolen by three men including Hollister. The whole purchasing routine was really just a ploy to find a suitable yacht worth stealing. John was conned.
After talking with the boat’s owner, a widow named Rae, the two team up to try and locate the missing yacht. Rae wants her property returned and John, feeling partly responsible for the crime, agrees to assist. The police find a dinghy containing Hollister's watch and clothes, yet there's no sign of the Dragoon. Hiring a pilot, Rae and John eventually locate the yacht on a sandy knoll. During high tide, an inexperienced operator ran the boat into a sandy knoll where it remained aground. But once John and Rae board the Dragoon, they discover why the ship was stolen.
Like Williams' rural crime-novels, Aground features a likable male protagonist who finds himself in an extreme situation. While Rae could be viewed as the suitable replacement for the author's obligatory sexy seductress, she's presented as a more intelligent, brave addition to the story's twists and turns instead of a cunning swamp nymph. As a nautical adventure tale, Williams doesn't quite do the genre justice. Aground seems to be a high-seas clash as the prey attempts to outwit the predator, but the narrative is more effective as a variant on the home-invasion sub-genre of suspense-thrillers. I can't reveal too many details, but John and Rae are forced to fight criminals in a very confined location. It's this edgy, tightrope anxiety that makes Aground so entertaining.
By keeping your expectations geared towards the survival/invasion prose, this book should provide plenty of entertainment. The novel is available as an affordable e-book by Mysterious Press and you can purchase a copy HERE
Scorpion Reef (aka Gulf Coast Girl), The Sailcloth Shroud, And the Deep Blue Sea were all hits with crime-noir enthusiasts and the author's fans. One of Williams' most respected works is the 1963 suspenseful sea-thriller Dead Calm. The novel was adapted for cinema in 1989 and featured Nicole Kidman and Sam Neil. However, some readers may not realize that Dead Calm is actually a sequel to Williams' 1960 novel Aground, so I’m beginning at the beginning.
The author introduces readers to WW2 veteran John Ingram. Through flashbacks we learn that John's wife tragically died in an auto accident and that his former business, a port harbor, was destroyed in a fire that also killed his business partner. Now, John works as a boat broker, a profession that has him inspecting boats and assessing their value to lower the cost for his perspective clients. In the book's opening chapters, readers learn that John has been hired by a man named Hollister who wants to purchase a boat for business purposes. After surveying a schooner called The Dragoon in Key West, John calls Hollister and reports that the yacht is in great condition and ready for purchase. John then returns to Miami where he is met by the police.
Unbeknownst to him, John was tricked into participating in stealing The Dragoon from its port. The owner reports that the inspection routine was really just a way to scout the boat for his accomplices. On the night of John's departure, the boat was stolen by three men including Hollister. The whole purchasing routine was really just a ploy to find a suitable yacht worth stealing. John was conned.
After talking with the boat’s owner, a widow named Rae, the two team up to try and locate the missing yacht. Rae wants her property returned and John, feeling partly responsible for the crime, agrees to assist. The police find a dinghy containing Hollister's watch and clothes, yet there's no sign of the Dragoon. Hiring a pilot, Rae and John eventually locate the yacht on a sandy knoll. During high tide, an inexperienced operator ran the boat into a sandy knoll where it remained aground. But once John and Rae board the Dragoon, they discover why the ship was stolen.
Like Williams' rural crime-novels, Aground features a likable male protagonist who finds himself in an extreme situation. While Rae could be viewed as the suitable replacement for the author's obligatory sexy seductress, she's presented as a more intelligent, brave addition to the story's twists and turns instead of a cunning swamp nymph. As a nautical adventure tale, Williams doesn't quite do the genre justice. Aground seems to be a high-seas clash as the prey attempts to outwit the predator, but the narrative is more effective as a variant on the home-invasion sub-genre of suspense-thrillers. I can't reveal too many details, but John and Rae are forced to fight criminals in a very confined location. It's this edgy, tightrope anxiety that makes Aground so entertaining.
By keeping your expectations geared towards the survival/invasion prose, this book should provide plenty of entertainment. The novel is available as an affordable e-book by Mysterious Press and you can purchase a copy HERE
Tuesday, April 7, 2020
Cinderella Sims
At the very beginning of his career, Lawrence Block was barely making a living writing surprisingly readable paperbacks for sleaze paperback publishing houses. His 1958 meal ticket was originally published by Nightstand Books with the title $20 Lust under the pseudonym Andrew Shaw. Later, Nightstand recycled the novel as Cinderella Sims, a title that stuck for a handful of reprints under Block’s own name. The book remains available today as a reprint title released on Block’s own publishing imprint for his historical oddities.
Former police reporter Ted Linsdsay is a recovering drunk from Louisville, Kentucky whose wife left him for another man and died in a car accident soon thereafter. Ted left his old life behind and moved to New York City in search of a new start, a reset. He lands a job slinging hash on the graveyard shift of an all-night diner and falls into a predictable, if dull, pattern of life. All that changes one day when Ted sees a stacked babe living in the apartment house across the street. He is immediately smitten and stalks her to learn that her name is Cinderella “Cindy” Sims.
It takes awhile for much of anything to happen in this paperback. Fortunately, Ted is an interesting enough character and Block is a talented enough writer that reading the novel’s first third wasn’t too much of a chore. Once things get rolling, you have an honest-to -goodness crime story to read and enjoy. Without spoiling too much, it involves a crew of con artists, a casino gambling scam, and a satchel full of cash. With those ingredients and Lawrence Block driving the narrative, you’re in good hands.
It really was a different world back in 1958, and some of the scenes in Cinderella Sims really drive that home. Marital rape and unprovoked violence against women are shrugged off and the plot never pauses to consider what just occurred. In another scene, the narrator describes the gays of Greenwich Village in terms that we don’t use today in polite company. I actually like these elements of vintage fiction, not because of some anti-PC crusade, but because they place a work of fiction in a particular time an underscore how far we’ve traveled in the culture today. It’s also interesting to consider what societal norms we exhibit today that will be seen as jaw-dropping and inappropriate 60 years from now.
Because Cinderella Sims is a Nightstand Book, the promise of several erotic sex scenes are fulfilled, but it’s nothing terribly graphic. This is a sexy femme fatale crime novel rather than a porno book with a crime story pretext. If you read enough of these, you can tell the difference. There’s also a compelling plot and lots of bone-crunching violence as the paperback veers toward its satisfying conclusion.
In short, there’s nothing not to like about Cinderella Sims. It’s an outstanding little crime novel with a boatload of titillation and thrilling action. Lawrence Block was smart to rescue this one from obscurity and make it available today. It’s a real winner.
Buy a copy of this book HERE
Former police reporter Ted Linsdsay is a recovering drunk from Louisville, Kentucky whose wife left him for another man and died in a car accident soon thereafter. Ted left his old life behind and moved to New York City in search of a new start, a reset. He lands a job slinging hash on the graveyard shift of an all-night diner and falls into a predictable, if dull, pattern of life. All that changes one day when Ted sees a stacked babe living in the apartment house across the street. He is immediately smitten and stalks her to learn that her name is Cinderella “Cindy” Sims.
It takes awhile for much of anything to happen in this paperback. Fortunately, Ted is an interesting enough character and Block is a talented enough writer that reading the novel’s first third wasn’t too much of a chore. Once things get rolling, you have an honest-to -goodness crime story to read and enjoy. Without spoiling too much, it involves a crew of con artists, a casino gambling scam, and a satchel full of cash. With those ingredients and Lawrence Block driving the narrative, you’re in good hands.
It really was a different world back in 1958, and some of the scenes in Cinderella Sims really drive that home. Marital rape and unprovoked violence against women are shrugged off and the plot never pauses to consider what just occurred. In another scene, the narrator describes the gays of Greenwich Village in terms that we don’t use today in polite company. I actually like these elements of vintage fiction, not because of some anti-PC crusade, but because they place a work of fiction in a particular time an underscore how far we’ve traveled in the culture today. It’s also interesting to consider what societal norms we exhibit today that will be seen as jaw-dropping and inappropriate 60 years from now.
Because Cinderella Sims is a Nightstand Book, the promise of several erotic sex scenes are fulfilled, but it’s nothing terribly graphic. This is a sexy femme fatale crime novel rather than a porno book with a crime story pretext. If you read enough of these, you can tell the difference. There’s also a compelling plot and lots of bone-crunching violence as the paperback veers toward its satisfying conclusion.
In short, there’s nothing not to like about Cinderella Sims. It’s an outstanding little crime novel with a boatload of titillation and thrilling action. Lawrence Block was smart to rescue this one from obscurity and make it available today. It’s a real winner.
Buy a copy of this book HERE
The Ruthless Range
Lewis B. Patten authored nearly 100 western novels during his four-decades of literary work. Using the pseudonyms of Lee Leighton and Joseph Wayne, Patten collaborated with his contemporary in Wayne D. Overholser for a handful of westerns. His 1968 novel, Death of a Gunfighter, was adapted into a film starring Richard Widmark. Six of his novels were published in 1963 including The Ruthless Range, a book originally published by Berkley that has been reprinted numerous times since.
The novel introduces readers to Jase Mellor, a fictional famed gunslinger. In his youth, Mellor's fast-draw prowess allowed him to kill a notorious outlaw. But since that fateful day, Mellor has found himself challenged by gunfighters throughout the southwestern U.S. Over the course of many bitter, blood-drenched years, Mellor has attempted to flee into obscurity, a tactic that cost him his marriage with Edie.
As The Ruthless Range opens, Mellor is provoked into a gunfight with a loud-mouthed, arrogant man at a bar. After fatally shooting him, Mellor leaves town only to find ten men in pursuit. The author's opening chapters have Mellor facing these men from some high rocks. After being wounded in the battle, Mellor awakens to find that he is being cared for by a man named Sandoval, owner of the sprawling Grandee Range. Over the course of many days, Sandoval informs Mellor that the land's dry conditions have forced nearby ranchers to illegally push steer onto his land. After heated skirmishes, Sandoval fears for his life and knows that he's outnumbered. Can Mellor help?
Patten weaves a number of story-lines together to create a pretty formulaic western yarn. There are thousands of range-war stories within western fiction and The Ruthless Range is just another one. Although it's a fairly standard story, the author injects two love interests for Mellor – one is his former wife Edie and the other is Sandoval's wife. There's also a small mystery to uncover, but experienced readers should be able to figure it out long before the hero does.
At 120-pages, The Ruthless Range is a short, enjoyable western tale but nothing special or particularly innovative. Jase Mellor is immediately likable and readers will find plenty of reason to rally behind this tragic hero. Just control your expectations if you are looking for something remarkable or outstanding. The Ruthless Range is just pretty good, and sometimes that’s enough.
Buy a copy of this book HERE
The novel introduces readers to Jase Mellor, a fictional famed gunslinger. In his youth, Mellor's fast-draw prowess allowed him to kill a notorious outlaw. But since that fateful day, Mellor has found himself challenged by gunfighters throughout the southwestern U.S. Over the course of many bitter, blood-drenched years, Mellor has attempted to flee into obscurity, a tactic that cost him his marriage with Edie.
As The Ruthless Range opens, Mellor is provoked into a gunfight with a loud-mouthed, arrogant man at a bar. After fatally shooting him, Mellor leaves town only to find ten men in pursuit. The author's opening chapters have Mellor facing these men from some high rocks. After being wounded in the battle, Mellor awakens to find that he is being cared for by a man named Sandoval, owner of the sprawling Grandee Range. Over the course of many days, Sandoval informs Mellor that the land's dry conditions have forced nearby ranchers to illegally push steer onto his land. After heated skirmishes, Sandoval fears for his life and knows that he's outnumbered. Can Mellor help?
Patten weaves a number of story-lines together to create a pretty formulaic western yarn. There are thousands of range-war stories within western fiction and The Ruthless Range is just another one. Although it's a fairly standard story, the author injects two love interests for Mellor – one is his former wife Edie and the other is Sandoval's wife. There's also a small mystery to uncover, but experienced readers should be able to figure it out long before the hero does.
At 120-pages, The Ruthless Range is a short, enjoyable western tale but nothing special or particularly innovative. Jase Mellor is immediately likable and readers will find plenty of reason to rally behind this tragic hero. Just control your expectations if you are looking for something remarkable or outstanding. The Ruthless Range is just pretty good, and sometimes that’s enough.
Buy a copy of this book HERE
Monday, April 6, 2020
Paperback Warrior Podcast - Episode 38
Episode 38 of the Paperback Warrior Podcast presents a feature on the life and work of post-apocalyptic fiction author Jan Stacy including a review of the first installment in his Doomsday Warrior series. We also discuss some recent purchases as well as a review of the Harry Whittington classic, A Night for Screaming. Please check us out on any podcast app, streaming below or direct download HERE
Listen to "Episode 38 - Jan Stacy and the End of the World" on Spreaker.
Listen to "Episode 38 - Jan Stacy and the End of the World" on Spreaker.
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