We don’t do by-lines here at Paperback Warrior. Your writers, Eric and Tom, generally speak with one voice in our articles and reviews. We edit each other’s work and rarely read the same books, so there’s little opportunity to disagree on a particular review.
Until now.
Eric read Death of a Citizen, the first book in the popular Matt Helm series by Donald Hamilton and had an opinion that shocked and appalled Tom. Rather than disbanding the Paperback Warrior Empire or fist -fighting after school near the bike rack, we decided to emerge behind our curtain of anonymity and air our grievances publicly.
May the best man win.
Non-Spoiler Plot Synopsis:
Donald Hamilton (1916-2006) was a popular mid-20th Century author whose greatest success was in the genre of spy fiction. In the 1940s and 1950s, the author wrote a number of stand-alone crime-fiction novels and westerns. His most prolific work is the successful Matt Helm series of spy-fiction novels that ran 27 published novels from 1960-1993. The series was loosely adapted into four comical films starring Dean Martin in the title role that no one should ever watch because they are awful and bear no resemblance to the book series. Having enjoyed Hamilton's stand-alone novels, it was time to finally check out Matt Helm's first adventure in Death of a Citizen, the series debut.
The novel introduces Matt Helm as a suburban husband and father living a quiet life in Santa Fe, New Mexico in 1958. Helm has gained a bit of notoriety as a popular author of western novels (paralleling Hamilton's own career). It's at a neighborhood dinner party when Helm sees a fellow guest named Tina, creating the perfect moment for the author to add some backstory into this rather complex character.
Readers learn that Helm was in the U.S. Army during WW2 and was recruited into the government's counter-agent program. Think of an assassin killing enemy assassins, spies killing spies. Helm and Tina were both knee deep in dead enemies for a five-year period in war-torn Europe. As co-workers and lovers, the two went their separate ways after the war - Helm disappeared into everyday citizenship and Tina just disappeared. Until now.
After a brief exchange with a young, aspiring novelist named Barbara, Helm departs the party only to find Barbara dead in his writing studio the next morning. Seemingly set up as the murderer, Helm is re-introduced to Tina who explains that Helm's atomic-scientist neighbor is the target of some sort of criminal conspiracy or communist nation. Tina and her new partner are in town to stop the would-be assassin – Barbara, the dead girl. Caught up in the crime and the old trade of killing, Helm is thrust back into his former life as ally and partner to Tina.
Eric’s Take:
Despite the novel's immense success and critical acclaim, I found Death of a Citizen to be an average spy-thriller. At 140-pages, nothing substantial happens during the novel's first-half. The narrative is presented as more of a road trip as Helm and Tina drive to Texas and rekindle that loving feeling (note - Helm is happily married to Beth and the father of three small children). With all the mileage, the story never really gains momentum once readers and the hero arrive at their destination. Aside from a few deaths, Helm isn't involved in much gunplay. I was a bit befuddled by the big reveal – the enemy is within – and Helm's dismissal of the most relevant portion of his life in the book's closing pages.
I would assume the series gains quality with quantity and maybe the Helm character becomes a little more menacing in an international setting. The end result is an average beginning to what is widely considered an enjoyable series of spy-adventures. I'm anxious to read the series' next installment, The Wrecking Crew, to analyze series' improvements.
Tom’s Take:
I think Eric misses the point in his review of Death of a Citizen, one of my favorite all-time novels that debuts my favorite series ever.
I will grant that it’s not a balls-out action spectacular like Don Pendleton’s War Against the Mafia. There’s plenty of that to enjoy later in the series. Instead, Hamilton is giving us the story of a man who is an amoral killer by his very nature who can no longer wear the costume of a suburban family man. The circumstances of the novel force Helm’s hand into deciding who he wants to be – a meek husband and father or a trained killer. You can guess which way he swings. Matt Helm is the citizen in Death of a Citizen.
Death of Citizen is a brilliant novel because it explores the nature of a violent man who is done conforming with polite society’s expectations. Helm is a great narrator who presents his acts of violence and his slide back into his old life in an offhand and cavalier fashion. For instance, the most shocking scene in the book happens off-page and is revealed to the reader as an offhand remark in a single sentence. Donald Hamilton was a genius who knew when to throw his punches but also knew when the reader’s imagination could do the job better than his tightly-wound prose.
I hope Eric continues with the series – at least the first dozen books or so. The other paperbacks are more traditional spy-assassin books with more traditional plotting. Book two is called The Wrecking Crew, and I thought it was a masterpiece. The third book in the Matt Helm series, The Removers, ties up the loose ends from Death of a Citizen regarding Matt’s family. The Removers was not amazing, but I suspect that Hamilton needed to resolve the unresolved family issues from the debut.
Bottom line for Eric: Don’t give up on Matt Helm.
Buy a copy of this book HERE.
Lawrence Block's Matthew Scudder series of crime-fiction novels began in 1976 with the successful The Sins of the Fathers. Over a 44-year span, the author has written 17 novels, a short-story collection and a novella starring the ex-New York City detective. Scudder is a tragically flawed staple of New York's Hell's Kitchen, an alcoholic nice guy performing good deeds for average citizens. Despite being released after 1976's In the Midst of Death, Block considers the 1977 novel Time to Murder and Create as the second installment in the Matthew Scudder series.
The book begins by introducing readers to a charismatic informant named Spinner. During Scudder's career in law-enforcement, Spinner often supplied details closely related to a crime or criminal suspect. Through that relationship, Spinner formed a trust for Scudder that is evident through Block's opening pages. In it, Spinner presents Scudder an envelope with an ominous set of directions to only open the package if Spinner ends up dead. Shortly thereafter, Spinner's corpse is fished out of the river and Scudder opens the envelope.
Skirting around any potential spoilers, Scudder learns that Spinner was collecting monthly installment payments from three individuals. The first is a wealthy, productive architect, the second is the seductive wife of a rich New York elitist and the third is a wealthy entrepreneur developing a political candidacy. What do the three have in common with Spinner and why are they each paying him money? Scudder's role is to determine which of the three debtors murdered Spinner.
Block's narrative is grossly compelling as Scudder learns the identities of each suspect and assumes Spinner's role as payee. By doing so, he purposefully makes himself a target for the killer. With tight-knuckled suspense, the investigation digs into the mortal turpitude of each debtor. As Scudder begins to understand the payments, he questions his own vulnerability. Again, without spoiling it, there's a brilliant complexity to Scudder's relationship with the architect. Scudder's own personal tragedy closely aligns with that portion of the narrative. The end result is another feather in the hat. Lawrence Block's Time to Murder and Create is a riveting, emotional reading experience with no clear-cut heroes or villains. It's an unbiased look at human behavior and the ultimate costs of our failure. Masterful.
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Hardboiled crime novels reached a new height of popularity in the late 1940s. Many scholars and fans point to Mickey Spillane as a catalyst for this pop-culture phenomenon. His debut novel, I, the Jury, was published in 1947 and became an instant runaway bestseller. The book introduced the world to the iconic Mike Hammer, a fictional private-investigator who pursues bad guys mostly in New York City. Hammer is known for his physical rough 'n tumble, unorthodox style gained from his U.S. Army experience in WWII. Hammer's closest friend is Pat Chambers, the Captain of Homicide in the NYPD. Hammer also has a continuous, flirtatious affair with his secretary Velda throughout the series. While I struggled to fully enjoy I, the Jury and found it rather flat, I wanted to attempt another Mike Hammer novel to see if it produced a different reading experience. My selection is the second installment, My Gun is Quick.
The novel begins with Mike Hammer having coffee at a neighborhood diner. An attractive, yet homely, woman takes a seat beside Hammer and asks if he’d buy her a coffee. Hammer, never turning away female companionship, obliges despite warnings from the diner's owner. After a brief conversation Hammer learns that the unnamed woman, who Hammer later refers to as Red, was probably in the prostitution game and is in a really bad place. Hammer feels a great deal of compassion for the nice woman and offers her some money to set her life on track. Happily, she thanks Hammer and the two go their separate ways. The next morning, Hammer learns that the woman was struck and killed by a drunk driver.
Hoping to help identify the woman, Hammer meets with Pat to examine the body. After finding some bruises and markings on the woman, Hammer suspects that she was actually murdered. Despite Pat's skepticism, Hammer starts investigating the woman's history and the events leading to her death after their chance meeting. The investigation takes Hammer into New York's call girl racket and a millionaire named Berin-Grotin. After Hammer learns about the girl's connection to one of Berin-Grotin's staff members, the wealthy businessman actually hires Hammer to investigate the murder further. Along the way, Hammer falls in love with a reformed call girl named Lola in some of the narrative's most effective scenes.
The first thing to know is that My Gun is Quick is a far superior novel to I, the Jury. While I'm sure Spillane and Hammer fans will disagree, Hammer is just way more dynamic in this novel. With I, the Jury, Mike Hammer is so deadpan. He's a gruff, loudmouthed detective that just came across as abrasive and crude. Further, in the series debut, Hammer really doesn't solve anything. Instead, the clues are nearly served to him on typewritten notes. Spillane's writing in My Gun is Quick provides so much texture to this character. Hammer is drawn to this unnamed woman with his client's voice is speaking to him from the grave. She's pleading for him to learn her identity and provide retribution for her death. The idea that Hammer may have caused her death by putting her back on the streets is just really clever writing. It's a brilliant, multifaceted narrative that has Hammer's pursuit of the killer as his own, personal attempt at forgiving himself.
My Gun is Quick is one of the best novels I've read of any genre. Mickey Spillane's masterful prose is saturated in gritty realism, emotional stress and a thick-laced, impending sense of doom throughout. If you read nothing else, please read this novel. My Gun is Quick is the quintessential masterpiece of hardboiled crime.
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After 13-years of writing stand-alone hardboiled and crime noir novels, John D. MacDonald's love for nautical adventure and the Florida Gulf Coast would logically evolve into a series character. Beginning in 1964, the author would embark on a 21-book series of nautical-crime books starring salvage-consultant Travis McGee. MacDonald's transition into the series mostly halted his stand-alone hardboiled-crime writing. In fact, 1963 proved to be one of the last few years that MacDonald would write multiple stand-alone novels. That year, he wrote a screenplay novelization called I'll Go on Singing and only two crime novels – The Drowner and On the Run. I decided to try out the latter title to determine if the author's crime-noir writing had declined by that point in his career.
On the Run introduces readers to a multimillionaire named Tom. At 90-years old, the feeble man has hired a private-investigator to track down his two estranged grandchildren – George and Sid. In backstory, the author reveals that both were taken from Tom in their early childhood. After their mother died, the two were placed into foster care and ultimately grew up apart from each other and their grandfather. With over $8-million to divvy up, Tom hopes to locate the two of them.
The first few chapters are dedicated to Sid's life as a soldier, used car salesman and husband. After learning that his wife had an affair with a high-level crime-kingpin, Sid assaults the man and leaves him facially scarred. Since the beating, Sid stays one step ahead of the mob and flees from town to town. It's a roadside life filled with deceit, booze and women. After learning Sid's whereabouts, Tom sends his nurse to Texas to summon Sid back home. In doing so, Tom opens the door for a mob assassin to track down Sid's location.
In alternating chapters, there's a backstory on George, a fairly one-dimensional character that's greedy and deceptive. Knowing about Sid's price tag to the mob, George is enthusiastic to meet Sid at their grandfather's house. Hoping to not only cash-in with the mob, George wants to get his hands on Sid's portion of their grandfather's inheritance.
In a rare misstep, John D. MacDonald creates a convoluted mess for the reader to follow. With having to explore both George and Sid's past, the interweaving characters didn't quite meld together as well as the author likely intended. At 140-pages, I could sense that MacDonald had some unused story ideas and just threw them together in an attempt at fluid storytelling. The pacing is off, there's minimum character development and the romantic narrative planned between Tom's nurse Paula and Sid was rushed and didn't feel organic.
On the Run suffers from misdirection, shallow characters and an uneven plot. With so many great MacDonald novels to choose from, your reading efforts would be better spent somewhere else. On the Run is disposable fiction.
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Episode 40 of the Paperback Warrior Podcast is our contentious “Women and Minorities” episode. If you can handle the heat, listen to the guys candidly discuss the work of Helen Nielsen, Amber Dean, Joseph Nazel, and Marc Olden. Be warned: This episode is sure to be highly controversial and may spark a worldwide boycott. If you dare, check it out on your favorite podcast app, stream below or download directly HERE:
Listen to "Episode 40: Women and Minorities" on Spreaker.
Beginning in 1949, Day Keene (real name Gunard Hjertstedt) wrote over 50 novels. Just four years before his 1969 death, his heist novel Carnival of Death was published by Macfadden-Bartell. It was reprinted in 2012 by Simon and Schuster imprint Prologue Crime as an affordable ebook. Despite my preference for his 1950s work, I found I owned a copy of this book and decided to sample Keene's late career output. Was it a good decision?
A Los Angeles man named Laredo once fought side by side with Cuban rebels in the Bay of Pigs. Losing a leg in the fight, now Laredo dresses like a clown and runs a trio of children's rides in a shopping plaza's parking lot. After appearing on a radio show hosted by Tom Daly, Laredo's tiny carnival finds itself besieged by bank robbing clowns. Let me explain...
An armored car parks in the shopping plaza to run change into a store. While there, one of the guards decides to grab a quick cup of pink lemonade from Laredo's wife. Within minutes he drops dead from an apparent poisoning. While the guard's co-worker is distracted with the spontaneous death, clowns descend out of nowhere and create a confusing spectacle. One clown shoots Laredo's maintenance man, another shoots a woman while holding a baby. Another hops in the car, retrieves all of the clowns and begins throwing thousands of dollars in cash out of the back door to the money-grabbing hordes. The end result leaves two people fatally shot, one man poisoned and Laredo and his wife accused of murder. And a bunch of carnival attendees rich from surviving this macabre Shooting Gallery.
After the police name Laredo as the chief suspect in the murders and bank heist, Tom Daly emerges as the novel's main character. After Laredo's appearance on Daly's show, the radio host feels that Laredo is too genuine to pull off a caper. He truly feels the man is innocent and teams up with his editor to solve the crime. The book's narrative finds the duo in Los Angeles, Las Vegas and even Big Bear Ski Resort chasing clues and suspects.
I don't think anyone would declare Carnival of Death a good representation of Day Keene's writing. The storyline was a bit flimsy in spots and really disregards the police and their roles in the investigation. I can't imagine that a crime of this size (with press and people swarming) would rely on two radio professionals to do all of the heavy lifting. The narrative was simply unconvincing in that regard. Like his 1952 novel Wake Up to Murder, Carnival of Death still possesses two of Keene's strongest genre tropes – repressed desires and sexual frustration. Aside from those strong points, the author is fairly complacent in drawing up the standard whodunit and inserting rather anonymous protagonists as heroes. You can do so much better than this late career entry from Day Keene.
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Deemed "America's Favorite Frontier Writer", Louis L'Amour's chronicle of the fictional Sackett family was a bestselling series. Beginning in 1960, the 17-book series is still held in high regard with fans of the western genre. While the novels focus on frontier life in the 1800s, the author began envisioning the Sackett family's early origins in England and America. Starting with 1974's "Sackett's Land", L'Amour wrote four novels that showcases the family's humble beginnings in the late 1500s through 1620. The fourth and final of these portfolio installments was "Jubal Sackett", published in 1985.
Both "Sackett's Land" and its successor, "To the Far Blue Mountains", feature Barnabas Sackett's expedition from England to eastern America. In "The Warrior's Path", Barnabas' sons Kin-Ring and Yance are the chief protagonists with much of the action taking place in America and the Caribbean Islands. While Barnabas' son Jubal is mentioned in these books, it is explained to readers that he was a loner and distanced himself from his family. Jubal was obsessed with exploring the far west and walking "where no white-man had ever wandered". It's only fitting that L'Amour dedicated a full-length novel to this fascinating character.
As the book opens, Jubal Sackett is hunting in an area that would later be called Tennessee. After a brief attack by an Indian, Jubal generously welcomes the brave to dine with him. The man introduces himself as Keokotah, a Kickapoo native. After learning Jubal's name, Keokotah informs him that his father Barnabas was killed in battle. The two become friends and decide to journey into the “Far Seeing Lands” west of the Mississippi River. On the journey, the two educate each other on hunting, rituals and their family history. L'Amour centers these exchanges as a focal point for much of the paperback’s first-half.
Later, the two journeymen meet a tribe of Natchee that ask Jubal for a favor. Their tribe's high priestess, Itchakomi, has left the fold and is desired by one of their chief warriors, an arrogant man named Kapata. The Natchee feel that if Jubal is headed further west, he will find Itchakomi and can ask her to return home to marry Kapata. Jubal eventually meets Itchakomi and the two fall in love. The author's second-half portrays Jubal's defense of Itchakomi from Kapata but also warring factions from Spain.
In a lot of ways, this novel's second-half resembles “To the Far Blue Mountains” in the way that Jubal and his allies build and defend a fort. As the waves of attacks descend on Jubal's home, it's reminiscent of the British pirates and warlike tribes that Barnabas fought that will seem a little familiar to the reader.
At 350+ pages, there's an epic feel to the novel as readers experience many seasons with Jubal, including hunting, expanding his circle of friends and allies, and contending with nature's harsh oppression in high altitudes. With exciting hand-to-hand skirmishes with Indians, blade duels with the Spanish and fierce combat with savage animals, “Jubal Sackett” is the quintessential wilderness tale. I highly recommend all four of these early Sackett adventures, but place this one just a little higher than “The Warrior's Path” in terms of epic escapism. In the book's closing notes, L'Amour explained to readers that more early Sackett adventures were to follow, including the family's participation in America's Revolutionary and Civil Wars. Sadly, L'Amour passed away in 1988 and was unable to continue his storytelling. What remains is a powerful testament to America's early exploration and strong independence.
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