Paperback Warrior Podcast - Episode 22

This episode: What's all the fuss over James D. Lawrence's 1975 series "Dark Angel" and why are collectors spending top-dollar to grab copies? Also, Tom reviews "Savage Love", a Harry Whittington paperback from 1952, and Eric covers 'Traveler: Road War' by John Shirley. Finally, we discuss some contemporary projects produced by friend-of-the-show Paul Bishop. Stream below, anywhere that is streaming great podcasts or download directly HERE.

Listen to "Episode 22 - Dark Angel" on Spreaker.

The Trailsman #01 - Seven Wagons West

Author Jon Messmann had a very busy schedule in the 1970s. Authoring novels in the Hotline, Revenger, Handyman and Nick Carter: Killmaster series titles, Messmann was a bright spot on the vigilante and espionage radar. It makes sense that by the time 1980 rolled around, the author was ready for a change of pace. Beginning with Seven Wagons West, Messmann wrote a majority of the first 200 installments of The Trailsman adult western series for Signet using house name Jon Sharpe. Astonishingly, that was only half the series. The Trailsman ran through 397 novels from 1980 through 2014, the last half written by a rotating blend of authors. These books can be read in any order, but my first experience is the debut.

Seven Wagons West introduces readers to Skye Fargo, a gruff frontiersman who rides an unnamed horse, fires a Remington .44 and...as the title suggests...escorts clients on the winding trails of the untamed west. The character's backstory is fairly simple. His father was a road agent for Wells Fargo. While young Skye was away on chores, his parents and kid brother were murdered by three bank robbers. Skye took “Fargo” as his last name as an ode to his father's profession. He now searches the Western Frontier for his family's killers while working his day job as a trailsman.

In this installment, Reverend Rogers and his wife Constance have learned of a silver mine in Wisconsin territory. They hire Fargo to guide the congregation on a month long journey through Sioux country. The goal is to establish a church in the wilderness and Fargo is being paid well – in women. On board the wagon train is a single babe named Julia, the reverend's sexy wife and third pickings, a weathered woman named Dulcy. It's an adult western series, so Fargo slips in a number of timely lays on the outskirts of campsites. Wagons ho!

In terms of gun action, which is primarily the second reason why anyone reads these things, Fargo tangles with a few bandits that attempt to rob the caravan. There's also a Sioux raiding party to contend with and of course, outlaws who are privy to the location of the silver mine. Fargo is established as an intelligent hero, often out-cunning enemies before firing a round. As a seasoned traveler, his skills are showcased in triumphant fashion.

Whether it's fixing busted axles, mending wounded horses or caring for neglected wives, Fargo proves to be the capable long-term paperback hero. Whether that remained fresh for nearly 400 books remains to be seen. But, based on the number of readers, books sold and the quality of writers, the story became a tremendously successful cookie cutter formula for the demanding publisher. As a series debut, Seven Wagons West doesn't move the needle in terms of originality or innovation, but it's thoroughly enjoyable and recommended for new fans of the series like myself.

Buy a copy of this book HERE

Operation - Murder

Lionel White (1905-1985) was a crime fiction writer with a specialty in heist novels. However, his work never achieved the commercial success or historical longevity of Richard Stark’s heist fiction. My theory is that because White never gravitated towards a series character (a’la ‘Parker’), readers never developed any particular brand loyalty toward his writing despite its sustained excellence. The upside of a stand-alone paperback is that the stakes are way higher for the main character. In any novel, the hero could live or die or be imprisoned because the author has no use for him after the final page.

“Operation - Murder” is a 1956 Fawcett Gold Medal paperback original by Lionel White that has been re-released by Stark House as a double packaged with “Coffin for a Hood.” The new collection also features an introduction by talented Utah author Ben Boulden who does some remarkable detective work uncovering details of White’s shadowy life.

The novel opens with Tina Scudder riding in a bus through the Rocky Mountains to the sleepy town of Twin Valley. She’s come a long way to rendezvous with the man she married ten days earlier after meeting the enigmatic charmer on the ski slopes. Her new husband, Frank, told her to meet him in the frozen hamlet, so they can be together at last on a never-ending honeymoon.

Meanwhile, we learn that there’s been a bank robbery - with shots fired and a deputy hit - in a nearby town. If you’ve never read a vintage crime novel before, you might be surprised to learn that newlywed Frank is connected to the robbery crew - the leader, in fact.

We also learn that there is a money train coming through the mountains replenishing banks with cash along its 600-mile route. There’s a couple guards on board keeping the $6 million safe, but an approaching snowstorm runs the risk of stopping the train right around Twin Valley. Could the relatively modest bank robbery have been just a warm up for the big score of knocking over the money train? You betcha. The planning and execution of a train robbery 100 years after such crimes had gone out of fashion was a great pleasure of “Operation - Murder.”

White keeps things moving for the reader with a compelling ensemble cast and regular third-person perspective changes. The setting of a snowed-in mountain town brimming with the potential for extreme violence makes for a suitably claustrophobic backdrop for this compelling heist paperback. The inclusion of the innocent Tina into the snowy shitstorm of violence and mayhem makes for a nice twist.

Overall “Operation - Murder” is a by-the-numbers 1950s heist paperback written by an author who had the formula mastered by this point of his career. The paperback doesn’t especially break new ground in the genre, but it’s extremely well-executed and worth your time. Mostly, I’m just glad that the novels of Lionel White are being kept alive over 60 years later. He was a master of the genre and “Operation - Murder” is a fine entry into his body of work.

Buy a copy of this book HERE

Brannon!

Daniel Streib (1928-1996) was a heavy contributor to the men's action-adventure genre in the 70s and 80s. After authoring a 'Nick Carter: Killmaster' novel, “The Night of the Avenger” (1973), Streib wrote a two-book series entitled 'Grant Fowler' (1971-1973) along with stand-alone titles like “Operation Countdown” (1970) and “House of Silence.” The 80s proved to be the author's most productive era with the 14-book series 'Hawk' (1980-1981), the 9-book run of 'Counter Force' (1983-1985), and two installments of 'Phoenix Force.” My first experience with Streib is a sleaze-vendetta paperback entitled “Brannon!” published by Pinnacle in 1973.

The book introduces readers to the small town of Timberland. It's a dying, rural community built from the lumbering industry by Alan Ward. The opening chapter (which is also detailed on the book's back cover) is set in 1952 and begins with four poorly-educated men that are sexually frustrated, all nearly fondling themselves in sheer boredom. The group of men, including the more mentally challenged Alfie, have a carnal desire for Alfie's hot sister Catherine. While she rejects their advances repeatedly, a new opportunity arrives.

A young American soldier named Brannon steps off the train and asks the men for directions. The group of men convince Brannon to seduce Catherine, so they can spy and masturbate from the bushes. The handsome, uniformed Brannon has no problems seducing Catherine and escorts her to a nearby lake to do the deed. However, it turns out Catherine is Alan Ward's daughter. To enhance the evening's activities, one of the men runs and tells Ward and his men that Brannon is raping Catherine at the lake. When the men arrive to assault Brannon, Catherine saves face by screaming, “RAPE!” After beating Brannon's brains out, one of the men whips out a knife and...cuts off Brannon's genitalia making “Brannon!” the first novel I've experienced where the male hero literally has no penis.

After these events, the book flash-forwards to 1973 and Brannon has become a tycoon in the paper industry despite stiff competition. Suave, wealthy and powerful, Brannon is frustrated with his...lack of a penis. He later says it's “the end of his immortality” and describes his sexual experiences as gazing at whores through windows. However, the thing that raises Brannon's interest is Timberland. Not only does he want to enact revenge on the town, but he's still madly desiring Catherine. His one encounter with the woman 21-years ago keeps him up (read that as sleepless) at night. Determined to have his revenge, Brannon erects a plan to cut off Ward's resources while also locating the group that castrated him.

It's hard to appreciate Streib's writing considering the dumbed down material the author was working with. Timberland's men are neanderthals, seemingly spending their days pondering sex. Catherine is a shallow idol, Ward's character isn't convincing and Streib seems to focus a lot of his creative direction on Alfie's sexual escapades with himself. Brannon is the only hero, but he's a racist multimillionaire that I hated.

“Brannon!” is a sleazy endeavor, yet lacks any graphic sex. It's like taking a blind man to an aquarium. Where's the enjoyment if we can't see it? “Brannon!” isn't even the bitter revenge yarn it aspires to be. Instead, it's just a limp effort that never peaked my interest. Slice this one from your reading list.

Buy a copy of this book HERE

Paperback Warrior Podcast - Episode 21

In this episode, things get sleazy with a discussion on the hot genre of vintage sleaze fiction along with a review of Orrie Hitt’s 1959 classic, “The Widow.” Meanwhile Eric tells us about Ed Lacy’s “Room to Swing,” and we look back on the best books we covered during month of November. Stream below or download directly HERE. You can also stream the show anywhere that offers good podcasts. Listen to "Episode 21: Sleaze" on Spreaker.

East of Desolation

“East of Desolation” was Jack Higgins' (real name: Henry Patterson) 22nd novel, published in 1968 by Berkley and then reprinted dozens of times using different cover art. The book arrived seven years prior to Higgins becoming a mega-bestseller and household name with his 1975 novel “The Eagle Has Landed”. While booming sales never supported the material, the 1960s produced some of Higgins' finest literary work, evident with this ice-capped adventure starring brush pilot Joe Martin.

Martin is a Korean War veteran living on the coast of Godthaab, Greenland, a mere 200 hundred miles below the frigid Arctic Circle. Martin works as an independent pilot, flying supplies and passengers to various ships, hunting parties and whaling factories. It's a quiet life that allows Martin enough income to slowly pay off his aircraft. One of Martin's best clients is Jack Desforge, a Hollywood movie director that spends long holidays hunting polar bear. When we are first introduced to Martin, it is on a flight to Jack's boat to deliver a veteran movie actress to the director. There are some early sparks between Martin and the beautiful actress, a chemistry that Higgins utilizes throughout the narrative.

After returning back home, Martin is solicited by a group of people led by a woman named Sarah Kelso. Her husband's plane went missing a year ago near the polar ice-caps. On a recent university expedition, the wreckage was located and two men were found dead inside the cabin. Due to the horrific weather, the site was left untouched, and Sarah was notified. Now, Sarah has a number of reasons to find the wreckage and wants Martin's help.

The plane wreckage revealed an ID for a passenger named Martin Gaunt. Who is he? Second, her husband's body wasn't found in the plane, instead the pilot's seat was occupied by a man identified as Harrison. Again, who is he? Sarah's insurance reps, who accompanied Sarah to Greenland, want answers. They paid out a sizable amount for the death of Sarah's husband, who may or may not have died in the crash. With Martin's experience as a pilot in harsh conditions, the group want to examine the crash site and find answers.

Higgins builds a gripping, intense narrative ripe with adventure and intrigue. Like other high-adventure novels, the remote location is like a character itself, slowly imposing its will on the story. But, the narrative has a multitude of mysteries, each evolving as readers learn more about the characters and their history. Just when I thought I had the place mats aligned...the author resets the table. Needless to say, there's a lot of moving pieces...and targets.

“East of Desolation” is another exceptional novel from an author that seemingly can do no wrong. While this one avoids the author's stereotypical World War 2 connection, it still maintains a “battle” prose between warring factions. It's fun, clever and altogether a terrific read that delivers a satisfying payout. This one is recommended.

Buy a copy of this book HERE

The Long Ride

James Earl McKimmey (1923-2011) achieved creative success as an author of crime novels, science-fiction and the Ki-Gor series of Tarzanish pulp stories. His hadboiled novels were mostly published by Dell, and a handful of them have been reprinted by Stark House, including McKimmey’s 1961 novel The Long Ride  packed as a double along with Cornered! and an introduction by Bill Crider.

McKimmey was influenced by the early stand-alone work of John D. MacDonald, and this shines brightly in The Long Ride. The paperback features a diverse cast of characters thrust together under dramatic circumstances where mayhem and violence unfold - MacDonald’s basic template. In this case, McKimmey came up with a completely original gambit to bring together the cast of characters.

Before Uber, ridesharing was often organized through newspaper classified ads like this:

“Wanted: To share a ride to San Francisco with widowed lady. Call Mrs. Landry. Walnut seven five nine one.”

In The Long Ride, a group of seven travelers rideshare from fictional Loma City to San Francisco over several days brought together by the classified ad. The long-distance carpoolers are:

- Mrs. Landry, our vehicular hostess and driver of the station wagon

- A stone cold murderous bank robber posing as a benign retired soldier

- An unstable, one-armed, hard-luck case with $100,000 in found bank robbery proceeds

- The typist bride of the one-armed man

- A handsome, enigmatic widower with a secret reason for joining the road trip

- The beautiful divorced woman with an eye on the mystery man

- The obligatory, horny, spinster librarian

The opening chapters set the scene with a violent bank robbery and $100,000 in lost cash recovered by the one-armed innocent bystander. The idea that the bank robber and the dude who found the cash happen to answer the same classified ad confining them in the same station wagon seems to be an unbelievable coincidence that’s reasonably explained later in the narrative.

The Long Ride has a setup that Alfred Hitchcock would have found appealing, and I’m surprised it was never adapted for the screen. More than one passenger in the car is not who they claim to be, and those reveals make for the most satisfying elements of the paperback. Moreover, the alliances that form over the long car ride - both real and manipulative - kept me turning the pages long after normal employed people should have gone to bed.

To be sure, there are plot holes big enough to accommodate a 1950s station wagon. There’s so much about this book I’d like to say, but it would spoil the great surprises - some already ruined by the plot synopsis and introduction. Best to go into this one cold, having read nothing more than this spoiler-free, Paperback Warrior review. However you do it, please check out The Long Ride. It’s a totally original premise that was nothing short of spectacular.