Ambush Bay

Jacques Bain Pearl (1923-1992), better known as Jack Pearl, was a talented author that thrived on writing movie and television novelizations. Along with novelizations of Funny Girl (1968), Our Man Flint (1966) and The Yellow Rolls-Royce (1964), Pearl also wrote a number of successful stand-alone titles and a well-received science-fiction series called The Space Eagle (1967). After reading his novel tie-in of the Dirty Dozen styled television show Garrison's Guerillas (1967), I was curious about another of his film novelizations, Ambush Bay (1962).

The film was released by United Artists and featured a cast starring Mickey Rooney, James Mitchum and Hugh O' Brian, who accepted the role after Charleston Heston declined it. The film was directed by Ron Winston, a Michigan native who spent most of his career working on television series' like “Hawaii Five-O”, “Branded” and “The Twilight Zone”. The film was shot on location in the Philippines, an important factor considering all of the action is centralized in that region.

Pearl's book introduces us to nine battle-scarred U.S. Marines and a goofy Air Force radio-man who is vital to the narrative. The mission is to penetrate enemy lines in Mindanao, a rural landscape in the Philippines. Once there, the group must locate a U.S. intelligence officer who  has been submerged in the Japanese military as a spy. General MacArthur has scheduled a full invasion of a portion of the island, yet the U.S. has received chatter that the Japanese may already know about the invasion and have planted sophisticated mines along their heavily fortified coastal position. The secret agent has key details on where the Japanese have planned for the assault. If the men can rendezvous with the spy, they can obtain the information and then radio it to MacArthur so he can prepare an alternate strategy if needed.

I struggled in the book's opening chapter with the number of characters. However, my confusion quickly subsided as most of the team is killed in furious jungle firefights. The book's main character is Private First Class Air Crewman radio specialist Jim Grenier, a young soldier who is taunted by the hardened Marines. Grenier is just six-months into his military career having spent his entire life on a chicken farm. Grenier's sole purpose is to stay clear of the fighting and protect the radio at all costs. Unfortunately, with the team's ranks thinning, the inexperienced rookie is forced into the fight.

Pearl is a great storyteller and despite working from a script, I imagine he's adding dynamic details to make the two-dimensional characters come alive for the reader. The unbalanced relationship between Grenier and the iron-fisted Sergeant Corey is the novel's first half focus, yet as the novel progresses, the two men become closer allies. While Pearl spends a great deal of time on gunplay, the book's second half presents an entirely different mission. I won't spoil the fun, but I was surprised when the spy was eventually revealed. It's this change of pace that elevated the entertainment factor for me.

Despite the film's lukewarm reviews, Jack Pearl's novel was an entertaining blend of action, adventure and humanity that should please genre fans. As a Signet paperback, hopefully you can locate a used copy somewhere.

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The Crime Commandoes

British author Peter Cave (born 1940) was both a newspaper reporter and editor before transitioning into writing full-length novels. The majority of his literary work was in the 1970s and 1980s under his own name as well as the pseudonym Petra Christian. He contributed to three installments of the New Avengers television novelizations in the late 1970s. Fascinated by the Easy Rider culture, Cave wrote a hand-full of biker novels beginning with 1971's Chopper. Beginning in the mid-80s, Cave authored five books as tie-ins to one of the U.K.'s longest running television shows, Taggart. My first experience with Cave is a 1976 team-based commando novel titled The Crime Commandoes. It was printed by Everest, a British publisher run by author Ken Follett (The Pillars of the Earth).

In the book's author notes, The Crime Commandoes was actually a pilot novel for an expected series of team-based combat adventures. The paperback even has the obligatory team member names and skill-sets printed on the back cover. It had all of the ingredients for a series...except for successful sales numbers. It's my guess that the debut didn't receive enough consumer demand to warrant additional installments. Nevertheless, the book is surprisingly a lot of fun.

Paul Crane is a Detective Inspector working long nights in London. As the book opens, Crane arrives to a crime scene to find a slain young woman. Shortly afterwards, a constable arrives with the prime suspect. After Crane's questioning, the man admits to killing the woman after she asked him for money. In an explosive rage, Crane brutally beats the man. With plenty of witnesses, Crane is brought to his superiors where he's chastised for allowing his pending divorce, alcoholism and depression to bring about a downward spiral of police brutality. He's suspended from the force with orders to get his life cleaned up.

After a few days, Crane is summoned to a special council with a man named Grant. The idea is to form an “urban guerrilla” force featuring four of London's most controversial law enforcement officers. Crane's is given free reign to use whatever methods he chooses for targeting high-profile criminals and terrorist cells across England. He'll receive weapons, supplies, targets and support. 

The catch is that Crane must be publicly arrested for taking bribes and placed on trial. With some agency resources, Crane will become owner of the notorious Blackball Club, one of London's seediest criminal dives. The trial will provide a light sentence and Crane will officially be terminated from service. It's an orchestrated bit of theater that places Crane into an undercover operative role while allowing him to mingle with other criminal cohorts at the Blackball. Does Crane accept? It wouldn't be much of a story if he didn't.

Joining Crane's Crime Commandoes:

Cornish – History of insubordination in the Army, former boxer. Bomb disposal skills.

Lake – Former police sergeant, terminated for brutal tactics. Explosives and fighting prowess.

Babsley – Police officer, terminated for attacking his superintendent. Fighting specialty.

Jelly – The fifth member is a bomb-sniffing dog that's rejected his handlers. His talents...he's a dog!

The team's first and only assignment is tracking down a terrorist cell calling themselves Apocalypse. After blowing up several buildings throughout London, the team begins researching patterns and studying the cryptic messages that are phoned to the newspapers. After eventually narrowing down the target area, the terrorists are forced to change their agenda from bombing to kidnapping. After Crane's team begins negotiating with the terrorists, a link is formed to a heavyweight drug dealer named Panosa. But is he the leader of the cell or just an ally? It's this question that leads into an explosive finale as the team fights Apocalypse on land, sea and air.

I read and reviewed a 1981 team-based commando novel called Terror in Turin by Robert McGarvey earlier this year. It was the debut of a six-book series called S-Com. The story-line of that novel is very similar to what Peter Cave offers with Crime Commandoes. Peter Cave produces a winning formula whereas McGarvey failed to produce engaging characters, a propulsive narrative or a believable villain. 

The Crime Commandoes formulate sound counter-terrorism strategies to fight a formidable foe in Apocalypse. It was extremely satisfying to find that this author doesn't restrain the good guys. In fact, he elevates the violence and body count as the heroes attempt to decimate the enemy. While I would have enjoyed more emphasis on properly introducing half of the team, I did enjoy Cave's focus on Crane and Cornish. Dog lovers will be frustrated that Jelly doesn't really make an impact on the storytelling.

Overall, The Crime Commandoes was an excellent, action-packed novel that should have produced more installments.

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Bomb Squad

Bomb Squad is a 1977 men's action-adventure paperback published by Leisure Books. The author is Mark Andrews, a name that I can't seem to place online. The only other literary work I can  locate matching this time frame is a 1970s paperback entitled Return of Jack the Ripper, also by Mark Andrews and also published by Leisure. One and the same? Probably, but we may never know.

The novel is broken into three sections - “Deadly Letters”, “Bomb Factory” and “The Hell Bomb”. The author's only attempt at creating a protagonist for the book is Tom Gilbert, a lowly alcoholic who works on a New York City bomb squad. He's having an affair with a woman named Mary Jo, who's in love with another man. Tom's wife is a raging alcoholic and the two have a one-month old child. In the book's opening chapters, Tom is suspended from the force due to his alcohol abuse. It's quite the conundrum considering the only main character (loosely) isn't an active member of the “bomb squad” for the duration of the paperback. 

In pulpy fashion, a network of 10,000 operatives calling themselves American People's Liberation Army have began mailing letter bombs throughout New York City. That’s a lot of stamps. The first one is delivered to Tom's lover Mary Jo who dies in a fatal explosion. Tom isn't terribly affected by it and later digs through the rubble to find a letter opener that he always wanted. Huh? While he's searching for buried treasure in the debris, his wife is at home in a drunken stupor shaking the baby and eventually dropping it. This should have been an important moment in the book's narrative, but it is quickly forgotten.

The novel then shifts gears to the newspaper business as they chase stories about the bombings. I believe the author was attempting to cash-in on the “thrilling reporter” sub-genre that saturated the market post-Watergate. While Bomb Squad doesn't present the newsroom suspense of All the President's Men, it does spend about 50 pages focusing on a reporter named Brown hunting clues about the mad bombers. Instead of spinning the narrative as a procedural investigation to discover who is behind the bombings, the author gives us whole chapters dedicated to the various terrorist members. There's no mystery or intrigue as we're introduced to leftover Vietnam War protesters that now want stock market winners to donate all of their profits to the needy. So, they make bombs to kill innocent people.

The author takes readers into an old church where an evil pastor is building bombs. He also takes us into a college auditorium as a professor explains to his class (and you...the reader) specifically how to make a basement level atomic bomb. He even provides the names of real books that show lunatics the step by step instructions. The horror! Furthermore, the author introduces a seasoned bomb squad member named Fingers McCoy to provide a complete tutelage on making pipe bombs to a new member of the force (again...that's for you, the reader). I pray that I'm holding the only remaining copy of Bomb Squad on the planet and that this crappy paperback doesn’t fall into the wrong hands. 

You're never going to read this book, so I'm giving you spoilers (just exit if I'm somehow stealing your joy). Not only does the book fail to produce one hero, by the end of the novel there isn't anyone in the bomb squad stopping the terrorist army. By the last page – guess what!?! 600,000 people die as New York City is nuked from the Earth. I have a suspicion that Andrews wrote this in a particularly bad part of his life – like a child dying or a downward spiral into financial ruin. That is my hope. If not, then this guy has a hard-on for destroying people and property and channeled his maniacal depression through some sort of how-to guide masquerading as a men's action-adventure novel. Make no mistake, Bomb Squad is the nuttiest thing I've ever read. And extremely dangerous. Consider yourself warned. 

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Paperback Warrior Podcast - Episode 37

It’s time for Episode 37 of the Paperback Warrior Podcast! This week we take a look back at the best books we read and reviewed for the month of March. Tom presents an unmasking of a rockabilly musician who also wrote genre fiction. We review vintage paperbacks from Borden Deal and Ivor Drummond. Join the fun on your favorite podcast app, stream below or download directly HERE.

Listen to "Episode 37: 99 Chicks" on Spreaker.

Skip Bomber

Lloyd E. Olson worked as a technical writer for news articles and served as the editor for a university news bureau. Olson served in the U.S. Air Force during WW2 and used that experience to author his one and only novel, 1960's Skip Bomber published by Ace. In the book's opening notes, Olson reveals that he used the story's location in New Guinea due to it being the least known battle of WW2's brutal Pacific Theatre. He poignantly described it as “an area where the Stone Age and Twentieth Century met.”

Skip Bomber introduces readers to Captain McGurk and his crew of the Fertile Myrtle, an American B-17 bomber. In a lot of ways the story is about this flying fortress and it's steadfast resistance to the elements, mechanical deficiencies, a stern Captain and Japan's robust naval fleet. For perspective, this bomber's wing area was 1,420 feet and powered by four engines each pushing 1000 horse-power. It's top speed was 325 mph at 25,000 feet. It's cargo? 6,500 pounds of explosives. Needless to say, the B-17 was a fire-breathing behemoth.

McGurk's mission is to consistently defend an area known as Port Moresby in New Guinea. During the war, this was a city of about 1,300 people sitting a mere 80 miles from Australia. For the strategist, it was an important area for the Allied forces but also critical in the defense of Australia. While Olson summarizes the history and importance of the area, don't forget this is an action-adventure fiction paperback.

Aside from a few fun excursions, each chapter is dedicated to one flying mission for McGurk and his crew. The author doesn't provide much insight on the characters' personal lives, choosing instead to simply tell an exciting series of stories. Through instrument panels, tailgunner pivots, belly bombs and McGurk's perspective, readers are thrust into these exciting bombing campaigns. Missions vary from defense measures around American ships to assault runs across Japanese fleets. Interesting enough, there's even a bombing run on a volcano.

While Skip Bomber is a lot of fun, I was hoping for a central plot to develop. Additionally, having some sort of backstory on these characters may have prompted a more emotional investment. The story ends appropriately enough, but I couldn't resist contemplating a better ending or thinking of a potential sequel or follow-up tale. Regardless, at 180-pages, this 35-cent Ace paperback packs a punch. Skip Bomber is a fun, exciting look at a lesser known WW2 campaign. Bombs away!

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Memory of Passion

The literary works of crime-fiction master Gil Brewer have slowly become reprints by publishers like Hard Case Crime and . In 2006, Stark House Press reprinted two of Brewer's novels as one volume - 1960's Nude on Thin Ice and 1962's Memory of Passion. I've found Brewer's work to be slightly above average aside from what could be the genre's most impressive title, 1958's The Vengeful Virgin. The Stark House reprint offers an introduction by David Rachels where he proclaims that Memory of Passion contains characters that are "Brewer's ultimate portrayal of the male condition". Considering that Brewer's underlining emphasis is sex, I was curious to read it.

The novel features 11 total sections with each section containing a line from the song "Where or When" (from the musical "Babes in Arms"). Like many crime-noirs, Brewer's protagonist is a frustrated married man sailing the rough seas of domestic life. Bill Sommers is a wealthy artist and father living in a posh neighborhood. He drives a Porsche, is generally well-liked by his community, yet his wife Louise presents a consistent daily struggle. Often she's at neighborhood parties, displaying a fleshly fondness for the couple's circle of friends. Sommers mental solitude is dwelling on his first love, a teenage fling with a lover named Karen. The two were intimately best friends and Sommers feels she may have been the love of his life. But that was 20+ years ago and he hasn't spoken to Karen since. Until the phone rings...

Oddly, Sommers begins receiving calls from a teenage girl who claims she is Karen. After agreeing to meet her, Sommers is shocked to find that somehow Karen is ageless! She's still the teenage beauty queen from his youth. After refusing her advances and questioning his sanity, Sommers can't fight that feeling anymore. The two begin a hot-blooded affair that leaves the main character a shell of a man. He's plagued by guilt, wrecked with emotion and morally torn by his animalistic lust.

While Brewer injects his novel with a carnal energy, the narrative's pace eventually leads to a crime. Karen's mysterious presence leads to a deadly altercation that propels the novel's second half. With a sex-killer prowling suburban streets, Karen becomes the next target. But with Sommers caught in a love affair, he too begins to be ensnared by the killer. The author's presentation then becomes the view point of three characters – Karen, Sommers and the killer. And that very well may have been the book's ultimate demise.

Shockingly, I found this book to be well below average for a Gil Brewer work. He's certainly had some sleepers (Flight to Darkness), but Memory of Passion rests too much on the killer's thought pattern and behavior. Often I was reminded of provocative horror authors like Edward Lee and Richard Laymon. They were probably inspired by Brewer and/or crime-noir and this novel presents the raw sexual intensity that those two authors often utilized. I found that I didn't particularly like any of the characters and was never absorbed by Sommers' moral dilemma – I found him to be a rather lifeless character without any heroic traits. While advocates aren't mandatory, they sure can elevate a narrative saturated in depravity.

Overall, this is a Gil Brewer novel that I'll quickly forget. Thankfully Stark House Press offers an affordable reading option, but I can't fathom purchasing a high-dollar original paperback. Memory of Passion just isn't any good. 

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Chester Drum #01 - The Second Longest Night

Milton Lesser (better known as Stephen Marlowe, 1928-2008) authored over 20 stand-alone novels including a number of respected science-fiction stories. After authoring his first full-length crime-noir novel, 1954's Catch the Brass Ring, Marlowe went on to create his most notable literary work. Beginning with 1955's Fawcett Gold Medal paperback The Second Longest Night, Marlowe launched a 20-book series of hardboiled crime novels starring Washington, DC private-eye Chester Drum. Marlowe's collaboration with Richard Prather created a paperback sensation called Double in Trouble. It was a unique pairing of two bestselling literary characters – Prather's Shell Scott and Marlowe's Drum. My only experience with the character is the series debut.

The Second Longest Night introduces Drum as a 30-year old divorcee working in Washington, D.C. as a private-eye. In the opening pages, readers learn that Drum was married to Deidre Hartswell, the daughter of a U.S. Senator. The two became disenchanted with each other and became divorced shortly after their wedding. Six-months after the divorce, Deidre was found dead in a bathtub. Her death was ruled as a suicide but her father has doubts. He hires Drum to investigate her death and if there was any foul play.

In the book's first-half narrative, Drum connects Deidre to the Communist Party and a lover named Francisco del Rey. After one of Drum's informants is murdered by del Rey, the book's locale changes from snowy Washington DC to the hot, humid jungles of Venezuela. The author takes an odd storytelling angle by pairing Drum with Deidre's twin-sister Lydia and her husband Ralph. Together, the three visit del Rey where Drum begins to connect a lucrative oil contract with the Hartswell family. But just as things seem to wrap up, the action globetrots to a mountain range in Northern California as Drum, Lydia and Ralph ascend the slopes to determine Deidre's mysterious death.

Stepping into the novel, I had just assumed it would be a localized story with Drum's procedural investigation conducted in the urban areas of Washington DC. After researching the series for this review, I discovered that most of the Drum novels are international mysteries featuring espionage and intrigue. In fact, the series' last five installments apparently read more like James Bond than the stereotypical private-eye whodunit. This Drum debut was surprisingly more adventurous that I had anticipated, evidenced by the character's battles in and around a remote river basin. While not physically domineering, Drum's quick responses are some of his best weapons. Drum isn't intentionally written as humorous character, but the character's lashing, verbal responses are sarcastic and border on being patronizing. As a fan of Robert Parker's Spencer, I found this character trait appealing.

The Second Longest Night isn't the perfect hardboiled crime novel, but it definitely showcased Marlowe's skill-set as a successful storyteller. I imagine like many authors, the quantity eventually led to quality. I'd be mildly curious to read mid-series entries like Violence is my Business (1958) or Peril is my Pay (1960) to judge how well the series developed. With international espionage, communist plots and crooked politicians, I'm not in a huge rush to read more of Chester Drum's exploits. I much prefer small-town crime-noir, domestic disputes or more urban, localized private-eye novels. I'll continue pursuing Frank Kane's Johnny Liddell, Mickey Spillane's Mike Hammer and Dan Marlowe's Johnny Killain novels before devoting more time to Stephen Marlowe.

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