Before Jack Higgins (real name Henry Patterson) became a household name with 1975's runaway bestseller The Eagle Has Landed, the British author authored a number of action-adventure novels under pseudonyms including James Graham and Hugh Marlow. Utilizing the name Martin Fallon, Higgins wrote a six-book series of novels starring British spy Paul Chavasse. After enjoying the debut, The Testament of Caspar Schultz (1962), and the series' fourth title, Midnight Never Comes (1966), I was able to acquire the series' third book, The Keys of Hell, originally published in hardcover in 1965.
The book begins with Chavasse entering the British Embassy to request some time off. While there, he meets an attractive woman named Francesca Minetti who confesses to him that she was his radio operative on his last mission. Surprised, the two strike up a friendship and Chavasse is granted his two-week holiday...after he completes the assassination of a double-agent working in Albania.
During the opening chapters, Chavasse quickly completes his assignment but runs into Francesca in Albania. In sobbing fashion she advises Chavasse that her family has been persecuted by Albania's brutal communist regime. After the government began forcibly removing the public churches, her brother attempted to preserve a religious statue called The Black Madonna in the city of Scutari. Before communist forces could seize and destroy it, Francesca and her brother attempted to move the statue to a rural, coastal location ten miles away. During the transport, her brother was fatally shot and Francesca escaped. The beloved statue, which brought hope to thousands of persecuted villagers, sank into the deep marshes.
Like an espionage treasure hunt, Higgins' narrative is brimming with nautical chases, gunboat fights and the obligatory prison break. Chavasse and Francesca have a romantic connection, but the author ignites the spark when the heroic spy comes to the aid of a 20-year old female farmer. Once the statue was located, the narrative propelled into brisk action with a few twists and turns in Chavasse's circle of friends. Regretfully I had a sense that by skipping the series' second installment, The Year of the Tiger, I missed a key plot development in this novel. It didn't hamper my enjoyment, but perhaps the ending would have had a bigger impact.
I've never read a bad Jack Higgins novel and The Keys of Hell is no different. While the Paul Chavasse series is tragically underrated, spy and espionage readers should find plenty to like about it. Buy your copy of the book HERE.
Thursday, April 2, 2020
Wednesday, April 1, 2020
Doc Savage #183 - Escape from Loki
The idea of retroactive continuity, commonly referred to as retcon or retconning, is a popular method for new writers to add additional elements or facts to a previously published work. It's been utilized by comic writers for decades and can often be found in early pulp magazines as a way to modernize the heroes for a new generation. The most recent retcon novel I've read and reviewed was Stephen Mertz's fantastic take on Mack Bolan's pre-Executioner life in Super Bolan #04: Dirty War. On Paperback Warrior Podcast Episode 25, I talked about Nick Carter retroactive continuity (erasing, ignoring or contradicting prior events) from early pulp detective to international paperback spy. So it's no surprise to find that author Philip Jose Farmer utilized this same technique for his 1991 retcon Doc Savage novel Escape from Loki (Bantam).
Philip Jose Farmer (1918-2009) was a highly respected science-fiction and fantasy author noted for his series Riverworld and World of Tiers. Farmer had a fondness for reworking existing fictional heroes into new novels and stories. From Moby-Dick and Wizard of Oz to Around the World in Eighty Days, Farmer would often fill in missing time periods or create sequels to literary works that were created by other authors. Farmer created two mock biographies of famed literary characters, Tarzan Alive and Doc Savage: His Apocalyptic Life. As a fan of the Doc Savage novels since 1933, Farmer chose to author one original series novel, Escape from Loki, which showcases the character at the age of 16 during WW1. By retconning what original author Lester Dent presented in The Man of Bronze (1933), Farmer is able to present an origin story explaining how Doc Savage originally met his beloved team members.
Escape from Loki races out of the gate as the young Doc Savage pilots one of his first aviation missions. It's explained to readers that Savage was hoping to pilot for the U.S. Air Service, but due to their planes needing machine gun installations, Savage's Colonel assigned him to a French aerial combat unit. Farmer uses this as an exciting sequence of events where Savage is shot down during dogfights over Germany. Making his way through the forest, Savage finds shelter in an abandoned farmhouse with two American soldiers. When the two immediately begin squabbling with one other, it's apparent that these men are Ham and Monk. While Savage's introduction to both of them is brief, it's a rewarding experience for Doc Savage fans to pinpoint where he met two of his most trusted allies.
After he's captured by German soldiers, Savage is subjected to a strange dinner party hosted by Von Hessel and Countess Idivzhopu. After escaping Hessel's fortified home, Savage manages to steal a German aircraft but once again finds himself captured by Germans and placed on a train of POWs. After escaping a third time, Farmer's novel reaches a heightened frenzy as Savage is forced to fight a pack of wild dogs inside a bombed out farmhouse. In what could be considered a series abomination to some fans, this 10-12 page portion of the book was an absolute highlight for me personally. Savage's violent battle with the dogs is a bloody carnage of broken legs, sliced throats and stabbings. Then, the starved, crimson-smeared Savage sits on a rooftop prepared to eat the raw carcass of a dead dog. Thankfully, there's another dog battle that leads him into a secret room where he finds that the prior owners were sacrificing infants on a Satanic altar!
I can't help but think that Farmer was venturing off into a different style of storytelling, one that was wildly obscene yet mesmerizing. I was as equally entertained as horrified by the author's stark contrast to Dent's original work. Savage is caught for the final time and shipped to the notorious and supposedly impenetrable Loki prison camp, thus curbing Farmer's penchant for the peculiar.
The book's second-half explores Savage's life at the prison camp and his strategizing an escape from the facility. It's here that he is reunited with both Ham and Monk and the two continue there hilarious insults and banter. It's only a matter of time before Renny, Johnny and Long Tom make their introductions. Together, Savage and the five men form an escape plan while learning that Von Hessel may be performing terrifying experiments on the prisoners. In the book's finale, readers experience a small amount of pulp-fantasy that is reminiscent of Doc Savage's typical “super-powered” villains.
Escape from Loki receives an equal amount of love and disdain from Doc Savage fans. Some are alienated by Farmer's writing style and his attempts to capture the original style of Doc Savage storytelling. At the same time, fans appreciate this origin story and find that Farmer's characterization is spot-on (although universally everyone seems to agree that Farmer's treatment of both Monk and Ham was exceptional). For me personally, I've always had an average experience with Dent's original Doc Savage stories. The first half of Escape from Loki was remarkable and surpasses the better Savage narratives I've read. The second half wasn't quite as impressive with some sluggish scenes, a rushed (or even botched) ending and a halfhearted attempt at introducing Savage to his future colleagues.
Overall, Escape from Loki should be a mandatory read for Savage fans. It is clear that Farmer adored the series and attempted to treat the characters and fans with care and respect. While not perfect, the book was exhilarating at its best and easily acceptable at its worst. You deserve the opportunity to be your own judge.
Philip Jose Farmer (1918-2009) was a highly respected science-fiction and fantasy author noted for his series Riverworld and World of Tiers. Farmer had a fondness for reworking existing fictional heroes into new novels and stories. From Moby-Dick and Wizard of Oz to Around the World in Eighty Days, Farmer would often fill in missing time periods or create sequels to literary works that were created by other authors. Farmer created two mock biographies of famed literary characters, Tarzan Alive and Doc Savage: His Apocalyptic Life. As a fan of the Doc Savage novels since 1933, Farmer chose to author one original series novel, Escape from Loki, which showcases the character at the age of 16 during WW1. By retconning what original author Lester Dent presented in The Man of Bronze (1933), Farmer is able to present an origin story explaining how Doc Savage originally met his beloved team members.
Escape from Loki races out of the gate as the young Doc Savage pilots one of his first aviation missions. It's explained to readers that Savage was hoping to pilot for the U.S. Air Service, but due to their planes needing machine gun installations, Savage's Colonel assigned him to a French aerial combat unit. Farmer uses this as an exciting sequence of events where Savage is shot down during dogfights over Germany. Making his way through the forest, Savage finds shelter in an abandoned farmhouse with two American soldiers. When the two immediately begin squabbling with one other, it's apparent that these men are Ham and Monk. While Savage's introduction to both of them is brief, it's a rewarding experience for Doc Savage fans to pinpoint where he met two of his most trusted allies.
After he's captured by German soldiers, Savage is subjected to a strange dinner party hosted by Von Hessel and Countess Idivzhopu. After escaping Hessel's fortified home, Savage manages to steal a German aircraft but once again finds himself captured by Germans and placed on a train of POWs. After escaping a third time, Farmer's novel reaches a heightened frenzy as Savage is forced to fight a pack of wild dogs inside a bombed out farmhouse. In what could be considered a series abomination to some fans, this 10-12 page portion of the book was an absolute highlight for me personally. Savage's violent battle with the dogs is a bloody carnage of broken legs, sliced throats and stabbings. Then, the starved, crimson-smeared Savage sits on a rooftop prepared to eat the raw carcass of a dead dog. Thankfully, there's another dog battle that leads him into a secret room where he finds that the prior owners were sacrificing infants on a Satanic altar!
I can't help but think that Farmer was venturing off into a different style of storytelling, one that was wildly obscene yet mesmerizing. I was as equally entertained as horrified by the author's stark contrast to Dent's original work. Savage is caught for the final time and shipped to the notorious and supposedly impenetrable Loki prison camp, thus curbing Farmer's penchant for the peculiar.
The book's second-half explores Savage's life at the prison camp and his strategizing an escape from the facility. It's here that he is reunited with both Ham and Monk and the two continue there hilarious insults and banter. It's only a matter of time before Renny, Johnny and Long Tom make their introductions. Together, Savage and the five men form an escape plan while learning that Von Hessel may be performing terrifying experiments on the prisoners. In the book's finale, readers experience a small amount of pulp-fantasy that is reminiscent of Doc Savage's typical “super-powered” villains.
Escape from Loki receives an equal amount of love and disdain from Doc Savage fans. Some are alienated by Farmer's writing style and his attempts to capture the original style of Doc Savage storytelling. At the same time, fans appreciate this origin story and find that Farmer's characterization is spot-on (although universally everyone seems to agree that Farmer's treatment of both Monk and Ham was exceptional). For me personally, I've always had an average experience with Dent's original Doc Savage stories. The first half of Escape from Loki was remarkable and surpasses the better Savage narratives I've read. The second half wasn't quite as impressive with some sluggish scenes, a rushed (or even botched) ending and a halfhearted attempt at introducing Savage to his future colleagues.
Overall, Escape from Loki should be a mandatory read for Savage fans. It is clear that Farmer adored the series and attempted to treat the characters and fans with care and respect. While not perfect, the book was exhilarating at its best and easily acceptable at its worst. You deserve the opportunity to be your own judge.
Buy a copy of this book HERE
Ambush Bay
Jacques Bain Pearl (1923-1992), better known as Jack Pearl, was a talented author that thrived on writing movie and television novelizations. Along with novelizations of Funny Girl (1968), Our Man Flint (1966) and The Yellow Rolls-Royce (1964), Pearl also wrote a number of successful stand-alone titles and a well-received science-fiction series called The Space Eagle (1967). After reading his novel tie-in of the Dirty Dozen styled television show Garrison's Guerillas (1967), I was curious about another of his film novelizations, Ambush Bay (1962).
The film was released by United Artists and featured a cast starring Mickey Rooney, James Mitchum and Hugh O' Brian, who accepted the role after Charleston Heston declined it. The film was directed by Ron Winston, a Michigan native who spent most of his career working on television series' like “Hawaii Five-O”, “Branded” and “The Twilight Zone”. The film was shot on location in the Philippines, an important factor considering all of the action is centralized in that region.
Pearl's book introduces us to nine battle-scarred U.S. Marines and a goofy Air Force radio-man who is vital to the narrative. The mission is to penetrate enemy lines in Mindanao, a rural landscape in the Philippines. Once there, the group must locate a U.S. intelligence officer who has been submerged in the Japanese military as a spy. General MacArthur has scheduled a full invasion of a portion of the island, yet the U.S. has received chatter that the Japanese may already know about the invasion and have planted sophisticated mines along their heavily fortified coastal position. The secret agent has key details on where the Japanese have planned for the assault. If the men can rendezvous with the spy, they can obtain the information and then radio it to MacArthur so he can prepare an alternate strategy if needed.
I struggled in the book's opening chapter with the number of characters. However, my confusion quickly subsided as most of the team is killed in furious jungle firefights. The book's main character is Private First Class Air Crewman radio specialist Jim Grenier, a young soldier who is taunted by the hardened Marines. Grenier is just six-months into his military career having spent his entire life on a chicken farm. Grenier's sole purpose is to stay clear of the fighting and protect the radio at all costs. Unfortunately, with the team's ranks thinning, the inexperienced rookie is forced into the fight.
Pearl is a great storyteller and despite working from a script, I imagine he's adding dynamic details to make the two-dimensional characters come alive for the reader. The unbalanced relationship between Grenier and the iron-fisted Sergeant Corey is the novel's first half focus, yet as the novel progresses, the two men become closer allies. While Pearl spends a great deal of time on gunplay, the book's second half presents an entirely different mission. I won't spoil the fun, but I was surprised when the spy was eventually revealed. It's this change of pace that elevated the entertainment factor for me.
Despite the film's lukewarm reviews, Jack Pearl's novel was an entertaining blend of action, adventure and humanity that should please genre fans. As a Signet paperback, hopefully you can locate a used copy somewhere.
The film was released by United Artists and featured a cast starring Mickey Rooney, James Mitchum and Hugh O' Brian, who accepted the role after Charleston Heston declined it. The film was directed by Ron Winston, a Michigan native who spent most of his career working on television series' like “Hawaii Five-O”, “Branded” and “The Twilight Zone”. The film was shot on location in the Philippines, an important factor considering all of the action is centralized in that region.
Pearl's book introduces us to nine battle-scarred U.S. Marines and a goofy Air Force radio-man who is vital to the narrative. The mission is to penetrate enemy lines in Mindanao, a rural landscape in the Philippines. Once there, the group must locate a U.S. intelligence officer who has been submerged in the Japanese military as a spy. General MacArthur has scheduled a full invasion of a portion of the island, yet the U.S. has received chatter that the Japanese may already know about the invasion and have planted sophisticated mines along their heavily fortified coastal position. The secret agent has key details on where the Japanese have planned for the assault. If the men can rendezvous with the spy, they can obtain the information and then radio it to MacArthur so he can prepare an alternate strategy if needed.
I struggled in the book's opening chapter with the number of characters. However, my confusion quickly subsided as most of the team is killed in furious jungle firefights. The book's main character is Private First Class Air Crewman radio specialist Jim Grenier, a young soldier who is taunted by the hardened Marines. Grenier is just six-months into his military career having spent his entire life on a chicken farm. Grenier's sole purpose is to stay clear of the fighting and protect the radio at all costs. Unfortunately, with the team's ranks thinning, the inexperienced rookie is forced into the fight.
Pearl is a great storyteller and despite working from a script, I imagine he's adding dynamic details to make the two-dimensional characters come alive for the reader. The unbalanced relationship between Grenier and the iron-fisted Sergeant Corey is the novel's first half focus, yet as the novel progresses, the two men become closer allies. While Pearl spends a great deal of time on gunplay, the book's second half presents an entirely different mission. I won't spoil the fun, but I was surprised when the spy was eventually revealed. It's this change of pace that elevated the entertainment factor for me.
Despite the film's lukewarm reviews, Jack Pearl's novel was an entertaining blend of action, adventure and humanity that should please genre fans. As a Signet paperback, hopefully you can locate a used copy somewhere.
Buy a copy of this book HERE
Tuesday, March 31, 2020
The Crime Commandoes
British author Peter Cave (born 1940) was both a newspaper reporter and editor before transitioning into writing full-length novels. The majority of his literary work was in the 1970s and 1980s under his own name as well as the pseudonym Petra Christian. He contributed to three installments of the New Avengers television novelizations in the late 1970s. Fascinated by the Easy Rider culture, Cave wrote a hand-full of biker novels beginning with 1971's Chopper. Beginning in the mid-80s, Cave authored five books as tie-ins to one of the U.K.'s longest running television shows, Taggart. My first experience with Cave is a 1976 team-based commando novel titled The Crime Commandoes. It was printed by Everest, a British publisher run by author Ken Follett (The Pillars of the Earth).
In the book's author notes, The Crime Commandoes was actually a pilot novel for an expected series of team-based combat adventures. The paperback even has the obligatory team member names and skill-sets printed on the back cover. It had all of the ingredients for a series...except for successful sales numbers. It's my guess that the debut didn't receive enough consumer demand to warrant additional installments. Nevertheless, the book is surprisingly a lot of fun.
Paul Crane is a Detective Inspector working long nights in London. As the book opens, Crane arrives to a crime scene to find a slain young woman. Shortly afterwards, a constable arrives with the prime suspect. After Crane's questioning, the man admits to killing the woman after she asked him for money. In an explosive rage, Crane brutally beats the man. With plenty of witnesses, Crane is brought to his superiors where he's chastised for allowing his pending divorce, alcoholism and depression to bring about a downward spiral of police brutality. He's suspended from the force with orders to get his life cleaned up.
After a few days, Crane is summoned to a special council with a man named Grant. The idea is to form an “urban guerrilla” force featuring four of London's most controversial law enforcement officers. Crane's is given free reign to use whatever methods he chooses for targeting high-profile criminals and terrorist cells across England. He'll receive weapons, supplies, targets and support.
The catch is that Crane must be publicly arrested for taking bribes and placed on trial. With some agency resources, Crane will become owner of the notorious Blackball Club, one of London's seediest criminal dives. The trial will provide a light sentence and Crane will officially be terminated from service. It's an orchestrated bit of theater that places Crane into an undercover operative role while allowing him to mingle with other criminal cohorts at the Blackball. Does Crane accept? It wouldn't be much of a story if he didn't.
Joining Crane's Crime Commandoes:
Cornish – History of insubordination in the Army, former boxer. Bomb disposal skills.
Lake – Former police sergeant, terminated for brutal tactics. Explosives and fighting prowess.
Babsley – Police officer, terminated for attacking his superintendent. Fighting specialty.
Jelly – The fifth member is a bomb-sniffing dog that's rejected his handlers. His talents...he's a dog!
The team's first and only assignment is tracking down a terrorist cell calling themselves Apocalypse. After blowing up several buildings throughout London, the team begins researching patterns and studying the cryptic messages that are phoned to the newspapers. After eventually narrowing down the target area, the terrorists are forced to change their agenda from bombing to kidnapping. After Crane's team begins negotiating with the terrorists, a link is formed to a heavyweight drug dealer named Panosa. But is he the leader of the cell or just an ally? It's this question that leads into an explosive finale as the team fights Apocalypse on land, sea and air.
I read and reviewed a 1981 team-based commando novel called Terror in Turin by Robert McGarvey earlier this year. It was the debut of a six-book series called S-Com. The story-line of that novel is very similar to what Peter Cave offers with Crime Commandoes. Peter Cave produces a winning formula whereas McGarvey failed to produce engaging characters, a propulsive narrative or a believable villain.
The Crime Commandoes formulate sound counter-terrorism strategies to fight a formidable foe in Apocalypse. It was extremely satisfying to find that this author doesn't restrain the good guys. In fact, he elevates the violence and body count as the heroes attempt to decimate the enemy. While I would have enjoyed more emphasis on properly introducing half of the team, I did enjoy Cave's focus on Crane and Cornish. Dog lovers will be frustrated that Jelly doesn't really make an impact on the storytelling.
Overall, The Crime Commandoes was an excellent, action-packed novel that should have produced more installments.
In the book's author notes, The Crime Commandoes was actually a pilot novel for an expected series of team-based combat adventures. The paperback even has the obligatory team member names and skill-sets printed on the back cover. It had all of the ingredients for a series...except for successful sales numbers. It's my guess that the debut didn't receive enough consumer demand to warrant additional installments. Nevertheless, the book is surprisingly a lot of fun.
Paul Crane is a Detective Inspector working long nights in London. As the book opens, Crane arrives to a crime scene to find a slain young woman. Shortly afterwards, a constable arrives with the prime suspect. After Crane's questioning, the man admits to killing the woman after she asked him for money. In an explosive rage, Crane brutally beats the man. With plenty of witnesses, Crane is brought to his superiors where he's chastised for allowing his pending divorce, alcoholism and depression to bring about a downward spiral of police brutality. He's suspended from the force with orders to get his life cleaned up.
After a few days, Crane is summoned to a special council with a man named Grant. The idea is to form an “urban guerrilla” force featuring four of London's most controversial law enforcement officers. Crane's is given free reign to use whatever methods he chooses for targeting high-profile criminals and terrorist cells across England. He'll receive weapons, supplies, targets and support.
The catch is that Crane must be publicly arrested for taking bribes and placed on trial. With some agency resources, Crane will become owner of the notorious Blackball Club, one of London's seediest criminal dives. The trial will provide a light sentence and Crane will officially be terminated from service. It's an orchestrated bit of theater that places Crane into an undercover operative role while allowing him to mingle with other criminal cohorts at the Blackball. Does Crane accept? It wouldn't be much of a story if he didn't.
Joining Crane's Crime Commandoes:
Cornish – History of insubordination in the Army, former boxer. Bomb disposal skills.
Lake – Former police sergeant, terminated for brutal tactics. Explosives and fighting prowess.
Babsley – Police officer, terminated for attacking his superintendent. Fighting specialty.
Jelly – The fifth member is a bomb-sniffing dog that's rejected his handlers. His talents...he's a dog!
The team's first and only assignment is tracking down a terrorist cell calling themselves Apocalypse. After blowing up several buildings throughout London, the team begins researching patterns and studying the cryptic messages that are phoned to the newspapers. After eventually narrowing down the target area, the terrorists are forced to change their agenda from bombing to kidnapping. After Crane's team begins negotiating with the terrorists, a link is formed to a heavyweight drug dealer named Panosa. But is he the leader of the cell or just an ally? It's this question that leads into an explosive finale as the team fights Apocalypse on land, sea and air.
I read and reviewed a 1981 team-based commando novel called Terror in Turin by Robert McGarvey earlier this year. It was the debut of a six-book series called S-Com. The story-line of that novel is very similar to what Peter Cave offers with Crime Commandoes. Peter Cave produces a winning formula whereas McGarvey failed to produce engaging characters, a propulsive narrative or a believable villain.
The Crime Commandoes formulate sound counter-terrorism strategies to fight a formidable foe in Apocalypse. It was extremely satisfying to find that this author doesn't restrain the good guys. In fact, he elevates the violence and body count as the heroes attempt to decimate the enemy. While I would have enjoyed more emphasis on properly introducing half of the team, I did enjoy Cave's focus on Crane and Cornish. Dog lovers will be frustrated that Jelly doesn't really make an impact on the storytelling.
Overall, The Crime Commandoes was an excellent, action-packed novel that should have produced more installments.
Buy a copy of this book HERE
Bomb Squad
Bomb Squad is a 1977 men's action-adventure paperback published by Leisure Books. The author is Mark Andrews, a name that I can't seem to place online. The only other literary work I can locate matching this time frame is a 1970s paperback entitled Return of Jack the Ripper, also by Mark Andrews and also published by Leisure. One and the same? Probably, but we may never know.
The novel is broken into three sections - “Deadly Letters”, “Bomb Factory” and “The Hell Bomb”. The author's only attempt at creating a protagonist for the book is Tom Gilbert, a lowly alcoholic who works on a New York City bomb squad. He's having an affair with a woman named Mary Jo, who's in love with another man. Tom's wife is a raging alcoholic and the two have a one-month old child. In the book's opening chapters, Tom is suspended from the force due to his alcohol abuse. It's quite the conundrum considering the only main character (loosely) isn't an active member of the “bomb squad” for the duration of the paperback.
In pulpy fashion, a network of 10,000 operatives calling themselves American People's Liberation Army have began mailing letter bombs throughout New York City. That’s a lot of stamps. The first one is delivered to Tom's lover Mary Jo who dies in a fatal explosion. Tom isn't terribly affected by it and later digs through the rubble to find a letter opener that he always wanted. Huh? While he's searching for buried treasure in the debris, his wife is at home in a drunken stupor shaking the baby and eventually dropping it. This should have been an important moment in the book's narrative, but it is quickly forgotten.
The novel then shifts gears to the newspaper business as they chase stories about the bombings. I believe the author was attempting to cash-in on the “thrilling reporter” sub-genre that saturated the market post-Watergate. While Bomb Squad doesn't present the newsroom suspense of All the President's Men, it does spend about 50 pages focusing on a reporter named Brown hunting clues about the mad bombers. Instead of spinning the narrative as a procedural investigation to discover who is behind the bombings, the author gives us whole chapters dedicated to the various terrorist members. There's no mystery or intrigue as we're introduced to leftover Vietnam War protesters that now want stock market winners to donate all of their profits to the needy. So, they make bombs to kill innocent people.
The author takes readers into an old church where an evil pastor is building bombs. He also takes us into a college auditorium as a professor explains to his class (and you...the reader) specifically how to make a basement level atomic bomb. He even provides the names of real books that show lunatics the step by step instructions. The horror! Furthermore, the author introduces a seasoned bomb squad member named Fingers McCoy to provide a complete tutelage on making pipe bombs to a new member of the force (again...that's for you, the reader). I pray that I'm holding the only remaining copy of Bomb Squad on the planet and that this crappy paperback doesn’t fall into the wrong hands.
You're never going to read this book, so I'm giving you spoilers (just exit if I'm somehow stealing your joy). Not only does the book fail to produce one hero, by the end of the novel there isn't anyone in the bomb squad stopping the terrorist army. By the last page – guess what!?! 600,000 people die as New York City is nuked from the Earth. I have a suspicion that Andrews wrote this in a particularly bad part of his life – like a child dying or a downward spiral into financial ruin. That is my hope. If not, then this guy has a hard-on for destroying people and property and channeled his maniacal depression through some sort of how-to guide masquerading as a men's action-adventure novel. Make no mistake, Bomb Squad is the nuttiest thing I've ever read. And extremely dangerous. Consider yourself warned.
The novel is broken into three sections - “Deadly Letters”, “Bomb Factory” and “The Hell Bomb”. The author's only attempt at creating a protagonist for the book is Tom Gilbert, a lowly alcoholic who works on a New York City bomb squad. He's having an affair with a woman named Mary Jo, who's in love with another man. Tom's wife is a raging alcoholic and the two have a one-month old child. In the book's opening chapters, Tom is suspended from the force due to his alcohol abuse. It's quite the conundrum considering the only main character (loosely) isn't an active member of the “bomb squad” for the duration of the paperback.
In pulpy fashion, a network of 10,000 operatives calling themselves American People's Liberation Army have began mailing letter bombs throughout New York City. That’s a lot of stamps. The first one is delivered to Tom's lover Mary Jo who dies in a fatal explosion. Tom isn't terribly affected by it and later digs through the rubble to find a letter opener that he always wanted. Huh? While he's searching for buried treasure in the debris, his wife is at home in a drunken stupor shaking the baby and eventually dropping it. This should have been an important moment in the book's narrative, but it is quickly forgotten.
The novel then shifts gears to the newspaper business as they chase stories about the bombings. I believe the author was attempting to cash-in on the “thrilling reporter” sub-genre that saturated the market post-Watergate. While Bomb Squad doesn't present the newsroom suspense of All the President's Men, it does spend about 50 pages focusing on a reporter named Brown hunting clues about the mad bombers. Instead of spinning the narrative as a procedural investigation to discover who is behind the bombings, the author gives us whole chapters dedicated to the various terrorist members. There's no mystery or intrigue as we're introduced to leftover Vietnam War protesters that now want stock market winners to donate all of their profits to the needy. So, they make bombs to kill innocent people.
The author takes readers into an old church where an evil pastor is building bombs. He also takes us into a college auditorium as a professor explains to his class (and you...the reader) specifically how to make a basement level atomic bomb. He even provides the names of real books that show lunatics the step by step instructions. The horror! Furthermore, the author introduces a seasoned bomb squad member named Fingers McCoy to provide a complete tutelage on making pipe bombs to a new member of the force (again...that's for you, the reader). I pray that I'm holding the only remaining copy of Bomb Squad on the planet and that this crappy paperback doesn’t fall into the wrong hands.
You're never going to read this book, so I'm giving you spoilers (just exit if I'm somehow stealing your joy). Not only does the book fail to produce one hero, by the end of the novel there isn't anyone in the bomb squad stopping the terrorist army. By the last page – guess what!?! 600,000 people die as New York City is nuked from the Earth. I have a suspicion that Andrews wrote this in a particularly bad part of his life – like a child dying or a downward spiral into financial ruin. That is my hope. If not, then this guy has a hard-on for destroying people and property and channeled his maniacal depression through some sort of how-to guide masquerading as a men's action-adventure novel. Make no mistake, Bomb Squad is the nuttiest thing I've ever read. And extremely dangerous. Consider yourself warned.
Buy a copy of this book HERE
Monday, March 30, 2020
Paperback Warrior Podcast - Episode 37
It’s time for Episode 37 of the Paperback Warrior Podcast! This week we take a look back at the best books we read and reviewed for the month of March. Tom presents an unmasking of a rockabilly musician who also wrote genre fiction. We review vintage paperbacks from Borden Deal and Ivor Drummond. Join the fun on your favorite podcast app, stream below or download directly HERE.
Listen to "Episode 37: 99 Chicks" on Spreaker.
Listen to "Episode 37: 99 Chicks" on Spreaker.
Sunday, March 29, 2020
Skip Bomber
Lloyd E. Olson worked as a technical writer for news articles and served as the editor for a university news bureau. Olson served in the U.S. Air Force during WW2 and used that experience to author his one and only novel, 1960's Skip Bomber published by Ace. In the book's opening notes, Olson reveals that he used the story's location in New Guinea due to it being the least known battle of WW2's brutal Pacific Theatre. He poignantly described it as “an area where the Stone Age and Twentieth Century met.”
Skip Bomber introduces readers to Captain McGurk and his crew of the Fertile Myrtle, an American B-17 bomber. In a lot of ways the story is about this flying fortress and it's steadfast resistance to the elements, mechanical deficiencies, a stern Captain and Japan's robust naval fleet. For perspective, this bomber's wing area was 1,420 feet and powered by four engines each pushing 1000 horse-power. It's top speed was 325 mph at 25,000 feet. It's cargo? 6,500 pounds of explosives. Needless to say, the B-17 was a fire-breathing behemoth.
McGurk's mission is to consistently defend an area known as Port Moresby in New Guinea. During the war, this was a city of about 1,300 people sitting a mere 80 miles from Australia. For the strategist, it was an important area for the Allied forces but also critical in the defense of Australia. While Olson summarizes the history and importance of the area, don't forget this is an action-adventure fiction paperback.
Aside from a few fun excursions, each chapter is dedicated to one flying mission for McGurk and his crew. The author doesn't provide much insight on the characters' personal lives, choosing instead to simply tell an exciting series of stories. Through instrument panels, tailgunner pivots, belly bombs and McGurk's perspective, readers are thrust into these exciting bombing campaigns. Missions vary from defense measures around American ships to assault runs across Japanese fleets. Interesting enough, there's even a bombing run on a volcano.
While Skip Bomber is a lot of fun, I was hoping for a central plot to develop. Additionally, having some sort of backstory on these characters may have prompted a more emotional investment. The story ends appropriately enough, but I couldn't resist contemplating a better ending or thinking of a potential sequel or follow-up tale. Regardless, at 180-pages, this 35-cent Ace paperback packs a punch. Skip Bomber is a fun, exciting look at a lesser known WW2 campaign. Bombs away!
Buy a copy of this book HERE
Skip Bomber introduces readers to Captain McGurk and his crew of the Fertile Myrtle, an American B-17 bomber. In a lot of ways the story is about this flying fortress and it's steadfast resistance to the elements, mechanical deficiencies, a stern Captain and Japan's robust naval fleet. For perspective, this bomber's wing area was 1,420 feet and powered by four engines each pushing 1000 horse-power. It's top speed was 325 mph at 25,000 feet. It's cargo? 6,500 pounds of explosives. Needless to say, the B-17 was a fire-breathing behemoth.
McGurk's mission is to consistently defend an area known as Port Moresby in New Guinea. During the war, this was a city of about 1,300 people sitting a mere 80 miles from Australia. For the strategist, it was an important area for the Allied forces but also critical in the defense of Australia. While Olson summarizes the history and importance of the area, don't forget this is an action-adventure fiction paperback.
Aside from a few fun excursions, each chapter is dedicated to one flying mission for McGurk and his crew. The author doesn't provide much insight on the characters' personal lives, choosing instead to simply tell an exciting series of stories. Through instrument panels, tailgunner pivots, belly bombs and McGurk's perspective, readers are thrust into these exciting bombing campaigns. Missions vary from defense measures around American ships to assault runs across Japanese fleets. Interesting enough, there's even a bombing run on a volcano.
While Skip Bomber is a lot of fun, I was hoping for a central plot to develop. Additionally, having some sort of backstory on these characters may have prompted a more emotional investment. The story ends appropriately enough, but I couldn't resist contemplating a better ending or thinking of a potential sequel or follow-up tale. Regardless, at 180-pages, this 35-cent Ace paperback packs a punch. Skip Bomber is a fun, exciting look at a lesser known WW2 campaign. Bombs away!
Buy a copy of this book HERE
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