Danny Fontaine #01 - As Bad As I Am

William Ard wrote a two-book series starring Danny Fontaine - an actor turned ex-con trying to make a life for himself in New York City. Those books were As Bad As I Am (1959 - also released as Wanted: Danny Fontaine) and the second book, When She Was Bad (1960). Ramble House has released the two Danny Fontaine books in a single trade paperback as Two Kinds of Bad with a helpful introduction by Francis M. Nevins. I’ve been dying to explore the first Fontaine book, and the reprint made it an easy lift.

As Bad As I Am opens with 30 year-old former stage actor Danny Fontaine being paroled from prison where he just served five years for beating a muscle-man to death because the meathead was being rough with a girl. We learn early in the novel that Danny’s Achilles heel is his desire to help women - regardless of legalities, and this affliction has landed Danny in jail before. Because of this, a condition of Danny’s parole is that he can’t date or have sex with a woman for the 18 month term of his supervised release.

Danny warms up to the idea of getting back into acting, and, of course, meets a girl in the process. Her name is Gloria, and the aspiring actress is the hottest little dish - and sweetness personified. When Danny becomes a murder suspect, Gloria is the one he turns to for shelter and a base of operations to establish his innocence. Late in the novel, they turn to a Manhattan private eye named Barney Glines to help clear Danny’s name.

Earlier in his career, William Ard wrote two books under the pen name of Thomas Wills starring a private eye named Barney Glines. Those two books were: You'll Get Yours (1952) and Mine To Avenge (1955). Later, when Ard began the Danny Fontaine series, Glines becomes a major character in the short-lived franchise. Ard basically created his own little Marvel Universe of overlapping series titles shared between his own name and a pseudonym.

In any case, Private Eye Barney Glines is, by far, the best character in this Danny Fontaine debut. He’s a funny, self-confident, can-do guy who takes control of the situation and helps navigate Danny out of his mess. It’s not a fast-moving thrill-ride of a paperback, but I still enjoyed As Bad As I Am. Ard was an awesome writer and he unfolds his plots really well - even when there’s not much action taking place. The dialogue and characters were vivid and real. I’m told that in the second book starring Danny, When She Was Bad, the jailbird becomes a private investigator working for Barney’s firm. I can’t wait to read it and tell you about it.

William Ard probably would have written more books starting Danny Fontaine after the second installment, but the 37 year-old author died of cancer in 1960 ending a promising career as an edgy and innovative voice on the crime fiction landscape. For my part, I’m just thankful that some of his work remains available today. Ard was a powerhouse talent in a crowded field, and he deserves to be remembered.

Fun-Fact:

The title As Bad As I Am comes from a traditional Scottish toast:

Here’s to you, as good as you are,
And here’s to me, as bad as I am;
As bad as I am and as good as you are,
I am good as you are, as bad as I am.

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Mike Ballard #01 - Brute in Brass (aka Forgive Me Killer)

Brute in Brass was a 1956 Fawcett Gold Medal paperback by Harry Whittington (1915-1989) published at a time when the prolific Florida author was at the top of his game. He probably was paid $2,000 for the novel with the promise of bonuses if the paperback saw multiple printings. In 1987, Black Lizard Books reprinted a handful of Whittington books including Brute in Brass under Whittington’s original manuscript title Forgive Me Killer.

Mike Ballard is a vice cop currently under investigation for corruption. This presents an immediate problem because he is also a bag man and fixer for a mobster nightclub owner with plenty of secrets. Mike’s got a girlfriend of sorts he set up in an apartment who’s not getting the emotional connection she desires. She wants to be his wife - anyone’s wife, really - but Mike likes the current no-strings arrangement.

Mike travels to a prison to see a death row inmate named Earl Walker who maintains his innocence of the murder that landed him on the electric chair waiting list. During the investigation, Mike was the only cop who didn’t beat Walker to elicit a confession, so he’s the one Walker begs to help save his life. Mike also has his eye on Walker’s comely wife, which is the real reason he agrees to help.

As you may have gathered, Mike is kind of a heel. But he’s one of those heels that you kind of like because he’s smart, tough and blunt - a good, but somewhat dirty, cop. He also evolves over the course of the novel to locate the decency within himself while solving a fascinating mystery and navigating a minefield of personal and professional problems.

Brute in Brass was another winner among Whittington’s 170 identified novels. The hero, Mike Ballard, is a badass fighter who should have starred in a series of his own.

Trivia:

There’s a theory that Mike Ballard was intended by Harry Whittington to be a series character - the key to a crime fiction author’s commercial success in the 1950s and now. He wrote a second Ballard novel called Any Woman He Wanted, but it was rejected by Fawcett Gold Medal.

The sequel was finally published in 1961 by second-tier paperback house Beacon under the pseudonym Whit Harrison. By then, any momentum toward making the protagonist a franchise was gone, and Whittington never tried again to launch a series of his own.

Any Woman He Wanted (Mike Ballard #2) remains available as a reprint from Stark House Noir Classics (HERE). Watch Paperback Warrior for a review coming soon. 

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Eagle Force #06 - Berserker

The 1980s proved to be a successful era for author Dan Schmidt. Beginning in 1986, Schmidt began contributing to the Mack Bolan universe with an astounding 40-installments across The Executioner, Stony Man and Mack Bolan product line. The busy author also launched a series of team-based combat novels called Killsquad that ran 10-books from 1986 through 1988. Of the author's extensive catalog of violent, bloody literary works, perhaps my favorite was the Eagle Force series. Like Killsquad, it was a team-based combat series and featured four ex-CIA members working as freelance mercenaries. The series lasted nine novels from 1989-1991 and was published by Bantam. I've slowly been collecting these books over the years and I was happy to finally locate the sixth installment, 1990's Berserker.

The first five novels of the series tied up some loose ends involving Eagle Force leader Vic Gabriel and his quest to learn how his father was betrayed and killed on covert operations in Vietnam. The climactic conclusion to that story arc was the emphasis of Ring of Fire. Berserker is the first of the series to feature a full-length action mission without the backstory baggage.

In the book's first chapter, a seemingly invincible man commences to sprint across the White House grounds. Using just brute strength and a primal rage, the man begins tearing at the frantic Secret Service men while absorbing a barrage of bullets. After the carnage, the chapter reveals that the man's furious assault was a final experiment performed by the KGB under top secret clearance from Soviet High Command. Project Berserker, in collaboration with East Germany, was created to modify human soldiers into savage, flesh tearing combatants that can be used to destroy villages, small cities and most importantly, military installations. It's like Marvel Comic's Weapon X program that created the Wolverine character...but only really, really evil. And communist.

Dan Schmidt utilizes the vile Berserkers as the perfect enemy for his rejuvenated Eagle Force. However, the author creates a number of fire-fights and smaller battles as foreplay before the bullet-orgy with the Kremlin and Project Berserker. The first of these battles is with a tactical mercenary unit calling themselves the German Fury. The mid-section of Schmidt's narrative focuses on Eagle Forces assault on a remote Greek island and their action-packed gunfight with the SPETSNAZ, an elite Soviet fighting force.

Berserker is another exciting installment of the Eagle Force series. The author's commitment to “brand new” adventures after five prior novels of backstory - using annoying recollections presented in italic fonts – was a much needed change. Because of that, readers receive 132-pages dedicated to Eagle Force versus Soviets, mercs and beastly soldiers. It's over-the-top, slightly deranged and completely unrealistic, three traits that make Dan Schmidt's writing so much fun. 

The Good Guy

During his productive career as an author, Lou Cameron (1924-2010) transcended genres from crime fiction to westerns to war adventures. In 1968, Cameron tried his hand at a mainstream political thriller called The Good Guy that promises “an exciting shocker with a double-twist finish,” so I buckled in for what was sure to be a wild ride.

The paperback’s conversational narrator is a doctor of behavioral psychology working as an advertising consultant named Woody Legion. He’s the guy you hire to manipulate the minds of the public if you’re trying to get them to change their favorite soda pop. His field of expertise is called “Motivation Research,” but it really amounts to political dirty tricks - picking out the perfect unassailable lie about the opposition that will alienate the candidate from the electorate.

Enter presidential candidate and freshman congressman Rex Vane. Before Vane became a politician, he was an actor in the westerns who parlayed his fame as a “good guy” into the the U.S. House of Representatives. It’s worth noting that real-life movie cowboy Ronald Reagan was elected governor of California in 1967, so I’m guessing that this was fresh on Cameron’s mind while creating the fictional version in the paperback.

In any case, Woody gets hired to work his psychological black magic as a part of Vane’s campaign. He leaks carefully-chosen false information about Vane’s primary opponent and watches his poll numbers deteriorate. He performs his analysis with giant IBM computers while his staff wears white lab coats. It’s pretty much what people in 1968 thought the future would look like today when algorithms would be making our judgement calls.

There are many problems with The Good Guy as a novel. As a narrator and main character, Woody is not a likable guy with a good personality. Even discounting his dishonorable profession, he’s not the kind of person you want to accompany for 224 big-font pages. For a political thriller, The Good Guy is almost completely devoid of thrills. It’s a boring book because Cameron never took the time to get the reader invested in the characters or the high-stakes of the election. It’s like he wanted to write a fictional expose regarding the dirty tricks that accompany modern politics. 52 years later, these revelations are all rather ho-hum.

The author makes an attempt to emulate an actual breakneck thriller in the paperback’s last 30 pages, but the whole thing was rather contrived and didn’t follow the novel’s own internal logic. This book was just awful. I’m normally a fan of Lou Cameron, but don’t bother with this stinker. The Good Guy was just A Bad Book.

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Paperback Warrior Podcast - Episode 44

On Paperback Warrior Podcast Episode 44, we plunge into the life and career of crime fiction author Ed Lacy with lots of reviews and revelations. We’ll also check in with Wolfpack Publishing and a special review of Protector #1 by Rich Rainey. Listen on any podcast app, stream below or download directly HERE. Listen to "Episode 44 - Ed Lacy" on Spreaker.

Matthew Scudder #03 - In the Midst of Death

Beginning in 1976, prolific author Lawrence Block launched a 17-book series starring former New York City detective Matthew Scudder. The series provoked two movie adaptations – Eight Million Ways to Die (1986) and A Walk Among the Tombstones (2014). Despite being the second series installment published - one year before Time to Murder and Create (1977) - Block considers In the Midst of Death (1976) the series' third entry. After enjoying the prior novels, I was anxious to return to the dark streets of Hell's Kitchen again.

In the Midst of Death provides a slight shift in the murder mystery formula. In it, Scudder is asked to do a favor for $2,500. But, unlike the prior novels, this one isn't setup as a murder case right away. Instead, a NYPD cop named Jerry Broadfield has been accused of extorting money from a prostitute. When he asks Scudder for help, Broadfield explains that he was in the middle of working with the city on exposing the department's corruption. Broadfield, and Scudder by proxy, believes that the extortion charges are an attempt to silence him. Scudder is skeptical to side with Broadfield, or do the favor, fearing that the truth isn't entirely clear. Later, when the prostitute is found murdered in Broadfield's apartment, Scudder's investigation becomes way more complicated.

Block's dark portrait of Scudder is one of the many enjoyable facets of this series. With In the Midst of Death, Scudder strains at the ties that bind – his former life with the NYPD and the remaining responsibility that he feels he owes the brotherhood. Broadfield's exposure of the department and his fraternity of peers, put Scudder on a balance beam of ethical repercussions. Broadfield's push to clean up the corruption and Scudder's protective nature of the business and its inner sanctum – despite how corrupt it might be. The author also weaves in a romantic fling with Broadfield's wife in a brilliant parallel of what Scudder experienced with his former wife – dissatisfied family, neglected marriage, disposable fatherhood. Scudder knows where the Broadfields are headed, but knows he can't save their marriage anymore than he could save his own.

In the Midst of Death is another gripping, extremely enjoyable installment in the series. Lawrence Block is an incredible storyteller and the book's last sentence left me reeling. Some authors strive their whole lives to leave readers with a lasting impact. For Block, it's a common occurrence.

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Rain of Terror

Douglas Sanderson (1920-2002) was born in England and moved to Canada in 1947 after serving with the Brits during WWII. In Canada, he manufactured breakfast cereal, sold jewelry and sang in nightclubs to make a living before becoming a full-time novelist in 1952. His hardboiled crime and thriller paperbacks - 25 novels in all - were mostly published under the pseudonyms of Martin Brett and Malcolm Douglas, and Stark House Books has been reprinting Sanderson’s work slowly over the past few years. The latest re-release is a trade paperback compiling two Fawcett Gold Medal novels from 1955 - Prey by Night and the subject of today’s review, Rain of Terror.

Jake Abbott is an American living in Rome working as a news reporter for a wire service. He’s got a lucrative side-hustle introducing suckers to a counterfeit art dealer named Mr. Turrido. For his part, Turrido is a diminutive and foppish member of high society who made his money through theft, pimping, and fraud. The author does a fantastic job of painting Turrido as a particularly reprehensible villain.

Anyway, Jake is sick of dealing with Turrido’s arrogance and decides to quit his association with the irritating wannabe mobster. This leads to a Chapter One fight with the American beating and humiliating the Sicilian. Turrido swears vengeance on the insolent Jake and dispatches an 18 year-old toady named Angelo to find and kill the man who dishonored him.

Meanwhile, Jake has been banging his newspaper boss’ wife (with all the guilty feelings associated with that) and is trying to end that relationship. So, when an assignment arises to travel to a mountain village where a flood has killed 32 people, Jake jumps at the opportunity to escape the drama of Rome and cover a natural disaster in progress. He hops a train into the flood zone without the knowledge that Angelo the teenage killer is following him close behind. Complicating matters further, his boss’ wife - her name is Grace - also traveled to Piscoli so she could be with her secret lover.

Upon arrival at the town, the rain is still falling in buckets, and the village’s survival is threatened as the aqueducts and bridges become overwhelmed. The author does a nice job interspersing the “disaster movie” segments with the manhunting and relationship drama stuff. There are some great scenes including one in a tunnel that reminded me of the kind of horror that Stephen King would produce decades later.

My one complaint with Rain of Terror was that there are too many subplots. The assassin storyline was great. The love triangle was great. But then we also have an art theft, a 16 year-old waif, a political power struggle in the flooding town, two mid-novel murders to solve and more. Some of these subplots overtake the assassin story and transform the novel into a pretty standard whodunnit. That’s a lot for the hero to deal with as the water is rising, but it’s also a lot for the reader to digest at once in a thin Fawcett Gold Medal paperback. It was a bit like playing whack-a-mole at times

It’s interesting to read a “man on the run from an assassin” book where the motive is an old-country honor killing. It’s also interesting that the assassin is a wet behind the ears teenager trying to prove himself to a loathsome boss. I wish the author had developed that storyline more fully rather than shoehorning in all those competing plotlines.

Despite my quibbles, Rain of Terror is a solidly-good read, and Sanderson was a quality writer who knew how to keep a story moving. This definitely won’t be the last of his novels for me. 

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