Wasteworld #02 - Resurrection

The men's action-adventure genre of the 1980s was a license to print money capitalizing on Cold War hysteria. Pop-culture was consistently buzzing with what was conceived as an inevitable nuclear war with the Soviet Union. Films like “The Road Warrior” and “Mad Max” proved to be catalysts spurning the post-apocalyptic movement that eventually would permeate men's action fiction. With series' like 'Doomsday Warrior', 'Deathlands' and 'Out of the Ashes', the genre spiked by the mid-80s and created a number of shorter series titles and stand-alone novels.

U.K. authors Laurence James and Angus Wells were members of the “Piccadilly Cowboys”, a faction of British writers that concentrated on violent western titles including 'Apache', 'Adam Steele' and 'Edge'. James was a tremendous contributor to the post-apocalyptic genre as well, penning a number of 'Deathlands' novels as well as a trilogy called 'Survival 2000'. Teaming with U.K. publishing house Granada, and his contemporary Angus Wells, James launched a four-book series called 'Wasteworld' in 1983 that featured vivid artwork from acclaimed illustrator Richard Clifton-Dey (Blue Oyster Cult, Ray Bradbury).

The second entry, “Resurrection”, features survivor Matthew Chance driving a worn-out Daitsu through rural Texas. Readers were first introduced to Chance in the series debut “Aftermath”, where Chance's background as United States Marine Corps pilot led to a subsequent post-nuke campaign in the Crozet Islands in the Indian Ocean. Making his way through Mexico, Chance was shipwrecked in New Orleans on a quest to find his ex-wife and family. After disposing of a defacto dictator and liberating a tunnel of mutants, “Resurrection” picks up seamlessly from those events.

The book's opening scenes pits the wiry Chance against a gigantic mutant spider. The harrowing fight is a tantalizing suggestion that this book may be an improvement over the series' disappointing debut. After the spider fight, Chance finds himself in what remains of Austin, now a fortified, smaller city ran by Chance's brutish former father-in-law, Garth Chambers. The survivor settlement is now ruled by Chambers and features only two classes – military and prisoner.

The plot of “Resurrection” solidifies when Chambers imprisons Chance leading to their ironic twists-of-fate; Chambers needs Chance as a pilot in servitude, and Chance needs the whereabouts of Chambers' daughter and grandchildren. In an unlikely alliance, Chance is forced to work with Chambers until he can learn the location of his family. That brings the book's rowdy finale into view – the inevitable showdown between the two forces. However, to avoid the elementary premise, the authors introduce a mutant army called The Nightmen that will be forced to choose sides. Ultimately, a bomb shelter housing a lone prospector named Fairweather proves to be the key in Chance's fight.

Unlike the debut, “Resurrection” is an explosive action-adventure that meets the needs of avid post-apocalyptic fiction fans. High-octane car chases, gunfights with bandits, mutant insects and two charismatic forces enhance this ordinary “bully versus drifter” western archetype. In terms of genre quality, it ranks up there with the best of 'The Last Ranger' books and equals the chaotic enjoyment of the 'Traveler' series.  These used books are expensive and difficult to find, but based on this entry, it might be a worthy investment.

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Wasteworld #03 - Angels

Laurence James and Angus Wells were both prolific UK authors that were at the core of the Piccadilly Cowboys group of western, action and science-fiction writers. The four-book series entitled 'Wasteworld' launched in 1983 to capitalize on the nuclear hysteria of the 1980s. It's a post-apocalyptic series written by James, Wells, or a combination of both. While the verdict is still out on who actually authored the series, it was certainly a great run of action-adventure titles. After a rough start with the debut, I enjoyed the subsequent novel “Resurrection” immensely. Does the third book capture that same enjoyment?

1984's “Angels” begins with hero Matthew Chance gathering supplies to continue his journey to Salt Lake City. His wife and kids are residing in a spiritual encampment, and Chance has traveled from New Orleans to Texas throughout the course of the first two books to free them. Still in Texas, Chance has now met up with a scraggly scavenger and his snarling dog. After an intense encounter, the two agree to work together to secure a souped up Dodge Charger across town. Unfortunately, its guarded by the Nightpeople (think of those sand creatures from Star Wars). I won't ruin the fun for you, but the authors inject some terror into this car heist.

However, the bulk of the narrative revolves around a sadistic group of Hell's Angels bikers and their ill-will towards Chance. Like a twisted scene from David Alexander's 'Phoenix' series, the bikers force Chance into a motocross nightmare featuring spikes, chains, traps and guns. It's an exhilarating sequence that propels Chance into another adventure that reaches fruition by the book's finale. I was surprised to find that “Angels” climaxes in a cliff-hanger requiring top dollar for the fourth and last paperback of the series.

I've ran the gauntlet of 80s post-apocalypse paperbacks like 'Swampmaster', 'Phoenix', 'Roadblaster', 'Deathlands', 'Survival 2000', 'Last Ranger', etc. I'd say I've enjoyed this series more than any of them. You will too.

Note – Wells/James inserts a reference to Cuchillo, an Apache warrior that starred in the 'Apache' series of 1970s westerns penned by a combination of Laurence James, Terry Harknett and John Harvey. This mirrors the cameo appearance that Cuchillo makes in James' 'Deathlands' series. Wild!

Wasteworld #01 - Aftermath

U.K. author *Laurence James has become a regular staple here at Paperback Warrior. I’ve covered a host of his novels ranging from the ‘Apache’ western series to his popular post-apocalyptic runs on ‘Deathlands’ and ‘Survival 2000’. The “Piccadilly Cowboy” had a knack for science-fiction and the post-nuke formula, evident as early as 1983 with the four-book series ‘Wasteworld’. It’s debut, “Aftermath”, was released in the U.K. by the Granada publishing house under one of James’ many house names, James Barton. Collaborating with Granada is popular British artist Richard Clifton-Dey (Blue Oyster Cult, Ray Bradbury). The talented painter showcases a barren, dismal “wasteworld”, accenting hero Matthew Chance’s post-apocalyptic struggle perfectly. With rather large print at 128 pages, this is two-hours…spent.

Like any post-nuke worth its salt, “Aftermath” curtain jerks with a paragraph explaining Afghanistan was invaded, the US took the banana countries and a war was fought over Cuba. The breaking point was an invasion into Libya as the parts of the world experienced oil shortages. The bombs went up and down…and now most of the world is riddled with radiation, disease and devastation. Marine Air Corps pilot Matthew Chance was fighting in a campaign over the Crozet Islands in the Indian Ocean when the nukes exchanged. Apparently, the bombs really had no effect on Matthew or the surrounding area. Surviving the ordeal, he somehow ends up in Mexico (told to the reader through a verbal exchange with a mutant) where very little devastation has occurred. Other than the air bases, Mexico has very little radiation or physical stress. As charming as it sounds, Matthew has to get to Texas to find his ex-wife and their two children.

The book’s opening chapters has Matthew washing up on a shore in New Orleans. He’s somehow sunk a cigarette boat in the gulf with kilos of cocaine and gallons of fuel. His bartering goods are ultimately destroyed and the only possession he can carry to shore is a fighting knife. This quickly comes in handy as Matthew fights off a gang of deadly, feral cats to prove his validity. Soon, he’s exploring the city only to find New Orleans is now ran by a voodoo priest named Amos. The African Americans have actually enslaved the white survivors and now serve as labor and enforcement for “king” Amos. After seeing Caucasians being buried alive, pale-faced Matthew quickly runs for safety. He runs into a swarm of 7-foot hunchback ogres and mutant, rabid dogs. His only safety is in the sewers where he befriends a female mutant named Alice Adams. In a wacky scene we learn Alice can only communicate by ESP and she’s a permanent resident – her mutant deformity is that she is bloated to a supersized blob of lethargic fat. With that size comes great stress – she can’t fit through the sewer exits.

Alice offers to aid Matthew in his journey to Texas (how?) if he will simply go kill Amos. Matthew makes a failed attempt only to be awarded with the obligatory jail time. Amos forces Matthew to shoot a few white prisoners while requiring him to fly a Cobra helicopter into the bayou to kill an army of Cajun opposition. It’s utterly ridiculous, made even more convoluted by an insane decision on the part of Matthew to blow the helicopter up. Why not just fly the damn thing to Texas and save the family? Instead, Matthew wastes an entire helicopter fighting rabid dogs and mutants near the sewer entrance. In the book’s finale, Matthew, now teaming with the very mutants he was fighting, attempts to exchange Amos for some Cajun prisoners.

I loved the brief backstory on Matthew and the mono myth creation. This really set the book up well, and despite our hero fighting cats, he’s introduced as a likable guy. The chase scenes within the brothel and wine cellar were very effective and bordered on horror’s penchant for dark spaces and hypertension. I found James really ahead of the game with an early style of writing in describing residency. A lot of the zombie fiction of the 00s would depict characters entering homes and finding dead bodies. I always found that part of zombie fiction entertaining…although oddly anonymous and thought provoking. Here, Matthew enters a number of homes and finds the same scenario. Often, he simply drags the bodies into a room or piles them up downstairs. I thought this was a unique aspect considering the time of release – 1983. By the middle of the book James’ throws the baby out with the bath water. Alice Adams is absolutely bizarre and the vile villain is dull and lifeless. Where the book’s beginning made Matthew interesting and somewhat respectable…the closing chapters are studies in character erosion. The book’s cover painting and slim design makes it collectible…but I would never read this again.

* Justin Marriott of Paperback Fanatic, Sleazy Reader, Men of Violence, etc. suggests that this book may have been written by a different Piccadilly Cowboy in Angus Wells. He cites two different sources for pegging Wells as the author. First was an interview he did with crime writer James Harvey, who had worked with Wells and James on prior work. Second is the fact that Laurence James excludes 'Wasteworld' from his bibliography submitted to Paperback Parade. 

Raven #01 - Swordmistress of Chaos

As I cited in prior genre reviews here at Paperback Warrior, the 1970s was a fertile time for sword-and-sorcery to dominate pop-culture. The British publisher Corgi took advantage of the marketing explosion to offer a five-book series of genre titles called Raven. These aren't to be confused with the men's action-adventure series of espionage titles also called Raven, authored by Donald MacKenzie. Instead, these were bonafide sword-and-sorcery novels authored by Piccadilly Cowboy writer Angus Wells (Breed, Hawk) and horror and fantasy writer Robert Holdstock (Berserker, Night Hunter) using the pseudonym Richard Kirk. The first novel, Swordmistress of Chaos, was published by Corgi in 1978 with a cover by Chris Achilleos (Conan, Heavy Metal). Beginning in 1987, the series was published in the US by Ace using new covers by Luis Royo (Conan). 

Like the 1960s Conan paperbacks published by Lancer and edited by Lin Carter, the Raven books have a handy map at the front indicating a large body of water with two islands in the center, surrounded by places called The Frozen Peaks, The Lost Mountains, The Ice Wastes, The Lost Lands, etc. This sprawling kingdom is where the Raven novel takes place. In the far south is a tiny shoreline village called Lyland, lying in the Southern Kingdoms. It is here where the Raven origin story begins.

Su'an was a young girl when a large gang of Karhsaam slave-raiders invade her village. Her father is brutally tortured and killed and her mother is raped and murdered. Su'an is hauled off to a slave-pen that will be used for prostitutes in Karhsaam. These slave-raiders are led by a cruel warrior named Karl ir Donwayne. Thankfully, Su'an escapes her bonds one night and escapes the pen. As she's running across the tundra to flee her captors, she runs into a trap led by vicious snarling hounds. Just before she's re-captured, a band of outlaws led by a man called Spellbinder sweeps in to save her with the help of a large raven. Soon, Su'an is renamed Raven and told by the outlaw gang that she has a great destiny awaiting her. 

By page 40, Raven has spent over a year with Spellbinder and the outlaws perfecting her fighting skills. Her weapons of choice are sword, shield, and throwing stars that she keeps hooked to her belt. While she makes love to Spellbinder, readers quickly learn that Raven belongs to no man or woman. She is fiercely independent, making her character similar to that of Red Sonja. 

Over the course of this 170 page paperback, Raven's goal is to hunt down and kill Karl ir Donwayne. She discovers that he has joined forces with the Kraggs, the larger of the two islands sitting in the large body of water shown on the map. To get to him, the narrative takes Raven and Spellbinder on a ship to join a gang of Viking-esque raiders called Sea-Wolves. Raven has a sexual relationship with the Sea-Wolves leader, a cunning warrior named Gondar. Teaming with the Sea-Wolves, Raven must locate a sacred skull to gain access to Donwayne's location. The search for this skull makes up a large portion of the book's narrative, with the ragtag group journeying through a desert, navigating a harsh mountain pass, and ultimately fighting hideous Beastmen in a sweltering jungle. When the skull is found, the narrative switches to Raven and the group fighting the Kraggs. There is a side-story of a rival magician wanting revenge against Spellbinder as well as a number of one-on-one battles between Raven and various other combatants. 

Swordmistress of Chaos is an adult-oriented sword-and-sorcery novel that does feature some R-rated sex scenes. These are never as graphic as an adult-western like The Trailsman or Longarm, but still possesses some mature content. Raven not only has romantic encounters with Spellbinder and Gondar, but also two sessions with another female. While I've read that these Raven books are pure porn, nothing could be further from the truth. None of this is what I would consider particularly provocative. 

As a sword-and-sorcery novel, this Raven debut is chock-full of action and adventure complete with nautical exploration, sea battles, sword-fighting, magic wielding, political strife, and the obligatory revenge-plotting. While I think the last 20 pages were disappointing, the “big baddie boss-fight” was extremely rewarding and vividly violent. While the main story is wrapped up in this book, I'm anxious to discover what adventure is awaiting Raven and Spellbinder next. I'm all in on this series and you should be too. Recommended!

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Stark #01 - Funeral Rites

UK publisher Sphere launched in 1966 and rose to prominence with the 1976 printing of “Star Wars: From the Adventures of Luke Skywalker” by Alan Dean Foster (as George Lucas). But, action-adventure readers know the publisher's work through the myriad of 'Conan' and 'The Executioner' releases. The publisher gained the rights to release Don Pendleton's Executioner series, beginning with “War Against the Mafia” in 1973. Losing the series to rival English publisher Corgi, the company emulated 'The Executioner' motif for a new series entitled 'The Revenger'. 

The Revenger would run for 12 total books, the first ten written by Terry Harknett ('Adam Steele', 'Edge', 'Apache') and the last two by Angus Wells ('The Eagles', 'Jubal Cade'). The house name used by Sphere is Joseph Hedges. Later, Pyramid Books acquired the rights to reprint the books in the US but changed the series name to 'Stark' to avoid confusion with another The Revenger series written by Jon Messman. 

“Funeral Rites” is the debut novel of the series and was released in the UK in 1974 with a printing in the US a year later. The book introduces us to the criminal John Stark, a prison inmate in England. He robbed an electronics company while being employed by a criminal organization called The Company. To keep Stark quiet behind bars, they promise to continue the heroin drop into Stark's lover Carol. The Company henchmen aid Stark in his escape from prison so he can continue to do jobs for them.

After these events transpire in chapter one...this book turns into a real turd. 

Stark is brought to sea and reunited with his arch enemy Ryan. Oddly, Ryan provides Stark a bedroom and a nympho named Sheri. In my opinion, Stark loses credibility when he pounds away at Sheri while thinking of the love of his life, Carol. This just seems incredibly selfish, but considering the lack of depth in the book it makes sense the character is easily disliked. Shockingly, Ryan leaves Stark alone so he can set fire to the boat and escape with Sheri.

The author completely loses direction and focus and dedicates the next 100-pages to Stark sleeping, eating...and sleeping and eating. He goes on tangents about how Stark is ravished from hunger but there's no reason for it. He has money and there's food all over London! Ryan, being the book's villain, does nothing. Instead, the author has our antagonist thinking about his lover Jay and how he misses his vibrator. Ugh. In one astonishing, scene Ryan has a mistress flail him with a tree branch before “impaling” herself on him. It's absolutely bonkers.

Action? Well, there's a little here and there. In one wild scene we have Stark's Colt Python against the bad guy's Tommy – with Stark obviously the immortal hero. In a hilarious scene Stark accidentally elbows Jay, knocking him into a sink where he bleeds to death. To get answers to some question (I stopped following the senseless plot), he thrust Sheri's face into the wound while threatening to drown her in the gash if she doesn't tell the truth. Ridiculous.

I hated this book. And it isn't because the English spell “Pajamas” as “Pyjamas” or that they insult the good guys here by calling them a “Tinker's Cuss” (?). No, it isn't that. This character has absolutely no talent. Stark is a thief who was caught. End of story. There's nothing else to it. The Company wants to capture him, there's a bad guy named Ryan, a lover named Carol Burnett (!) and an effort on the author's part to bury 120+ pages in dialogue and trivial descriptions of tea cups and wall décor. 

How this series lasted 12 entries is beyond me. Why Pyramid felt the need to reprint it, God only knows. For me, this series lasted one book.

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Wasteworld #04 - My Way

With 1984's “My Way”, the four-book 'Wasteworld' series comes to an abrupt end. Authored by a combination of Laurence James and Angus Wells, this post-apocalyptic series centered on U.S. military veteran Matthew Chance and his perilous endeavors to reach his ex-wife and kids in Utah. Beginning in New Orleans, each book showcases Chance's road to survival through warlords, mutants and dictators in the same manner that popular doomsday series titles 'The Survivalist', 'Doomsday Warrior' and 'The Last Ranger' also did.

In the ‘Wasteworld’ third installment, “Angels”, Chance had seemingly met his match with a vicious gang of Hell's Angels bikers. Thankfully, a female Apache warrior named Kathi saved the day in the book's grandiose finale. “My Way” is a seamless continuation as Kathi and Chance head north into Nevada. After a couple of quick run 'n gun battles, Kathi's part of the narrative concludes and Chance arrives in Las Vegas to begin another adventure.

After meeting a nice mechanic and his hospitable family, Chance learns that Vegas is now controlled by two brothers, Al and Tony Clementi. Like a 1950s crime-noir paperback, the two brothers control the city's gambling venues and drinking halls. When they target the mechanic's young daughter, Chance is thrust into a war with a doomsday crime syndicate. After killing Al, Tony's faction declares war on Chance. While that narrative comes to fruition, a side-story develops with three bounty hunters from Texas hunting Chance through the Vegas rubble.

Despite the book's exciting premise, “My Way” fails to deliver a pleasant reading experience. Far too often the authors digress from the narrative to explain a minor character's history or to inform readers of an outlaw's infamous history. For example, there's a whole segment on Billy the Kid. While the action was enthralling, I felt it was misplaced and untimely. When key scenes required gunplay, the reader was served dialogue. But when a descriptive scene analysis is required, the characters just shoot it all to Hell.

While publisher Granada probably had a limited circulation (UK and New Zealand only), the sales numbers just didn't produce a commercially-successful series. Unfortunately, “My Way” wasn’t written as a series finale, so invested readers aren't provided a proper conclusion to Matthew Chance's epic struggle. This novel's poor execution ensured that interest in a proper ending likely dwindled among readers. Looking at the series as a whole, the first and fourth books were lukewarm while the second and third installments were very enjoyable. Having read the Wasteworld saga once, I'm not terribly interested in ever reading it again. It might be worth the time and effort to track down the series, but there are certainly far better books to pursue.

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Apache #01 - The First Death

I had been reading up on the U.K. westerns of the 70s and stumbled on a series entitled ‘Apache’. Further reading brought me up to speed on a familiar name in western fiction – Piccadilly Cowboys. This group consisted of writers Terry Harknett, Kenneth Bulmer, Mike Linaker, Angus Wells, Laurence James, Fred Nolan and John Harvey (if not more). Collectively, they wrote a ton of westerns and individually contributed to science fiction and men’s action adventure genres. ‘Apache’ was a bit of a snowball effect resulting from the tremendous success of the violent western series ‘Edge’. According to the excellent blog "Western Fiction Review", ‘Edge’ was published by George Gilman, a pseudonym for authors Terry Harknett and Laurence James. Harknett (under the name William M. James) wrote the debut ‘Apache’ novel “The First Death”, released in February, 1974 through Pinnacle. The series would run from 1974 through 1984 – 27 books written by Harknett and John Harvey (later). Thankfully, I was able to track down an Ebook copy of “The First Death” using a nifty online library – openlibrary.org.

Although the year is never mentioned, the book is set somewhere around 1861. There is a mentioning of a possible rebellion against the Union in the East, thus the beginnings of the U.S. Civil War. The book begins with Lieutenant Pinner riding troops into an Apache rancheria in the Arizona Territory of the Department of New Mexico. He’s looking for a Native American that he suspects stole his prized golden dagger, a cherished gift from his father. Pinner is a royal dick and routinely takes his aggression out on what is now a peaceful tribe of Apache. Their chief, Black Horse, allows Pinner’s troops to run through the tepees searching for the dagger, putting aside frustration and pride for the greater good. 18-year old brave Cuchillo sees the invasion from a rock outcropping and races in to protect his wife Chipeta and his newborn son. In a shocking early revelation, Cuchillo produces the dagger from inside of his shirt. Pinner and the troops take Cuchillo back to nearby Fort Davidson for trial. Pinner asks his superior, Major Anson, to execute Cuchillo, but the leader suggests removing Cuchillo’s index finger as a suitable punishment. Pinner, in a prime asshat move, actually removes two fingers in a disturbing and graphic scene.

Harknett introduces a solid backstory outlining Cuchillo’s place in the tribe, a feud with fellow brave White Dog and his friendship with the white John Hedges, whom has educated Cuchillo with English culture. Cuchillo provides a valid explanation as to why he had Pinner’s dagger, and later, tangles with the violent father-son due of Nathan and Armstrong Ford – two pivotal characters in the book’s ultimate plotline. Cuchillo attempts to settle the dagger transaction, only to run afoul of the Fords, killing one of them. Before he can return back to the rancheria, the cavalry arrests Cuchillo’s wife and retains his son until the brave returns to Fort Davidson to confess and ultimately hang. This puts Cuchillo in the worst situation – trading his own life for his wife and son’s.

The book’s violent finale has Fort Davidson’s scum run the rape train on Cuchillo’s wife. It’s a brutal scene, but done with just enough detail to paint the revenge scenario facing Cuchillo and the reader. It’s tough to read, but isn’t a grizzly, squeamish scene. I’m glad the author held back a bit…enough is enough with the cruelty. The climatic ending is a shocker, but a mandatory finale to set up the long running series. I’ve got to have book two…right now.

I’ve read a ton of western fiction but I’m going to put ‘Apache’ in the upper echelon. It’s a quick read at under 200 pages, with just enough violence and a good mystery to saturate the book’s contents. I’m hoping this series will expand on the Cuchillo and Pinner conflict while also furthering the development of White Dog’s feud. I can’t say enough good things about this book. Based on this debut, ‘Apache’ looks like a winning formula. 

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The Gladiator #01 - Hill of the Dead

'The Gladiator' is billed as “In the great tradition of Spartacus!”. It's debut, “Hill of the Dead” was released by Pinnacle in the US in December of 1975. The author's name of Andrew Quiller is a pseudonym utilized by writers Kenneth Bulmer, Laurence James and Angus Wells. It's tied to the American series called 'The Gladiator', but also to the European version deemed “The Eagles”. It's a five-book run that's supposedly penned completely by Bulmer (or at least the first three). 

The book's beginning is actually the ending. The reader is placed in a Roman Colosseum circa 75 a.d. A notorious gladiator named Vulpus the Fox is doing battle with a unnamed prisoner to the delight and roar of the crowd. As Vulpus is about to strike the bloody death blow...he hesitates. The combatant advises Vulpus, “Aye. It is Samuel ben Ezra. No ghost. Come brother, strike. I have had enough of debts”. And with that intriguing statement, Vulpus, Samuel and the reader go back in time to learn the history of both fighters and what events led to this battle.

Vulpus is actually Marcus Julius Britannicus, a young Roman soldier in the Tenth Legion. He was awarded the service by his father, Flavius Silva. Marcus' father is now dead and Marcus is committed to the Roman Army and to rising in the ranks of leadership. The legion is to wipe out the remaining Jewish forces in Jerusalem. The last fortress standing is Masada, fifty miles southeast of Jerusalem overlooking the Dead Sea. It's 1000 feet up and defended by the Zealots. Marcus, anticipating a strike on the fortress in the coming days, visits a Jewish whorehouse prior to battle. While in the act, Jewish troops descend on the building in an attempt to destroy Marcus and the Roman soldiers. Samuel ben Ezra, showing mercy on his soon-to-be attacker, allows Marcus to escape through a window. The two become friends and Marcus swears a debt to Samuel for saving his life. 

Later, Marcus is in charge of the first assault on Masada but is torn between annihilation of the Zealots (including Samuel) or an escape plan for Samuel and his sister to flee before the battle begins. The novel really comes alive in this finale, ripe with both action, intrigue and anticipation of the inevitable Marcus/Samuel showdown. The novel ends where it began and the reader is left with a cliffhanger. Hopefully, it continues this story-line in the second book “The Land of Mist”. 

Overall, Marcus is a worthy protagonist and a character with many different dynamics. His youth, experience and skills are central to the book's strengths. While emotional, the author incorporates many battle sequences featuring a sole Marcus or as a legion featuring the character. There's a love interest, the blood debt and the history of both Marcus and Samuel for the reader to absorb (or in my case devour). At just 162-pages and large print, this is an easy one day read that will leave you scanning auction and used store sites for the second entry.