Ki-Gor - And the Secret Legions of Simba

The Winter 1939-1940 issue of Jungle Stories featured the fourth Ki-Gor story, “Ki-Gor and the Secret Legions of Simba”. If you aren't familiar with the character, you can read reviews of the first three Ki-Gor stories HERE. The idea is that Ki-Gor grew up in the jungles of Africa after his father, a Scottish missionary, was murdered by natives. Ki-Gor, in his mid-20s, comes to the rescue of a downed female pilot named Helene and the two become lovers. In the third Ki-Gor story, “Ki-Gor and the Giant Gorilla-Men”, the story ends with both the series hero, Helene, and their friend George, being rescued in Africa by a British expeditionary ship. 

On the north shore of Long Island, New York, Helene's parents are anxiously awaiting the return of their daughter. Globally, news reports have run rampant of Helene's discovery in Africa and her rescue by the British. Like a fish-out-of-water story, Helene brings Ki-Gor to the civilized world to introduce him to modern efficiencies. But, as one can imagine, it is all strange and very uncomfortable for Ki-Gor. He opts to be flown back to his home in Africa while Helene agrees it is best if she remains in modern society. 

When this story was written, the entire planet was thrust into World War II, and this story has that “current affair” element. Ki-Gor agrees to return to Africa to spy on a dictator named Julio (the villain from the second Ki-Gor story “Ki-Gor and the Stolen Empire”) and then report it back to British intelligence. The idea is that Julio is assisting the Axis Powers in festering a relatively large military campaign built to destroy the garrisons of French and British forces in the Cameroons. 

While “Ki-Gor and the Giant Gorilla-Men” is my favorite of the four stories I've read so far, the “and the Secret Legions of Simba” is the least enjoyable. There is a tiny bit of aviation-action added to the mix, which removed me too far from the jungle adventure the stories are built on. Additionally, the author attempts to inject too much into the story, making it a fast-paced convoluted idea that never really works. While I enjoyed the story, there are far better Ki-Gor offerings to come I'm sure. This story serves as a bridge between stories in the timeline and helps reunite both Ki-Gor and Helene at the end. 

You can read this story along with five other stories, all in chronological order from 1938-1940, in the Altus Press omnibus Ki-Gor: The Complete Series Volume One. Buy a copy HERE.

Come Easy - Go Easy

For a guy with over 90 novels to his name, British author of American thrillers James Hadley Chase (real name: Rene Raymond, 1906-1985) had a remarkably-good batting average. As such, his 1960 femme-fatale heist noir novel, Come Easy - Go Easy, seemed like a good choice for an effortless and quality read.

Our narrator is Chet, a locksmith specializing in safes. One night he’s dispatched to a service call at the home of a rich jackass who lost his key. Chet pops the lock and sees a half-million bucks in cash just sitting in the safe. That’s the kind of thing that gets a guy thinking…

Chet mentions it to his co-worker Roy, and the guys start scheming. Anyone who reads a lot of heist novels will see that their plan is harebrained and riddled with pitfalls. And, of course, the whole thing goes sideways in the most delightful way possible. I won’t spoil it for you here, but these guys find themselves in a fabulous mess.

The book becomes a man-on-the-run novel and then the author channels Gil Brewer or Harry Whittington for the heart of the novel as Chet hides from the law in a small town among a benevolent boss with sexy young wife driving Chet to more bad decisions.

It’s a heist novel - two, in fact. It’s a prison break novel. It’s a femme fatale novel. It’s a man on the run novel. It’s everything that’s good about noir paperbacks from the 1950s and 1960s. It also the best novel by Chase - by far - that I’ve ever read. If you like the best work of Gil Brewer and Harry Whittington , this is up there with it. Don’t skip this one. I’m dead serious.

Come Easy - Go Easy has been reprinted a bazillion times over the past 60+ years, but you should buy the Stark House version which also includes his novel In A Vain Shadow and an intro by Rick Ollerman. Buy that version HERE.

Ki-Gor - And the Giant Gorilla-Men

We continue our examination of the Jungle Stories pulp published by Fiction House from 1938 to 1954. The reason is simple – the fantastic Tarzan clone Ki-Gor, who was featured in all 58 issues as the lead story. The house pseudonym was John Peter Drummond, but the real writers were a revolving door of staff and hired pens. The best way to read these Ki-Gor stories is the excellent omnibus editions published by Altus Press, starting with Ki-Gor: The Complete Series Volume 1. 

“Ki-Gor and the Giant Gorilla-Men” was featured in the third issue of Jungle Stories, which released in 1939. 

The story begins with Ki-Gor hunting on the edge of the Congo jungle. He's desperate for meat, but must fight a lion to save his kill. Bringing it back to his girlfriend, Helene (read my prior reviews HERE for her story), the two enjoy their cozy fireside dinner on the tundra. But, their enjoyment is short-lived when a giant gorilla approaches the fire and snatches Helene. 

This action-packed story contains a propulsive plot development as Ki-Gor races to save Helene from the mysterious gorilla. However, as Ki-Gor quickly discovers, there is an entire army of giant gorillas bent on making his life a living Hell. As Ki-Gor struggles in savage hand-to-hand combat with the gorillas, Helene keeps getting further and further away. This is really where the story excels and the author's uses a frantic pace, laced with a much-needed sense of urgency, to present the jungle savagery to the reader.

Ki-Gor meets an American black man named George Spelvin on his rescue mission. George was an American Pullman porter and ship's cook who just happened to step off into Africa while on a trip. Through perseverance, and a lot of luck, the Cincinnati native was able to become a Masai chief, a sort of tribal leader among the black natives. George brings a unique dose of humor and goodhearted fun to the story, and becomes a series mainstay in future issues. 

Of the Ki-Gor stories I've read so far, this one is by far the most descriptive. The author saturates the pages in a dense, nearly unholy atmosphere as the two heroes ascend through tall, mist-shrouded mountains where the sky is nearly unseen. These deep tombs of forest and jungle provide an atmospheric landscape that is disturbing and unsettling. The visuals of these two men facing impossible odds while tracking through a foreign land to battle giant gorillas was just awe-inspiring to me. I loved the descriptions of these places, the breathtaking escapism, and most importantly, the heavy-handed action wallop the story delivers. While the villain is really bizarre and brought the story down a notch, it wasn't all in vain. I loved the storytelling and the promise of what happens to Ki-Gor and Helene next. Highly recommended! 

Buy a copy HERE.

Night Shoot

In researching Scottish author David Sodergren, a review blurb I read described his fiction as “modern horror for vintage fans”. That sort of stuck with me when I borrowed a friend's paperback of Sodergren's Night Shoot. The book was self-published in 2019, one year after the author's acclaimed debut The Forgotten Island. As a fan of vintage slasher flicks, I was excited to sample Sodergren's writing.

Night Shoot's past-tense, third-person narrative (you have to be specific these days) features Elspeth Murray as the protagonist. In the book's early introduction, readers learn that Elspeth is in her fourth year of film school to become a professional set designer. She lives with her girlfriend Sandy and the two seem to be reaching a milestone in their relationship. 

Elspeth's class has paired her up with a small crew of classmates that must complete a film as their final exam. The group is mostly misfits that are working on a low-budget horror movie called The Haunting of Lacey Carmichael. While some of the film has been shot at the school, the director has called in a family favor to his father to use an estranged uncle's cavernous manor house to shoot the majority of the film. There's a lot more to it, but giving anything else away is giving you the steak before the sizzle. 

The rule is that the film crew has to get in and out of the house in one day, allowing just a few hours of shooting time before the rigid 8PM deadline to get the Hell out. This rule is important to the owner of the place, a stuffy old fart that doesn't appreciate the tedious task of having young snot-nosed kids ruining the woodwork. As the film crew sets up in the giant mansion, a hideous “something” is in the attic watching and waiting. 

In a fast-paced 80s slasher style, each of the film crew is knocked off in heinous fashion. It follows the beloved formula of ticking off the characters until the final girl is left alone in the house with the “something”. I was getting some serious Linda Blair vibes from the VHS classic Hell Night (1981), but also shades of the flick Curtains (1983) and the lost gem The House That Vanished (1973). Setting is always important for these stories and the use of an enormous manor house nestled on a cliff overlooking the North Sea was pretty spectacular. Kudos to the author for using every square foot of the house's interior, with chase scenes spilling into offices, hallways, attics, bedrooms, rooftops, and closets. 

Night Shoot is a 230-page horror novel for the casual mop-headed rental-store veterans out there. I love a good 70s and 80s romp where the actress evades the masked man through campgrounds, houses (big or small), malls, schools, barns, and mines. If you love that stuff, then Night Shoot is a popcorn classic. I can't wait to read more of this author.

Buy a copy of this book HERE.

David: Warrior and King

Author Frank G. Slaughter (1908-2001) concentrated his writing efforts on medical-suspense novels and historical fiction. As C.V. Terry, Slaughter authored sweeping adventure fiction that incorporated buccaneers and early medical surgeons, evident in titles like Buccaneer Surgeon (1954) and Buccaneer Doctor (1955). I've enjoyed his historical fiction set in the early days of Florida, including Apalachee Gold (1954), which was my first experience with the author. But, Slaughter also authored a number of historical fiction that is based off of the Holy Bible. These “biblical history” titles included full-length novels about figures like Ruth, Simon, Mary, and Paul. 

In reading the Bible, specifically books Samuel and Chronicles, a grand adventure presents itself concerning one of the most iconic figures in religion, King David of Israel. When I was a kid, church was mandatory, and sitting through endless sermons was cumbersome for my restless spirit. But, the most exciting aspect of attending church was the scriptures about David, a fierce warrior who bested the Philistine giant. Later, as an adult, I had always considered David's story as one of the best and earliest adventure accounts in literature. I had longed for a book that would incorporate the actual scripture, but in a novel format that would take some liberties in fleshing out the complete, awe-inspiring life of David. Thankfully, I discovered that Slaughter had that idea in the early 1960s. 

David: Warrior and King was published by World Publishing Company as a hardcover in 1962 and then published by Permabook a year later in paperback. Today, you can find it as an ebook HERE. 

At 400 pages, the novel begins with David as a young shepherd boy in Bethlehem. Readers learn that David's brother is Eliab, a soldier for King Saul in the Israeli military. David is a skillful hunter, displaying his bravery to Eliab with the hunting and slaying of a pesky jackal. In the early pages of the book, the prophet Samuel anoints David's head with oil and declares that he will eventually become Israel's king. This prophecy shapes the book's narrative as readers embark on the inevitable journey to the throne.

David's life spills onto the pages in a compelling, easy to read format that doesn't take anything away from scripture. Slaughter's novel showcases the shepherd boy and the stark contrast to Saul, an angry, mentally unstable king that eventually skirts God's will to pursue selfish interests. 

In the book's opening half, readers learn of David's first love, his epic battle with Goliath, and his eventual marriage to Saul's daughter. His friendship with Jonathan and Joab are central to the book as David matures under Saul's watchful eye. As the half closes, David and his small band of soldiers have become enemies of Saul. This harrowing event sets into motion a cat-and-mouse game through the hills and mountains as David avoids Saul's wrath while also positioning himself politically to gain the throne. 

In the second half, David's reign is presented through world-building and intricate political moves that incorporate the usual strife and treason among the most trusted allies. Perhaps the most important part of David's story is his eventual downfall, a mistrust between himself and God. These chapters show a hardened David, one that will even murder his own loyalists to pursue what his heart desires. David's yearning and fascination for Bathsheba, a married woman, leads him to some pretty dark places. God's will reshapes not only David's life, but his family's generations to come. This monumental event sparks a drastic change for Israel's future king. 

David: Warrior and King is one of the best books I've read in a long time. Slaughter's meticulous detail to geography, historical events, and the people of this era is just extraordinary. Chapters of the book also connect directly to scripture, which is highlighted for the reader with direct passages from the Bible. As a casual men's action-adventure fan, you'll enjoy this march through the military ranks, the sweeping fights across endless battlefields, and the extreme compromises David faces as an enemy of the state. If you enjoy fantasy epics, there is enough world-building, tribes, and swordplay to soak up the narrative. 

If you are a Christian, Jew, or Muslim, David's life and history, as shown in the Bible, is an important part of your own religion. No matter your faith, King David is iconic. If you aren't of the faith, then the book should still be enjoyable as an action-packed novel. But, hopefully, Slaughter's novel will peak your curiosity and lead you on a path to the written scripture and ultimately...God. 

Buy a copy of this book HERE.

Conan - The Devil in Iron

Robert E. Howard's Conan short “The Devil in Iron” first appeared in the August 1934 issue of Weird Tales. It was later reprinted in paperback by Lancer in 1968 as a part of the Conan the Wanderer collection, later reprinted by Ace with a cover painted by Boris Vallejo. The story was adapted into comic form in the October 1976 issue of The Savage Sword of Conan the Barbarian with a cover also painted by Vallejo. 

The story begins with a Yuetshi man deposited on the coast of Xapur, an abandoned island, after a storm disrupts his fishing. When exploring the island, a thunderous boom echoes causing the man to go investigate the source of the sound. He stumbles on a large domed structure that has been broken open. Inside, the man tries to take a shiny dagger from a giant corpse (mummified?). The corpse awakens and kills the man. 

Like a lot of Conan stories, there's a political war waging. A lord by the name of Agha is ordered by Turan's king to quell a recent uprising near the border. A team of guerrilla fighters, made up of kozaki bandits, is pillaging Turan's interior. Their leader is Conan. An elaborate trap is formed that places a young maiden named Octavia on the abandoned island of Xapur (the one now housing a giant!). Here, they will lead Conan to Octavia in a snare that will allow Agha and his soldiers to hunt and kill the barbarian. It sounds way more complicated than it really is, but there are numerous plot holes here that Howard doesn't shore up. 

Off-page events transpire and the trap is in motion. Octavia is on the island. Conan sails to the island. The two run into the giant. Fairly simple. Conan quickly learns that the giant is made of iron (thus the story title) and that he will need something other than brute strength to outwit the behemoth. By the story's end, Conan has “taken” the girl's kisses and makes a path to lead her to his tent. Maybe they will make marshmallows?

If you can sense my tone, this wasn't one of my favorites Conan stories authored by Howard. The abandoned island producing a city was really bizarre and felt rushed. I'm not sure if the “Dagon” featured here has any connection with H.P. Lovecraft lore, but this Dagon is the name of a city, not a deity. The giant's colossal nature, or threat, didn't seem to affect me much after reading Conan's battles with far more menacing beasts. This was a boss-fight that didn't quite pan out. I recommend a pass on "The Devil in Iron".

Buy a copy of this book HERE.

Night of the Mannequins

Texas-born Stephen Graham Jones (b. 1972) contributes to horror, crime, and science-fiction genres. He has earned critical praise for his novels The Only Good Indians and My Heart is a Chainsaw. He is also a multiple winner of the Bram Stoker and Shirley Jackson literary awards. Reading the praise, I jumped into his novella Night of the Mannequins not only to experience Jones for the first time, but also because mannequins are downright terrifying.

There isn't a lot to this little story. The plot is fairly simple and straight-forward. A kid named Sawyer is killing off his friends to protect their families from being killed by a mannequin. But, to jump to that extremity, there are events leading up to this.

Sawyer and his friends find a discarded dummy in the forest. “Manny” becomes the group mascot and gets hauled around from place to place kinda like Pete the Pup in The Little Rascals – only Pete was real and this mannequin isn't. However, for Sawyer that all changes. 

The group play a joke on their friend at the theater and place Manny in a seat, then they go complain to management that somebody in the crowd is being too loud. But, the joke is on Sawyer when he witnesses Manny getting out of his seat and walking out of the theater. Is Manny real? Is IT alive? 

Sawyer believes that one of his friends, and their family members, is run over in the street by Manny. He also believes Manny is stealing food from the neighborhood and eating in some hunkered-down locale in the woods. It's really out there man. But, to protect all of the innocent family members from being murdered, Sawyer decides he will just take a less violent approach and kill his friends before Manny can. If his friends can't be slashed to death by the slasher, then innocent lives will be spared.

Night of the Mannequins is a goofy serial-killer-slasher novel that is told from Sawyer's perspective. I have a minor beef with these types of stories because I don't want to be trapped in the mind of a lunatic. Some readers, and horror fans, love this sort of thing. I'm borderline with it. I like that Jones knows how to get into the story and get out quickly, leaving a short space here to do his thing. At 144 pages, this book is a real breeze that's enjoyable and fun without any excess baggage. Recommended.

Buy a copy of this book HERE.