Paperback Warrior Primer - Lionel White

I was honored when Stark House Press asked me to write the introduction for the 2022 edition of Lionel White's The Mexico Run and Jailbreak. I wanted to share that write-up with the Paperback Warrior readers and fans that didn't have an opportunity to buy the book. I hope you enjoy it. - Eric Compton

"Lionel White: The Perfect Getaway"

All good things must come to an end. It’s a sentiment that may have been echoed by Lionel White (1905-1985) as he typed the last line of Jailbreak. This aptly titled prison break thriller proved to be White's last novel. It was published in the U.K. in 1976 by Robert Hale as The Walled Yard and in paperback as Jailbreak in the U.S. by the lowly, scrupulous Manor Books. It was a step backward from White's prior, much more prestigious American publishers like New York Dutton (Penguin) and Fawcett Gold Medal. Manor Books was mostly reserved for a variety of disposable, low-brow team-commando, western and vigilante men's action-adventure titles. Not something from the esteemed mind and talented fingertips of Lionel White.

In reading Jailbreak, and his late career entry, 1974's The Mexico Run, I questioned if the New York author realized this was the end of the literary road? Can authors sense when the creativity think-tank has become dry? It's hard to imagine that White, an astute, literary powerhouse could have been that obtuse. Could White have theoretically known his career was nearing the end years before drafting Jailbreak? Was that the reasons for the creative change from heist-fiction to something entirely different?

Like other authors that either become complacent with their own style or fail to meet their own expectations, Lionel White became aware that he had written himself into a corner. Beginning with his 1952 novel, Seven Hungry Men!, published as a Rainbow Digest and later re-printed by Avon as Run, Killer, Run, White launched a successful career that seemingly elevated, or at the very least defined, what we now consider heist-fiction, or simply “caper novels.” 

White's classic novels, which were influences for Donald Westlake's own revolutionary heist-fiction series Parker (written under the pseudonym Richard Stark) and critically-acclaimed writer and director Quentin Tarrantino, featured anti-heroes planning extensive crimes like robbery or hijacking. These books were nearly step-by-step blueprints showcasing not only the scheming and strategics of committing the crime, but also the mental capacities criminals possess. 

White's caper novels possessed an uncanny transcendence from real-world crimes to printed page. These bank robberies, diamond heists, kidnappings and hijackings come to life through supreme, suspenseful storytelling that forces readers to sympathize, cheer, or jeer these anti-heroes in their pursuit of fortune and high-level criminality. It is these types of stories that calculatedly blend the criminal elements, emotional anguish, and melodrama with unexpected levels of violence and unrest to create the ultimate, satisfying crime-fiction formula. 

Caper plot-devices became a mainstay in White's narratives, reaching a proverbial peak with White's career highlight and genre high-water mark, 1955's Clean Break. In that novel, an ex-con plans a high-stakes robbery at a horse-racing track. The dangling carrot is $2 million bucks, which comes with a number of complications among the plan's faulty moving pieces. It was adapted into the film The Killing directed by iconic filmmaker Stanley Kubrick. 

White's other heist novels were equally as entertaining, including – The Big Caper (1955), Operation -Murder (1956), Hostage for a Hood (1957), and Steal Big (1960). Due to his sheer perfection of inventing riveting fictional crimes and the compelling people who plan and execute them, White found his niche, but the ability and freedom to tell a different type of story was confounded by reader and publisher requests for more heist-fiction. White was trapped in his career trajectory, but wanted to explore his literary boundaries. 

One of crime-fiction's overused plots was the “innocent man on the run” routine. Authors like Henry Kane and Day Keene both recycled the concept, and in 1957 Lionel White utilized the idea for his novel The House Next Door. He used it again in 1962's Obsession, the basis for the French film Pierrot Le Fou (Pete the Madman). Both novels saw White exploring fictional ideas outside of his moneymaking wheelhouse. Other non-heist novels like The Merriweather File (1959), Rafferty (1959) and Lament for a Virgin (1960) are all well-received by crime-noir readers, but failed to meet the high expectations of White's loyal heist-fiction fans. 

By the late 1960s, White's collective body of work was impressive and studded with high-shelf heist-fiction. But, the idea of continuing to write these types of stories for another decade was probably creating some personal angst. I liken it to the same problem that bestselling western author Louis L'Amour was confronting. 

In 1974, after 25+ years of range wars, cattle drives, brutish gunfighters, and frontier Indian skirmishes, L'Amour had become complacent with telling the same tales and decided to switch creative direction. Despite his publisher's wishes, L'Amour ended his career writing early American history novels about a fictional Sackett family arriving in North America in the early 1600s as well as a high-adventure, modern novel called Last of the Breed, set in the Soviet Union. In late interviews, L'Amour had plans for more books set in America's Revolutionary War and Civil War.

In the same year that Louis L'Amour was bucking his trend, Donald Westlake issued a temporary farewell of sorts when his novel Butcher's Moon was published. The novel ended a 16 book run that saw his Parker series of heist-fiction simply disappear for over 20 years. Like White, Westlake needed some breathing room and an escape from the same character and series that earned him so much respect and success. While not career ending, Westlake simply wanted to pursue other projects that were sidetracked due to the immense success of Parker.

Following suite, White's very different novel The Mexico Run was published in 1974 by Fawcett Gold Medal. It proved that the author, while not crafting traditional heist-fiction, was still edgy and entertaining. By exploring the more modern, violent savagery of drugs and human trafficking, White was able to explore different storytelling during the sunset of his career. While it will never be mistaken for White's career best, The Mexico Run is a fresh and enjoyable prose with a remarkable twist ending that hits like a lead pipe. Instead of small town banks, urban jewelry stores, or vulnerable vehicular settings, White's workman hero frequents seedy Mexican motels and abandoned coastal villas. The narrative is devoid of robbery or hijacking, the nearly mandatory staples of White's career. The Mexico Run delves into drug cartels and runners (mules), and has a different type of heist, this one involving illegal entrance in and out of U.S./Mexican Customs.

Two years later, his farewell novel Jailbreak involves cons planning to escape from prison. Like his heist formula, White builds the team, introduces the key players, and outlines the strategy for a successful break. But, there's a more modern realism that borders on action-adventure instead of a suspenseful safe-crack or getaway plan. The main character isn't quite an anti-hero, but more of a protagonist that is simply stealing a priceless object – freedom. The novel possesses a lot of gritty, prison terms and behavior, elements that typically wouldn't saturate a 1950s crime-noir paperback. 

White's last streak of publications included The Mind Poisoners (1966), which was an installment of the long-running Nick Carter: Killmaster series of spy adventures. Other non-heist novels included The Crimshaw Memorandum (1967), Death of a City (1970), and A Rich and Dangerous Game (1974). 

Both The Mexico Run and Jailbreak, represented here in this Stark House Press twofer, represents White's honesty with himself. Both of these novels are good enough to compete with his contemporaries, and in some author lists, would even foster career bests. He left behind a legacy of phenomenal crime-fiction literature, what many critics, scholars and fans would consider some of the best heist-fiction of all-time. 

Sensing his career's downward slope, Lionel White retired from writing shortly after Jailbreak's release. But, he did it his way and purged all of his remaining creativity in those final years. He told the stories he wanted to tell, broadened his literary approach, and refused to be cornered. He successfully cracked the safe and made the perfect getaway.

Eric Compton
St. Augustine, FL

July, 2022

Launch a Battle Rattle! It's a Used Bookstore Blitz!

It's a mission to unearth vintage paperbacks from the battlefields of history! We're launching a Book Blitz to uncover the most thrilling World War I, World War II, and Vietnam War vintage paperbacks. Don't miss a moment of this high-stakes literary operation! Here comes the Paperback Warrior! Watch below or stream on YT HERE.

Torture Tomb

According to Goodreads, C. Dean Andersson (1946-2021) wrote science-fiction, fantasy, and horror novels for a variety of publishers. He authored a three-book series of sword-and-sorcery novels known as the Bloodsong Saga under the pseudonym Asa Drake. He also penned two horror novels dedicated to the icons, I am Dracula and I am Frankenstein. I decided to try one of the author's stand-alone horror novels, Torture Tomb. It was originally published by Popular Library in 1987 with a cover by Sonja Lamut (who weirdly enough does children's books).

Torture Tomb is void of a main character, instead the narrative shifts around a half-dozen characters in the third-person. First off is Jim Brock, a Vietnam Veteran and former prisoner-of-war that was tortured by the enemy before a miraculous rescue. He writes computer software manuals for a living while typing away the night as a part-time novelist. His genre is dark fantasy with an emphasis on bondage. Due to Jim's torture he now has a fascination with bondage – collects the magazines, displays the posters, watches the movies. But, he's sort of the good guy here. Weird.

Jim's ex-girlfriend Gina shows up at his office. It turns out her sister is missing, so instead of calling law-enforcement she seeks out a guy she hasn't spoken to in ten years. That specializes in writing tech language instead of finding missing people. But, she drags him into finding her sister. What does he do? He doesn't get the police either! Instead, the best hope in finding her beloved sister is consulting a group of witches. What the Hell!?!

In the meantime, Andersson spends three-fourths of the narrative describing intense torture to get his rocks off. This guy goes completely Girl Next Door Jack Ketchum for the reader. Gina's sister Bernice is kidnapped in a parking lot by a group of mobsters. They rape her and fling her into a pit that contains some sort of zombie. When they finish with that nonsense they sell her to two guys named Jock and Jack. They place her in a soundproof basement and go medieval - filming themselves torturing her for a snuff movie. They use the Middle-Ages devices like the rack, the sawhorse, thumbscrews, whips, knives, pliers, hot tongs, fire, and of course ropes. Lots of ropes. There is pages and pages of rape and torture for Bernice but also for one of the torturer's soon-to-be ex-wives. I thought divorce court was bad enough.

After skipping whole chapters of torture, I finally got to the part where Jim and Gina are surely going to align, ask some questions, interview an underground network of snuff film producers, and maybe, just maybe, smash some skulls. Jim doesn't go Mack Bolan. He doesn't even go Deputy Fife. Instead, Jim, Gina, and the circle of crazy witches get captured by the torturers and guess what...they get tortured too! 

Listen, Torture Tomb is absolutely horrible. I'd rather sign up for 50 time-share presentations than read one more page of this drivel. Do yourself a favor and absolutely avoid the Torture Tomb...unless you really like to be tortured with literary awfulness. In that case, C. Dean Andersson is your new master. Pass the ball gag bub. 

Bamboo Camp #10

According to his obituary in The Washington Post, author Franklin M. Davis Jr. (1918-1981) served with U.S. armored forces in Europe during WWII. He earned a Bronze Star as an operations officer in the armored regiment and later commanded a tank-infantry force. In 1967, Davis joined the 199th Light Infantry Brigade for combat in the Vietnam War. He was wounded in action and won a Purple Heart and four decorations from the Republic of Vietnam. He retired as an Army Major General. 

What better author than Davis to write harrowing adventure paperbacks like Spearhead (1957), A Medal for Frankie (1959) and Kiss the Tiger (1961). As a longtime combat specialist, Davis used his experience to write over 10 paperbacks in the 1950s and 1960s. My first experience with the author is his 1962 Monarch (#236) WWII novel Bamboo Camp #10. Knowing nothing about the author, I admit I purchased the book due to artist Bob Stanley's captivating cover art. 

This relatively short paperback (143 pages) features protagonist Harley Frazier, a U.S. Army Lieutenant, who is mired in the war-torn jungles of the Burmese Campaign during WWII. As the novel begins, Frazier and his men are attempting recon in the dense swamps and fields. They find one of their men brutally tortured, murdered, and hung like a scarecrow as a warning to any foes of the Japanese. After some back and forth action, Frazier's forces are cut to pieces in a grueling firefight. With no way to repel the hordes of Japanese soldiers, Frazier and the few remaining men are forced to surrender.

The rest of the book is reminiscent of any good prison-break story. Frazier and the men are transported long distances and arrive at a Japanese prisoner-of-war camp, just like the title suggests. Frazier learns there are 300 prisoners broken up into groups of 20-30 men in various camps. Thankfully, Frazier befriends the Australian forces and quickly learns the ropes to survive in the brutality of captivity. As time goes on, and his health continues to decline, Frazier and the Australians hatch a plan to escape.

I love the author's descriptive storytelling and the quick pace of the action. However, one of the real highlights to his story is the relationship between Frazier and his superior, Lieutenant Captain Macey. In a 15 page side-story in the middle of the book, Davis tells readers about Frazier and Macey growing up in the same city and attending school together. Later, when both join the military, they end up on the same base. Frazier meets a beautiful woman named Zona and the two strike up a friendship. Frazier learns that Zona is actually married to Macey. The two learn that Macey is having numerous affairs with various women in town, so Frazier and Zona engage in a heated secret romance of their own. 

The element that Davis uses for the book's narrative, and the inspiration for Frazier to live, is the fact that he feels he must protect Macey. He feels that his romance with Zona means that he owes Macey his life. Additionally, as Frazier weakens and borders on bad health and near-death, his memories of Zona eases the burden and forces him to fight the good fight to escape his torturous conditions.

I absolutely loved this book, although it doesn't really cover any new ground in terms of the traditional prison-break story. There are a few torture scenes, but nothing too graphic. Davis creates two prison leaders that are evil and fully committed to debauchery. They make perfect enemies for Frazier and the heroes. In some ways, with the jungle atmosphere, the book is similar to the dozens and dozens of Vietnam War POW/MIA novels. In other ways, it seems like a longer tale that would fit snugly in the pages of a Men's Action-Adventure Magazine (MAMs). Again, that Bob Stanley cover art is just so awesome. Bamboo Camp #10 is recommended for readers and collectors.

Buy a copy of this book HERE.

A Woman Possessed

A Woman Possessed was a 1961 paperback by Harry Whittington, writing as Whit Harrison. The book is a crime noir paperback packaged as a sleaze novel for the original Beacon Books release. Fortunately, it’s been reprinted as a double by Stark House along with 1952’s Prime Sucker. The new edition includes an insightful introduction by pop culture scholar Cullen Gallagher.

As with the best of Whittington’s novels, he wastes no time getting into the plot. Convicted murderer Dan Ferrel is an inmate on a prison road gang swinging a grass sling to cut down the weeds along the steamy highway. Nobody else knows that Dan is expecting company. Namely, a woman named May who should be roaring up any minute in a blue car to facilitate his escape from the shotgun-toting guards.

Of course, the escape happens and Dan is on the run. May is smitten for Dan, but it’s clear that Dan is just using his psychological hold over May to manipulate her into facilitating his getaway. Dan has another woman on his mind - an old flame with whom Dan has a score to settle.

The second plot thread involves Dan’s brother, Paul. He’s the good kid of the family who is going to attend medical school and make something of himself. Paul just started dating a night club singer — always a disreputable profession in these books — and the songbird is pressuring Paul to join her in a heist, so they can be together with a little cash for a change.

The prison guard overseeing the road gang is Virgil Hawkins, and he’s a gun-crazy psychopath just looking for a reason to kill an inmate. When Dan escapes the road gang, Virgil takes it as a personal affront and takes vacation time to hunt Dan himself. This was a great storyline that I wish the author had further developed.

This is top-tier Whittington: Violent, exciting and compelling. The Beacon Books imprint also means sex scenes a few notches more graphic than the usual 1961 fare. There’s really nothing not to like about this one, and thanks to Stark House, you can read it without spending an arm and a leg. Recommended. 

Buy a copy of this book HERE.

Tortured for Christ

Right off the bat, let me just say I review vintage paperbacks. I love paperbacks. Bestsellers, Lowsellers, Nosellers, it makes no difference to me. But, I also do enjoy reading and reviewing paperbacks that were a sensation at the time of their publication. Books that flew off of shelves for no real reason other than just “you had to be there” sort of thing. 

Before you roll your eyes and think Paperback Warrior is now Paperback Priest, I'm reviewing Tortured for Christ because it is a vintage book from 1967, it was a sensation in multiple countries and languages, and for the most part it has everything I love - high adventure, military combat, WW2 history, good guys fighting bad guys, espionage prison, and escapism. So, if I'm going to read The Great Escape, If I Die in a Combat Zone, or Yet Another Voice, there's no reason to avoid Tortured for Christ. I believe everyone should have the freedom to believe what they believe and read what they want to read. Which is ultimately the premise of Tortured for Christ. If you are a believer or nonbeliever, it honestly doesn't matter. This is just a great book. 

The book is like an autobiography written in the third person by Richard Wurmbrand. As a fascinating history lesson, Wurmbrand chronicles his life growing up in Romania and the effects World War I and II had on his life and his country. The events of those wars are well documented in the book, but Wurmbrand goes behind the lines and really presents a human element to the madness of war and its effects on women, children, and families. 

Due to Wurmbrand being a Christian pastor, he immediately becomes a target of the Nazis. After World War II, his life and those of others in Romania seemed to have finally reached a bright spot. But, Stalin and communist forces took control of Romania and transformed it into a puppet government for Russia. Wurmbrand and his wife go on the run, working incognito and underground to avoid the brutal regime. Unfortunately, Wurmbrand is caught by the secret police and is shuffled through multiple prisons for 14 terrifying years.

I'm a veteran of the 70s, 80s, and 90s team-combat books, the military fictional men's action-adventure novels, the high-numbered installments of your favorite vigilante or supermerc, so I'm accustomed to heroes undergoing torture by evil governments, villains, drug dealers, etc. It isn't anything new. But, when it comes to real-life descriptions of torture, it's a different thing completely. 

The horrors that Wurmbrand endured, and his unbending faith in God, really had an impact on me. It made me question why I'm complaining about my coffee being served cold in the drive-thru lane when people like this suffered, and are still suffering, daily for various reasons. I'm not sure how Wurmbrand was able to do the things he did (which in itself might be hyperbole on his part), but the book's overall development from freedom to prison to liberation was simply mindblowing. 

If you do enjoy reading this sort of thing, I do recommend Yet Another Voice, which I reviewed, and also Faith of my Fathers, both of which depict real-life horrors of prison in North Vietnam. If you want to skip this book completely, the novel was adapted into a film this year by the same name. Buy a copy of the book HERE.

M.I.A. Hunter #10 - Miami Warzone

M.I.A. Hunter was a series of men's action-adventure novels published by Jove in the 1980s and early 1990s. The series was created by Stephen Mertz (Cody's War, Kilroy) and featured his outlines and editing with a revolving door of authors including Joe Lansdale, Arthur Moore, and Mike Newton. Crime-fiction author and popular blogger Bill Crider (1941-2018) contributed as well with his series debut, Miami Warzone. It is the 10th installment, originally published in 1988 and existing today in digital format through Wolfpack Publishing. 

Miami Warzone is the first domestic appearance of Mark Stone, Terrence Loughlin, and Hog Wiley, the three-man retrieval team effectively known as “M.I.A. Hunter”. The series began with dangerous missions into Southeast Asia to rescue American prisoners held captive from the Vietnam War. Stone's team was working without permission from the U.S. Government, therefore their activities were highly illegal and placed them on a C.I.A. hitlist. But, the American government caught on to Stone's skills in the same way that they caught on to The Executioner. If you can't beat them, join them. So, a U.S. Senator (Harler I think?) in book seven liberates the three hunters and places them on the federal payroll working out of Fort Bragg. You're all caught up now.

In this 10th installment, Crider introduces readers to Jack Wofford, a former teammate of Stone's during the Vietnam War. He even helped to save Stone's life during a nasty firefight at a seemingly abandoned village. In a terrific backstory, Crider tells of how Wofford's brother succumbed to drug addiction and eventually died. To avenge his brother's loss, Wofford went vigilante and began running his own one-man vice-squad. Eventually, he had enough intel and dirt on some of America's most powerful drug dealers. The D.E.A. were impressed with Wofford's talents and placed him on the payroll, similar to what happened with Stone and the C.I.A. But, on a recent undercover buy, Wofford is caught and becomes imprisoned as collateral during a Cuban and Columbian drug war. 

Stone receives a call from Wofford's wife stating that the D.E.A. isn't doing enough to free her husband. The trio takes the job to track down Wofford's whereabouts while also attempting to destroy the drug importing operation devouring Miami. The narrative has a tremendously high body count as the locations include park battlefields, a wild Everglades romp, the ultimate barfight, a mansion blowout, and even a shootout at an airport. 

M.I.A. Hunter isn't Hemingway and never professed to be. Instead, it's a rip-roar, ass-kicking team commando series with explosive action and a slight dose of testosterone humor (Hog is a riot!). As much as I loved the old fashioned “bring 'em back alive” Vietnam rescue missions, the idea of Stone and company working domestically is a nice change of pace. The last two novel locations, the Soviet Union and Nicaragua, were both excellent choices to move this series into another dynamic. Crider's writing style is ultra-violent, but also balances out with a quality story laced with crime-fiction elements, sex, and a buddy cop camaraderie. In other words, this one is a series standout. 

Buy a copy of this book HERE.

The Executioner #104 - Devil's Horn

Remember the one where Mack Bolan becomes the star of the Chuck Norris “bring'em back” alive flick Missing in Action? Well, it never happened, but it should have based on Dan Schmidt's The Executioner installment Devil's Horn (1987), the 104th book in the series. Like a combination of Missing in Action, Rambo 2, and an installment of MIA Hunter, Devil's Horn deposits Bolan and Jack Grimaldi in a Southeast Asia Hellhole as prisoners in a drug cartel's brutal labor camp. Interested? Read on.

When Devil's Horn begins, Bolan is in The Bowery, the Lower East Side of Manhattan Island, trailing the origins of a massive amount of domestic drug imports. His trail leads to Ronny Brennan, a top-tier drug dealer with arms in various criminal factions as a Mob businessman. After Bolan destroys a drug warehouse, he pressures Brennan to reveal the source of a huge opium farm in Thailand. After a furious firefight, Bolan forces Brennan to ride shotgun as drug enforcers and low-level dealers tail the two to a local airstrip where Grimaldi is waiting. Quickly, Bolan and Brennan climb aboard as Grimaldi rockets the trio to Southeast Asia. 

With a large load of armament and equipment, Grimaldi's plane flies over the whereabouts of the drug farm. But, he gets a little too low and the plane is shot down on the outskirts of the farm. While pushing Brennan into the bush, both Grimaldi and Bolan attempt to escape the onslaught of waves of Vietnamese soldiers, hired mercenaries, prison sentries, and drug enforcers. In a scene right out of Rambo 2, Bolan and Grimaldi climb a hill to make a final stand against the invading forces. Eventually, the two are forced to surrender and are ushered into the living Hell of prison life in the jungle. 

A sadistic warlord named Torquemandan controls the Thai drug farm and has two top henchman inflicting years of punishment on the farm's prisoners. Bolan and Grimaldi discover that a large majority of the prisoners are American military prisoners-of-war that have been transported into Thailand by the Vietnamese government. Bolan also learns that there's a CIA spook imprisoned as well as many South Vietnamese prisoners that were allies to the U.S. during the Vietnam War. 

The orientation outlines what Bolan and Grimaldi will expect in their new lives. The duo will join the other prisoners as slave labor. They work from dawn until dusk scraping the sap off of poppy seeds (opium) and placing it in buckets. Their only nourishment is a handful of rice and a cup of water at dinner. Most of the prisoners are on the verge of death and are routinely beaten, whipped, tortured, and killed. Bolan is warned by the prisoners to never eat the meat that is served with the rice - it's the cooked flesh of the prisoners that are executed! After the harvest season, the prisoners will carry 100-pounds of opium on their backs and forced to march 200 miles to deliver it. Most will then be executed or die of exhaustion. 

I read Dan Schmidt's Eagle Force installment Death Camp Columbia years ago and loved it for all of the same reasons I loved Devil's Horn. I enjoy Schmidt's workmanlike writing style and his use of ultra-violent prison settings for both of these novels. Death Camp Columbia was authored just two years after Devil's Horn, and features a similar premise when the four-man mercenary team Eagle Force becomes imprisoned in a Columbian jungle Hell. It was obvious that Devil's Horn served as a template for that particular novel. 

Schmidt is an on-the-nose writer that uses a low dose of gun-porn to describe and detail the harrowing action sequences in his men's action-adventure novels. His style incorporates a violent, gory combination laced with plenty of brutal scenes of torture and dismemberment. If you need “brains bashed into pulpy matter” then Schmidt is your guy. He was an active Bolan scribe and had a great handle on the high-numbered version of the character. In Devil's Horn, Schmidt also incorporates a human element to Bolan's suffering, but also a sympathetic, endearing quality to Bolan's love of American soldiers and the overpowering need to free the prisoners-of-war. I also enjoyed both Grimaldi and Bolan's chemistry while enduring the harsh elements and horrendous torture dished out by Torquemandan's henchmen. Needless to say, good things come to those who wait. The inevitable confrontation was worth the price of admission and felt like a satisfying conclusion to one of the most violent Executioner novels I've read. Devil's Horn is an absolute must-read if you love Mack Bolan. 

Buy a copy of this book HERE.

Thirty Pieces of Lead

It's hard to believe that just down the road from me, here in the Sunshine State of Florida, the Nazis invaded. It's a little known fact, something that isn't often discussed in the history books. But, on June 16th, 1942, a submarine assisted four German spies to step on the sands of Ponte Vedra Beach, just south of Jacksonville. Their mission was to destroy bridges and the parts of the railroad system using dynamite. Thanks to the efforts of the FBI, they were captured and executed before their mission was accomplished.

Using this unique piece of history, Frank Kane, author of the successful Johnny Liddell private-eye series, constructed a short-story called "Thirty Pieces of Lead" for the September, 1945 issue of Crack Detective Stories. To my knowledge the story has never been reprinted, but you can read it for free HERE or scrolling below.

At the story's beginning, an Italian prisoner-of-war named Musico is being interrogated by a Gestapo colonel. Musico has served time in a concentration camp, along with his mother and wife. The bullish interrogator suggests that Musico was separated from them at some point, and would probably wish to visit with them again. Musico tells himself that he already knows the fate of his loved ones. But, he plays along. The colonel explains that a group of highly trained professionals is planning a landing on the American coastline, and they want Musico to assist them. In return, Musico will get to see his wife and mother again. 

Musico is an ex-mob runner that ran bootleg products out of Chicago ten years ago. Musico tells the colonel to call his old mob boss, and explain the landing operation and ask that they pave the way with the police and Coast Guard. To insure the request is legit, Musico provides his interrogator a password so the mobster will know the request came from him. Musico says the mob has no loyalty to America and will work with the Nazis. Further, Musico volunteers to join the landing in an effort to accomplish the mission and to see his loved ones again. But, Musico has a clever plan for revenge in mind. 

At just a few pages, this story has so much life in it. It explodes with detail and ties into this little piece of history in a really unique way. I love the mobster aspect to it, and the idea that the mob and the Nazis are featured in the same story – two despicable factions that are being combated by this courageous, yet defenseless prisoner. Short stories can really be hit or miss, but this one was a sure-fire winner. Recommended!

Yet Another Voice

Reading military non-fiction is somewhat challenging for me. The fact is that these are real-life, harrowing accounts of action, adventure, and heroism, far from the fantasy escapism I like to indulge in. But, at the same time, I respect it and value its purpose in revealing freedom's cost, the sacrifices made by veterans, and the historical impact of these accounts. Sometimes they can be uplifting experiences and others a dismal journey into despair and ruin. I mostly read fiction to escape my 9-5 existence, but from time to time I delve into a non-fiction book to ground me to reality. I purchased Yet Another Voice from a friend, a 112 page Leisure paperback from 1975 that is a non-fiction account of the author's six years experience as a prison-of-war in Vietnam. 

Col. Norman A. McDaniel, a U.S. Air Force pilot, was shot down with his crew over North Vietnam in July, 1966. In this autobiography, McDaniel explains that he guided his parachute into enemy territory, a deadly landscape that he was completely insulated from in prior war-zone experiences. On the ground, McDaniel, armed with just a .38 revolver, attempted to radio for help before being surrounded by soldiers and villagers. Other than a neck laceration, McDaniel was mostly healthy as he was taken captive and marched miles to a makeshift prison camp. Here, he was tied, beaten, and interrogated before being shipped to one of the most notorious camps, a compound called “The Zoo”.

In a small, windowless cell, McDaniel never knew light from day, and was interrogated, physically abused, degraded, and forced to endure hours of torture at the hands of prison officials. Refusing to break, he was assimilated into prison life, which McDaniel describes as monotonous existence of staring at the wall for hours on end. Eventually, his hopes of freedom evaporate when he is re-located to the more secure and notorious "Hanoi Hilton" prison. 

McDaniel spent over six years in captivity. His experiences are well-documented in this book, but told in a casual, storytelling way. There's very little technical nuances in the book, nor is it introduced as a timeline of the author's childhood upbringing, education, and training. The first three pages jump right into McDaniel's fateful day and the years following it. The author describes encounters with other cell mates, meeting his crew in the camp, various routines, and the prison Christmas shows, which were touching moments of solidarity. The book wraps up with McDaniel's arrival back home and the struggles of acclimating back into a normal civilian life.

Beyond just being a testament of courage and overcoming adversity, Yet Another Voice is a wonderful Christian message of God's overpowering strength. McDaniel frequently discusses biblical scripture in the book and how these scriptures motivated him to not only survive the ordeal, but to establish an even closer relationship with God. As a Christian myself, I really cherished these messages to reinforce my beliefs. It was just so powerful. If you enjoy military history, or underdog stories of any kind, then Yet Another Voice is certainly worth reading. 

Note – Thanks to Bob Deis at Men's Pulp Mags for providing information on the book's cover. This painting was created by Mel Crair and was originally featured as the cover for Man's Magazine, January 1958 as a “Book Bonus” version of Bridge Over the River Kwai. It was later used as the cover for Man's Magazine, November 1961. 

Buy a copy of this book HERE

Escape from Five Shadows

Elmore Leonard was a prolific author of crime-fiction and thrillers. A number of his works have been adapted to film, such as Get Shorty, Rum Punch and Out of Sight. However, he cut his teeth on classic western tales and novels. One of them, Escape from Five Shadows, was first released by Dell in 1956. It has since been reprinted by a variety of publishers many times.

The main character of the book, Corey Bowen, explains how he ended up in the dusty and dry workcamp of Five Shadows. After his father died, Bowen worked as a miner and a cattle herder. Between jobs, Bowen meets another cattleman named Manring in a bar. After learning from Bowen's experience, he hires Bowen to ride along with him on a small cattle drive. Bowen reviews Manring's bill of sale and determines that he legitimately bought the cattle. However, after only a couple of days on the trail, the law comes. Bowen and Manring are charged with stealing cattle and sentenced to years of hard labor at Five Shadows. 

This Arizona prison is run by a man named Renda. The government provides Renda .75 cents a day for each of the 30 prisoners and cash for supplies. Renda keeps a majority of the money and limits the prisoners to a small diet with very little accommodations. They sleep on blankets, eat wormy food, and suffer health conditions. Renda can't afford any of his prisoners to escape, thus his criminal empire will fold. 

Throughout the book's narrative, Bowen and Manring plan a prison break. This will not be easy due to the use of Apache Scouts and trackers around the camp's outer perimeter. However, in pocket narratives, Leonard creates some inner turmoil within the camp. The superintendent's wife is planning on exposing Renda, but she's being held against her will. She proposes that Bowen kill her husband and make a run for it. At the same time, a young woman named Karla has an attraction to Bowen. She wants to expose the corruption and Bowen's innocence through the courts. What method does Bowen use - escape from violence or patiently await a new trial in a judicial system that has already betrayed him once?

Leonard's western examines political corruption - greed, deceit, and the quest for power. Bowen's decision on how to escape the prison is an interesting one. There's a lot of moving parts and the novel requires the reader's concentration. The narrative isn't laced with action, but instead relies on strong characters and an intriguing story. I found both female characters to be determined to a fault - one craving violence and the other nearly angelic. The contrast was brilliant.

If you require an action-packed prison break story, Escape from Five Shadows is unlikely to satisfy you. If you want the complexity of crime and the slow unravel of authority, this novel will deliver the goods. It's a smart, well-written novel that offers a rather unique plot for the time period. Recommended. Get the book HERE

The House of Numbers

Walter Braden, Jack Finney (born John Finney, 1911-1995) was born in Milwaukee, Wisconsin and attended Knox College in Illinois. Aside from being an advertising writer in New York, Finney wrote a number of novels using the name Jack Finney. Many of his literary works have been adapted for film and television, including The Body Snatchers, Good Neighbor Sam, Assault on a Queen and the subject at hand, The House of Numbers. This was the author's third career novel and was initially published in 1956.

Arnie and his girlfriend Ruth become engaged and Arnie is looking for the perfect ring. Despite having very little money, Arnie buys an expensive ring with a check that won't clear the bank. After making rounds, Arnie cashes a bunch of checks at various retailers for cash and deposits the money. Needles to say, Arnie ends up in California's San Quentin prison for check fraud. According to this novel, most prisoners had sentences that were listed as the number of years to life. In Arnie's case, he's serving five years and his criminal record is five years to life. That's important to know.

In the first chapters, the prison warden summons Arnie to his office and explains that another prisoner saw him assault a guard. Arnie did it, but thought no one was around to witness the assault. The warden threatens Arnie to explain his actions, otherwise he will accept the other prisoner's testimony as fact. Arnie refuses and he's sent back to his cell to await whatever fate he's destined for. Now, referring to this Californian law, Arnie knows that anyone with a "life sentence" that attacks a prison guard is guaranteed a death by lethal injection. Either Arnie leaves the prison as a corpse or an escaped convict. That's when his brother Ben becomes involved.

Arnie reaches out to Ben and begs that he break him out of San Quentin, one of the most fortified prisons in the country. Along with Arnie's fiance Ruth, Ben begins scouting the prison and designing a plan to liberate his brother. Ben and Ruth move into a neighborhood near the prison and learn that their neighbor is actually one of the prison guards. This becomes a real problem when the guard casually mentions to Ben that he's seen him at the prison visiting an inmate. Arnie's escape would surely be linked to Ben. 

Finney's narrative unfolds as a unique first-person presentation from both Ben and Arnie. Although the author does not necessarily specify who is speaking, the reader can instantly decipher it depending on where and with whom the character speaks. Another unique aspect of this prison break story is the means by which the escape occurs. Ben formulates a plan to break into the prison and assume the role of Arnie. This frees up Arnie's time to work on the getaway through an elaborate combination of underground excavation and warehouse work. While Ben becomes the prisoner, Arnie is essentially a free man. This adds an alluring enhancement to the narrative; will one brother betrays another? The plot thickens when Ben and Ruth develop a romantic chemistry.

The House of Numbers was a good crime novel that used some new tricks to spice up the average prison break formula. I liked the concept and the various questions it presented - will the guard rat out Ben, can the warden be trusted, is Ruth serious about her passion for Ben, will Arnie become greedy? These questions are all asked and answered over the course of the book. Getting there was really fun. If you enjoy prison break novels, The House of Numbers is a dependable selection.

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Hell Is Too Crowded

I recently read Alistair MacLean's book When Eight Bells Toll. What was interesting about that book was that MacLean structured it in a private-eye formula. It was a different but entertaining novel, although quite different from the typical high adventure tale typically associated with MacLean. This thought led me to a novel by Jack Higgins called Hell Is Too Crowded. It was written as Higgins' own name, Harry Patterson, and initially published in 1962. It was later reprinted under the Higgins pseudonym by Fawcett Gold Medal. 

Like MacLean's When Eight Bells Toll, this book is in fact a crime-noir and a different style from the typical espionage and adventure plot that Higgins normally produced. In the first chapter of the book, readers learn about the American Matthew Brady. He is a structural engineer who had worked internationally when he met a beautiful British woman. After a brief affair, Brady began sending her money in the hope that they would save for a marriage and an average suburban lifestyle. After discovering that she had left the country with the money, Brady falls into a state of intoxication and eventually collapses on a bench in London.

A pretty young woman ends up finding Brady on the bench that night and offers to take him back to her apartment. The woman is obviously a prostitute, but she appears sincere in her concerns. The two take a short stroll beside a dark cemetery and enter the second floor of a large Victorian house. As Brady enters, he notices the face of a man watching them through the bottom window. After a coffee, Brady becomes sleepy and begins to faint on the sofa. His last look before sleep is the man from downstairs looking over the woman's shoulder. 

Brady wakes up listening to the detectives talking around him. The generous woman has been horribly mutilated and Brady is the chief suspect. The police does not accept his version of the story and after several months, the narrative finds Brady in prison. Building on his experience as a structural engineer, Brady began designing an escape plan. He must find the real killer and clear his name before the hounds of justice are on his trail. 

Needless to say, the crime-noir trope of an average man waking up to a female corpse is a familiar one. The late 1940s and 1950s are ripe for stories like this. The rapid pace, mystery development and problem-solving skills of the main character reflect the likes of Day Keene. The setting, complete with graveyard and seaside house, combined with the central story also reminds me of Edward S. Aarons' early career.  

While not a Higgins adventure, Hell Is Too Crowded is still worth the effort. It was enjoyable to find the author immersed into the crime-noir genre. Further, it may have inspired Higgins to write a better, more adventuresome novel in 1971's Toll for the Brave. It has a similar storyline, but focuses more on the high adventure storytelling that he perfected. 

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The Freedom Trap

Desmond Bagley (1923-1983) was one of the first high-adventure authors to join Hammond Innes and Alistair MacLean as the stars of the genre. I loved all of Bagley's novels I read, including 1970's Running Blind. In that book, the protagonist has fled a Russian spy named Slade. In the Freedom Trap, released a year later, Slade is presented again, although this is a totally different story. The two books could be considered companions, but are not directly linked to one another. I liked Running Blind so The Freedom Trap sounded like the most logical Desmond Bagley novel to read next. 

The book features a South African burglar by the name of Rearden. In the opening pages of the book, Rearden comes to London for the first time. It's here that he is asked to meet a mysterious man named MacKintosh and his sexy secretary Mrs. Smith. Mackintosh offers Rearden a sizeable sum to steal a packet of diamonds from a London mailman. Although it sounds absurd, I was surprised and convinced by MacKintosh's explanation that the diamonds (in the 1970s at least) were just posted in simple envelopes. Rearden accepts the job and in a few chapters the letter carrier is assaulted, Rearden is richer and MacKintosh has a handful of sparkling diamonds. The entire heist is performed flawlessly - no witnesses, smooth transaction. But later that night, two London detectives come to the door to arrest Rearden on assault and robbery charges. Did MacKintosh sell Rearden out?

The first 80 pages of this book are dedicated to theft and subsequent arrest. It was enjoyable, profoundly convincing and well written. As good as it was, the second act was absolutely terrific. Rearden pleads his innocence through the initial interrogation, sensationalized trial and the mandatory sentence. The judge begs Rearden to come clean on where the diamonds are. Rearden, refusing to cooperate, defiantly proclaims his innocence while the judge sentences him to 20 years in prison. 

After a year in the pen, a convicted mobster insider offers Rearden an agreement. For 20 grand, a mob-backed criminal squad can get Rearden out of jail. The cool part of it? They specialize in getting people out of prison for money. And they know he can afford it. If Rearden agrees to this deal, he could be free. But if he pays, he has no way of knowing if this team even exists. In the worst case, he pays the money and is caught fleeing. His 20-years would probably double. What the hell does Rearden do?

The Freedom Trap is one of the best books I've read in a long time. The first and second acts were just tremendously well written and just so much fun to absorb and understand. The conclusion of the novel was somewhat abrupt and seemed rushed, but it never really harmed what is otherwise a remarkable reading experience. Moreover, the Slade link between Running Blind, and The Freedom Trap is certainly there, but by all means the two books are independent titles. Highest recommendation available.

Note - The book was adapted into a theatrical film in 1973 starring Paul Newman. The title used for the film was The MacKinstosh Man. Fawcett reprinted the paperback under that title as well.

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Exiled!

John Lutz (1939-2021) was a critically-acclaimed crime-fiction author who wrote a number of private-eye series titles as well as a dozen stand-alone novels. He served as president of The Mystery Writers of America as well as Private Eye Writers of America. My first experience with Lutz is a 1982 Fawcett Gold Medal paperback titled Exiled!.

The author name on the paperback’s cover is Steven Greene. Research suggests that Lutz either wrote the whole novel himself or collaborated with another author named Steven Greene. Evidence suggests that Greene was a real author who co-wrote the 1982 Signet novel Sleeping Beauties, a Robin Cook-styled medical thriller written as L.L. Greene that seems to be a collaboration between Steven Greene and Larry Levine. Lutz's official website lists the novel as “with and as by Steven Greene.” We may never know the full truth.

The novel's prologue sets the scene: a heightened level of violence in America has plagued the nation. Due to this overwhelming murder statistic, the U.S. government has created a penal colony called Pen Island. If a brochure existed illustrating it's uniqueness, it might read something like this:

Pen Island lies 100-miles off of the beautiful Pacific-Northwest Coast. At three-square miles, this lush island is populated by wildlife, plants and edible crops. The entire retreat is surrounded by shore towers that closely monitor all incoming and outgoing traffic from the island. A highly efficient security system automatically terminates any unauthorized personnel within the island's surrounding waters or in the air. Nestled within Pen Island's beautiful landscape are it's diverse residents – a unique population made up of over 1,000 convicted murderers. If your destination is Pen Island, you'll enjoy complete freedom from any law-enforcement, social barriers or pesky government employees. Pen Island is the ultimate getaway. Relax, work, make love or...murder!

In the book's opening pages, Dan Hopper is working in a small coastal town in Maine. It's here that his days are spent managing his small cabin retreat while fishing for lobster. When Dan rescues an abused stripper named Annie and her son Billie, his freewheeling existence evolves into a tight-knit family dynamic. However, the happiness is short-lived when the Hopper family is attacked by mobsters. In a grizzly chapter, Dan is forced to watch Billie brutally beaten to death. After a horrendous assault on Annie, Dan is injected with a syringe and falls asleep as the cabin is set on fire.

Dan awakens to find himself transported from Maine to the shores of Pen Island. Upon arrival, Dan is welcomed by the islanders and explained the rules. A) There's no discussion of escape at any time. Escape attempts lead to death and the idea of freedom just deflates the island's morale. B) Dan has his own hut but must collectively work with the group to grow crops, distribute water and generally become a “team player'. C) There's 900 men and only 72 women on the island. The women are required to take turns spending a week at the compound where men (and the women) can sexually release their tensions. This deters traditional rape.

After settling in, adapting to the change and overcoming the shock of witnessing his family's assassination, Dan begins formulating a plan to escape the island. His need to break away is driven by his quest for vengeance. Who set him up to be a prisoner? In order to adapt to the island, Dan has to circumvent being killed by one of the homicidal maniacs as well as learning who is really in charge. Like any prison, there's an inmate leader. In this case, it's a high-level mobster named Martindale and his enforcer, a brutal maniac named Chinko. Dan's inevitable showdown with them directly relates to his escape attempts. To reach freedom, he'll not only need to escape the island but also Martindale's clutches.

Exiled! is one of the better books I've read in a long time. This novel is just outstanding in its primitive, neanderthal display of human violence and man's complacency with it. In some ways the book formulates a Christian Christ-like pattern. A “perfect man” (Dan) is sent to a hostile world to save it. The book's overall premise is riveting and unique. Mixed into the narrative is also a brutal sporting event called The Games, a mix of rugby, football and fighting. These games help push the narrative along while still constructing alliances and escape plans. It's an exhilarating plot point that adds combative aspects to the book's presentation. There's also a fleeting romantic feel as Dan comes to the aid of not only Annie, but also a woman named Mirriam on the island. The book's closing chapters were fulfilling, but not terribly surprising. There's another aspect to the narrative that I won't reveal here, but it definitely adds a dynamic feel to the island story. It's these portions of the book that allow readers to leave the island periodically.

Whether Lutz or Greene or both authored Exile!, the end result is just a fantastic action-adventure novel with crime-noir tendencies. Used copies seem abundantly available and I encourage you to track this book down. It's well worth your investment and time. Highest possible recommendation!

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Doc Savage #183 - Escape from Loki

The idea of retroactive continuity, commonly referred to as retcon or retconning, is a popular method for new writers to add additional elements or facts to a previously published work. It's been utilized by comic writers for decades and can often be found in early pulp magazines as a way to modernize the heroes for a new generation. The most recent retcon novel I've read and reviewed was Stephen Mertz's fantastic take on Mack Bolan's pre-Executioner life in Super Bolan #04: Dirty War. On Paperback Warrior Podcast Episode 25, I talked about Nick Carter retroactive continuity (erasing, ignoring or contradicting prior events) from early pulp detective to international paperback spy. So it's no surprise to find that author Philip Jose Farmer utilized this same technique for his 1991 retcon Doc Savage novel Escape from Loki (Bantam).

Philip Jose Farmer (1918-2009) was a highly respected science-fiction and fantasy author noted for his series Riverworld and World of Tiers. Farmer had a fondness for reworking existing fictional heroes into new novels and stories. From Moby-Dick and Wizard of Oz to Around the World in Eighty Days, Farmer would often fill in missing time periods or create sequels to literary works that were created by other authors. Farmer created two mock biographies of famed literary characters, Tarzan Alive and Doc Savage: His Apocalyptic Life. As a fan of the Doc Savage novels since 1933, Farmer chose to author one original series novel, Escape from Loki, which showcases the character at the age of 16 during WW1. By retconning what original author Lester Dent presented in The Man of Bronze (1933), Farmer is able to present an origin story explaining how Doc Savage originally met his beloved team members.

Escape from Loki races out of the gate as the young Doc Savage pilots one of his first aviation missions. It's explained to readers that Savage was hoping to pilot for the U.S. Air Service, but due to their planes needing machine gun installations, Savage's Colonel assigned him to a French aerial combat unit. Farmer uses this as an exciting sequence of events where Savage is shot down during dogfights over Germany. Making his way through the forest, Savage finds shelter in an abandoned farmhouse with two American soldiers. When the two immediately begin squabbling with one other, it's apparent that these men are Ham and Monk. While Savage's introduction to both of them is brief, it's a rewarding experience for Doc Savage fans to pinpoint where he met two of his most trusted allies.

After he's captured by German soldiers, Savage is subjected to a strange dinner party hosted by Von Hessel and Countess Idivzhopu. After escaping Hessel's fortified home, Savage manages to steal a German aircraft but once again finds himself captured by Germans and placed on a train of POWs. After escaping a third time, Farmer's novel reaches a heightened frenzy as Savage is forced to fight a pack of wild dogs inside a bombed out farmhouse. In what could be considered a series abomination to some fans, this 10-12 page portion of the book was an absolute highlight for me personally. Savage's violent battle with the dogs is a bloody carnage of broken legs, sliced throats and stabbings. Then, the starved, crimson-smeared Savage sits on a rooftop prepared to eat the raw carcass of a dead dog. Thankfully, there's another dog battle that leads him into a secret room where he finds that the prior owners were sacrificing infants on a Satanic altar! 

I can't help but think that Farmer was venturing off into a different style of storytelling, one that was wildly obscene yet mesmerizing. I was as equally entertained as horrified by the author's stark contrast to Dent's original work. Savage is caught for the final time and shipped to the notorious and supposedly impenetrable Loki prison camp, thus curbing Farmer's penchant for the peculiar.

The book's second-half explores Savage's life at the prison camp and his strategizing an escape from the facility. It's here that he is reunited with both Ham and Monk and the two continue there hilarious insults and banter. It's only a matter of time before Renny, Johnny and Long Tom make their introductions. Together, Savage and the five men form an escape plan while learning that Von Hessel may be performing terrifying experiments on the prisoners. In the book's finale, readers experience a small amount of pulp-fantasy that is reminiscent of Doc Savage's typical “super-powered” villains.

Escape from Loki receives an equal amount of love and disdain from Doc Savage fans. Some are alienated by Farmer's writing style and his attempts to capture the original style of Doc Savage storytelling. At the same time, fans appreciate this origin story and find that Farmer's characterization is spot-on (although universally everyone seems to agree that Farmer's treatment of both Monk and Ham was exceptional). For me personally, I've always had an average experience with Dent's original Doc Savage stories. The first half of Escape from Loki was remarkable and surpasses the better Savage narratives I've read. The second half wasn't quite as impressive with some sluggish scenes, a rushed (or even botched) ending and a halfhearted attempt at introducing Savage to his future colleagues.

Overall, Escape from Loki should be a mandatory read for Savage fans. It is clear that Farmer adored the series and attempted to treat the characters and fans with care and respect. While not perfect, the book was exhilarating at its best and easily acceptable at its worst. You deserve the opportunity to be your own judge.

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The Run to Morning

Bestselling author Henry Patterson (known as Jack Higgins) reached superstar status with his 1975 novel The Eagle Has Landed. However, beginning as early as 1959, Patterson began authoring a number of action-adventure novels using pseudonyms like Martin Fallon, Hugh Marlowe and, of course, Jack Higgins. Patterson wrote four novels under the name James Graham, including 1974's The Run to Morning. This novel was also released that same year under the title of  Bloody Passage. As if things couldn't get any more complicated, the combination of Higgins, Graham and Fallon were all listed as author names for the many various printings of this novel under the two titles. Considering all of the publishing and marketing strategies, did the author deliver a worthwhile reading experience?

The book begins with one of the most effective opening paragraphs that I can recall:

“The first shot ripped the epaulette from the right hand shoulder of my hunting jacket, the second lifted the thermos flask six feet into the air. The third kicked dirt at my right heel, but by then I was moving fast, diving headfirst into the safety of the reeds on the far side of the dyke.”

From that opening segment, readers are introduced to Oliver Grant, a man with a unique profession. After developing a skill-set of freeing captives during the Vietnam War, Grant now runs a successful, illegal business of breaking into international prisons and liberating select prisoners. His clientele are wealthy businessmen, politicians and criminals (there's a fine line between the three) that pay top dollar to free associates, family and friends. When Grant is asked to break into a Libyan prison for a corrupt businessman named Stavrou, he politely declines fearing the regime's vicious dictatorship. But shortly after his declination, Grant's blind sister Hannah is kidnapped by Stavrou's cartel and held as a bargaining chip.

The first 100-pages of The Run to Morning features Grant's realization that Stavrou's step-son is being held in a notorious, cliff-side prison that is reputed to be impenetrable. To assist with the mission, Grant recruits a former U.S. Army Green Beret, a skilled mountain climber and a boat captain. Complicating Grant's teamwork is a vile henchman named Langley, a man that reports directly to Stavrou, and Stavrou's lover Simone. Once the escape is underway, Grant begins to believe that the whole operation is just a set-up. But why? That's the question as readers plunge into the riveting second-half narrative.

While The Run to Morning had some gaping plot holes, it's still better than 90% of the books I read and review. Higgins' storytelling style and his ability to construct these international espionage adventures make for an exhilarating reading experience. The narrative's recruitment stage was intriguing with the addition of Langley and his effect on Grant's mission. The love interest angle between Simone and Grant was an evolution, eventually revealing its true nature. The Simone character was a slow development and from a reading experience, the author's patience was a key component to her impact on the story.

From exciting nautical chases, explosive gunfire and a brilliant prison raid, The Run to Morning was another thrilling addition to Higgins' impressive catalog. Highly recommended!

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David Hill #01 - Prison at Obregon

Bill Adkins, an author about whom I know next to nothing, wrote a three-book series of paperback adventures starring Cessna pilot David Hill. All three novels were released in 1976 by Popular Library and were quickly forgotten after failing to make a splash. The opening installment was “Prison at Obregon,” and the cover introduces Hill as a “high-flying adventurer who’ll dare anything for the right price in cash and kicks.”

The book opens with playboy business consultant David flying his Cessna to Acapulco with a chick he hardly knows. He invited her along solely because of her great legs - a decision that makes total sense based on the author’s description of the legs. The Acapulco trip was prompted by an invitation from David’s Mexican friend who offers the small-aircraft pilot $100,000 to smuggle a load of marijuana back into the U.S. in his plane for the Mexican Syndicate.

David accepts the assignment but chickens out after drawing unwanted attention from Mexican law enforcement. This turns David from a Mexican Syndicate ally to a loose end in the eyes of some dangerous hombres. Can David’s friend to broker a peace treaty with the Mexi-mob and have everybody make some some money in the process? Can they stay one step ahead of the federales?

Adkins’ writing is pretty good, but the plotting of this series debut sure needs some work. The first half of the paperback consists of false starts and aborted missions before the actual story begins in the novel’s second half. I also found it hard to root for the hero. He’s kind of an arrogant jackass who’s good in a fistfight and between the sheets but otherwise without charm or distinction. Moreover, he’s agreed to smuggle drugs into the U.S. just for kicks. The author was clearly a Cessna pilot as each “action” scene contains pages and pages of flight details - too many for my tastes.

The last 60 pages of the book form the real story, here - and set up the conceit for the remaining two books in the series. I’m in a tough spot because I don’t want to spoil the first, largely lousy, 110 pages for you that brings us to the “good part.” Let’s just say this: as the title indicates, there’s a prisoner locked up in a Mexican jail in the City of Obregon who needs to be busted loose. The airplane smuggling hi jinx story quickly becomes a jailbreak adventure. The scenes inside the Mexican prison where characters jockey for position within the inmate hierarchy were pretty great, and I wish there were more of that in the paperback.

Overall, “Prison at Obregon” is a total mess of a novel that could have been saved by a stern editor to rework the plot into something that flowed with greater coherence. There are some cool ideas explored and some of the action sequences were solid, but not enough to save this one. I have the other two books in the series, but I’m not sure if I can stomach them. For your purposes, your time and money are best spent elsewhere.

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