Solomon Kane - The Right Hand of Doom

Robert E. Howard's 16th century Puritan hero Solomon Kane made his first appearance in the August, 1928 issue of Weird Tales. The stories that feature the character are a good mix of sword-and-sorcery and horror, and I really enjoyed my first experience with the character in “Skulls in the Stars". I went back to the foggy moors and terrifying towns for another Solomon Kane story, “The Right Hand of Doom”. The story was never published in Howard's lifetime having been rejected by Weird Tales. The first publication was in the book Red Shadows (Grant 1968). It has appeared numerous times over the years. My version is in the Baen collection titled Solomon Kane from 1995. It has a Ken Kelly cover and an introduction by horror author Ramsey Campbell. 

This story seems to take place before “Skulls in the Stars”, although chronology doesn't matter in any of these. In that story, Kane is deciding which road to take to Torkertown and then proceeds to a haunted path. In “The Right Hand of Doom”, Kane is staying overnight in an English inn at least a day's ride from Torkertown. It's in this inn's bar that Kane has an interaction with a loud-mouthed traitor.

A man named John Redly prances into the inn and declares that a necromancer will be executed by hanging. Kane already knows about the relationship between the necromancer and Redly. After Redly boasts about the necromancer's capture, and hints that he was paid for helping with the capture, Kane is quick to scold the man. He tells Redly that the necromancer surely was worthy of death, but that the necromancer trusted Redly as a friend and that friendship was broken for a few filthy coins. He goes on to say he thinks Redly and the necromancer will meet in Hell some day. Strong words.

Kane goes to bed, but his sleep is disturbed when he hears a scampering outside as if something is crawling up the wall. He grabs his rapier (sword) and goes into the next room where Redly is sleeping. Kane is shocked to see a large spider making its way to Redly's throat, eventually crushing the man's neck in one fatal squeeze. On further inspection, he discovers it is a human hand! Kane thrusts his rapier through the hand and proceeds to toss it into the fire off-page. 

The next morning Kane interviews a young man to determine what the necromancer's experiences were in jail and if anything peculiar happened. The man says that the necromancer's last wish was to have his hand cut off. I won't ruin the surprise for you, but you get where this is going. 

This story reminded me of another Robert E. Howard work called “Mistress of Death”, which was later adapted into a Conan comic called “Curse of the Undead-Man” in Savage Sword of Conan #1. In that story, a sorcerer is publicly executed but his severed finger becomes reanimated and finds its way back to the dead sorcerer. Both the finger in that story and the hand in this one feature a magic ring. It also reminds me of the 1981 Michael Caine film The Hand. 

While Solomon Kane isn't prominent in this short horror story, I still found “The Right Hand of Doom” enjoyable. The dialogue between Kane and Redly at the beginning of the story is well worth the price of admission. Kane's cool and perceptive eyes just ooze off the page and resonate like a veteran gunslinger staring down a boastful cardsharp. The condemnation he heaps on Redly is cold-blooded brilliance. I absolutely love these Kane stories and I'm finding this character to be one of my favorites of the Howard bibliography. 

Get a copy of a Solomon Kane omnibus HERE.

Reid Bennett #01 - Dead in the Water

Author Ted Wood (1931-2019) was born as Edward John Wood in Shoreham, Sussex, England. He joined the RAF Coastal Command and in 1954 he immigrated to Canada. Wood worked as a Toronto police officer for three years and then became a creative director for an advertising firm. As a writer, he scripted radio, stage plays, and television dramas including Encounter (1952) and the CBC Show of the Week (1964). 

In 1983, Wood tried his hand at writing full-length original novels. His debut, Dead in the Water, was published by Scribner in hardcover and later as a paperback by Bantam in 1984 (cover by Steve Gorman). Thankfully, the book was a hit due in part to a likable Chief of Police named Reid Bennett. Wood wrote a total of 10 books in the series from 1983 to 1995. I always like to start at the beginning, so I dove in for Dead in the Water to get the proper introduction to Wood's hero. 

The opening paragraphs of the book hit like a ton of bricks and instantly reminded me of tight-fisted characters from a Max Allan Collins or Mickey Spillane novel:

“Three of them were working on the girl. The biggest was zipping his fly and laughing while the other two took over, trying for the two-at-once trick. I was off duty. My gun was locked in the safe at the station and I'd changed into plain clothes, so they didn't even know I was a policeman. It wouldn't have mattered to the big one, anyway. He went six four, maybe two eighty. He figured he was Superman. Until I stuck two fingers into his throat. It could have ended there, with one dead, if the second one hadn't come at me. I pinned him but the third one didn't take the hit and so I had to break the arm on the one I was holding and put the third one down. He had a knife so I hurt him.”

It's a deadpan narrative, but it is extremely effective when combined with Wood's stellar, cool-as-ice writing style. His prose is short and to the point, presented in third-person narrative from Bennett. 

As the opening chapter continues, readers learn that Bennett was arrested and found innocent of any wrongdoing. But, the press and city pounded him to the ground and the effect ruined his marriage. Bennett packed up and went where no one could bother him, a small drinking village with a fishing problem called Murphy's Harbour in Ontario. Bennett accepts the role as the coastal town's sole police officer. Sure, he gets a little help from a makeshift deputy, an old WWII veteran with a bum-leg and a yellow hide. But his real assistance comes by way of an obedient German Shepherd named Sam. The dog plays a huge role in the book. 

The book's mystery involves Bennett investigating the disappearance of three men who were originally with a woman named Angela. She reports them missing but initially refuses to provide any details on what the men were doing in the middle of nowhere in a boat at 10PM at night. When one of the men washes up Bennett is surprised to learn he works for a security agency. Someone killed him and then made off with the other two, or they conspired to kill the agent to further their agenda. Bennett and readers need answers.

As a debut novel, Wood works his ass off providing just enough details to keep the case both mysterious and compelling. I read the book in one sitting and found myself rallying behind the Reid Bennett character. He's short on words, has a keen eye for details, and does some really interesting things to get people talking. Part of his action-oriented, fisticuffs experience is presented in short remembrance of his time as U.S. Marine in the Vietnam War. But, his history on the police force really delves into the criminal psyche. I learned a few new tidbits of criminality that have been lost to me over the last 250 crime-fiction novels I've read. Additionally, the chemistry between Sam, the good police dog, and Reid was a welcome change of pace. Reid developed certain key words that instruct Sam on what to do when there is danger. This is no Timmy-Lassie affair. Wood hammers in the violence when necessary and I really enjoyed the mix of savageness and procedural-fiction. 

Dead in the Water was just fantastic and I can't wait to pick up Bennett's next case with Murder on Ice (1984). I may also try the author's other hero, a bodyguard named John Locke that lasted three novels under Wood's pseudonym of Jack Barnao.

The Evil Wish

Jean Potts, who lived most of her life in New York City, began her writing career by contributing short stories to the glossy magazines of the early to mid-20th century. Her first full-length novel, Someone to Remember, was published in 1943. She would go on to write 15 original novels, most of which have been published in twofer collections by Stark House Press. I've read a few and wanted to continue my pursuit of her work with The Evil Wish. It was originally published in hardcover by Scribner in 1962 and then later as a paperback by Ace. It now exists an affordable reprint by Stark House. 

In my prior Potts experiences I sampled traditional whodunits, complete with suspects and red herrings, in the 1966 novel The Footsteps on the Stairs and the author's 1972 novel The Troublemaker. However, The Evil Wish is a very different type of novel, one that emphasizes the concept of murder without actually doing the ghastly deed. In a unique presentation, The Evil Wish becomes a white-knuckle, unsettling pot-boiler that doesn't need an invitation to turn the pages. It's a mesmerizing, devilish descent into an unyielding conundrum – to kill or not to kill. That's the question. And it burns like a wildfire. 

In a spacious New England house, thirty-something sisters Marcia and Lucy avoid life and discomfort while living with their well-to-do father, a successful doctor with a practice in the home. The first two floors are the trio's domicile and the top floors are rented to tenants. Marcia is an alcoholic involved in an affair with a married man. Lucy has never committed to love and behaves like a frightened recluse. Both have serious social issues. 

The two have shared a habit since childhood of listening through the basement vent as their father talks to patients and a revolving door of pretty nurses. One night they hear the unthinkable. Old Daddy is marrying the hot young nurse that is clearly in it for the money. If that isn't off-putting enough, Daddy's language suggests that his grown adult-children need to get a life. But, Potts carefully, and sadistically, places the reader into the minds of these two attention-starved sisters. The reader sometimes isn't aware of what is real and what is really being imagined by the delusional duo. 

As the narrative unfolds, a plan of attack develops. What if Marcia and Lucy conspire to not only knock off “pretty young thing” but also Daddy himself? They could waddle in misery and comfortable discomfort in the confines of their own home without Daddy's condemnation. However, the plan backfires when it never comes to fruition. An unexpected death is wrenched into these smooth turning wheels that deteriorates and destroys the murder plan. This is where Potts absolutely shines. By fixating on a murder that can't physically happen, the sisters turn on each other in frustration. The finale is a coffee date from Hell. 

While I haven't read them all I can't foresee another Potts novel surpassing The Evil Wish. It is such an engrossing, all-consuming psychological story that twists and turns into a wretched lifeless state. While it may seem cold and heartless, Potts spruces up the storyline with a tongue-in-cheek look at death and the weird fascination we all have on the old business of murder. The Evil Wish is everything you could possibly wish for in a vintage crime-noir. Recommended! 

Buy a copy of this book HERE

God's Warrior

Frank Slaughter was a best-selling novelist and successful surgeon. His specialty was both medical thrillers, like Air Surgeon and Surgeon's Choice, but also Biblical historical novels based on the Old and New Testament's most iconic people. I recently read his 1962 Biblical novel David: Warrior and King and decided I would try another based on my love of the writings of Paul in the New Testament. He is one of the most cherished apostles in the Bible and he experienced a life of turmoil and abuse while teaching the gospel of Jesus Christ. Slaughter's novel God's Warrior is a fictional novel based upon historical records, Biblical scripture, and some guesswork on the part of the author to fill in some of the gaps left from the records. The book was published as a hardcover by Doubleday in 1967 and as a Pocket Book paperback a year later.

The author lays the book out beginning with Paul's young adult life in Book I, “Tarsus”, and his death in Book VII, “Rome”. In Tarsus, Saul (the early name for Paul) is working for his father as a tent and sail maker. He meets Joseph of Cyprus and the two strike up a friendship. Joseph invites Saul to a university to listen to a Greek stoic philosopher. This is an early indication that Saul is willing to go against the grain when it comes to his Jewish upbringing. He has an open mind and is willing to educate himself on the culture, philosophy, and religions of the area. Because of his determination, Saul convinces his father to allow him to go to Jerusalem to become educated. 

In Jerusalem, Saul is attempting to donate money to God at the local temple. In that time, there were different denominations of money. The money-handlers were there to switch the currency to the common medium exchange in the temple. As was often the case, the money-handlers stole money this way and Saul immediately sees the con and is quick to respond. It is this early indication that Saul's life will be an extremely difficult one. Constant turmoil and chaos was the life of Paul, the crusading apostle. 

In early conversations and letters from his friend Joseph (and later Luke), Saul learns of a man named Jesus that traveled through Israel spreading the message of salvation. Jesus stated he was the Messiah that was written about in the Hebrew scriptures (what we know today as the Old Testament) and that his coming meant that the Jewish customs and way of life had ended. Moses's Law was no more. Saul learns Jesus was crucified by the Romans (and Jews) at a place called Golgotha.  

When Saul's father becomes ill, he travels back to Tarsus and meets a young doctor named Luke. This strikes up an early friendship between the two that will dominate most of Saul's life. When Paul travels back to his teachings, he begins his own church teaching Jewish customs that are deeply rooted in the law of Moses (requiring sacrifices, strict code). When he learns in Damascus of a Christian movement, he begins losing members of his congregation to this new assembly of followers of Jesus Christ. Saul is summoned by the High Priest and assigned the role of Scribe of Sanhedrin and the re-enforcement that he should continue his Jewish teachings at the Synagogue of the Libertines. Saul's church stands in defiance of a new church of Christians led by Simon Peter, a man who knew and followed Jesus until his crucifixion on the cross. A man who was designated by Jesus to be the rock that the new church is built upon. 

Later, Saul begins working with the local government and High Priest in locating and discovering Christians and is paramount in their eventual execution. There is a chapter that shows the earliest Martyr, a Christian named Stephen, that is stoned to death for his beliefs. Saul is there and is an instrument in Stephen's martyrdom. On a road to Damascus, Saul encounters the Lord and is brought to his knees in disbelief. Jesus asks Saul why he is persecuting Christians. Saul is struck blind during the meeting and told by Jesus to arise and go into the city and he will be told what to do. In the city, he meet a weaver named Ananias who tells Saul she was instructed by the Lord to heal him. Saul immediately “sees the light” and is transformed into a follower of Christ when he becomes healed.

The second half of the book is Saul's transformation into Paul the Apostle and his crusades through the Middle-East, the Mediterranean, and parts of Asia. Often Paul clashes with Simon Peter, who is still hanging on to part of the Law of Moses despite being told by both Jesus and Paul that the old way is no more (my personal opinion on Simon developing Catholicism and their hybrid of Old and New Testament rituals). The two debate at what is known as the Incident at Antioch. 

Of course a bulk of the second half narrative is church-building, the planting of Christian churches through missionary work that was often condemned by the local authorities. Paul is often beaten, jailed, thrown out of town, and considered a criminal. His life in Corinth, the relationships with Priscilla and Aquila, and his travels around the region of Galatia and Phrgia are well documented here. The book's finale is the journey back to Jerusalem and Paul's long imprisonment there while consorting with Timothy and Luke to write down his testimony. His death came during Nero's reign and there is some mentions of Simon Peter being crucified upside down. 

If you love an epic adventure novel, then hands down God's Warrior is an absolute treasure. However, if you are Christian like myself that have read and studied Paul's scripture in the New Testament, then you will find Frank Slaughter's account meticulously align with the Bible. There is freedom here to expand upon the scriptures and to fill in the blanks to connect major pieces of history. In doing so, the author presents a grand epic of Paul's chaotic, but important role in developing the Christian church and ushering in Jesus Christ's message - God's grace saves, works don't. Unlike other religions that teach “what you can do for God”, Christianity's message is crystal clear - “what God did for you”. That message dominates God's Warrior as well as the New Testament teachings. But again, if you aren't a Biblical scholar or even a Christian, this is a fantastic adventure novel. Highly recommended. 

Buy a copy of this book HERE

Conan - Savage Sword of Conan #02 (Curtis)

The Savage Sword of Conan #2 was published in October, 1974. For a complete history of the making of this magazine title, including reviews of the contents of issue one, check out my review HERE. This installment of the series has an awesome Neal Adams cover and once again features content inspired by the works of Robert E. Howard. This issue features:

“Black Colossus” - Roy Thomas/John Buscema and Alfredo Alcala
“Chronicles of the Sword” - Lin Carter/Al Milgrom, Alan Weiss, Joe Staton
“Black Mark Chapter II” - Gil Kane
“The Beast from the Abyss” - Steve Englehart/Howard Chaykin 

In addition to the stories and articles, this issue's stand-alone panel is illustrated by Mike Zeck.

The lead story is “Black Colossus”, a 36-pager that is broken down into three parts. The inspiration is Robert E. Howard's story, which originally appeared for the first time in Weird Tales, June 1933. It has been reprinted numerous times in print format with and without the minor edits made by L. Sprague de Camp. To my knowledge this issue features the first adaptation of the story in comic format. The adaptation was reprinted again by Marvel in their Marvel Treasury Edition #15 as a colorized edition. I won't go into the details of the story because I already covered it in great detail HERE. 

The story's short intro is simply “Black Colossus”, the second chapter of the story is titled “Hordes of the Veiled One” and the last chapter is “Chariot of the Man-Demon”. Each title insert is a one-page panel carefully constructed by Buscema and Alcala. I love the title page to chapter two with Princess Yasmela, partially clothed, crawling towards the darkness of the pit-spawned incubus. It is just an incredible mix of light and dark with a lot of lines in the foreground to make it look more chaotic as the scene shifts to the dark right corner. As I mentioned in my review of Dark Horse's first issue of Conan, “Out of the Darksome Hills”, that Cary Nord's depiction of an armored Conan slightly resembles page 18 of this issue as Conan is fully decked out like a gladiator. 

The story stays true to Robert E. Howard's version and it's a great read. This is on par with “The Frost Giant's Daughter” (reviewed HERE) in terms of this magazine's most iconic moments. I may sound like a broken record but the art is just spectacular. Page 27's Thugra Khotanlike on the skeletal black camel is awe-inspiring and seems to draw influence from the 1865 painting by Gustave Dore, “Death on the Pale Horse (Revelation)”. This story gains a sequel in the next issue. 

Some fans dislike author Lin Carter, but I have genuinely enjoyed his literary work and the contributions he made to science-fiction and sword-and-sorcery/fantasy. His informal history of the sword-and-sorcery genre, “Chronicles of the Sword”, is just fascinating. Carter points to early literature like Beowulf and Hercules mythology as a catalyst to what would eventually form sword-and-sorcery. He also examines Lord Dunsay's “The Gods of Pegana” and “The Sword of Welleran” among others, citing the “at the Edge of the World” as a sort of gyroscope utilized for the genre”. Obviously, Carter delves into the works of H.P. Lovecraft and Robert E. Howard and their impact on the Weird Tales publication. 

The second chapter of Blackmark continues in this issue. As I alluded to in my review of the first issue, this content was originally published in the 1971 Bantam paperback Blackmark. The smaller graphic novel pages have been formatted to magazine size and the book's contents were spread over the first four issues of Savage Sword of Conan. 

In this portion of the story, Blackmark looks to be about 10 years old and has began practicing swordplay in between working for his father Zeph. While Blackmark is away from the village, an armed group of horseback riders attack and begin slaughtering the citizens. When Blackmark sees the smoke he runs to the village to see his father fighting the men with a staff. After his father is murdered, Blackmark is forced to watch his mother being raped and killed. The men leave Blackmark as a survivor so he can tell others about their strength and dominance. Later, Blackmark is captured by slave raiders.

This was a real turning point in the story and sets up Blackmark's adolescent years and subsequent arena fights as a slave (featured in the next issue). Again, Gil Kane is a phenomenal artist and his storytelling skills propel the narrative in a smooth and unforced way. While a lot has happened to Blackmark, from birth to jaded young man, the narrative is spread enough to allow readers to imagine and fill in the gaps in these characters' lives off the page.

Up to Kull's appearance in this issue's story, “The Beast from the Abyss”, the character had appeared numerous times in comic format. The hero is seen in Conan's vision in the very first issue of Conan the Barbarian in July, 1970. He later appeared in Creatures on the Loose #10 (Mar1971),  Monsters on the Prowl #16 (Jan 1972), Conan the Barbarian #25 (Jan 1973) and #37 (Jan 1974), Tomb of Dracula #26 (Jul 1974). Of course he had his own short-lived title as well, Kull the Conqueror #1-10 (1971-1973) and Kull the Destroyer #11-28 (1973-1978) prior to “The Beast from the Abyss”. 

“The Beast from the Abyss” is adapted from the story “Black Abyss”. This work was left unfinished by Robert E. Howard with Lin Carter finishing the story (beginning with Chapter 3) and it was first published in the Lancer paperback King Kull in 1967. I enjoyed that story immensely and I was happy it was adapted into comic form by Steve Englehart (Batman, Daredevil, Doctor Strange) and drawn by Howard Chaykin (Star Wars, Batman, Punisher)

Kull is in Kamula on business and enjoying a dance routine with Baron Ergon. Kull's friend and confidant Brule, the Pictish Warrior, storms into the room and advises that his tribal brother Grogar has been captured from somewhere in the palace. The duo venture back to the place the man was last seen and discover another corpse. From inside the wall they hear a strange piping sound - “the sort of music dead men dance to on the scarlet floors of Hell!”. 

The two journey through the wall's secret passageway and descend stairs into a macabre scene of the Baron, half-naked women, a piper, and Grogar laid on an altar awaiting a ghoulish fate. These crazed people are worshiping a giant slug-like creature called Zugthuu the Slitherer. The creature isn't actually named by Chaykin in the story, but the name appears in the magazine's TOC. Kull and Brule get to work fighting Zugthuu, eventually killing the monstrosity and escape with Grogar. 

The adaptation stays true to the story and successfully visualizes the demonic scene of the piper on the altar. This story borders the horror genre closely (don't they all?) and Chaykin's drawings capture the creepy vibes so well. I was really pleased with how this turned out considering the strength of the original material. 

This was another fantastic issue and one that is often cited as a real highlight of the series. It is definitely worth your time to pursue it in whatever format you prefer – trade, digital, individual issues, hardcover. Recommended! 

Buy a copy of this book HERE

Tiger Chair

Max Brooks hit a home run with his first novel, World War Z, in 2006 proving that he was an author with a knack for innovative military combat fiction. His 2024 release is a 50-page novella called Tiger Chair about an imagined Chinese invasion of the USA’s western coast.

The novel is told in the form of a letter home from a Chinese soldier occupying Los Angeles three years following the invasion of America. China took California and the land west of the Rocky Mountains but is now facing a nagging insurrection from Americans unwilling to settle for Chinese rule. Do you like the idea of modern guerrilla warfare on the streets of Hollywood? You picked the right novella.

In the process, the narrator tells his reader back home the story of the invasion and how it occurred. The recounting of the amphibious assault supported by a swarm of weaponized tiny drones was cinematic. In the process, the author takes some well-deserved shots at Hollywood’s kowtowing to the Chinese marketplace with censored media products and failing to recognize the sovereignty of Taiwan.

Because there’s not a linear plot with characters, Brooks was free to make the novella an extended thought experiment of how an invasion from China might play out. There are many astute observations about the different skill sets involved in winning a war vs. occupying a conquered nation. This is action fiction for smart people. Recommended. 

Retown

Like many of the new breed of acclaimed indie horror authors, Boris Bacic started as a Creepypasta short story writer on Reddit. He since has become a popular novelist with a series of unrelated small-town horror paperbacks, including 2022’s Retown.

An Oregon software salesman named Jason is dispatched to close a deal in the remote town of Riverton. The town is so off-the-beaten-path that even his car GPS approaches the dirt roads and snowy mountains with great trepidation. The closer he gets to Riverton, the more he regrets the trip as his cell phone dies and a stranger warns him to stay away.

While on the outskirts of Riverton, Jason witnesses something that was truly rattling and scary for both the reader and the character. Upon his arrival into Riverton, the author does a great job of creating an uneasy vibe. Everything is off. No one behaves normally. The locals fluctuate between indifference, rudeness and a passive hostility. Jason can’t wait to leave, and get home to his family hours away.

But it’s not that easy.

The Amazon book description gives away a major plot point that occurs 22% into the book (shame on the publisher), but I won’t spoil it here. The upshot is that leaving Riverton isn’t as easy as driving over the mountain. The entire town is under the spell of a supernatural force of some kind, and the townsfolk seem to be resigned to just lie back and take it. Could Jason be the resistance the citizens of Riverton need to break their chains?

Once the mystery of Riverton is revealed, the book stops being as scary and becomes a giant escape room mystery. Fans of the TV show Lost or Blake Crouch’s Wayward Pines will feel right at home here. The revelations about the town, its caretakers, and its power are dealt out sparingly throughout the book. Some readers will be satisfied with the answers, and others will not. But no one will deny the creativity and inventiveness of this eerie novel. Recommended. 

Buy a copy of the book HERE