Unboxing Operation Hang Ten

In today's video, Eric unboxes the entire Operation Hang Ten series. This was a title created by Lyle Keynon Engel and published between 1969 and 1973. Eric has a brief history of the title and author and examines each paperback in the collection. Stream the video HERE or watch below. Be sure to subscribe for weekly videos.

Simon Ark #03 - The Witch is Dead

“The Witch is Dead” was the third Simon Ark story, and it appeared in Famous Detective Stories' April 1956 issue. It was reprinted in the Fall 1966 issue of Startling Mystery Stories. There were a total of at least 45 Ark stories, and they are all penned by Edward D. Hoch. The concept is that Ark travels the globe searching for Satan while also solving crimes that possess a weird menace. Most of the stories include an unnamed narrator presenting the story in first-person. 

The story begins with the narrator describing a woman named Marie Carrio and her career as a fortune-teller named Mother Fortune (how original). She operates her mammoth crystal ball in Westchester County, New York. The narrator states that Mother Fortune died in a burst of flames and that her death proved even more fantastic than her life. 

The narrator then describes the events leading up to Mother Fortune's fiery demise, which is the story. He says it was October in 1950 and he was now working for Neptune Books, a paperback publisher (great nod to the era). He is now married to a woman named Shelly. He meets Simon Ark unexpectedly at a train station. Ark catches up with the narrator on the last couple of years since they had worked together. He says, “There is evil everywhere these days, and it is most difficult to separate the man-made evil from the more ancient type.” This statement pretty much sums up the Simon Ark series – deciphering supernatural or simple logic. 

Ark explains to the narrator that he is in Westchester County to investigate weird happenings at the Hudsonville College for Women. The narrator laughs when Ark advises that the college has somehow become cursed by Mother Fortune. Three students are near death and another forty are critically ill. Ark is there to determine the real cause of the outbreak and if it is somehow linked to an unfortunate event that occurred between Mother Fortune and the school years ago.

This was probably my least favorite of the Simon Ark stories thus far. The plot development was a bit murky and the final solution to the school's epidemic was hard to believe. I enjoyed the exchanges between Ark and the narrator and appreciated the PI-esque investigation. The story just moved a little too slow with such a limp payoff. With this many stories across four decades the output is certainly going to vary. You could skip this one.

Paperback Warrior Primer - Jon Messmann

Whether you enjoy men's action-adventure, adult westerns, comics, mysteries, vigilante sagas, or gothic romance, there's something for everyone when it comes to author Jon Messmann (1920-2004). We have covered so many of his books and titles thanks to publishers like Cutting Edge Books reprinting his work for modern readers. Hopefully, today's primer will shine a light on his life and literary work.

Jon Messmann was born in 1920. His parents forced him to play violin and some sources stated he really disliked playing music and preferred writing. In 1940, he began writing for the up-and-coming comic industry, a period known as the Golden Age of Comic Books. His first gig was for Fawcett Comics, an early, successful comic book publisher of that era. His co-workers were a dream-team of comic book icons such as Joe Simon, Jack Kirby, and Chic Stone. Messmann wrote for a decade on titles like Captain Marvel Jr., Human Torch, Sub-Mariner, Gabby Hayes, Don Winslow of the Navy, Tex Ritter, and Nyoka: The Jungle Girl.

In 1950, Messmann, co-created Carousel, an 8-page tabloid comics section in the Pittsburg Courier. This featured many of Messmann's comic ideas like secret agents, historical romance, sea adventure, private-eyes, jungle girls and even fairy tales. Carousel lasted five years and was distributed by New York's Smith-Mann Syndicate. But, Messmann wanted to get into writing full-length, paperback originals.

Beginning in the 1960s, Messmann’s transition into paperback full-length novels began with Lyle KenyonEngel’s star franchise, Nick Carter: Killmaster. Messmann’s first contribution to that series was it's 37th installment, 14 Seconds to Hell, published in 1968. The series, authored by a selection of ghost writers under the name Nick Carter, was a firm stepping stone for Messmann. The series paralleled the pulp industry in terms of campy, over-the-top secret-agent action. Messmann’s experience writing comics and comic strips made him a viable workhorse for Engel to rely on. The author contributed 14 more installments through 1970 before departing the series. Most Nick Carter fans will list Messmann in the highest tier of series contributors.

Engel, pleased with Messmann’s production, paired him with another Killmaster author named George Snyder for a series called Hot Line in 1970. The series lasted only three installments with Messmann only contributing to the debut, Our Spacecraft is Missing!. Again, this allowed Messmann to develop a modern secret-agent, in this case a President’s Man type of hero named Fowler.

Also in 1970, while writing Killmaster novels Messman wrote two books starring a vagabond hero named Logan. They were inspired by John D. MacDonald’s successful character Travis McGee. The books are Logan and Killers at Sea and were authored under the pseudonym Alan Joseph. Both books have been reprinted as new editions under Messmann's name. You can obtain them HERE.

Just like Gil Brewer, Dean R. Koontz, Hillary Waugh, and Gardner F. Fox, Jon Messmann also authored gothic romance paperbacks. The pseudonyms he used for these novels was Claudette Nicole and Claud Nicole.

After Mack Bolan's saga was unveiled in the hit series The Executioner in the late 1960s and early 70s, publishers began searching for vigilante fiction. In 1973, Signet began publishing a vigilante series called The Revenger, written by Jon Messmann. He crafted these novels through 1975 while also creating and writing another character, Jefferson Boone: Handyman. The sexual escapades of The Revenger's Ben Martin, Jefferson Boone: Handyman, and the Nick Carter series before that, led Messmann to what would ultimately become his meal ticket – Skye Fargo.

By 1978, adult western fiction rose to prominence and was led by a series heavyweight in Lou Cameron's Longarm. The concept was simply to incorporate two to three graphic sex scenes into a traditional western. The main character fights the bad guys and pleases the bad girls. Messmann, following the trend, created The Trailsman series in 1980 for Signet. Like Don Pendleton's The Executioner, Messmann had created an iconic hero in Skye Fargo – lake blue eyes/bed mattress Olympian – and placed him in nearly 400 total installments. Of those, Messmann wrote nearly half up until his retirement using the pseudonym Jon Sharpe. The publisher then handed the series over to a rotation of ghost writers using the Sharpe house name.

Messmann also created the short-lived Canyon 'O Grady western series in 1989 and authored three installments. It was rumored that Messmann had never been to the western regions of the U.S., instead writing every Trailsman and Canyon 'O Grady novel from the comfort of his Manhattan apartment.

Messmann even dipped his typewriter in the romance waters. Using the pseudonym Pamela Windsor, he wrote three romance novels for Jove from 1977 through 1980. He also authored a horror novel called The Deadly Deep in 1976 for New American Library, and thrillers like Phone Call for Signet in 1979, Jogger's Moon in 1980 for Penguin, and the western The Last Snow in 1989 for Random House. He also authored the stand-alone crime-fiction mystery novel A Bullet for the Bride in 1972 for Pyramid.

Jon Messmann died in 2004 at the age of 84 in a New York nursing home. His books are widely circulated and can often be found in just about any used bookstore across America. The fact that fans like myself are still discussing his literature is a true testament of his storytelling talent. Get many of his books and titles right HERE.

Joe Bain #02 - The Pleasant Grove Murders

Sheriff Joe Bain serves fictitious San Rodrigo County, California. He is a Korean War vet with an estranged wife and a teenage daughter. Bain is also a by-the-books guy, but is a little more elementary and basic when it comes to your average police procedural. He's what I describe as barnyard dumb, rough around the edges, and has a unique likability that may compare to Hoke Moseley. The character was created by John Holbrook Vance, a science-fiction and fantasy author that dipped his toes in mystery fiction with a handful of novels. There were only two published Joe Bain books. The first, The Fox Valley Murders, I reviewed HERE and discussed on the podcast HERE. But, I also read the series second and last installment, The Pleasant Grove Murders.

The premise for the novel is the murder of a young mailman named Ken. Bain must determine if someone murdered a mailman, who just happened to be Ken that day, or if they were intentionally killing Ken, who just happened to be the mailman that day. You see the mystery here? However, when more murders begin to pile up the mystery expands into some pretty posh places. 

Like the first Bain book, this novel introduces a small backstory on events that happened to a high school kid named Sam, Ken's best friend. Vance introduces a proposed marriage between two prominent families, a who-can-outdo-who class clash, and some scandalous neighborhood affairs. It all washes out in the end but the real joy is just sorting through the suspects in a befuddled Bain sort of way. 

Vance included a campaign election to entertain readers between bodies hitting the floor in Bain's debut. This novel also offers an enjoyable time-waster as well. Bain and his mother are flirting with the idea of running a country hotel complete with a dive bar and alcohol. The town questions the Sheriff dealing with the town's riffraff on a personal level but also the fact that he learned about the hotel sale through his professional endeavors. Should a Sheriff be able to gain insider information for his own gain? It is a good debate between the town. In some ways it reminds me of those outlandish scenarios presented on the old 90s television show Picket Fences. 

I really enjoy the Joe Bain character and hated to learn that this is really it. Two published books. However, there is an unfinished and unedited loose outline of a third Bain book out there too. I've never read it because I just don't consider it to be a finished product suitable for public consumption. It is a shame that Vance never wrote anything else about this crazy little community. Buy a copy of the book HERE.

Paperback Warrior Podcast - Episode 105

Today's brand-new episode focuses on one of the most polarizing authors of the early to mid 20th century, Sydney Horler. He wrote 150 books and authored over 1,000 short stories while waging a headline war with his contemporaries. We dive into his life, his involvement in London's criminal underworld, and the many series titles and characters he created. Eric also reviews a private-eye novel from 1984 and discusses a heated marital dispute in the parking lot of a Jacksonville bookstore. Play the episode below or on any streaming platform. Download the episode HERE. Be sure to subscribe to our podcast and follow us on Facebook, X, and YouTube. 

Listen to "Episode 105: The Crazy Career of Sydney Horler" on Spreaker.

Simon Ark #02 - Hoofs of Satan

The Famous Detective Stories February 1956 issue includes “Hoofs of Satan”, the second appearance of occult detective Simon Ark. He first appeared in the magazine a few months earlier. Those of you unaware of the character there were at least 45 Simon Ark stories and they were all authored by series creator Edward D. Hoch. Ark travels the world searching for the Devil while investigating bizarre occurrences that suggest an evil presence. He teams with an unnamed narrator that progresses from a reporter to a publisher and then a partner with Ark in a detective agency. 

“The Hoofs of Satan” takes place in the winter of 1945 in North Bradshire, a village that lies on the edge of a forest on one of the main highways from London to the coast. The narrator, in third-person this time, describes it as a relic of the Middle Ages that somehow survived the 20th century. Simon Ark is there to investigate the village and later explains to a Chief Inspector that a hundred years ago several villages in that area discovered strange cloven hoof-prints in the snow. The villagers followed the path of the prints through the forest but came to a certain point where the dogs would just howl but go no further. 

Simon Ark, the Inspector, and the village mayor examine new hoof-prints that have appeared in North Bradshire. The trio interview the owner of a house where the majority of the hoof-prints appear. A man named Summers agrees to help the group find answers on who – or what – is making these tracks. Ark has some suspicions and meets with a neighbor named Hunt, a strikingly beautiful married woman that was a popular actress before her retirement a couple of years ago. Ark believes there may be some connection between Hunt, her husband, and Summers. A love triangle? But, what does that have to do with hoof-prints?

Despite Ark's explanation of the weird happenings in North Bradshire, the story eventually drifts into familiar territory in these Ark stories. There is a logical explanation, a murder, and a central mystery on who the killer is. The prints in the snow are unusual but explained in the story's conclusion. As the story ends there is a dark tone as readers discover that Ark may have dished out vigilante justice. The ending suggests that maybe there was a supernatural element marked by Ark leaving an ankh behind. 

This was a fun bit of escapism that puts Ark into the role of leading a mystery investigation. The story is more procedural and follows a well-worn template but it still works well. Readers gain a few tidbits about Ark along the way which contributes to the grand mystery of who the heck Ark really is. As usual, suspend your disbelief and have fun with it. That's what the Simon Ark stories are really about. 

You can obtain this story by purchasing City of Brass: And Other Simon Ark Stories. It is a collection published by Mysterious Press and it features three Ark stories. You can buy it HERE.

Friday the 13th - Friday the 13th Part 3

In one of the more bizarre occurrences in paperback history, two film novelizations occurred for Paramount's Friday the 13th Part 3 (often listed with III). The first was authored by Michael Avallone, a crime-fiction author that wrote the popular Ed Noon series of detective fiction as well as early installments in the Nick Carter: Killmaster series. Avallone wasn't a complete stranger to spookville. He also wrote gothic romance novels that possessed a familiar supernatural scent that appealed to 1970s readers. His F13 novelization was timed perfectly for the release of the film to theaters in 1982. However, Signet hired Simon Hawke, who had previously penned the prior two Friday the 13th novelizations, to write his own novelization of Friday the 13th Part 3 in 1988. Weird, right?

I like Avallone's writing so I chose to read his take on the film first. As a kid, I rented Friday the 13th films so much that the tapes were at my house more than the rental store. I also camped in front of cable television in the late 80s watching the USA Network air the films every Saturday on the Captain USA show or their Saturday Nightmares prime-time spot. Needless to say, I knew what the next page was going to offer. 

Avallone mostly sticks to the script for 90% of the book. If you haven't seen the film, this one has Jason attacking teen visitors at a nearby farm called Higgins Haven, which is adjacent to the Camp Crystal Lake original battleground. Many fans call this film “the barn one” because the action and body count intensifies in that dwelling. Plus, there's plenty of sharp things in there to penetrate soft bodies.

The hero of the film/book is Chris, a young woman that lived a horrifying ordeal as a child when she saw Jason Voorhees face to face in the woods. While she's dealing with repressed memories of that night, she orchestrates an outing to visit the lake where the murders occurred. She brings friends along that just make for easy slasher fodder – two potheads, a horny couple, a creepy lunatic nerd, and another sensible girl. She also brings her boyfriend Andy along for the massacre as well.

Jason begins hacking his way through the characters, including three black bikers, until Chris is the proverbial last girl. Avallone's writing borders on satire at times as if he is secretly rolling his eyes at the ludicrous concept of the undead killer killing...again and again. The perfect example is his take on the imbecile police in the third chapter, aptly titled “Give Him the Axe!”. Avallone is such a great storyteller that he is able to draw out some of the tension and cat-and-mouse intrigue to heights that even rival Harry Manfredini's intense musical score. 

The book's ending drifts into a different version than what is seen on film. In this book's ending Chris completely decapitates Jason whereas in the film she simply cleaves him in the head with an axe. Big difference. She also awakens in bed with the doctors and police outside in the hallway questioning her sanity. She escapes the room and journeys back to the barn to search for clues that the murders actually happened. She wants to prove that she didn't make all of this up. She finds a leg, a foot, and an arm in the hay before Jason decapitates her. The police then go check on Chris and find her still in bed. The whole scene was a nightmare. 

In the film, one of the best segments is when Chris escapes to the canoe and at dawn she sees Jason peering from a window before Mrs. Voorhees corpse erupts out of the water, which is later proved to just be a nightmare. Avallone omits this segment. I took a peek at Simon Hawke's treatment and he kept his novelization strictly to the film version, which may be why he was hired to do another novelization of the film in the first place. 

I love the Friday the 13th films in the same way that any old timer will tell you they loved all of the Hammer and Universal horror films when they were a kid. Jason, Michael, Freddy, and Leatherface have become the new Wolfman, Dracula, Frankenstein, and The Mummy. This book is a nostalgic trip through time but also showcases a superb writer doing the most he can with an unrealistic story. For that, I applaud the effort. This is an entertaining read.