Showing posts with label Gothics. Show all posts
Showing posts with label Gothics. Show all posts

Saturday, November 29, 2025

Sinister House of Secret Love #4

I've been on a run every weekend reviewing the DC Comics' title The Sinister House of Secret Love. After reading, and enjoying, the first three issues, I'm saddened to tackle the fourth and last installment of the title, the May 1972 issue. Of course, the title would continue for a couple more years, but it transformed with issue five to Secrets of Sinister House with an enjoyable, yet campy traditional horror flavoring. The gothic tropes are mostly removed from the series going forward.

“Kiss of the Serpent” is the lead story for this fourth issue and the artwork is by Tony De Zuniga, the artist that also contributed to the title's second issue. The plot was created by Tony's wife Mary, and the story written by Mike Fleisher, a creator that worked on Spider-Woman, Ghost Rider, and properties for Fleetwood Publications.

In the story's beginning, Michelle Harlinson is experiencing a rough patch in her life. Her parents are both killed in a car accident, and weeks after the funeral she accepts a job opportunity in India presented to her by uncle. Weeks into the new job, her position is eliminated. Thankfully, she receives an invitation to meet a wealthy man named Rabin Singh. He offers her the job of governess for his two children. She accepts the position, and the lodging offered to stay in Rabin's enormous house. But, as these things go, the Kool-Aid is never stirred quite right. 

There's a central mystery on Rabin's brother being fatally bitten by a viper, and another of Rabin's brothers hints that Rabin himself is the murderer. Michelle falls in love with Rabin, but does voice concerns that he may have sinister motives. There's also a weird element where Rabin's mother believes that her dead son is living in a viper that she keeps in a basket. Like any good gothic fling, Michelle is nearly killed in “accidents” and eventually suspects Rabin's brother may be trying to kill her.

As a finale to The Sinister House of Secret Love run, I felt this issue is the weakest of the four. Atmosphere is key to these stories and the bright sun, intense heat, and desert setting just made the story feel misplaced. I'm a sucker for stormy nights and shore-front castles nestled in cliffs. This also seemed very modern with some frames of airplanes, corporate settings, and cars. I liked the idea of the story taking place in India, compared to Maine, France, or England, but with that comes a different look and feel for a gothic. The only other gothic tale that I know of with an India location is the paperback 1975 novel The Song of India, written by Mozelle Richardson. The other obvious issue is that the story just lacked any real depth. There's emotional highs and lows experienced through the protagonist, but it just didn't have much of an impact. 

Overall, all four of these issues are worth pursuing if you love gothic suspense. Recommended.

Monday, November 24, 2025

The Tormented

I spoke briefly about author Dorothy Daniels on Paperback Warrior Podcast Episode #78 (2021) on the Norman Daniels featured presentation. Norman Daniels was a prolific writer that churned out hundreds of pulp stories, helped create a number of pulp characters, and went on to a stellar paperback original career loaded with series titles and stand-alone books across many genres. 

Norman married Dorothy in 1931 when he was 26. Dorothy had been writing romance short stories that incorporated medical and nurse fiction. Her agent suggested she transcend into the red-hot market of gothic novels. She wrote her first one, Shadow Glen, which was published in 1965. She would go on to write a slew of novels including titles like Dark Island, The Stone House, Ghost Song, House on Circus Hill, Diablo Manor, House of Many Doors, you get the idea. From 1965 through 1975 she had collected sales figures of over 10 million copies and more than 150 titles in print. She also wrote a three book series based on the TV show Strange Paradise

I recently collaborated with Nick Anderson of The Book Graveyard for our monthly Guide to Gothic series. We chose to review her 1969 gothic paperback The Tormented, originally published by Paperback Library with a Jerome Podwill cover. It was reprinted by the publisher with different artwork in 1971, then issued by Warner Brothers in 1974 with a favorable Victor Prezzio cover.  

In 1892, young Sharon Aldrich left her parents' sprawling Louisiana plantation, The Pillars, to obtain education at Miss Claybourne's Finishing School. In her absence, Sharon's mother and father both die and the plantation is sold off, displacing Sharon from her childhood home. Now, at age 20, Sharon has submitted resumes to become a governess, a type of live-in teacher for kids. Her resume was approved in the form of a job offer from Craig, a husband and father seeking a governess for his daughter Cassie. Upon Sharon's arrival at the train station, she is shocked to learn that her future employer owns and resides in her former childhood home, The Pillars.

Upon arrival, Sharon immediately meets abrasion from Craig's hateful wife Emily and Emily's spiteful sister Sarah. When Sharon is introduced to Cassie, she learns from the little girl that all the prior governesses fled from the home due to a ghost stalking the house. When Sharon enters the attic in search of old books, she hears a ghostly voice whisper her name. Could this ghost be her dead mother?

The author takes readers on a mystery as Sharon and the family experience this haunting. Sharon's observations of the family's dynamic leaves her with many questions – why doesn't Emily love Craig and Cassie, who is the mysterious woman fatally ravaged by wild dogs, and what agenda does Craig's unruly brother Bart possess?

The Tormented is slightly above average as a disposable gothic-suspense paperback. Its qualities are the atmosphere, strong protagonist, and the addition of the supernatural, something that is typically teased at within the genre, but rarely comes to fruition. Daniels alters that formula with the ebb and flow of ghostly activity, an experience that leaves readers perplexed on what is actually happening to this family. While it isn't particularly spooky, I was invested enough to enjoy the 200-paged paperback escape. I think you may like it, and I have faith enough to offer a tepid recommendation. If anything, Prezzio and Podwill's cover art is worth the price of admission.

Get the book HERE.

Saturday, November 22, 2025

The Sinister House of Secret Love #3

I've recently been devouring the DC Comics' 1970s title The Sinister House of Secret Love. The debut issue was published in Sep/Oct 1971. This is a comic that eventually became Secrets of Sinister House by issue five. The first issue was penned by veteran spookhound Mary Skrenes, and the second issue by illustrator Joe Orlando and journeyman writer Len Wein. This third issue was written by Frank Robbins, a comic artist and writer that was experiencing a late career flourish that included work on Captain America, Ghost Rider, Invaders, and DC's licensed version of The Shadow. Artwork for the issue is Alex Toth (House of Secrets, Green Lantern) with pencils by Frank Giacola (Avengers, Amazing Spider-Man).

The lead story, “Bride of the Falcon”, is unique in its presentation of a deaf woman, Kathy, as the protagonist. This is a bit more dynamic when paired with an imprisoned woman in the story that experiences paralysis. Her inability to move her lips impairs Kathy's ability to understand her cryptic messages. Additionally, there are other interesting twists and turns that catapult the story into a different look and feel compared to the title's predecessors. 

In a flashback, Kathy answers a classified ad requesting a companion for Count Lorenzo Di Falco at his castle on Isola Tranquillo (Quiet Island). Different era, different security issues in the early 1970s. Kathy arrives at a port searching for boat passage to the island. Yet, ferrymen refuse to take her, issuing dire warnings about her safety if she goes there. This was a throwback to gothic literature, and horror movies, with the tavern owners and bar maids forbidding travelers to journey to the big 'ole dark castle. Eventually, Kathy gains a passage from a young man named Roberto, who comes full circle to appear in the story's finale. 

On the island, Kathy meets the Count and discovers he has a fondness for falcons. He also has hideous scars on the side of his face from falcon claws. His isolation in the robust castle, paired with his facial unpleasantness, led to the advertisement searching for companionship. Kathy falls in love with the Count, but quickly realizes he's a real jerk. He's vicious with the castle's staff, and at times can be a little rough with Kathy. Central to the plot is an older woman that the Count calls his “mother”. Kathy can't confirm the relationship due to the woman's paralysis and inability to speak. The Count explains to Kathy that once she dies they can get married and live happily ever after in the castle. But, there's more to this traditional murderous love affair than you might think.

Again, I am having a blast reading this mini-series, and find the writing and art a real delight. Toth and Giacola create some abstract layers to the presentation that fuels the mysterious elements within the story. The mystery had me until the end, but I knew something was developing between a younger servant there and the Count's “mother”. This is on par with the title's excellent opening issues. Highly recommended.

Wednesday, November 19, 2025

The Brooding Lake (aka Lamb to Slaughter)

Dorothy Eden was born in Canterbury Plains, New Zealand on April 3rd, 1912. She worked as a legal secretary before moving to London, England in 1954 to become a full-time writer. She is best known for her writings in the historical, suspense, and gothic genres. Her first novel, The Singing Shadows, was published in 1940. During her lifetime, she wrote more than 40 novels including, Let Us Prey, The Vines of Yarrabee, Melbury Square, The Shadow Wife, An Afternoon Walk, The Salamanca Drum, and An Important Family. She also contributed to several magazines, including Redbook and Good Housekeeping. She died of cancer on March 4, 1982 at the age of 69. 

From what the internet produced, Eden's The Brooding Lake was originally published by Ace in January 1963 as a gothic paperback. The book was published the same year in Europe as Lamb to the Slaughter. In the late 1970s, both Ace and Coronet recycled those same titles for paperback editions of the novel. I attempted to make the novel relevant again by teaming up with Nick from The Book Graveyard to review it on a recent podcast episode and video discussion.

In the book, protagonist Alice arrives in a sleepy New Zealand town after receiving an invitation from her friend Camilla. However, Alice is shocked to learn that Camilla isn't home upon her arrival. Instead, there's a mysterious note that suggests Camilla has run off with a man. It is up to Alice to discover that all is not what it seems in the town. There are some vague notions that Camilla had at least three different relationships with men in town. When Alice delves into Camilla's disappearance, she "lives" Camilla's life by striking up a friendship with two of the men. As the book progresses, Alice's life is in jeopardy as she inches closer to the truth.

The Brooding Lake emphasizes relationships and boundaries, both of which entangle the characters and the plot in a crafty way. This is an actual gothic novel, complete with all of the expected genre tropes like a stranger in a strange land, a large house in which the main character can flee, and a unique isolation that envelops the characters and reader. I found myself enthralled with the central mystery, and the plot moved along in an investigative way that was enjoyable. Recommended. Get it HERE.

Monday, November 17, 2025

Conversations - The Book Graveyard

In this month’s installment of Guide to Gothics, Paperback Warrior teams up once again with Nick Anderson of The Book Graveyard to unearth a paperback relic: Dorothy Daniel’s The Tormented, a 1969 gothic suspense novel from Paperback Library. 

The book was successful enough to warrant two printings, one in 1971 and another in 1974. Since then, this book has lingered for decades in the shadowy corners of vintage gothic collections.

But does it earn its place among the genre’s atmospheric greats?

Together, we dissect the novel through our Gothic Litmus Test.

Stream the audio below, or watch the video on YouTube HERE.

Listen to "Conversations - The Book Graveyard" on Spreaker.

Saturday, November 15, 2025

Sinister House of Secret Love #2

As I alluded to in my review of the debut in this DC Comics' title, The Sinister House of Secret Love, the concept was to create an ongoing gothic suspense publication that would capture the same market flavor as the genre's booming paperback business at the time. The first issue was published in September/October 1971, with this second installment hitting shelves in December/January of 1972. 

"To Wed the Devil", the lead story, is plotted by veteran comic illustrator Joe Orlando, and written by Len Wein (Batman, Superman). The artwork was created by Tony Dezuniga, a prolific artist that helped create the characters Jonah Hex and Black Orchid. This offers a little different flavor, compared to the prior issue's artist Don Heck and writer Mary Skrenes. 

In the opening chapter, a young woman named Sarah walks through a large mansion and descends a staircase to confront her father's dearest servant, an elderly woman named Agatha. In the confrontation, Sarah discovers that Agatha has been practicing witchcraft. Agatha defends her practice by stating the ritual is for Sarah to find true love. It is clear that Sarah despises Agatha and wants her removed from the mansion. Agatha seems sincere in her efforts, yet Sarah is possessing a seasoned hatred.

In the next chapters, readers are introduced to Sarah's charming boyfriend Justin, a man she hopes to marry. Yet, Sarah's father has another idea. He explains that the family fortune is in ruins, and that the only way to keep the mansion and business is a bank loan. Yet, the only financial institution that may provide funding to this failing family business is a man named Baron Dumont. The price? Sarah's hand in marriage. Sarah hesitantly agrees to go and live with Dumont and take his hand in marriage to save her father's legacy. To salt Sarah's emotional wounds, she's forced to bring Agatha along as her servant.

On the coach road to Dumont's estate, the caravan is robbed and Agatha is shot and killed. A masked rescuer appears and kills the robbers and takes Sarah safely to Dumont's mansion. Yet, things are really quite bizarre there. Dumont turns out to be the rescuer she encountered in the robbery. He degrades Sarah, kills her cat, and then offers her a life of servitude to his desires. When Sarah attempts to escape she is surprised to find Agatha alive. But, there's a plot twist here too delicious to spoil with my review.

As you can imagine, I was quite pleased with this issue. I loved the chemistry between Sarah and Agatha, an emotional relationship that builds throughout the issue – in life and death. Additionally, Sarah is a rather complex character, one that seems to be unjustified in her early motives to dismiss Agatha. The atmosphere in this genre is the main event, and Dezuniga's artwork using deep blues and bright yellow contrasts nicely with the setting's grand rooms and hallways. The twist caught me off guard, providing a Devilish climax. I also enjoyed the written Epilogue.

If you love a good gothic romp...this one is a riot. 

Saturday, November 8, 2025

Sinister House of Secret Love #01

DC Comics flirted with the gothic romance/suspense genre with a couple of titles in 1971. The Dark Mansion of Forbidden Love was originally published in September/October 1971. The comic ran four issues before abandoning the gothic romance feel for more of a horror anthology flavor under the new title Forbidden Tales of Dark Mansion. DC's other venture into the genre was The Sinister House of Secret Love, which also launched September/October 1971. Again, it ran four issues before abandoning the gothic romance tropes with its new title Secrets of Sinister House. I wanted to give The Sinister House of Secret Love (what a name!) a try, so I read the first issue.

This debut is titled “The Curse of the Macintyres”. It was written by Mary Skrenes, a veteran scripter that also contributed to The Dark Mansion of Forbidden Love, House of Mystery, House of Secrets, Young Love, and Detective Comics. The artwork is by the famed Don Heck, a talent that just about touched every comic title imaginable throughout his career. 

In the opening pages, Rachel's father is dying. On his deathbed, he tells Rachel he has a formula that will make her rich, but he stresses that she hide his journal, go live with her cousin Blair, and to beware of the Macintyres Curse. Included in the first chapter is the initial meeting between Rachel and Blair at her father's funeral service, Blair's explanation that his wife died, and that he has a young son named Jamie. He asks that Rachel be the boy's tutor and she accepts.

Days later, as Rachel is traveling to Blare's dilapidated mansion, she receives ominous warnings from the train conductor and the coachman. Inside the mansion, Rachel meets Blare's dwarf cousin, Jamie, and the family maid. She's warned to never go to the third floor, which is a bold invitation in any gothic romance paperback. Eventually, Rachel learns that Blare may have a split personality and his sister may be a giant lunatic living upstairs.

The book's narrative features several attacks on Rachel, her romantic involvement with Blare, and the inevitable origins of the family's curse stemming from genetic deformity. I enjoyed the homage to The Strange Case of Dr. Jekyll and Mr. Hyde, and the gothic romance overtones that saturate nearly every page – new job, stranger in a strange land, atmosphere, supernatural rumors, the giant mansion, and of course, the vulnerable beauty striving to escape her newfound prison. 

This was a lot of fun, and now I'm strapped in to read more of this series. Stay tuned for more sinister and secret love!

Thursday, October 23, 2025

Conversations - The Book Graveyard

In this episode of Paperback Warrior: Conversations, our host joins forces with Nick Anderson of YouTube’s Book Graveyard to unearth a haunting treasure from 1953 — The Brooding Lake by Dorothy Eden. Originally published twice by Dell, this classic gothic novel drips with atmosphere, mystery, and psychological tension. Together, they explore what makes The Brooding Lake a true gothic masterpiece — from its stormy setting to its shadowy secrets — and put it to the ultimate test: Does it pass The Guide to Gothics checklist? Along the way, they draw uncanny parallels between Eden’s mid-century suspense and David Lynch’s Twin Peaks, revealing how both works blur the line between beauty and menace. Tune in for literary analysis, dark nostalgia, and a touch of the uncanny — all in one brooding conversation. Listen on any podcasting platform or stream below. You can also watch this as a video presentation HERE.


Listen to "Conversations - The Book Graveyard" on Spreaker.

Saturday, October 18, 2025

The Sinister House of Secret Love #01

DC Comics flirted with the gothic romance/suspense genre with a couple of titles in 1971. The Dark Mansion of Forbidden Love, originally published in September/October 1971, ran four issues before abandoning the gothic romance feel for more of a horror anthology flavor under the new title Forbidden Tales of Dark Mansion. DC's other venture into the genre was The Sinister House of Secret Love, which also launched September/October 1971. Again, it ran four issues before abandoning the gothic romance tropes with its new title Secrets of Sinister House. I wanted to give The Sinister House of Secret Love (what a name!) a try, so I read the first issue.

This debut is titled “The Curse of the Macintyres”. It was written by Mary Skrenes, a veteran scripter that also contributed to The Dark Mansion of Forbidden Love, House of Mystery, House of Secrets, Young Love, and Detective Comics. The artwork is by the famed Don Heck, a talent that touched hundreds of comic titles during his illustrious career. 

In the opening pages, Rachel's father is dying. On his deathbed, he tells Rachel he has a formula that will make her rich, but he stresses that she hide his journal, go live with her cousin Blair, and to beware of the Macintyres Curse. Included in the first chapter is the initial meeting between Rachel and Blair at her father's funeral service, Blair's explanation that his wife died, and that he has a young son named Jamie. He asks that Rachel be the boy's tutor and she accepts.

Days later, as Rachel is traveling to Blare's dilapidated mansion, she receives ominous warnings from the train conductor and the coachman. Inside the mansion, Rachel meets Blare's dwarf cousin, Jamie, and the family maid. She's warned to never go to the third floor, which is a bold invitation in any gothic romance paperback. Eventually, Rachel learns that Blare may have a split personality and his sister may be a giant lunatic living upstairs.

The book's narrative features several attacks on Rachel, her romantic involvement with Blare, and the inevitable origins of the family's curse stemming from genetic deformity. I enjoyed the homage to The Strange Case of Dr. Jekyll and Mr. Hyde, and the gothic romance overtones that saturate nearly every page – new job, stranger in a strange land, atmosphere, supernatural rumors, the giant mansion, and of course, the vulnerable beauty striving to escape her newfound prison.

Friday, August 15, 2025

The Shadow Guest

Hillary Waugh was a successful author that wrote numerous novels including a police procedural series starring a Connecticut Police Chief named Fred Fellows. His stories were published in mystery magazines like Alfred Hitchcock and Ellery Queen and the slicks like Cosmopolitan. Like so many accomplished authors like Gil Brewer, Jon Messmann , and Dean Koontz, Waugh delved into the gothic-romance and suspense marketplace in the 1970s. His novel The Shadow Guest was originally published in 1971 by Victor Gollancz in the U.K. and Doubleday in the U.S. However, Dell capitalized on the book by marketing it as a gothic paperback in 1972.

Waugh introduces readers to a prosperous 34 year-old New York architect named Howard. He meets a 20 year-old actress, Angela, and the two develop a relationship and eventually marry. However, Angela develops a mental condition that spirals into paranoia and depression. After working through the debilitating condition, Angela begins to get well and Howard moves the couple to London to work on a large building contract. But, it is Howard's turn to become ill after suffering a heart attack.

Angela finds a seaside cottage on the western shore of England and convinces Howard, who's now in a rest and recovery mode, that the two should move there. Hesitantly, Howard agrees and the couple move in to a previously abandoned home titled Heather Cottage. But, the house has a haunting history.

According to various townsfolk, Heather Cottage is haunted by an “angry man”. Three years prior a young couple had died in a horrendous car wreck on the winding road leading to the house. Howard is quick to dismiss the claims, but the two have a housekeeper named Beverly that is a rumored psychic. She has an incident upon first entering the home. But, the bulk of Waugh's narrative concerns sinister events that haunt the couple.

Howard typically is awakened each night by the sounds of macabre laughter downstairs. There's also a mystery surrounding the home's attic with a light that consistently turns itself on. Angela is haunted by nightmares and visions of a bloody man wearing an Army coat. Howard eventually sees the same man on the couple's front lawn. What is happening at Heather Cottage?

It is debatable on whether The Shadow Guest is a genuine gothic. It has the familiar tropes – vulnerable people moving into a rural dwelling and experiencing supernatural or mysterious events that are difficult to explain to side characters that aren't eye witnesses to these events. That's the mainframe of gothic-suspense paperbacks. However, Waugh mixes it up by having two main characters instead of one. There's also the structure with Heather Cottage being a much smaller house than the typical vast estate or mansion. Additionally, instead of just having one character experiencing strange events, there are two. These make the book a little bit different and unique compared to the standard gothic fluff. 

Whether it is gothic or not doesn't influence the quality – The Shadow Guest is a wonderful reading experience with a prevalent mystery that left me guessing until the very end. The book's finale and afterthought left me fully satisfied. The narrative breezes by with Waugh's easily readable prose and each detail in the novel ultimately pays dividends in the book's finale. 

You can watch a video of me and Nick Anderson of The Book Graveyard reviewing the book in great detail HERE. Also, you can purchase the book HERE

Saturday, July 26, 2025

Paperback Warrior Primer - Norman Daniels

Norman Daniels (Norman Arthur Danberg, 1905-1995) was a prolific author that experienced tremendous success in the pulp market before creating a second career writing numerous paperback originals, novelizations, and television tie-ins in a variety of genres. He used a multitude of pseudonyms and even collaborated with his wife Dorothy, a sensational paperback writer that specialized in gothic-romance titles. I presented the author's life and literary work on a podcast episode HERE, but wanted to provide a text on this workaholic writer that has seemingly vanished from the reader radar.

Here's a Paperback Warrior Primer on Norman Daniels. 

Norman Arthur Danberg was born in 1905 in Connecticut. He attended both Columbia and Northwestern University. Daniels' first published story was "The Death House Murder", which appeared in Detective-Dragnet magazine in 1932. That same year he saw his stories in magazines like The Shadow Detective Monthly, All-Detective Magazine and Gangster Stories. The December 1933 issue of Thrilling Detective featured a story called “Cold Steel”. This was an important moment for Daniels because it secured a relationship with the pulp powerhouse Standard, which was owned by Ned Pines. They produced a ton of titles in the 30s and 40s and competed with the equally productive publisher Street & Smith. 

Daniels was asked by Standard to pen stories starring their pulp hero The Phantom Detective. From my research it shows that he wrote over 30 installments of the series. After a little bit of a downward curve in pulp sales, the publisher began to think of new ways to gain readers. The idea was to create new heroes. Norman Daniels came up with the idea of The Black Bat character and placed him in Black Book Detective magazine in July 1939. I have a review for the first Black Bat story HERE.

Daniels not only created The Black Bat, he also had a hand in writing, and if not outright creating, a slew of other titles like Dan Fowler G-Man, The Crimson Mask, The Eagle, The Candid Camera Kid, Captain Danger, The Masked Rider, Range Riders as well as also writing for the rival Street and Smith publisher with their pulps like The Avenger, Crime Busters, Doc Savage, The Feds and the popular The Shadow Magazine

The author's Masked Detective character debuted in Masked Detective in 1940. It ran for 12 total issues with a 13th story appearing in Thrilling Mystery. Daniels wrote the first few issues of the series before handing the project off to the other work-horse authors of that era like Sam Merwin Jr. and W.T. Ballard. I reviewed the first appearance of the character HERE.

The author proved to be extremely busy in the 1940s writing shorts for the likes of Romantic Range, Army-Navy Flying Stories, Popular Detective, G-Men Detective, Sky Fighters, Clues Detective Stories, Crack Detective Stories, Thrilling Detective, and Exciting Navy Stories.

The birth of the paperback in the 1950s would be a welcome mat for Daniels to increase his productivity. Using a variety of pseudonyms, Daniels went to work on creating a number of full-length novels that appeared in paperback format. While he was writing for this new format, he continued to write shorts for the magazines and pulps like Western Romance and Mystery Detective. But his paperback output really flourished at this time.

Under the pseudonym of Mark Reed he wrote sleazy books for publishers like Falcon and Rainbow. Books like Street of Dark Desires, The Nude Stranger, Sins of the Flesh, House of 1000 Desires. As David Wade, Daniels wrote at least six books - Come Night, Come Desire, Raise the Devil, She Walks by Night, Bedroom with a View, Only Human and Walk the Evil Street (review HERE). Under the name Norma Dunn he wrote Lida Lynn, Shack Girl, The Twist and Another Man in your Life. Under his real name of Norman Daniels, he produced novels like Mistress on a Deathbed, Sweet Savage and Bedroom in Hell.

While writing a lot of 1950s paperbacks, Daniels also wrote television scripts. According to IMDB, Daniels penned scripts for shows like Alfred Hitchcock Presents, Sugarfoot, Colt. 45, Zane Grey Theater, Ford Theater and General Electric Theater among others. In the 1960s, Daniels incorporated television novelizations and tie-ins into his repertoire with books based on shows like Arrest and Trial, Sam Benedict, The Smith Family, Chase, The Detectives, Ben Casey, Dr. Kildare, The Avengers, etc.

Also in the 1960s, Daniels created an eight-book spy series called The Man from A.P.E. starring a secret agent named John Keith. That series ran from 1964-1971. I read and reviewed the debut HERE. Daniels also wrote a two book series of spy novels starring a CIA agent named Bruce Baron. These were The Baron of Hong Kong from 1967 and Baron's Mission to Peking from 1968. He also wrote a stand-alone spy novel called Spy Hunt in 1960 (reviewed HERE). 

He wrote for a number of other publishers in the 1960s including several WW2 novels like Moments of Glory, Battalion, and Strike Force (aka Killer Tank, reviewed HERE). 

Daniels also wrote another short series starring a California police chief named Kelly Carvel. These books were The Rape of a Town in 1970 followed by One Angry Man in 1971 and concluding with License to Kill in 1972. I reviewed the series debut HERE.

Daniels also submerged himself into the marketable medical thriller and hospital trend. He authored titles like The Surgeon, Savage Heart, Jennifer James RN, Stanton Bishop MD and The Tarnished Scalpel.

In the 1970s, Norman Daniels began delving into the gothics genre. Daniels wrote many of them under the name Angela Gray. Some title names were The Ashes of Falconwyk, Ravenswood Hall, Watcher in the Dark and The Warlock's Daughter. He also wrote them under the name Suzanne Somers. These had titles like Mists of Mourning, Until Death, The House on Thunder Hill and House of Eve. He also used the name Cynthia Kavanaugh to pen gothic romances like The Deception and Bride of Lenore. He also wrote at least one under the name Geraldine Thayer, a novel titled The Dark Rider.  Daniels even wrote some gothic-romance novels under his wife's name to leverage her market value and name.

Norman Daniels was very prolific because he knew the paperback trends and pop-culture. He wrote what was popular at the time and hinged much of his success on what was selling at the cinema. If spy films were popular then he wrote espionage thrillers. Once the gothic market took off he was quick to jump into that concept. When WW2 and high-adventure became a trend, Daniels was quick to place his efforts in that niche. 

Norman Daniels died in Camarillo California in 1995. Much of his literary work, journals, notes and manuscripts were donated to Bowling Green University where they remain available for anyone wishing to browse the author's work. His wife Dorothy, who sold over 10 million copies and wrote over 150 novels, passed away in 2001.

Monday, July 21, 2025

Conversations - The Book Graveyard

Eric collaborates with Nick from The Book Graveyard channel to review the 1971 gothic paperback The Shadow Guest. They also explore the gothic paperback scene of the 1960s–80s, focusing on its mix of supernatural and mystery elements. The discussion is available as a podcast you can stream below and as a video on The Book Graveyard channel HERE. I encourage you to watch the video version to see book covers and our physical interaction discussing this great novel. 

Listen to "Conversations - The Book Graveyard" on Spreaker.

Friday, March 7, 2025

Annalisa

Forbes Rydell was a pseudonym for crime-fiction author Deloris Stanton Forbes (1923-2013) and Helen B. Rydell. The two collaborated on four novels including Annalisa, originally published in 1959 in hardcover. Thanks to Cutting Edge Books, the book is finally back in print 63 years later as both an ebook and paperback. 

Dana Hebert takes a leave from the military to return to his hometown in Louisiana. His younger brother Claude is marrying a childhood friend named Annalisa. It is Dana's hopes that he can convince Claude and the family to cancel the wedding to secure his brother's safety and sanity. But, what does Annalisa possess that could create such a deep harboring resent within Dana's tortured soul?

Through murky flashbacks, readers learn that Dana and Claude's parents were murdered by Annalisa's mother in a jealous rage. The two brothers were raised in a grand estate owned by Annalisa's Grand'mere. It is here in this half-castle that the two befriended young Annalisa and the three grew up together. 

Dana's reunion is met with stiff opposition from Claude, a frustrated young man that feels Dana is in love with Annalisa. Grand'mere seems to know more about the brothers' past but has withheld murderous secrets from the family. Additionally, Grand'mere's sister Celia warns Dana that a killer is stalking the halls of Bon Plaisir. As the wedding grows nearer, Dana and Claude return to their parent's derelict abandoned mansion to search for answers regarding Annalisa and who may have really been behind the smoking gun that night. 

Annalisa is a well-written, patient Southern Gothic that dangles all of the answers just a few inches from captivated readers. As the narrative unfolds, the mysteries of Dana and Claude's family is unveiled in a rewarding fashion. The old cemetery, cavernous mansion, and sweeping Spanish moss provides enough rainy day atmosphere to enhance this enjoyable mystery. If you love Mignon G. Eberhart, Elisabeth Sanxay Holding, and Elizabeth Fenwick then Annalisa is sure to please. Recommended. Get it HERE.

Monday, March 3, 2025

Paperback Warrior Podcast - Episode 115

It's another investigative Paperback Warrior episode! In this feature, Eric delves into the murky life and career of crime-fiction, science-fiction, and western writer Louis Trimble. The noir author wrote over 80 novels and dozens of stories for the pulp magazines in the 1940s, but was mostly known in Europe for a controversial book celebrated by the Soviets. Plus, Eric reviews a creepy 1959 Southern Gothic novel titled Annalisa and reviews one of his favorite YouTube channels. Stream the episode below or on YT HERE. Also, you can download HERE. 

Listen to "Episode 115: Louis Trimble" on Spreaker.

Wednesday, February 19, 2025

Dark Shadows #03 - Strangers at Collins House

Paperback Library published the Dark Shadows paperback novels that tied to the television show. The series was authored by goth king William Ross beginning with the 1966 eponymous debut Dark Shadows. I've been torn on the series thus far, enjoying the second novel Victoria Winters more than the plodding starter. I decided to keep the porch light on and continued with the third installment, Strangers at Collins House, published in 1967.

The through story thus far concerns young Victoria Winters, a governess working at an enormous seaside mansion in Maine titled Collins House. Her employers are Elizabeth and Roger Collins, siblings that occupy the house and share an empire of wealth created by the fishing and canning business – although in this novel it is suggested that the Collins family made their fortune from the 19th century slave trade business. Victoria grew up an orphan and is desperate to learn who her real parents were. 

The “strangers” of Collins House in this novel is a reclusive man named Henry Collins, Elizabeth's elderly uncle. He brings along a suspicious caregiver named Benjamin and Benjamin's son, the chauffer named Jack. Before their arrival Elizabeth reveals to Victoria that Henry actually has his own room at Collins House but it is a secret quarters hidden behind a closet. Inside the room Victoria sees that it is decorated as if it is a New York apartment from the early 1900s.

When Henry arrives the chaos begins for Victoria. She begins seeing a female apparition that calls her name from afar. Additionally, Henry behaves in a strange manner and pines for a lover he once had – a lover that was found dead in a parking lot during the height of her singing career on Broadway. Soon the murder attempts begin as always. Victoria stumbles in the dark wine cellar, is nearly killed by a runaway motorist, and is intimidated and threatened by a sinister nighttime roadblock. Par for the course. 

Strangers at Collins House was an okay mystery that delves into Victoria's possible relationship with Henry and her unlikely connection to the dead singer. Admittedly, I was holding out hope that by the book's end Victoria's self discovery would be fulfilled. Maybe it was? In the meantime the book has enough atmosphere and shady characters to keep the pages flying. I enjoyed the book and now it's two books to one that Dark Shadows is an entertaining series. Get the book HERE.

Monday, October 14, 2024

Paperback Warrior Podcast - Episode 107

On this spook-filled episode, Eric takes listeners through the darkened hallways and staircases of gothic-romance novels. His feature today looks at the most prolific author of all-time, William Edward Daniel Ross. He wrote over 350 novels of gothic-romance, nurse-fiction, and short-stories. He also authored the 32-book series of Dark Shadows paperbacks that were tie-in novels to the popular supernatural ABC television show. In addition, Eric reviews a 1990 vintage horror novel about a killer amusement park and reads a short-story by Stephen Mertz titled The King of Horror. Stream the episode below or HERE and be sure to check out the companion video HERE.

Listen to "Episode 107: W.E.D. Ross - The King of Gothics" on Spreaker.

Monday, July 1, 2024

Dark Shadows #02 - Victoria Winters

I’ve been making my way through the literary work of William Ross, evident with seven of the author’s novels reviewed right here on the blog. Ross used a myriad of pseudonyms throughout his career to become the most popular and prolific scribe of gothic paperbacks through the 1960s and 1970s. His body of work also contains 33 paperbacks that serve as television tie-ins to the supernatural soap opera Dark Shadows. I read and reviewed the first installment, Dark Shadows, and wanted to revisit the series in hopes of a better experience. I plunged into the foggy seaside village of Collinsport for the series second installment, Victoria Winters (1967).

As I mentioned in my Dark Shadows review, these stories have their own continuity and feature ideas and characters that don’t appear in the television show. For example, Collins House features Roger Collins, a middle-aged man who doesn’t appear in the television show. In the first novel, young Victoria Winters takes a job at Collins House as a governess to Elizabeth’s nephew David. In Victoria Winters, Victoria has a few weeks off from work due to David and his cousin being away from Collins House on holiday. This sets up the book’s premise for Victoria to be tormented again by ghosts and human foes.

Elizabeth agrees to allow a businessman named Henry and his two daughters a temporary residence at Collins House. Henry’s daughter Dorothy is recuperating from a brain surgery and will need her older sister Rachel and the quiet salty air of Maine’s coast to rehabilitate.

Victoria soon begins seeing a mysterious woman in Collins House that resembles a dead woman named Stella Hastings. How can she be alive after plunging from a cliff to her death? To complicate things more, Vicki sees a figure lurking around Roger Collins’ boat. There’s also a mysterious man named Paul Caine who professes to be an artist, yet knows nothing about art. Like most of Ross’s novels, and the novel before this one, Victoria is attacked numerous times and the list of suspects ranges from the groundskeeper to Henry himself. When attacks aren’t happening, the author sprinkles in Victoria’s nightmares to pad out the pages (a common trait with Ross).

Victoria Winters is actually a pretty good crime-fiction mystery. If you take away the fact that this is a Dark Shadows novel, and strictly read it as a stand-alone mystery, then I think you’ll be more appreciative of the slow formula. There is a great deal of dialogue, like Dark Shadows, but the development is quick, and the overall mystery is compelling. The suspect list is a diverse one and I must admit that the abandoned wing of Collins House is creepy even without vampires and werewolves stalking the corridors. If you enjoy Ross’s gothics, or just like a confined mystery, then Victoria Winters is a fine choice. Recommended. 

Buy a copy of this book HERE

Monday, June 17, 2024

Dark of the Moon

William Ross used combinations of his name, as well as pseudonyms like Marilyn Ross, Clarissa Ross, Dan Roberts, and Ellen Randolph to write hundreds of gothic paperbacks through the 1960s and 1970s. I’ve mostly focused on his stand-alone novels like Dark Legend, Phantom Manor, and Secret of MalletCastle. Browsing my Ross collection, I stumbled on one with an awesome sci-fi styled name and font – Dark of the Moon. The glorious painted cover was created by talented artist Carl Hantman, known for his illustrations adorning western paperbacks by Zane Grey, Max Brand, and Louis L’Amour. The book was published in 1969 by McFadden Books using the author’s middle name of Dan. Gothics are my guilty pleasure, so I opened the door to another creepy mansion.

The book is set in 1869 in the aftermath of Abraham Lincoln’s assassination and the ending of America’s Civil War. The protagonist is Julia, an heiress to a large estate that consists of a large mansion in New York. Julia’s marriage to a Chicago businessman named Gregory Hunt prompts strict scrutiny from Julia’s only remaining relative, Aunt Cornelia. She hires an attorney to investigate Hunt’s background. The findings aren’t positive.

Gregory Hunt lost the family fortune in the nation’s banking crisis. All that’s left is a mansion in Chicago and his meager salary as a minor officer for a New York bank. Julia is willing to dismiss Hunt’s misfortune, deciding that character is more important. However, the attorney discovers a dark past in the Hunt lineage. Gregory’s father was an alcoholic, and his brother, Norman, had a reputation for wildness. Norman was tied to the murder of a young girl that led to him leaving the country to travel abroad. Similarly, Gregory’s uncle on his father’s side was also tied to the murder of a young girl. After an investigation he was charged and executed for the crime. Not exactly a fruitful family tree.

In a peculiar sequence of events, Gregory advises Julia that he must take care of affairs in Chicago and departs immediately. Weeks go by with no word from Gregory. Later, she learns that the Chicago estate was sold and that Gregory, and his mother, moved to a farm in upstate New York. The rattled Julia decides to travel to New York for a surprise visit. When she arrives, Gregory is irate.

The author then descends the familiar literary path of placing near death experiences in Julia’s path. She’s nearly trampled by a horse, crushed by a falling chandelier, and shot. But she escapes the murder attempts while dealing with Gregory’s psychopathic tendencies, his bizarre mother, a deranged Hunt cousin, and a British military leader. Of course, Ross must pad the narrative with descriptive nightmares that plague the main character, an element that the author uses in almost every story to create action.

Is Dark of the Moon any good? It depends on your patience level and overall interest in the repetitive nature of gothic romance. Crime-noir typically uses the innocent man-on-the-run as a formula staple and these gothics utilize a vulnerable woman caught in a wicked love affair that is traditionally set in a mansion. The genre is nearly cookie-cutter in its storytelling, but the way the story is presented is key – atmosphere, a thick dread, a hint of the supernatural, and a strong female lead. Under that curriculum, Dark of the Moon is a passing grade. Recommened. 

Buy a copy of this book HERE

Wednesday, May 15, 2024

Message from a Ghost

Those of you familiar with our goth reviews will recognize the name William Ross, a Canadian author that wrote hundreds of novels in the genre including over 30 books in the Dark Shadows television tie-in series. His pseudonyms include Marilyn Ross, Clarissa Ross, Dan Ross, Dana Ross, Laura Brooks, Lydia Colby, and a host of others. I've read over a handful of the Ross goths and the mileage varies. I decided to try his 1971 stand-alone novel Message from a Ghost, authored under his Marilyn Ross pseudonym and published by Paperback Library. 

The book is set in present day 1971 and features a rich protagonist named Gale Garvis. Her father died and left both her and her sister Emily millions, including a robust house in Connecticut. As the novel begins, Gale is returning home after winning several high-profile swimming competitions and discovers that Emily has become a superstitious hippie. The free-spirited sister has invited another hippie to live with the family and this deadbeat smokes all day and plays with the Ouija board. Practical sister Gale isn't having any of it and demands that the hippie beat it (there's also fear that the hippie will do anything to support his marijuana fix!). He soon skedaddles, but not after delivering a stern warning that the estate's attorney is out to kill both Gale and Emily. The girls' dead father told him through...you guessed it...the 'ole Ouija board.

After a heated argument with Emily, Gale is encouraged to take a two-week vacation at a resort. The author makes good use of this transition by surprisingly positioning the story in a different location outside of the cavernous mansion. At the resort, Gale befriends a married couple, but also sees the evil drug-induced hippie working there in the shadows. Gale strikes up a number of other flirting friendships with stockbrokers and attorneys, including a brief exchange with a mobster. 

After the two weeks, Gale is persuaded to allow the married couple to drive her back to her home in Connecticut. But, the idea was a ruse to drug Gale. She wakes up in an old abandoned theater to the sounds of an organ. She sees the married couple and another bad guy from the resort and they are all behaving like lunatics. Things escalate when a deviant midget shows up wearing a mask and toting a gun. What is the “message from a ghost”?

William Ross's novel is really three different books – the first with the hippie stuff in Connecticut, the wining and dining at the resort, and the third as a sort of creepy prison-break story. While they all connect, it reads like three different books. The situation with Gale kidnapped in the old theater is obviously the best of the three. This last act features a number of near-escapes, a little gunplay, the crazy midget, and a sense that this nice woman could be raped and bludgeoned all exist to tighten up the narrative. There's also the possibility that a dead actress's ghost may be haunting the building. But, if you know your gothics, the supernatural is typically super rare. The reason for Gale's kidnapping hooks the readers, but the final reveal is preposterous. 

If you enjoy William Ross's traditional “beauties running from the big house”, then this is a fresh change of pace that combines goth with a mystery crime-fiction element. Message from a Ghost received loud and clear – get the book cheap or free for a satisfying read. Otherwise, you may regret the few bucks you did spend when the final reveal occurs. 

Buy a copy of this book HERE

Wednesday, August 2, 2023

Fog Hides the Fury

Paul Hugo Little (1915-1987) authored novels in genres like historical-fiction, romance, erotica, gothics, and crime-fiction. Supposedly, Little authored over 700 novels in his career, averaging a novel every week and a half beginning in 1963. He used numerous pseudonyms like Marie de Jourlet and Leigh Franklin James. My first experience with Little is his gothic novel Fog Hides the Fury. It was published by Magnum in 1967 under the pseudonym Paula Minton. 

Arlene Dade inherits her family fortune when her father dies in an automobile wreck. The fortune stems from a shipping business created by her great grandfather. Since she was a young girl, Arlene has been living with her Aunt Clara, a sickly woman plagued by asthma attacks. After graduating college, Arlene begins an honorary career of attending her company's legislative and leadership meetings to determine the future of the company.

After having her purse snatched at a local restaurant, a young man springs into action and runs after the thief to retrieve the purse. Arlene marries the man, and later discovers that his family had partnered with her family in the shipping business until things went sour to create an amicable split. Could this whole purse-snatching skit just be a sham so that the man can get Arelene to fall in love with him? Is he secretly hoping to marry into her fortune to gain a free ride on easy street?

Unfortunately, the plot is revealed just like it sounds. There is no shocking twist here, as Aunt Clara even predicts the book's ending. At 218 pages of large font (Easy Eye edition), Little simply goes through the motions of writing a narrative about Arlene's life. Her childhood, high school, college, marriage, and discovery of her husband's deceit is all wrung out of this boring, plodding narrative.

Magnum lists “gothic” on the book's spine, but the novel doesn't really have much in common with a gothic aside from a large house (in San Francisco for God's sake) and some thick fog. It's missing the mysterious painting, rumors of ghosts on the upper floors, the family curse, and a penchant for the dark and spooky. Granted, there's a shoreline, a family secret, some bumps in the night, and two deaths, but nothing that stands out as atmospherically “goth”. 

If you are wanting a predictable romance novel, then by all means track this one down. If you want entertainment, look elsewhere. The book is average at best.

Buy a copy of this book HERE