Con & Ginty #01 - Coral Reef Castaway

British writer Arthur Catherall used his own name and a variety of pseudonyms to write adventure novels and stories marketed for young adults. One of those was Peter Hallard, a name Catherall used to write Coral Reef Castaway. The book was published in England by Phoenix House Ltd. in 1958 and in the U.S. by Criterion Books. The American edition, in hardcover, contains illustrations by Terence Greer.

As I've alluded to in my reviews, and discussed on a podcast feature, Catherall's writing was certainly marketed to teen boys, but in reality there's nothing that floats it too far from the adventure buoy established by the likes of Ace, Bantam, or Fawcett Gold Medal paperbacks. Often a younger character is featured as the protagonist which aligns with a teen consumer. That connection is prominent in Coral Reef Castaway.

The book begins with a young man named Con Murray aboard a pleasure schooner in the Pacific. With trade winds blowing from the Queensland Coast, the voyage is sailing peacefully northwards inside the Great Barrier Reef. Due to a whaling accident, Con is accidentally thrown overboard and left behind. When a search of the waters fails to discover Con the ship's crew assumes he is dead. But, little do they know that the ravaged and weary young man has found a cay for sanctuary.

On this small little island Con is saved by another castaway, an old man named Ginty. After nourishment and rest, Con learns that Ginty experienced a ship wreck 21 years ago and he's been on this island since. But, now that Con is there he has a plan to escape the island with hundreds of thousands of dollars in valuable pearls. Shortly before his shipwreck, Giny had invested his time in pearl culturing – deliberately placing a small pebble inside of an oyster so they grow the pearl. Pear farming is explained masterfully by Catherall through his character. I found it nothing short of fascinating and now I want pearls. 

Con and Ginty can now work together to dive to the ocean depths to harvest the pearls. One man to crank the air pump and another to dive. Also, the two can successfully paddle boat the 30+ miles to civilization. But, like any good rags to riches tale, the endeavor introduces a criminal element that shakes the narrative and spins the moral compass of key characters.

Coral Reef Castaway is an enjoyable diving adventure that includes some tense moments in deep water. There's the obligatory ordeal with sharks and razor-sharp coral, but Catherall's leading duo experience the most trouble on land fighting the two-legged predator. There's diving rivalries, gunfire, survival elements, and the aforementioned underseas adventure to keep readers engaged for 200 pages. The central highlight is the old man of the sea mentoring the next generation. Catherall is an experienced journeyman and lived an exciting life of adventure. His resume of fishing, diving, and surviving in exotic locales inserts itself intentionally into the makeup of these characters and how they behave in harsh conditions.

If you love Catherall's writing as much as I do then you'll find plenty to like here. Don't let the cover and young adult stigma fool you. This is a recommended read. If you like both of these characters, Catherall wrote at least one more book starring the duo, Barrier Reef Bandits, published in 1960. I can't locate enough information to determine if Guardian of the Reef from 1961 includes these same characters. You can get these books HERE.

Paperback Warrior Podcast - Episode 123

In this episode, Eric explores the transition of vintage pulp stories and heroes from magazine format to mass market paperbacks in the 1960s and 1970s. He also celebrates GarbAugust by highlighting three of the worst books he’s ever read. Stream below, download HERE, or watch on YouTube HERE.

Listen to "Episode 123: Pulps in Paperback" on Spreaker.

Conan - Conan of Cimmeria

The tenth of the Lancer Conan paperbacks, Conan of Cimmeria, was published in 1969. The publisher reprinted it in 1970 through 1973. Ace took over the publication in 1977, after Lancer's bankruptcy. The paperback was also published by Sphere Books in England in 1974. The book's contents is disappointing considering that Robert E. Howard's sole work, “The Frost Giant's Daughter”, “Queen of the Black Coast”, and “The Vale of Lost Women” only make up three of the eight selections. The rest are written by L. Sprague de Camp and Lin Carter either together, solely, or with the aid of Howard's prior unpublished work. However, Frank Frazetta's cover painting is one of the most iconic of Conan culture.

The book begins with the obligatory map of the world of Conan in the Hyborian Age followed by an introduction authored by de Camp regarding Howard's short-lived life, the pseudo-history of Conan's world, and the fictional biography of the titular hero.

The highlight of the paperback is “The Frost-Giant's Daughter”. This was originally published with different characters as “The Gods of the North” (The Fantasy Fan #7, March 1934) after being rejected as a Conan story by Weird Tales. “The Frost-Giant's Daughter” version was first published in The Coming of Conan (Gnome Press, 1953). 

In the story, the hero has returned to his homeland in Cimmeria, but grows a hunger for battle. He decides to participate in a raid into Vanaheim with his old barbaric friends the Aesirs. As the narrative begins, Conan is the last remaining combatant of the Aesirs and an enemy named Heimdul is the sole member left of Vanaheim's fighting forces. They both lock into battle and Conan kills Heimdul, but collapses from exhaustion on the hard frozen ground. Conan awakens to feminine laughter and then sees a beautiful ivory-skinned woman in front of him. She's naked and barefoot, yet dancing on the snow. Lusting for this cold-weather maiden, Conan trails the woman for miles through the frozen wastelands. Growing tired, he suddenly realizes that the woman has led him to her two brothers, savage frost giants. 

“The Frost-Giant's Daughter” has a special kind of frosty ambiance and a dreamlike presentation that is unique for a Conan story. I'm surprised it wasn't picked up by one of the publishers of that era in its original form, yet I can foresee how they may have perceived Conan in this odd sort of icy trance. In the end, it all worked out for readers and fans as this story is one of Howard's finest stories. 

The other iconic Howard story in this paperback edition is “Queen of the Black Coast”. It was originally published in Weird Tales (May 1934) and then reprinted in Avon Fantasy Reader (#8, Nov. 1948). It's ranked in the higher echelons of Howard's Conan offerings for a reason. 

The story begins with Conan fleeing the law in Argos. Conan, in an effort to avoid his pursuers, demands passage on the Argus, a trading barge. When the Argus crew refuses to allow Conan to board, he threatens to kill the captain and his crew. Conan then befriends the ship's captain, a guy named Tito. 

The story's title comes to fruition when Belit arrives, a gorgeous female pirate commanding the Tigress. Her clashing with Conan's crew in Kush is a violent, epic struggle as the Argos crew is annihilated by Belit's black pirates. However, she finds Conan's fighting skills to be superb, peaking her interest in the adventurer. Belit is sexually attracted to Conan and soon the two become lovers as they ravage Stygian coastlines.

On the river Zarkheba, Conan and Belit discover an ancient tower in the jungle. After rotating the tower, they find a wealth of treasures, including a cursed necklace for Belit. Soon, subhuman creatures (hyena men?) and a winged demon appear to slaughter the Tigress's crew. The necklace creates madness for Belit and after Conan's lone departure to kill a monster, he returns to find her corpse hanging from the ship. 

“Queen of the Black Coast” presents something unusual for Conan – a true love. While readers don't partake in the relationship itself, they are there for the beginning. Belit's attraction to Conan is nearly hypnotic, submitting to the hero despite the number of crewmen she commands and the overall superiority of her ship. Conan instantly feels the attraction and is magnetized by this “She-Devil” as are readers.

The other sole Howard offering here is “The Vale of Lost Women”, estimated to have been written in 1933. It was never published in Howard's lifetime, only seeing a release much later in Magazine of Horror (Spring 1967). There was never any indication that the story was submitted to the pulps.

“The Vale of Lost Women” takes place after the events of “Queen of the Black Coast” and Belit's death. Conan has joined the Bamula tribe in the jungles of Kush, becoming their new tribal king. In an effort to propose a possible truce, Conan visits a rival tribe called The Bakalah. It is here that he meets a white female prisoner named Livia. He learns that both Livia, and her brother, are scientists from Ophir that were captured by Bakalah warriors. Livia's brother was tortured to death, and she's certainly next to die. 

Livia suggests to Conan that she is a virgin, and after he refuses to free her, she offers him her body. Conan then agrees to help her escape. Later that day, she sees Conan walking towards her carrying the bloody severed head of the Bakalah's tribal chief. In fear that Conan, now drenched in crimson, is coming for her, she escapes on horseback into the jungle. 

Livia falls from her horse and discovers she's in a beautiful valley that is home to a tribe of black lesbians! But, the lesbians are using poisonous orchids to create a hallucinogenic effect, placing Livia in a trance. She finds that these lesbians are sacrificing her on an alter to a giant black bat! Thankfully, Conan has trailed Livia and fights off the giant bat thing. Livia, fearing that Conan will attempt to claim her, becomes frightened. However, Conan simply advises her that he made a mistake in accepting her proposal to give herself to him. Arguably, he is suggesting there is no honor in that. Instead, he agrees to guide her to the Stygian border where she can eventually find passage to Ophir. 

There isn't much to Howard's story, which probably contributes to the possibility that it was never submitted for publication during the author's lifetime. The imagery of Conan slowly walking through carnage holding a severed head is memorable, but aside from that there isn't a whole lot to highlight. But, the story does present a rarely seen moment of the hero's life as the Bamula leader.

The best of the de Camp and Carter stories featured in the paperback is “Lair of the Ice Worm”, an original story published for the first time here. 

The story picks up after the events of "The Frost-Giant's Daughter" as a twenty-something Conan is trudging through the snowfall in Aesir. A short distance away, Conan sees a young woman being attacked by savage men resembling Neanderthals. Soon, Conan is slicing his way to the woman's rescue, but his horse is killed in the battle. In an eerie premonition, the girl warns Conan of something ominous called a Yakhmar, but Conan (and readers) isn't sure what that is.

Finding shelter in a cave, Conan makes love to the girl by the firelight. He awakens to discover the girl is no longer in the cave. With the icy conditions outside, Conan fears something may have happened to her. Outside, he follows a trail that leads to two skeletons, one of the girl and another of his horse. Both have been picked clean of all flesh and oddly enveloped in ice. Conan begins to think that this Yakhmar thing is actually a Remora, a giant vampire-like worm. Feeling responsible for the girl's death, Conan tracks the worm's trail to an icy cave. Will he escape this fiendish assault of Remora?

An eerie atmosphere and ambiance prevails throughout this short fantasy story. There's the obvious elements of horror, complete with a worm-like creature squirming under the icy tundra. The early battle with the savages was written well and contained the sweeping adventure that REH's Conan stories frequently possessed. As an aside, the brawny hero had no resistance in bedding down the beauty of the story, another obvious trope of Conan storytelling. 

Other stories in the paperback:

“The Curse of the Monolith” - an original de Camp & Carter story
“The Bloodstained God” - originally an unpublished Kirby O' Donnell story, reworked by Carter & de Camp
“The Castle of Terror” - originally an unfinished Howard manuscript, completed by Carter
“The Snout in the Dark” - originally an untitled fragment not finished or published, completed by Carter & de Camp.

Johnny Liddell #02 - Green Light for Death

Frank Kane's private-eye character Johnny Liddell appeared in 29 novels and a number of short stories in the pulps and digests. The second Liddell full-length novel published in book format was Green Light for Death. The first magazine publication of the novel was Crack Detective Stories' July 1949 issue. In 1949 (could be 1950?) there was a Readers Choice Library (N.8) edition of the book with a cover by Wayne Blickenstaff. My version of the book is the 1956 Dell paperback with a cover by Victor Kalin.

The novel begins with Liddell arriving in a small town called Waterville. His client was named Nancy Hayes, a young woman recently found floating in the water. Her death is deemed a suicide by the local homicide detective, a guy named Happy Lewis. Liddell finds some discrepancies in the story and begins to fish around town for answers. 

His investigation leads to Nancy's roommate, a sexy lounge singer that Liddell refers to as “Red” through the narrative. Red reveals that Nancy was in a panic prior to calling Liddell and hints that she may have been in some trouble. By teaming up with the local press, Liddell hones in on clues that Nancy came to Waterville searching for her younger brother. When Liddell goes to Red's lounge he learns about a unique colored lighting system that identifies certain patrons. From the title, one can assume that the green spotlight is fatal. 

Frank Kane writes Liddell as the standard competent private-eye that loves trouble, sarcasm, and women. The mix thrusts the hero into precarious situations that outmatch the small town police force. In this case, Liddell suspects the town's Chief is paid to allow a criminal network to flourish, thus there's a good side story with Detective Lewis looking to overthrow the Chief to regain the town's trust. I particularly enjoyed the physical aspects of Liddell fighting a couple of Chief thugs in a jail cell. There's plenty of gunfire and fisticuffs to match Liddell's determination to honor Nancy even in death.

If you love this era's Mike Hammer and Mike Shayne then you will surely find plenty to enjoy about Green Light for Death. Get the original vintage edition HERE. Or, HERE in digital.

The Phantom Coach

Amelia Edwards (1831-1892) was a British writer and artist that was deemed the “Godmother of Egyptology”. Her fascination with Egyptian culture led to a successful travelogue titled A Thousand Miles up the Nile. Her most famous novel is Barbara's History, published in 1864. However, she appears in several horror anthologies and digests with her frightening tale “The Phantom Coach”. The story first appeared in All the Year Round in 1864 as “Another Past Lodger Relates His Own Ghost Story” with the author unnamed. My version of the story is in The Phantom Coach: Thirteen Journeys into the Unknown edited by Peter C. Smith and published by William Kimber in 1979. 

The story's narrator is a young attorney named Murray. He is relaying an event that happened to him twenty years ago, an event he has never disclosed until now. Murray, newly married, is vacationing in the English countryside. He goes hunting (against his new bride's wishes) in the rural moors and forests during a snowstorm. After a few hours, he realizes he has become lost as the snowfall increases. Thankfully, Murray flags down an older gentleman in the wild. This stranger isn't helpful, and advises Murray that the nearest town is twenty miles away. Murray, desperate to live, sort of forces his will upon this old man, Jacob, and accompanies him back to the cottage where Jacob's master lives.

The master of the manor isn't thrilled to find Jacob has returned with an unwanted guest. After a bit of a verbal tussle, Murray sits with Jacob's master to have some dinner. It is during this conversation that the master advises Murray that he has been away from society and his colleagues in the scientific and technological industry. He wants to learn more about Murray's worldly experiences and, in doing so, he reveals to Murray that he has a fascination with the supernatural.  

Eventually the master encourages Murray to leave that very night to meet the mailman's coach that will be within five miles of the cottage. The mailman can then return Murray back to his wife at the Inn. But, this requires five miles through the dark snowfall on an abandoned coach road. On the journey, Jacob explains to Murray that a horrible accident happened on the old coach road nine years prior. He then leaves Murray with instructions on how to find the mailman's coach at a type of crossroads between the old road and the new one. To reveal any other details would ruin the thrill of this Victorian ghost story.

Amelia Edwards writes with a heavy handed descriptive approach that steers clear of an archaic prose. This is a smooth atmospheric tale that uses the dark moors, forest, and isolation to present a ghost story. Edwards has the ability to reveal very little about Jacob and the master, yet still somehow marries the two characters to the reader flawlessly. Every word they speak in this story hinges on some soon-to-be revelation that will affect the unfortunate protagonist. There's a great deal of mystery on just what awaits Murray on this old coach road. Once the terror reveals itself, Murray and readers are plucked from this out-of-the-way seclusion into a stuffy and cramped space saturated in doom and death. It's a wonderful scene switch that sets the story's finale. 

The Phantom Coach should be easily accessible as a free read. It is worth the effort to hunt it down. Recommended!

Buy an ebook version of the story plus others HERE.

The Joy Wheel

Paul Warren Fairman (1909-1977) was the founding editor of the science-fiction magazine If and the editor of Amazing Stories, Ellery Queen's Mystery Magazine, and Fantastic. As a prolific novelist, Fairman authored the spy series The Man from S.T.U.D. (as F.W. Paul) and contributed to genres like westerns, gothics, crime-noir, young-adult fiction, and television and film tie-ins. 

My first experience with Fairman's writing is his crime novel The Joy Wheel. The book was originally published as a paperback by Lion in 1954. Stark House Press imprint Black Gat Books chose to reprint the book in a new edition as their 73rd release.

Eddie is a high school kid growing up in the 1920s in Chicago. Prohibition is in full-swing and many average blue-collar men are now making a side hustle running the moonshine gauntlet through rival criminal networks and the crack-down police force. Eddie's Uncle Frank, an alcoholic that comes and goes throughout Fairman's addictive narrative, is a moonshine boozer that is near death due to the physical toll of alcoholism. 

Frank's daughter Helen is forced to live with Eddie and his family. This creates a sexual tension between the two cousins. Helen is consumed by inner turmoil with the breakup of her family due to Frank's alcoholism while Eddie is a tenth-grade hormonal time bomb. The two highly-charged emotional states are drawn together to create an irresistible passion. But, this is just one issue affecting Eddie's young life. 

This coming-of-age tale presents a timestamp on an era of American history marked by financial ruin, heightened criminal activity, and new discoveries for Americans searching for opportunity. Eddie quits school to pursue entry level opportunities in the gambling and moonshine racket. He routinely fights with his older sister Gloria, the most mature family member. She's on the cusp of marriage and a new life out west. However, Eddie finds fault with her relationship with their father, a man that Eddie idolizes but soon realizes is emotionally and ethically scarred.

Eddie's journey through sexual revolution, criminality, domestic difficulties, and a fevered concern for tomorrow makes for an enthralling read that is delightful in presentation and meaning. Fairman, while known for his far-flung science-fiction adventures, certainly had a knack for charming crime-noir. This is a thoroughly enjoyable read with a memorable end-of-innocence experience. Highly recommended. Get it HERE.

School Mistress of the Mad

Bruno Fisher often used the name Russell Gray or Harrison Storm to write graphic horror stories in the early to mid 20th century. Many of these stories were published in pulp magazines like Terror Tales, Dime Mystery Magazine, Sinister Stories, and Spicy Horror Stories. I've read a number of these including "School Mistress of the Mad". It was originally published in the January-February 1939 issue of Terror Tales. 

Doom is the name of a town nestled in the mountains populated by an inferior race of idiots looked down upon by the good people of nearby Amton. Chet is on sabbatical from his city job chilling out in sleepy Amton when he meets a beautiful woman named Linda driving through town headed into Doom. Stopping to ask directions, she discloses that she’s been hired as the new schoolteacher for the Town of Doom. As she drives deeper into the mountains, Chet can’t get her off his mind.

Chet learns that Doom was settled during the American Revolutionary War by a family named Gring who have reproduced and lived there ever since with no contact from the outside world. Generations of inbreeding have made the Gring clan into beast-like idiots.

The idea of the Grings hiring a beautiful schoolteacher in an illiterate town without a school defies logic. Meanwhile, several young women from the town of Amton have become missing lately. Could the Grings be taking some illegal measures to increase Doom’s genetic diversity? Chet sets off to Doom to investigate and maybe save Linda from the hillbillies fifteen miles away.

The author does a great job of building the dread and suspense for the reader who’s left wondering how bad it could be in Doom. I’m happy to report that the Grings clan is worse than you could imagine. This story is chilling and frightening if you enjoy crazed hillbilly stories in the vein of Deliverance or The Hills Have Eyes. It’s hard to believe that the story 82 years-old and still packs such a visceral punch.

You can read this story and other Fischer horror tales in the collection Hostess in Hell and Other Stories. Get it HERE.