In this one, Nick and AXE agent Julia Baron get tangled up in a plot designed by staple arch enemy Judas to blow up world leaders to propel the Red Chinese. It's called “Project Jet” and simply places bombs on planes to kill off various targets. It's a rather elementary plot, but Nick and Julia need to find the perpetrator and the reasoning. The novel is dominantly placed in London with all of the red herrings and suspicious looking smarties. It's here that Nick and Julia get into the sack in an effort to foil the evil mastermind. The book's finale puts both Nick and Julia in an underground horror fest to square off against the steel-handed Judas (of course he is bald, wretched and has a steel hand) and his deformed stooge Braile. It's overly fantastical, but that's part of the charm. As the agents run from location to location, there's intrigue about the location of the next bomb and an exhilarating rush to stop the ominous tick-tock. The book's ultimate plot leads to a plan to assassinate the US President. Published in 1964, I wonder if Avallone/Engel/Moolman wrote this prior to Kennedy's assassination in November of 1963? If not, I would have thought it a bit taboo to resurrect that idea during a time of America's mourning.
Based on this debut, I'm at the table with spoon and fork for 'Nick Carter'. From what I have read, if you can stomach this pulpy fruit, the series only ripens for more tasty and modern flavors later. While book two is still missing in action for me, I'm already on to “Checkmate in Rio” with an eye on book four. Killmaster for life.
The early Nick Carters were awesome.ReplyDelete
My memory is that this is all Avallone. Paid by Engel, "edited" by Moolman, but all Avallone. The next two saw Moolman have a heavier and heavier hand, to the degree that dad disowned those books in a way I never heard him talk about anything else he wrote.ReplyDelete
But if it reminded you of Doc Savage... dad was a HUGE Doc Savage fan, and you weren't imagining things at all. These books are part of his ongoing tribute to the 1930s adventure pulps in general, and DOC and THE SPIDER in particular.