Like “Murgunstrumm”, this story also features vampires and children of the night, only more situated in the throngs of love and rejection. It's a unique story, marked by jealousy and murder, that features Paul Munn, a narrator who tells us in the opening pages he is an aged vampire - if vampires ever really age. He stalks Cambridge, Mass., in an effort to find and drain the life's blood, from his nemesis, a medical student named Rojer Threng.
Like the typical early 20th-century shorts and novels, the novel begins in the present day while the narrator gets situated to tell us his personal experiences from the past. Munn takes the reader back to his college years, where he often shared his apartment with Threng. It was during this time that Threng was dating a woman named Margot, who eventually rejected him. One night, Margot goes to Munn's apartment for aid and is taken aback to see Threng there.
Threng explains to Munn that there is something not quite right about Margot and her family lineage. Hundreds of years ago, a French village burned one of Margot's ancestors to death, accusing and condemning him for sorcery. That ancestor rose from his grave on his 28th birthday as a vampire. He then attacked and drained the lifeblood from another family member. Then that family member rises on the 28th birthday to kill another family member. This is a cycle. Margot has come to Munn's to warn him that she is on the cusp of her 28th birthday and fears that her mother will rise from the grave and kill her.
Munn has fallen in love with Margot, but can't save her. Eventually, Margot succumbs to her mother's vampiric bite and dies. Yet, since Margot has no other family members, she warns Munn in her dying breath that when he turns 28, she will rise and attack him. After this statement, the story takes an unusual twist. When Munn turns 28, he does see Margot, but Threng has another plan fueled by his jealousy and rage.
Obviously, “The Brotherhood of Blood” has an uneven sort of feel to the plot, mainly due to the vague nature of the family curse. The significance of the family killing each other may have been lost on me, but I did enjoy the Munn character and genuinely felt an emotional bond with him. His loss of Margot and the eventual reappearance were developed well. For a short story, Cave fully developed these characters, despite the page limitations. His ability to lift this ordinary college love triangle into a series of life and afterlife occurrences was remarkable. Maybe I just don't read Cave enough to fully appreciate his storytelling strengths. Based on “Murgunstrumm” and this delightful story, I need to pursue more of the author's work. Recommended!
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