In 2020, Armchair Fiction released a compilation of 16 stories culled from the pages of Weird Tales, Allison V. Harding: The Forgotten Queen of Horror. This book includes a story titled “Fog Country”, originally published in the magazine's July 1945 issue.
“Fog Country” is told in first-person narration by Smith - “I'm known as Smith. Just Smith.” He has arrived back to the small town of Elbow Creek after several years of living afar. Smith describes this rural place as a type of mecca where evil forces flow, forces beyond understanding. He then documents for the reader a mysterious family known as the Hobells. They reside – or did at one point – in a robust mansion on top of the hill. They were the founders of Elbow Creek, but they were met with dysfunctional personalities.
Smith describes the night when one of the Hobells, a troubled, fighting-man named Jess, engaged in a fight with his brother Tom. Tom's wife was murdered during the fight, but charges were never filed, and the two brothers remained bitter rivals...until the fog came.
Every so often, a thick, supernatural fog creeps in from the nearby sound to engulf the town and its residents. One night, the fog came and seemingly wiped out the Hobell family, evaporating Jess and the remaining family members. As the story hits the payoff pitch, readers realize that Smith is actually Jess's brother, Tom. He's returned to town and the mansion he now owns, free and clear of any rival family members. As he settles into the house, clearing debris and old memories, the fog begins to roll in again. Only this time...there may be a figure in the fog.
Like any good horror story, “Fog Country” relies on atmosphere as the main character. The house's isolation in the high forest, near the shore, is the perfect backdrop for Smith to meet his fate. The fog, described as thick and slimy, is the menace, although it's metaphorically just the town's buried secrets regarding this oddball founding family and the blight they've left on the township. The idea that Tom killed Jess isn't mentioned on paper, but it's an ambiguous delight that often made these old horror tales better – it's all in the imagination. You can make of it what you will.
You can read “Fog Country” in the Armchair Fiction omnibus, available HERE.

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