Vanderbilt scholar Merle Constiner was a pulp detective and western writer from the 1940s through his death in 1979. In the 40s, Constiner’s characters Dean Wardlow Rock and Ben Mathews were featured in the detective magazines, which later would also feature the writer’s ‘Luther McGavock’ series of stories. In the 1950s, Constiner had journeyed into the western genre contributing books for Ace. His last novel, “Steel-Jacket”, was released as Ace entry 78580 in 1972.
The book introduces us to 19-year old Joe Fugate, a rough-shod orphan that grew up on the streets. The opening chapter explains that Fugate is passing through Oklahoma after looking for work further south in Arkansas. He rides upon Mr. Dennis and his daughter Amy traveling by wagon to Stinson County, Oklahoma. Amy explains that her father purchased a ranch called Flying 8 and the two are off to live there and raise pigs. Fugate explains that the trek could be dangerous and Amy asks him to accompany them. Mr. Dennis refuses the offer and Fugate soon rides upon them again, only Mr. Dennis has been murdered and Amy is shooting at two killers.
In a rather nonsensical fashion, Constiner attempts to detail a strange transaction between owners of the Flying 8 and the Dennis family. Loosely, Mr. Dennis saved $15,000 in gold only to throw it away on a fraudulent letter he received from an unknown source. The letter explained that if he paid some mysterious train passenger the money, he could take over ownership of the ranch and live out his merry life as a pig farmer. It’s far-fetched to think this man saved money for half his life only to throw it away so easily. Fugate decides he will lead Amy to the ranch safely and resolve his own suspicions about the Flying 8. Along the way the two meet characters along the road, sleep in various towns and generally just waste the reader’s time. Eventually (and painfully), the two discover the mystery behind the ranch ownership and why killers were after Mr. Dennis.
It’s easy to recognize Constiner’s love for mysteries and detective work. “Steel -Jacket” is really a “who’s who” sort of story but jacketed (pun intended) inside the cloak of western fiction. There’s a couple of very quick action sequences but nothing that would quench the thirst of die-hard western fans. Aside from that, the book reads more like a young adult tale with both Fugate and Amy being very young and displaying “unexperienced” characteristics. It was the author’s last work and it’s fitting that his closure was this book’s rather tidy finish. I won’t revisit this one again.
Laurence James (as James Axler) takes over full-time for the second entry in the post-apocalyptic series ‘Deathlands’. “Red Holocaust” was released in September of 1986, 90-days from the release of series debut “Pilgrimage to Hell”. This series is a conglomerate of science-fiction and post-nuke elements, neatly wrapped in a jacket of men’s action adventure tales. It’s a unique series, and with that comes an abundance of cheers and jeers from genre fans. I could fall in the middle as a borderline fan, but I’ve only fully digested the first two books. There’s plenty to unpack in the series with over 120 volumes making up this epic storyline.
“Red Holocaust” picks up from the end results of the first book. Ryan and the crew are emerging from a redoubt location they entered somewhere in the pacific northwest. They quickly find they are in a large stone chamber that houses cameras and speakers. While not directly threatened at this early junction, the group find they are in a precarious position. Soon, a mysterious voice comes on known as “The Keeper”. This voice commands they lay down weapons and exit the chamber or they will be gassed. The group is hesitant but continue through the exit. This redoubt is in the northern most point of Alaska and sits underground in a 70-mile long bunker. The author describes it as a large shopping mall complete with store fronts, supplies and endless media. This underground fortress is solely maintained by an old man, The Keeper, and his two wives Lori and Rachel. The three pose no immediate threat and allow Ryan and company to stay at the bunker as long as they like. The group rearms themselves using one of the shops. Ryan and Krysty take the time for lovemaking while the others rest up, watch old movies and reacquaint themselves into a regular lifestyle – as short as it may be.
Meanwhile, an army of Russians have moved into the Bering Strait area and are attempting to cross over into Alaska. These “Narodniki” (translated to proponents of Russian propaganda) are on a track to the US hoping that history books are correct. They feel that America is still firmly intact after the war, housing beautiful women, skyscrapers, large cities and immense wealth. The group is led by an imbecile named Uchitel and his brother. The author poses them as vile terrorists and makes their trek a primary piece of the book. The Narodniki take over small villages, rape everyone and engage in atrocious forms of torture and punishment. While this is happening, another group of Russian fundamentalists are in pursuit of the Narodniki – although we never really learn why. This army is led by Major Zimyanin and pieces of their trek is shown to the reader – albeit far less interesting.
At one point, Ryan is warned to never leave the bunker due to mutants prowling the outer walls. Obviously, he dismisses said warnings and journeys out only to be attacked immediately. Later, Ryan and Krysty find that there may be a pile of dead bodies inside the bunker and The Keeper and Rachel could be more dangerous than the initial observations. After leaving the armory (and seeing a crucified baby), the team is assaulted by The Keeper and Rachel and saved by an early warning from Lori. The group escape the bunker only to run into the Narodniki savages. The team is captured in a wild finale that features a nuclear bomb, Russian armies and a small earthquake. In what could be a future formula, the team “solves the crisis” and enters the redoubt once again. Book three will ultimately show the next destination and adventure.
From a development perspective, “Red Holocaust” provides plenty of thought provoking entertainment that sets more of the series’ mythology. We learn that Doc’s real name is Theophilus Tanner and that the redoubts can technically be time traveling portals. Doc explains that the government was perfecting the process but continually would lose travelers or pieces of the subjects each time they attempted forward or future travel. This book also thins out the herd a little by killing off a few members of Ryan’s team. We started with over 30…now we are down to a half-dozen. More importantly, the reader provides a lot of details regarding Krysty and her mutant powers. She has hair that can move and grasp things at her will while also allowing her incredible strength by calling on Mother Earth. I’m sure this will be expanded as we get further into the series. Next up is “Neutron Solstice” as the action moves into the deep south.
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There’s no denying that Don Pendleton’s 1969 premier of The Executioner series was the prime catalyst for the gritty, vigilante vengeance sagas. The early 70s was a fertile time period, growing numerous series’ that commonly referenced “er” ending titles (i.e. Butcher, Penetrator, Enforcer). Author Jon Messmann had contributed to the genre as early as 1968 with five Nick Carter: Killmaster novels over a two-year period. After his own failed series, Hotline, Messmann was placed on a Signet debut called The Revenger in 1973. As Glorious Trash scribe Joe Kenney points out, initially this was probably a one-off novel that escalated into six total volumes. The book exhibits no signs of a continuation and is missing advertisements for the next book. There isn’t a display indicating The Revenger is the first of a series. These are typical publisher traits inviting readers to stick around for the next installment – with their cash in hand. Regardless how it was intended, The Revenger is pure quality. The whole series now exists as a brand new edition through Brash Books.
Today, this plot has run its course and may have been treading familiar ground even in 1973. It’s the revenge yarn we’ve read and watched since the early pulp adventures and westerns. Messmann utilizes it really well by exploring the human emotions while simultaneously providing a very vulnerable “executioner”. Ben Martin is ex-military and served in Vietnam as a killer for various US branches including the CIA. In brief recollections, the reader tells us how Ben would wait patiently in rice patties or filthy jungles for days awaiting perfect shots. His skills were valuable and Ben served his time well.
In the book’s opening pages, we see Ben as a produce shopkeeper in lower Manhattan. He’s happily married to Donna (they make love a lot) and they have a small son, Ben Martin Jr. Ben’s shop is experiencing the typical Mafia protection racket, this time extended by the Gennosanti family. They want payment for protection or the store owners will experience…stiffness. When they knock on Ben’s door, he sticks an envelope opener through a guy’s hand and disarms them. Coolly, he calls the police who ultimately are pressed by the attorneys to let the enforcers just walk.
This particular family is managed locally by Joe Colardi. The Colardi family presents itself as fine, upstanding citizens and attend PTA meetings and donate large sums to the school. Generally, they are well liked. Beneath the surface, Joe is under pressure to deliver results for the Don of the Gennosanti family. With Ben refusing to pay, roughing up his goons and generally resisting the mob’s presence, Colardi has Ben’s son kidnapped. After a brief phone exchange, Ben agrees to negotiate with the Colardi crew if they can safely return his son. Unfortunately, they accidentally allow the boy to walk off of a rooftop to his death. Colardi loses his mind knowing that the Don won’t be happy of the negligence and the kidnapping, which was unbeknownst to him.
The second half of the book starts to resemble The Executioner debut War Against the Mafia. Ben becomes a bone-chilling assassin, seemingly dismissing life, marriage or any semblance of normality. His only purpose is to kill the mob. Like Bolan’s first planned assault, Ben purchases long guns and optics from a sporting goods store and camps out in the city taking out targets. Ben kills 13 enforcers in a few short hours and puts Colardi on the run in a city he has sworn to rule. Eventually, the Don becomes involved with a strategic plan to eliminate Ben’s explosive vendetta. The finale occurs on an early morning Ferry trip as Ben faces Colardi and Don’s enforcers.
Overall, this book works exceptionally well as the typical revenge yarn. It keeps a a brisk pace considering there is seldom any gunfire exchanges. Ben is the believable action hero - making mistakes, carelessness, vulnerability. In this book, he’s simply a human doing very human things. Emotions, debating strategy, recalling experiences while still trying to communicate with his wife Donna post-tragedy. The breakdown from human to cold assassin is a slow burn, but a morbidly entertaining one. The book’s bloody closing pages sort of recycles Ben Martin’s life. Killer to family man to killer…and perhaps family man again? If only it were a stand alone novel. Five more entries prove that isn’t the case. Messmann would later go on to write most of the first 200 volumes of The Trailsman while dabbling in other genres like science-fiction and horror.
Randy Wayne White, writing under Carl Ramm, wrote and released the fourth ‘Hawker’ novel, “Deadly in New York”, in 1984 via Dell Books. I’ve enjoyed this series for the most part and typically use it as breakage between team combat and post-apocalypse books. It’s a happy medium and for the most part an entertaining one. For those new readers that aren’t aware of ‘Hawker’ mythology – it’s fairly simple. Billionaire Jacob Montgomery Hayes provides resources to tough ex-Chicago policeman James Hawker. Hayes wants the wrongs righted and isn’t afraid to make Hawker an extension of his own vigilante hand. The book’s prior three entries placed Hawker against Florida mobsters, Los Angeles gangs and Irish terrorists. His fourth mission? Third Reich leftover Nazis posing as corporate real estate tycoons.
The book opens with an assassin named Renard seemingly murdering Hawker in a Caribbean bungalow. Of course, this was just a decoy piece of plaster. In a wild opening scene, Hayes and his mysterious butler Hendricks throw a scorpionfish at Renard, leaving him on the verge of death and dumped in the ocean. On the flight back from the Caymans, Hawker and the reader are brought up to speed on what’s so deadly in New York. It turns out a large corporation called Fister wants to reclaim a war-torn portion of The Bronx. To do this they are using illegal subsidiaries to capture government grants. With the federal funds the corporation will build large apartment complexes and office towers. Honestly, that isn’t really such a bad thing. Sure, it’s illegal but corporations do this all the time. But what puts it into the heart of a men’s action adventure story is that the inhabitants of these Bronx streets are ethnic Germans that are starting to rebuild the area, take it back from the goons and striving to create a better place free of corporate restraints. They won’t budge on leaving their homes…so Fister is bringing in the meat grinders to put tremendous pressure on the Germans to leave. The plot has been done to death…but now with Hawker in it.
Earlier, Hawker spent some time in New York surveilling the layout and hangout of the corporation’s mob enforcers. They are headquartered in a large warehouse near the river. Hawker, being a bit of a loose cannon here, loads up a knapsack, walks into the building and literally sprays every living creature with Ingrams submachine guns. Careless, ill-advised and doomed to fail, Hawker’s spraying puts him on the run inside the warehouse, climbing staircases and dodging gunfire. Thankfully, he places sausage rolls of C-4 as he goes. Once he hits the top…everything below him blows. Hawker escapes the burning warehouse with the help of a New York city cop named Calis who’s friends with Hawker’s old colleague in Los Angeles (second book). After a quick mattress romp with a thankful German beauty, Hawker jumps on a plane to rescue employer Jacob Hayes. Where’s he at? Great question.
In a backstory that is running behind Hawker’s deadly assault in New York, details finally emerge regarding Hayes’ mysterious butler Hendricks. The prior three books had always hinted there was more to the English chap than what was presented. This book reveals Hendricks’ past as a secret agent for the English during WW2. He actually entered Hitler’s sanctuary during the Soviet invasion, saw the body and removed a treasured relic from the dictator’s lap. In London, Hendricks consults a war buddy and puts the pieces together – Fister Corporation is operated by a Nazi named Fisterbaur and an old spy named The Druid. There’s a little more backstory here that could flesh out more of a future role for the butler. In the meantime, Hayes has been captured by Fister’s goons and tortured with surgical tubes and scalpels. The book’s finale has Hawker fighting back to back with Hendricks to save Hayes and crush the Nazi corporate raiders.
White throws an abundance of data at the reader in this fourth volume. Finally, we gain some insight on Hendricks and learn that he might gain a prominent role in future books. While there was a lot to unpack, the plot was fairly simple and, if not unoriginal, certainly carries the same “let’s bully the residents until they depart” theme that is heavily borrowed by other media. There was a rushed pace to the book and forced some scenes upon the reader. The New York ally in Calis was never expanded, the love interest was never developed and at the end of the day…we still don’t quite understand what this Druid role was within The Third Reich. Not a highlight of the series thus far but enjoyable nonetheless.
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“Hell on Earth” is the second novel in Jake Spencer’s (real name Jerome Preisler) post-apocalyptic trilogy ‘Swampmaster’ and was released by Diamond in 1992. Often compared to the ‘Mutants Amok’ series by David Bischoff (under house name Mark Grant), ‘Swampmaster’ is a senseless no-brainer, complete with mad scientists, Native American commandos and tumor covered mutants waging war in the Florida Everglades. It’s boneheaded Neanderthal action that makes very little sense to the reader…and author. But it exists, and by that fact alone I feel obligated to read and review it for the men’s action and adventure fans.
The series debut, “Swampmaster”, explained that nuclear war has devastated what was once the US. Since then, civilization as we know it has changed dramatically. By 2009, the country has been fragmented and now consists of 16 states that have unified to form The National Front (TNF). This TNF union is tyrannical and backed by big military. To live in one of these states is to ultimately sacrifice freedom and liberty; slavery and labor for food and shelter. While this is an umbrella theme through the series, the trilogy only focuses on Florida’s coastline and a small pocket of resistance led by a Seminole martial artist named John Firecloud…or Swampmaster depending on scene and page.
In the first novel Firecloud liberates a train carrying circus performers and uses the passengers as allies in his battle against The National Front in St. Augustine. “Hell on Earth” picks up a month or two later with Firecloud, acrobatic twins The Marcuses, Zeno and love interest Saralyn ambushing a convoy of heavily armed TNF troopers in the Everglades. In one outrageous scene, the Marcus twins handspring across the battlefield to draw fire away from Firecloud’s crew. Unbelievable. In another early scene a Dodge Colt station wagon emerges through the jungle carrying a carload of mutants dressed as clowns and wearing women’s wigs. These “White Trash” mutants are covered in tumors and festering sores and serve as slave mercenaries by TNF. It is this sort of stuff that carries “Swampmaster” into the realms of the ridiculous. I’m not sure if it propels the action or unintentionally serves as a distraction.
The premise for “Hell on Earth” is the TNF are setting up a new military compound off of Long Pine Key called Life Harvest. This is a laboratory sitting on an enormous oil well platform in the Gulf of Mexico. There’s a Dr. Guderian there who is playing mad scientist and allowing soldiers to remotely control mutants through brainwaves. Firecloud’s white stepbrother Bill Coonen is featured as a hired mercenary for TNF and proves to be a worthy opponent. Senior leader Groll, a recurring vile villain from the series’ opener, is in charge of the operation and routinely curses and kills his own men to show superiority while playing video games like ‘Hitler’s Legacy’ and ‘Auschwitz’. Opposing the over-the-top antagonists is the likable good guys. There’s Firecloud’s band and a cool little shopkeeper named Joe that just wants to help people.
Swampmaster learns of the existence of Life Harvest and leads The Marcuses and Saralyn in a high-speed assault featuring armed boats and jet skis. Both Saralyn and Swampmaster get captured and taken back to Life Harvest for the obligatory torture sessions. After strenuous and brutal exercises, Swampmaster is led to an arena where he must battle a seven-foot mutant that is controlled by Groll remotely. Saralyn attempts to free herself simultaneously as The Marcuses attempt to blow up the platform. It’s a climactic and awarding finale that sees all guns blazing in a rescue attempt, sea battle and a surprise twist that reveals itself to the shock of the reader. All of these elements play an important role in the book’s upgraded quality when compared to its predecessor. While certainly not top-tier literary fiction, “Hell on Earth” is enjoyable and rescues the series from the ‘Mutants Amok’ and ‘Roadblaster’ occupied cellar.
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William W. Johnstone released his seventh ‘Last Mountain Man’ book in May of 1990 for Zebra. “War of the Mountain Man” continues the adventures of paperback warrior Smoke Jensen and his westward war with land barons, rapists, outlaws and criminal fast-draws. At this point in time, it’s all rather cookie cutter as Johnstone seemingly just phones in the action by recycling fights and enemies and placing them in subsequent books. At one point, two characters shockingly absorb Smoke’s account of killing over 200 men in prior adventures. It’s a testament to the series' high body count and the protagonist’s own immortality. Smoke may be grazed by bullets or fists, but his unwavering legacy just continues on – maybe at the expense of the reader.
The book’s opening chapter explains that Smoke and his wife Sallie have sent the kids abroad via a steamship. Sallie wants to spend some time alone with Smoke and wants the two of them to go visit an old school colleague, Victoria, in Montana. Victoria and her husband Robert have inherited a ranch in Hell’s Creek where a land baron named Max Hutchins resides. Smoke is weary of the visit, but is reading between the lines – Sallie needs Smoke’s skills to liberate the two ranchers. The two arrive at a small town on the Swan River where Smoke is informed that a survivor named Jake Lewis is still alive. Readers may remember that Smoke avenged the death of his first wife in a camp called Uncomphagre in the series’ first book. Jake, a survivor of Smoke’s Uncomphagre raid, is working for Hutchins which is an easy connect-the-dots for the author and an inevitable showdown for readers to anticipate.
Barlow is a corrupt little place where Hutchins has killed off the paper editor, Marshall, and tarred and feathered the minister. He’s replaced them all with his own men, something that Smoke corrects instantly upon arrival. Collectively, he rallies the town’s 30 willing citizens to fight back against Hutchins and his 100 gunners. The town votes to elect Smoke as the sheriff and soon the town is rebuilt – bank, shops, school, police force, etc.
Barlow is an unusual spot geographically. The north end is controlled by Hutchins and the south is ruled by an equally vile criminal in Red Malone. The two split the gambling, whoring and raping equally and Smoke soon cuts off all supply trains in and out of Hell’s Creek. There’s no railroad to this part of the country…so needless to say Smoke prompts the ultimate war with Malone and Hutchins. A bulk of the book’s story is hit and run tactics by both men, some rapes, burning and, of course, some death. The finale is predictable as the town defends the raiders in the not so epic showdown.
Johnstone never seems to run out of books, yet he is clearly out of ideas here. Malone and Hutchins are molded from the same elements as the series’ prior bad guys – Potter, Stratton, Richards, Hanks and McKorkle. These books wouldn’t be nearly as lethargic if we actually saw Smoke injured or simply pressed face first to the boards. Instead, Smoke is arrogant to the point of annoying because he, like the reader, knows he is invincible. It’s nearly pulp fiction as Smoke runs around, often completely alone, and kills off dozens upon dozens of bad guys. We love the hero, but at the same time we need vulnerability. Smoke is never in danger. It’s unfortunate, but this series is rather stale and lifeless with a barrel-chested hero that has immortality.
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Author Gilbert Ralston is better known for his writing credits in Hollywood. Ralston helped create the “The Wild Wild West” show and wrote for similar television pieces like “Laredo”, “The Big Valley” and “Gunsmoke” in the 1960s. Ralston, born in Newcastle, Ireland, attended college at Sierra Nevada College, worked as a journalist and was a member of the Western Writers of America. All three of these experiences, combined with his screenplay skills, contribute to the look and feel of this series, ‘Dakota’. The series debut, “Dakota Warpath”, was released by Pinnacle in 1973 under the guise of just another hard-hitting action series. It isn’t necessarily in the mold of a ‘Death Merchant’ or ‘Destroyer’. This is more of a white-knuckle detective vehicle…that still manages to delivers the same goods.
Dakota is a half Piegan, half Shoshoni detective working out of the Sierras in Nevada. He’s an ex-Marine who served in Vietnam as a talker for an advanced unit. Apparently, Dakota and his two brothers were surrounded in the bush and only Dakota survived. There is a slight discrepancy to this story later as Dakota tells a Marine pilot he was a Ranger. In my research, only Army had Rangers but this could be associated with Dakota attending Army Ranger school at one point and possibly learning demolition. Regardless, Dakota emerges from the war and becomes a police force in New York before moving back to the Sierras to work his family’s ranch while simultaneously doing investigative work (and rodeo). All of this seems like a whole lot of hyperbole on the part of the author – but I’m going to say I absolutely love this character. In a lot of ways Dakota is the perfect merger of Craig Johnson’s dedicated sheriff Longmire and his loyal friend Henry Standing Bear. Again, this book was released in 1973 but is nearly the perfect precursor to Longmire. Dakota embodies the intelligent, western working man in the able hands of a brilliant writer.
“Dakota Warpath” performs its obligations as a series debut – introducing the character while also building validity. In the early pages we gain most of the above through a conversation between Dakota and a longtime friend named Sam Lew. Dakota is introduced to a potential new client, unknown at the time as Amy Rainey. She explains her husband was murdered in a Nevada town called Poison Springs and those same killers are targeting her. Before Dakota can take the case, Sam’s car explodes killing both Sam and Rainey. It’s Dakota’s crime to solve – did the killers target Sam or Amy and why? The town’s sheriff deputizes Dakota and soon the location is moved to Poison Springs. It’s your typical one-horse town controlled by a millionaire named Burton Ashley. He runs the place including its casino and ranch brothel. Dakota plays nice with Ashley for a little while, and later teams with the town’s deputy, Phillips, a journalist named Spring and a brief love interest in Janet. Dakota also teams up with a Navajo kid named Louis as he investigates the Rainey murders and Ashley’s complex criminal empire.
Ralston writes this book as a testimony to his screenplay experience. It reads like a movie or television episode where a lot of “on page” action isn’t necessarily described in exhaustive detail. For example, Dakota can walk into a familiar place and just know some of his hometown’s residents and friends. The burden isn’t on Ralston to explain how Dakota knows them or what they are wearing or where they are standing during dialogue. I actually prefer this style of writing and it certainly trims the fat off to leave room for the “meat and potatoes”. It keeps the book moving at a fairly high pace even if you were to cite the slow burn build up of the first half. The books finale is a firestorm for the last 40-50 pages, placing Dakota in the desert hills with a .38 against a half-dozen armed bad guys. That portion of the writing is very western oriented and captures intense cat and mouse tactics as Dakota defends his position. Nestled in between detective work, fist fights and gun battles s are some really touching moments where Dakota consoles a senile, elderly man, calls his mother nightly and returns a 15-year old girl to her father. It isn’t bravado, bullet belts and bare chests – Dakota is a human that makes mistakes throughout the book and isn’t afraid to admit it. There were four more books in this series and I wish there were more. Sadly, Ralston passed away in 1999 at the age of 87. He leaves behind a legacy of quality media including this career highlight - in my opinion. ‘Dakota’ comes highly recommended and should please fans of the ‘Longmire’ series.
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