Paperback Warrior Primer - Mack Bolan

In March of 1969, Pinnacle published a paperback titled War Against the Mafia. It was written by Don Pendleton (1927-1995), a U.S. Navy veteran who entered World War II at the age of 14. The novel became a success for Pinnacle/Pendleton, eventually earning literary prominence as a major catalyst for men's action-adventure paperbacks. Don Pendleton's 170-page vigilante yarn spawned a character universe that grew to a staggering 900 books across multiple publishers, authors, and titles.

The fifth podcast episode explored Bolan's publishing world, and numerous reviews exist here at Paperback Warrior covering the series. However, many readers new to the character may prefer a brief outline of the series. That's the point of this article, a Paperback Warrior Primer on this shifting, gritty, and violent experience known as The Executioner.

Mack Bolan's origin begins with Don Pendleton. As I alluded to earlier, he served in the U.S. Navy during WW2. Additionally, he served in the Korean War before becoming an air traffic controller for the FAA and an engineering administrator at NASA. Pendleton turned to writing at the age of 40.

In War Against the Mafia, the essential origin tale, readers are introduced to 30-yr-old Bolan. He's a U.S. Army Master Sergeant serving a second tour of duty in the Vietnam War. With 12 years of military service, he's a skilled sniper, holding an official record of killing 32 high-ranking North Vietnamese and 63 Viet Cong leaders. Bolan and his mother Elsa, communicate twice a week and she sends him care packages. Bolan's father is Sam, a steel worker he respects “as indestructible as the steel he made.” Bolan's two siblings are 17-yr-old Cindy and 14-yr-old Johnny. 

Elsa explains in a letter that Sam had a heart attack, and, due to lost wages, the family was in a financial bind. On a fateful day in August, Bolan is summoned to the base camp chaplain's office, where he's informed that his parents and sister are dead and his brother is in critical condition. On emergency leave, Bolan arrives stateside and learns about events leading to their deaths.

Sam borrowed money from a mob-run loan shark. Despite paying off the loan with interest, the mob puts the squeeze on Sam and requires him to endlessly pay them money. Under the financial stress, Sam cracks and fatally shoots his wife and daughter in a murder suicide. Johnny is critically wounded in the exchange.

There are a number of iconic and pivotal moments in the Mack Bolan universe, but in my opinion, none compare to the first sequence of events in Bolan's vigilance. The character purchases a Marlin .444 rifle, camps in front of the loan shark office, then shoots and kills five of the corrupt employees, thus setting off a violent rampage that will become his way of life for decades. He declares his mantra in War Against the Mafia:

"Life is a competition, and I am a competitor. I have the tools and the skills, and I must accept the responsibilities. I will fight the battle, spill the blood, smear myself with it, and stand at the bar of judgment to be crushed and chewed and ingested by those I serve. It is the way of the world. It is the ultimate disposition. Stand ready, Mafiosi, The Executioner is here."

By most standards, the first four installments are considered the essential building blocks of The Executioner series - #2 Death Squad, #3 Battle Mask, #4 Miami Massacre. After 15 novels, Pendleton and Pinnacle experience a dispute and the publisher releases the 16th novel, Sicilian Slaughter, without Pendleton's involvement, instead settling on William Crawford's writing (using the name Jim Peterson). Pendleton returned to the series with the 17th installment, ignoring events that transpired in Crawford's book.

37 of the first 38 The Executioner novels were all written by Don Pendleton and considered the "Mafia Wars" story arc. The covers for many of these novels were painted by Gil Cohen, who began working with Pinnacle on the title with the 11th installment, California Hit (1972). The publisher was so impressed with Cohen's paintings that they had him paint covers for reprints of the series' first ten installments. Cohen would continue painting over 100 Bolan novels and companions, making his name nearly synonymous with that of Mack Bolan. Men's Adventure Library, published by New Texture, offers an amazing collection of Cohen's Mack Bolan artwork titled One Man Army: The Action Paperback Art of Gil Cohen. Get the book HERE.

There's a 1977 stand-alone companion piece called Executioner War Book. According to Linda Pendleton, it was a collaborative effort stemming from Pinnacle Editorial featuring Stephen Mertz, Mike Newton, Don Pendleton's son Greg and daughter Melinda doing the research and putting the book together. The book has some letters written by fans to the author as well as drawings of Bolan's battle van and firearms. 

After the 38th novel, Satan's Sabbath, there is a major shake-up with Bolan and the publisher.

Pendleton, who grew complacent with the Mack Bolan character, sold the licensing rights to the Harlequin publishing group. Under Harlequin's Gold Eagle brand, the series continued as The Executioner, but utilized bold fonts stating Mack Bolan on the paperback covers. The iconic face of Bolan at the top of each book was replaced with a small circular font that stated The Executioner and the series installment number. 

The first paperback of this new enterprise was #39 The New War (1981), the second book of the series to be written by someone other than Don Pendleton. Gold Eagle's investment in the series brought a rotating assembly of writers who would utilize Pendleton's name. However, Pendleton was adamant about listing the writer of the books on the inside copyright page, a feat that isn't often used in the cutthroat paperback publishing business of that era.

With The New War, the character and premise of the series changed. After 38 novels of Bolan fighting the Mob, this new 80s decade warranted a different type of enemy. Global terrorism began making headlines in the 1970s, spurred by horrific events like the “Black September” Munich massacre, and rising organizations at the time consisting of the Japanese Red Army, the Symbionese Liberartion Army, and the Weather Underground.

In The New War, readers learn that Bolan, once a fugitive wanted by the F.B.I. and C.I.A., is now working for the U.S. government to combat global terrorism and international crime. Mack Bolan's new name is John Macklin Phoenix and his headquarters is a covert operation in Virginia called Stony Man.

The Executioner would run from 1981 through 2020 with a total of 464 installments authored by a variety of writers. The most respected of the series' writers was Stephen Mertz, although Mike Newton, Dan Schmidt, Jerry VanCook, Chuck Rogers, and Mike McQuay wrote the majority of the series, collectively 181 total installments. 

The other major changes and additions that began after The New War included an expansion of The Executioner title. Because of the many allies that serve Stony Man and Bolan, Gold Eagle took the opportunity to launch companion titles.  

Collaborating with Gold Eagle, Don Pendleton created the titles Able Team and Phoenix Force and “helped” write the series debut installments. Able Team consists of allies previously seen in Death Mask and Bolan's California infiltrations. The title ran 51 installments and two Super Able Team novels, using rotating authors using the house name Dick Stivers. Phoenix Force consists of international special operatives hand-selected by Bolan. The title ran 51 installments and four Super Phoenix Force special editions. The series was written by rotating authors using the name Gar Wilson.

Both of these titles were featured in a giant crossover of Bolan and allies in the 1983 novel Stony Man Doctrine. This impressive “giant-sized” novel served a couple of purposes. 

First, it was the first of the Super Bolan paperbacks published by Gold Eagle. These were double the size of the The Executioner books and had a higher price tag of $3.95. These Super Bolan novels worked in the same fashion as the standard The Executioner title and featured a revolving door of authors. 

Second, Stony Man Doctrine also served as the first of the Stony Man books, a series that would take off in 1991 after Able Team and Phoenix Force stopped publication. Stony Man combined both of the teams with other Bolan allies for a massive 140-book run through 2015. The start of the series in the early 90s also paralleled a marketing change for men's action-adventure novels – a shift to more epic, technical thrillers that honed in on the Tom Clancy marketplace share. Covers featuring good guys with guns morphed into generic covers of satellites, military installations, and fighter jets. 

In addition to paperbacks, there are four issues of the short-lived The Executioner Mystery Magazine (Ackerman Productions), a 1993 four-issue comic adaptation of War Against the Mafia (Innovation Publishing), a 1996 black-and-white comic adaptation of Death Squad (Vivid Comics), and a 2008 five-issue comic titled Don Pendleton's The Executioner: The Devil's Tool (IDW). 

There's no denying that Marvel Comics' The Punisher is a direct descendant of the Bolan character and series. In June of 1993, Advance Comics interviewed Don Pendleton about the comparisons between The Punisher and The Executioner. In it, Pendleton says, “Let's just say The Punisher has taken a lot of liberties with my work. Anyone who knows the history of The Executioner has known that all along. I elected many years ago to just let it pass, feeling that there is room for both of us in the industry.”

Audio books exist on cassette through DH Audio and Books in Motion. Cutting Edge Audio published The Executioner and Stony Man novels between 2004-2006.

You can get most of the Mack Bolan universe using this LINK.

The Terminator #03 - The Kill Squad

Dennis Rodriguez wrote the six-book series The Terminator using the name John Quinn. The series was published by Pinnacle between 1983-1984. Thus far, I'm batting .1000 with hits in all three series installments I've read – Mercenary Kill, Silicon Valley Slaughter, and Crystal Kill. I was glad I found the third book, The Kill Squad. It was published in September 1983 with cover art by series regular Bruce Minney. 

The villains in The Kill Squad are international political assassins that live in the U.S. Under the disguise of being “weekend warriors”, these killers live in a camp in rural Arkansas. It's here they have recruited rednecks from town to join them in this survivalist dream of planning for an inevitable U.S. invasion from the bad commies. It's funny – the baddies HAVE invaded and living under the noses of the paranoid small town America. They even threaten the local hick sheriff to allow them free reign.

Rodriguez has a number of characters thrown into his violent narrative. First, a rogue town resident has spilled the beans to a friend in New York, a D.A. who wants to expose the survivalist camp. The killers, led by a crazed lunatic named Max, find the townie and the D.A. and ice them both. Next, they track down the townie's sister and girlfriend and kill them. This is the long way of how The Terminator, Gavin, gets involved. Remember, Gavin is a retired C.I.A. assassin that wants to pursue easy living in the mountains reading books and banging his girlfriend. Terminating the bad guys isn't something he sets out to do in these books. 

Gavin heads to New York first and gets into an amazingly (read that as savagely violent) well-written fight with the two killers in an apartment. I'll never look at my kitchen knives the same. Next, he heads to Arkansas and gets in the fight through a woman named Pam. She was raped by the bad guys and, to add lime juice to wound, they murder her father. This plot and takeoff was just fantastic. Unfortunately, Rodriguez doesn't stick the landing.

Gavin's placement in Arkansas is wasted. He doesn't do much to protect Pam, all these innocent characters pretty much become raped or killed, and the excitement of breaking into the camp and bashing brains takes place on pages 190 through 194. The problem? There are 199 total pages in the book. I was expecting so much more after this 190 page set-up and it was all just a big waste of time. I can't completely obliterate the book or Rodriguez's writing because it mostly worked. This was just terrible execution. The Kill Squad was The Kill Flop. Read at your own risk.     

The Revenger #03 - Vendetta Contract

Jon Messmann authored six volumes of a vigilante series titled The Revenger beginning in 1973. I really enjoy this character and Messmann's gritty delivery, an admiration that I conveyed in my Afterword for the series debut, The Revenger, reprinted by Brash Books in a brand new edition. All six books were originally published in paperback by Signet and all are available now in new physical and digital editions HERE. 

Vendetta Contract, originally published in 1973, finds protagonist Ben Martin in a small town 15 miles south of Indianapolis. It is here that he uses the name “Ben Bruzzi” to work as an industrial painter. He frequents a small diner where his girlfriend, Bianca Lanza, works the day shift as a waitress. He's hopeful that his prior tragedy – the murder of his family by mobsters – can finally become blurred after his triumphant hits on the mob in New York (The Revenger) and Chicago (Fire in the Streets). He's wanting a new life and this town and Bianca seem to have sparked the next chapter. 

Bianca, who knows Ben's past life, confesses that her brother is now involved with the Syndicate. He's gone missing and the mob is now sniffing after Bianca in a quest to locate him. She knows Ben can help but doesn't want to risk is life and their budding new relationship. Meanwhile, while Ben and Bianca are debating the next steps to help her brother, a think-tank meeting takes place between some of the Syndicate's Kingpins. Based on the recent Mob destruction in Chicago, the heavy hitters are wanting to hire an outside assassin to hunt and kill Ben. They choose a professional assassin named Corbet and pay him $300,000 to kill Ben and bring back his hand so they can match fingerprints. 

Vendetta Contract isn't just the best installment of The Revenger series. This could be one of the best men's action-adventure paperbacks I've ever read. Messmann's high-octane style delivers a mesmerizing cat-and-mouse chase across the country as Corbet hunts Ben. After explosive successful hits on mobsters in Indianapolis, Philadelphia, and Pittsburgh, Ben takes to the streets as running prey. Messmann's writing provides thoughtful perspectives from both Ben and Corbet, including a sleazy foray into some really dark sexual places that only the 1970s could produce. 

If you enjoy point-of-impact assassin-thrillers by the likes of Robert Ludlum and Stephen Hunter then Vendetta Contract is an absolute must-read. The smooth calculated chase across America provides high-speed car chases, urban warfare, precise planning, and a emotional investment into the Ben Martin character that is nearly unmatched in terms of paperback heroes. This is the one to read.

Get it HERE.

Forgive the Executioner

I wasn't able to determine anything about author Andrew Lane. There is another writer named Andrew Lane with titles like Young Sherlock Holmes, Crusoe, and The Six Directions Sequence, but based on his date of birth in 1963 it would make him just a high school student in 1978, the year that Forgive the Executioner was published. 

This 225-page New English Library paperback introduces readers to Alan Paine, a married man with a young son and daughter. Living in West of England, Paine's father was British and his mother American. Serving the British military, Paine became an expert marksman and explosives specialist. After serving in the Vietnam War, Paine retired to a paper-pushing clerk working for the county on the nine-to-five grind. 

As the book begins, Paine's daughter is walking through the forest on the way home. She's attacked by three men, raped, and then shot. When Paine's wife and son go searching for her they stumble on the same three men and are rewarded with fatal shots to the head. 

In the following chapters readers learn that nearly two years has passed and Paine is now working under the alias Max Case as an explosives expert and assassin for the Irish Republican Army (IRA). By working within the IRA ranks he secretly creates “accidents” that kill his fellow soldiers. However, Paine's vengeance isn't strictly reserved for the IRA. He also uses his deadly role as a way to kill the opposing Protestants that vow to keep northern Ireland within British reign.  Paine doesn't care who he murders because he feels that the whole bloody war led to his family's death. 

Other than Paine, the other main character in the book is a woman named Siobahn. She's working for the Protestants as a double agent in the IRA. Her leadership leads to many IRA soldiers perishing under “mistakes”. Paine meets Siobahn and the two develop a romantic involvement. The book's finale involves Paine being ordered to break out the three IRA men that killed his family.

Forgive the Executioner is an unusual novel. At times it works like an effectively tight counter-terrorism novel with Paine planning and performing hits on an assortment of mid-tier terrorists. These scenes are presented well and deliver just enough violence to satisfy any vigilante-fiction reader. However, the book becomes so silly in parts that I often contemplated if Lane was writing satire. 

Several times in the book Case changes his look by simply cutting and dying his hair blonde and shaving. This miracle makeover gives him the ability to weave in and out of close compatriots as a different person. Often he fools people he has closely worked with in the past, including Siobahn, who he fools into believing he's two different people. It is this sort of nonsense that makes it unbearable to even suspend disbelief for enjoyment's sake. I get the 'ole face switcharoo bit from the pulp era, but this is 1978. 

My other issue is the over-the-top graphic sex. This book reads like a porn novel with Case plowing through pus...women...on nearly every other page. I get the hyperbolic sex scenes, but the women he's with nearly gasp themselves to death when he whips the manhood. 

My guess is if you enjoy workaday action-adventure paperbacks then Forgive the Executioner shouldn't be a far cry from plain 'ole titles like The Butcher and Nick Carter: Killmaster. Tepid recommendation, but good luck finding a copy. 

Please...Save the Children

William Dubay (1948-2010) was an editor, writer, and artist for Warren Publishing, excelling on books like Creepy, Vampirella, 1984, and Eerie. Later in his career, he wrote a story for Heavy Metal, became an editor of Archie Comics and edited titles for Western Publishing. Fitting for Warren Publishing, Dubay's writing had some seriously dark overtones, evident in the memorable, disturbing story “Please...Save the Children”, which was drawn by Martin Salvador and featured in the July 1977 issue of Creepy.

At the beginning of the story, readers see a condemned child-killer named Beau sitting in a prison cell awaiting execution on death row. A priest enters the cell to discuss the man's forgiveness, but instead he is treated to a bizarre conversation from this seemingly insane person. Beau explains that if the priest only knew what he knew, then the priest would become a baby killer too. Then, Beau begins to relay his personal history to the priest.

Beau explains that he was once a loving husband and father, but after spanking his three-year old daughter Cryssie, she wanders away from home and dies in a blizzard. At the funeral, Beau regrets his decision to punish his little girl and experiences traumatizing anguish knowing she died alone after thinking he didn't love her. This experience transforms Beau into a violent vigilante. 

Beau begins to watch parents in public dismissing their children, or simply neglecting or punishing them in cruel ways. In an effort to save the children from abuse, he goes completely Mack Bolan and murders these children with a gun. His reasoning for targeting the children he wants to protect? By killing the children, he ends their suffering. If he murdered the parents, which are his real victims, then the children would would continue to suffer due to the loss of their parents. It's a sick catch-22 where Beau deems himself a twisted psychotic savior. Ultimately, it is like an animal that eats its young to protect them from predators. 

These Creepy stories tend to have unique twists in the narrative and this story is no different. When Beau confesses to his brother that he has become this avenging angel, he finds himself captured by law-enforcement. But, the twist is learning who his brother really is. Salvador's accompanying artwork is simply outstanding, with the facial expressions of the characters resonating the tension, horror, and tragedy of the story. If you are looking for an intense narrative, look no further than this vintage short. You can obtain an old copy of Creepy for a few bucks on Ebay or comic shops, or read the story for free below:

The Brigade

Before the words “defund the police” became a hot media slogan, author John Shirley experimented with the idea for his hard-hitting crime-fiction novel The Brigade. Those of you unfamiliar with Shirley may remember that we have reviewed his installments of the post-apocalyptic series Traveler, written under the pseudonym D.B. Drumm, and his vigilante series The Specialist, written under the name John Cutter. The Brigade was Shirley's fifth career novel, originally published in 1981 by Avon and a year later in the UK by Sphere. It exists now in ebook format.

The sleepy fictional town of Salton, Oregon, population of 42,000, lies about 40 miles east of the scenic coast. The town's chief industry is paper milling. But, the two characteristics that make this town notable is its militant “people's police” called The Brigade and an active serial killer dubbed The Saturday Night Killer. How these two defining elements interact with each other in an ultraconservative town is the main focus of Shirley's propulsive crime novel.

The town voted to defund the police, dismantle the force, and save tax dollars by introducing a volunteer group of citizens, The Brigade. The town's former police constable and mayor lead this brigade of armed citizens, but as time goes on, the group begins a radical departure from upstanding people for the people to a militant mob that seeks a police state type of tyranny for the town. Hitchhikers are brutalized, petty thieves are executed, and citizens are required to carry “hall passes” that allow them freedom on the town's streets and sidewalks. Most of this is done discreetly, in a way that doesn't seem so oppressive on the surface. 

A young guy named Tony, a janitor, and his girlfriend Sonja, stumble upon a plot formed by The Brigade to quiet the serial murders committed by this Saturday Night Killer. The murderer, responsible for 13 savage slaughters, kills an outside reporter. To cover up the death, The Brigade throw the reporter over an embankment to disguise the fact that she was knifed by the serial killer. They don't want news agencies and outsiders to question The Brigade's efficiency to keep the town safe. But, without detectives who can stop the serial killer? Tony and Sonja realize that the killer is actually a member of The Brigade.

John Shirley's 258-page paperback is quite good, but is loose around the edges due to poor editing. Tony's side-story of finding a friend becomes too convoluted for its own good, and there are some messy plot points that are presented both in the present and the past. There is also an irrelevant side-story about a guy trapped in a well. I found myself skipping some of this, but overall the story was superb and tackled a relevantly hot topic that emerged just a few years ago. How does a small town function without police? Under Shirley's watch...not very good. 

If you love crime-fiction laced with savage deaths, graphic sex, and a unique political position, then The Brigade is a must. Recommended! 

Buy a copy of this book HERE.

Heller #01 - The Oil Rig

Author Frank Roderus (1942-2016) was a newspaper writer and author that penned over 300 novels, most of which were westerns. He earned two prestigious Spur Awards from the Western Writers of America and also earned a Colorado Press Association award for best news story. In 1984, Roderus began writing a crime-fiction series starring Colorado rancher Carl Heller. There were seven installments in the series, all published by Bantam. In a 2013 interview with Tom Rizzo, Roderus explained that writing westerns allowed him tax advantages on his horses. By having Heller ride a motorcycle, Roderus was also able to gain a tax advantage on his own motorcycles. Brilliant idea.

Carl Heller was fortunate enough to inherit several thousand mountain acres in the high-country from his great grandfather. Instead of running a beef operation on steroids, antibiotics, and modern efficiencies, Heller uses the old-fashioned method of allowing the herd to run free, culling them once a year. He's not wealthy, and admits to barely keeping up the tax payments on the enormous property, but he manages an average lifestyle. He's a law-school dropout that is described as a playboy that enjoys riding the mountains on his horse, Kawasaki motorcycle, or race-car styled BMW. He has a lukewarm relationship with a local gal in town, a school teacher named Donna. He's in excellent shape, works out each day, and serves as a paperback version of the modern cowboy. That's the origin tale of Carl Heller.

While riding the rapids with a group of friends, Heller learns that a small group of farmers have been hoodwinked by big city shysters. The proposal by Mineral Consortium is that gold has been discovered in ecological surveys on the farmers' land. If the farmers will agree to allow Mineral Consortium to lease property, they will provide the farmers an excellent 30% royalty for all “metals” retrieved. When Heller becomes involved, he discovers that the contracts excluded minerals. The Mineral Consortium used this loophole to establish oil rigs on these leases to pull millions of gallons of oil royalty free. Their defense to the one-sided contract is that gold does exist on the property, but it's nothing more than the small grains found in seawater. They are happy to provide 30% for this small amount of gold retrieval.

Heller explains that there is a distinct difference between law and justice. To establish the character's validity, Heller confesses to Donna that he tracked down and killed a rapist that escaped a court of law. The reader gets the idea that maybe Heller has performed this sort of vigilantism more than once. Like Lawrence Block's Matthew Scudder, Heller explains that he does favors for people. So, Heller's motivation is peaked when he discusses the dilemma facing the farmers. Additionally, there is an incentive of a monetary percentage payout if the leases produce money for the farmers instead of the Mineral Consortium. 

The book's first half was a real slow burn as Heller discusses legal avenues to explore. Included is a swindle Heller concocts to lead the Mineral Consortium into believing real gold does exist. To perform the trick, Heller establishes an identity of working for a mining company to construct a large mill. The evidence is convincing enough that the company wants to renegotiate the deal with the farmers. All of this consumes the book's first half, which in itself would be an average story. However, the second half makes all of the difference.

In the second half, Roderus fuels the fire with an action-packed, suspenseful narrative with Heller facing the bad guys around an oil rig at night. This was just an incredible page-turner as Heller was forced to rely on his wits to outsmart the armed gunmen. It's a violent smash-up that includes everything I love about 1970s and 1980s men's action-adventure novels. This closing second-half was well worth the price of admission.

Frank Roderus is a unique author that uses traditional western storytelling to plot modern crime-fiction. Often, he writes like a tough guy cowboy, so much that the wording is odd. For example, something like 3AM is pronounced “three ayem”. Heller's moral compass, good-guy characteristics, and the ability to be a strong, reliable protagonist kicks off the series in a promising way. This is the meat and potatoes of Roderus storytelling and The Oil Rig is recommended if you like that sort of thing. I do, so I'll be reading more. 

You can buy a copy of this book HERE.

Rampage

Lester Virgil Roper (1931-1998) graduated from the University of Oklahoma and became a teacher. He later served in the Kansas House of Representatives for nine years. In his spare time, Roper authored 11 total novels using the pseudonyms L.V. Roper and Samantha Lester. Action-Adventure fans may recall his 1975/1976 two-book series starring New Orleans private-detective Renegade Roe. My first experience with the author is his paperback novel Rampage. It was originally published by Curtis Books in 1973 and remains out of print. 

Roper's idea for Rampage was simply to re-write David Morrell's 1973 novel First Blood. Obviously, names and places have been changed to protect the innocent, but Rampage is First Blood, or First Rambo, or whatever we are calling it these days. Here's how Roper's version of Rambo shakes out:

Somewhere in a tiny mountain town in Alabama, a young white school teacher defiantly decides that the region's barbaric racism must end. She orders the black and white kids to sit together in class instead of being divided by the invisible segregation barrier. The town's KKK warns her to stop, but she persists. Off the page (thankfully), four KKK members enter her house, chain her to a bed, and then rape her to death.

Not quite First Blood, but just hang in there.

In Vietnam, Mark Hastings reads a letter from his wife that suggests she may be in danger for combining the black and white kids in her class. He takes an emergency leave (AWOL) and heads home to screw his sister. No, wait, that was Brother and Sister. He goes home to kill the mobsters that have ransacked his family. No, wrong. That was War Against the Mafia. He comes home to become entangled in small town injustice from a bigot cop and his posse of cops and friends. That's First Blood. Also Rampage. Sort of.

Hastings, an Army Green Beret, hitchhikes into a small mountain town in Alabama and discovers that his wife has been killed. He then targets and kills the four men responsible by using hit-and-run attacks from his wilderness hideout in the hills. He also uses a special knife (I suspect a plain 'ole K-Bar) to gut his victims.

Eventually, the town's sheriff, who is a KKK member, organizes a posse to hunt and kill Hastings in the mountains. But, Hastings uses some deadly snares to trap and kill his opponents. He also has a .22 Colt Woodsman that he puts to good use. Needless to say, there is a huge body count in this one. After the police fail to apprehend Hastings, a Colonel from a local National Guard unit comes in to sympathize with Hastings. The end has a delusional Hastings being hunted by his fellow Green Beret A-team. 

There are no doubts that Rampage is a First Blood knockoff, like 1987's Black Moon by Ron Potts. I can't fault Roper because First Blood, and the Rambo films, inspired countless profitable pop-culture ventures. Despite being unoriginal and repetitive, Rampage is pretty darn good. Roper is an excellent writer who had a knack for this sort of suspenseful, cagey action formula. He also tackles a number of deep psychological issues of the era - Vietnam, social inequality, poverty, and plain 'ole everyday abuse of power. I can't remember the page, or the exact wording, but Roper has a character cleverly comparing Hasting's possible arrest for murder in Alabama coming at a time that he's been awarded for murder in Vietnam. These statements are essential to the storytelling, as borrowed as it may be, and adds a little extra emotional "oomph".

If you love these outdoor wilderness survival novels, or enjoy a great small town vigilante romp, then Rampage is worth pursuing. Keep in mind that it is a copy of First Blood, so be sure to read Morrell's classic, more superior novel first. Rampage is a blue-light special version of it that still possesses a level of nostalgic enjoyment.

Buy a copy of this book HERE

The Executioner #104 - Devil's Horn

Remember the one where Mack Bolan becomes the star of the Chuck Norris “bring'em back” alive flick Missing in Action? Well, it never happened, but it should have based on Dan Schmidt's The Executioner installment Devil's Horn (1987), the 104th book in the series. Like a combination of Missing in Action, Rambo 2, and an installment of MIA Hunter, Devil's Horn deposits Bolan and Jack Grimaldi in a Southeast Asia Hellhole as prisoners in a drug cartel's brutal labor camp. Interested? Read on.

When Devil's Horn begins, Bolan is in The Bowery, the Lower East Side of Manhattan Island, trailing the origins of a massive amount of domestic drug imports. His trail leads to Ronny Brennan, a top-tier drug dealer with arms in various criminal factions as a Mob businessman. After Bolan destroys a drug warehouse, he pressures Brennan to reveal the source of a huge opium farm in Thailand. After a furious firefight, Bolan forces Brennan to ride shotgun as drug enforcers and low-level dealers tail the two to a local airstrip where Grimaldi is waiting. Quickly, Bolan and Brennan climb aboard as Grimaldi rockets the trio to Southeast Asia. 

With a large load of armament and equipment, Grimaldi's plane flies over the whereabouts of the drug farm. But, he gets a little too low and the plane is shot down on the outskirts of the farm. While pushing Brennan into the bush, both Grimaldi and Bolan attempt to escape the onslaught of waves of Vietnamese soldiers, hired mercenaries, prison sentries, and drug enforcers. In a scene right out of Rambo 2, Bolan and Grimaldi climb a hill to make a final stand against the invading forces. Eventually, the two are forced to surrender and are ushered into the living Hell of prison life in the jungle. 

A sadistic warlord named Torquemandan controls the Thai drug farm and has two top henchman inflicting years of punishment on the farm's prisoners. Bolan and Grimaldi discover that a large majority of the prisoners are American military prisoners-of-war that have been transported into Thailand by the Vietnamese government. Bolan also learns that there's a CIA spook imprisoned as well as many South Vietnamese prisoners that were allies to the U.S. during the Vietnam War. 

The orientation outlines what Bolan and Grimaldi will expect in their new lives. The duo will join the other prisoners as slave labor. They work from dawn until dusk scraping the sap off of poppy seeds (opium) and placing it in buckets. Their only nourishment is a handful of rice and a cup of water at dinner. Most of the prisoners are on the verge of death and are routinely beaten, whipped, tortured, and killed. Bolan is warned by the prisoners to never eat the meat that is served with the rice - it's the cooked flesh of the prisoners that are executed! After the harvest season, the prisoners will carry 100-pounds of opium on their backs and forced to march 200 miles to deliver it. Most will then be executed or die of exhaustion. 

I read Dan Schmidt's Eagle Force installment Death Camp Columbia years ago and loved it for all of the same reasons I loved Devil's Horn. I enjoy Schmidt's workmanlike writing style and his use of ultra-violent prison settings for both of these novels. Death Camp Columbia was authored just two years after Devil's Horn, and features a similar premise when the four-man mercenary team Eagle Force becomes imprisoned in a Columbian jungle Hell. It was obvious that Devil's Horn served as a template for that particular novel. 

Schmidt is an on-the-nose writer that uses a low dose of gun-porn to describe and detail the harrowing action sequences in his men's action-adventure novels. His style incorporates a violent, gory combination laced with plenty of brutal scenes of torture and dismemberment. If you need “brains bashed into pulpy matter” then Schmidt is your guy. He was an active Bolan scribe and had a great handle on the high-numbered version of the character. In Devil's Horn, Schmidt also incorporates a human element to Bolan's suffering, but also a sympathetic, endearing quality to Bolan's love of American soldiers and the overpowering need to free the prisoners-of-war. I also enjoyed both Grimaldi and Bolan's chemistry while enduring the harsh elements and horrendous torture dished out by Torquemandan's henchmen. Needless to say, good things come to those who wait. The inevitable confrontation was worth the price of admission and felt like a satisfying conclusion to one of the most violent Executioner novels I've read. Devil's Horn is an absolute must-read if you love Mack Bolan. 

Buy a copy of this book HERE.

The Assassin #01 - Manhattan Massacre

Peter McMurtin authored the three-book series The Assassin for Dell in 1973. Double-dipping into the cookie jar, the author was also employed to write and edit for rival publisher Belmont. McMurtin cleverly used the character he created in this The Assassin trilogy for his long-running The Marksmen series for Belmont. In The Assassin, the character is Robert Briganti while in The Marksmen the name is simply changed to Philip Magellan. Same guy, same origin. Not to totally sweep-kick readers, but some of McMurtin's Sharpshooter series would feature the same character sprinkled in occasionally as Johnny Rock. 

This first installment of The Assaassin, titled Manhattan Massacre, plays out like your standard 1970s revenge yarn. There's nothing separating it from an early Bolan, or something akin to Death Wish, The Revenger, The Vigilante, etc. In this origin tale, Robert Briganti is introduced as a former trick shooter that worked the carnival circuit. Later, he began selling arms internationally for a firearms company while having some sort of connection to the CIA. Becoming a family man, Briganti settled down in Connecticut to run a sporting goods store.

A mobster named Joe Coraldi stops into Briganti's store and asks for a favor. He advises Briganti that his particular portion of the empire needs weapons. The deal is Briganti will be paid well, Coraldi gets the boom-boom and all is fair in war. But, Briganti declines the generous offer. Coraldi leaves, then later has his goons shoot up Briganti's car on the highway, shredding wife and kid and somehow sparing Briganti. 

Then, two-thirds of the narrative has Briganti arming himself and going after each of the men who murdered his family. The deaths are bloody carpet-soakers with the obligatory leaky heads and destroyed diaphragms. The funny stuff is that Briganti is running around with a monster boner and nearly explodes with one touch from a New York hooker. McMurtin also introduces a wild character named Mwalimu that provides a 14-page lecture to students about alternative history. His take is that Christopher Columbus was black and the reason the slaves willingly came to the U.S. was to get laid by white women. It's nuts, but ties into Briganti's final ploy to kill Coraldi. 

If Manhattan Massacre is a sign of things to come, then I'm in for an obnoxious, over-the-top kill-thrill as I waddle my way through two more Assassin entries before stepping over to The Marksmen. If the target is to be entertained with disposable fiction, then McMurtin scored a bullseye. 

Buy a copy of this book HERE.

Joe Broderick's Woman

In the 1970s, Hollywood became fascinated with the large transport truck, aka “big rig”, “18-wheeler”, “tractor-trailer” or simply “Mack”. Films like Smokey and the Bandit (1977), White Line Fever (1975), Breaker! Breaker! (1977), and Convoy (1978) captured the heart and soul of the blue-collar truck-driving man, albeit with plenty of zany, over-the-top action hijinks that elevated the profession into a type of comic book heroism. The genre swerved into the men's action-adventure lane on occasion, prompting series titles like William W. Johnstone's Rig Warrior (1987) and Bob Ham's Overload (1989). 

Manor Books published an action-adventure-trucker novel titled Joe Broderick's Woman. It was released in 1978 and was authored by a possible “one 'n done” author named John H. Arbor. My internet search produced no other results for the author. Based on the quality of the book, I was hoping Arbor had written more. 

Joe Broderick is the owner and operator of a trucking company in Baltimore called Broderick Lines. Joe is former military and now lives a peaceful and successful life delivering the goods to a hard-earned book of business. In the novel's opening pages, readers gain a glimpse of the trucker lifestyle as more of a business with a secretary, driving crew, and various clients adding shipments to schedules. Not exactly Lincoln Hawk stuff (Over the Top, 1987).

Unbeknownst to him, Joe is married to a mobster's former mistress, a nice woman named Aletha. The two met a few years ago after Aletha successfully escaped the clutches of Sartorius Roth, a New Jersey kingpin. Aletha created a new life for herself, but warned Joe that she has a shady past and that someday her past may catch up to her. Now, pregnant, domesticated, and totally in love, Aletha is finally found by Roth's hired hands. While Joe is at work, the goons break into his house and capture Aletha. 

Arbor's narrative is a three-way presentation consisting of the inner workings of Roth's empire and his right-hand man attempting to unseat him. This presentation also includes Roth's reunion with Aletha and the sentence he serves her. There's some graphic violence and rape as Aletha is thrown to the wolves as a sex servant for Roth's men, ultimately losing her sanity in the torture and abuse. The second presentation is that of Roth's current mistress, a woman named Rosalyn. She is skeptical of Roth reuniting with Aletha and wants to keep her position of power. The third storyline is Joe's hunt for Roth and his plans to rescue Aletha.

As a B-grade action novel, Joe Broderick's Woman wins on all levels. It has a great storyline that isn't far removed from the typical vigilante stories we all love – The Executioner, The Revenger, etc. It's brutal when it needs to be, emotional at the right times, and hard-hitting as a Mack truck when the bullets start to fly. I really liked Joe's character and his progressive relationship with a former mob girl named Darla as well as his team-up with a former military veteran named Hap. The vengeance angle never seemed forced to me, which is a testament to Arbor's patient writing style. It all comes to fruition in due time. 

Whether John H. Arbor is a real guy or not remains to be seen. His style is reminiscent of Jon Messmann, but I don't believe Arbor was a pseudonym he used. With Manor publications, unmasking the identity of authors and artists is like trying to locate an honest representative in Congress. We may never find the answer. But don't let the mystery keep you from enjoying Joe Broderick's Woman. It's an entertaining 1970s beat 'em up that crosses lanes with trucker pop-culture. Recommended. 

Buy a copy of this book HERE

Reprisal

Arthur Gordon (1913-2002) was a Yale graduate and Rhodes scholar that fought in WW2 and later became an editor for slick magazines like Good Housekeeping, Cosmopolitan, and Guidepost. His family has a rich lineage in Georgia. His aunt created the Girl Scouts organization and his great-grandfather started the Central of Georgia Railroad. His literary work includes the military-fiction novel Target Germany, A Song Called Hope, and an acclaimed biography about Norman Vincent Peale. 

My focus is on his only crime-fiction novel, Reprisal. It was originally published in 1950 as a hardcover by Simon & Schuster. Its success warranted a second printing by the publisher. In 1951, the novel was published in paperback by Pocket Book (#801) with a cover by Harvey Kidder (he painted the cover of another book we reviewed HERE).

The book's synopsis, printed on the back cover, peaked my interest. It says:

My name is Nathan Hamilton. I am black. My wife has been lynched! God knows what they did to her before they tied her to a tree and riddled her body with bullets. The killers were tried by jury. They were acquitted. Every white man in Hainesville knows that these men are guilty. But the town wants to forget. I can't forget. They lynched my wife because they know they could get away with it! They were sure nothing would happen! But something can happen. Something will happen! I'm starting for Hainesville tonight. There's a loaded gun in my valise with a bullet in it for each man who had a hand in the murder of my wife!

The book begins in a courtroom as the judge and counsel tensely await a jury's verdict. Three white men are on trial for the heinous murder of four African-Americans in the small, southern town of Hainesville. When the jury reconvenes, they find the men not guilty despite evidence that proves otherwise. The judge provides a verbal scolding to the courtroom and cautions the jury that he's ashamed of the justice system and the events that have unfolded to allow the men to walk free.

Gordon then begins introducing various characters and side stories that ultimately make up Hainesville. The main character is Melady, a brave reporter from the North that's covering the trial and its aftermath. He attempts to remain somewhat neutral early on, but by the book's end, he becomes heavily involved. Unity is another star, a receptionist who is involved in a relationship with a very bad man named Shep. Perhaps the most influential character is Yancy, an admirable African-American undertaker that tries to be the peacekeeper in the black section of town. Threading the characters is Nathan, a black man now living in New York after his wife was raped and murdered in Hainesville. Once he learns of the trial's outcome, he travels south with a gun.

There is way too much to unpack in one simple blog review. Reprisal is nearly 300-pages and has a character list that seemed a mile long. It's a lot to keep up with, almost like watching an entire season of Game of Thrones while running an org chart. There are affairs, attacks, backwoods justice, romantic relationships forming and ending, scandals, jobs, families, news-hounds, and so forth. It's daunting at times, but the investment is worth it. All of the stories tie together to present a turbulent era in the deep South. 

Surprisingly, Reprisal isn't as well known as Harper Lee's To Kill a Mocking Bird, predating it by 10 years. That could be due to the length, the complexity of the characters, or the amount of sheer violence that Reprisal possesses. The central theme is revenge, similar to a dusty western tale as the protagonist hunts the killers. There are no real heroes, only misfortune and death told in a doom 'n gloom style by Gordon. Shockingly, I found passages that I re-read numerous times due to their similarities to what we still experience today. Reprisal is a prophetic, iron-fist look at the heart-wrenching extremes humans seek to hurt one another. While never preachy or condescending, Gordon presents a fictional account of real-world violence, then and now, that leaves a distinct mark on the reader. It's a powerful novel.

Reprisal was adapted to film in 1956, but unfortunately it was poorly devised. The setting changed to the 1800s and the entire narrative was modified into a western revenge tale. Sadly, Reprisal has never been reprinted.

Note - The hardback version of the book shows the main character as a white man. It is evident that the cover is depicting Nathan as he is retrieving the pistol from his valise. I assume it was too controversial to put a black man with a gun on the hardcover? 

Buy a copy of this book HERE

Doctor Death #01 - Doctor Death

Author Herb Fisher (1932-2001), a North Philadelphia native, began writing as a sports editor for his high school. On a football scholarship, Fisher attended Temple University and majored in journalism. Nicknamed Herbie or Fish, the author gained employment at Cherry Hill's East and West high schools as an English and Drama teacher while also coaching football. 

Beginning at age 55, Fisher had enjoyed writing so much that he wrote five screenplays, a novel and two television scripts. His agent suggested that one of the screenplays would be better suited as a book. The screenplay, Doctor Death, was whittled down to an epic novel. Eventually, that was trimmed and edited into a four book series of men's action-adventure paperbacks published by Berkley. The first novel, simply titled Doctor Death, was published in 1988 with misleading cover art and blurb. After reading it, I feel strongly that Herb Fisher deserved better treatment from his publisher.

Upon first glance, Doctor Death appears to be a late 80s cash grab targeting Mack Bolan fans. The concept of a Vietnam vet returning home to become a vigilante had become stale by the late 1970s. Dozens of movies and hundreds of books utilized the formula and most of them are all entertaining to a degree. But, after reading the first 100-pages of Herb Fisher's book, I began to understand that this isn't a cookie-cutter, “law in your own hands” styled action-adventure. It's much better than that.

The book's 18-page prologue takes place in the green jungles of the Mekong Delta in 1969. Army Special Forces (Green Beret) Sergeant Kyle Youngblood is fiercely defending an American camp as a large Vietcong battalion attack. As his fellow soldiers die, Kyle experiences a range of emotions from shock to raw, animalistic anger. Using grenades, mortars, wire, and guns, Kyle is able to hold the line while bleeding from a leg wound. When a backup platoon arrives, they find Kyle unconscious and nickname him “Doctor Death.”

The first chapter places the narrative in the present day where Kyle is now a farmer in Silver Lake, Nevada. He's living a happy, quiet small town existence with his wife and two young children. Everyone in town is fond of Kyle and considers him a hometown hero. In the opening chapters, readers are introduced to the Fallon family. They reside 25-miles west of Kyle and control a large portion of the Las Vegas underworld. In a backstory, it's explained that Marty Fallon was shot by rival mobsters and paralyzed from the waist down. He controls the action from a wheelchair in his posh, enormous mansion. His sons are screw ups, but they maintain a portion of the mob action. The youngest, Buddy, is Marty's pride and joy. But, Buddy is a wild man, sort of a juvenile delinquent right out of a 1950s crime-noir. He's a buck-wild drinker, gambler, and womanizer partying through life with his father's endless supply of money.

On Kyle's trip into town to purchase supplies, he makes a poor decision to stop in Andy's Place for a quick drink. Buddy is inside, backed by two enforcers, drinking and talking smack to anyone who will listen. Surprisingly, Kyle ignores all of it as a promise to his wife that he won't fight again. But, when Buddy's Lincoln and Kyle's beat-up pickup truck collide in the parking lot, all Hell breaks loose. Kyle is happy to swap insurance cards, but Buddy wants to swap fists. Provoked into the fight, Kyle ends up injuring the two enforcers and killing Buddy. The town sheriff is owned by the mob, so Kyle is jailed even though the fight was self-defense.

The court releases Kyle on bond, but he can't escape the trouble. When Marty learns that Buddy is dead, he places a hit on Kyle and his family. Several enforcers attempt to kill his family, but Kyle survives. In the book's third act, Kyle and his family are thrown to the wolves by the local law enforcement. They allow a mob army to descend on Kyle's farm to obliterate everything standing. The book's finale has Kyle defending the farm in the same manner as he did in Vietnam. But, instead of Army supplies, Kyle is left to make an unusual defense using farming tools and household items. The final battle is nothing short of spectacular. 

Herb Fisher gets everything right with Doctor Death. Kyle is an admirable protagonist and his willingness to sacrifice himself for his family transcends from the printed page to the beating heart. I cared about these characters and raced to the end just to learn of their fates. But, it's the little details that Fisher includes that make all of the difference.

So many books and films miss key moments to build small side-stories that will later become important events later. Fisher gets it. In the beginning, Kyle learns that the store owner doesn't have the ammo he needs. Instead, he has to settle on an undesirable caliber. This will play a large role in the book's finale. Or, something as simple as Kyle aiming a rifle, but placing extra shells between each of the fingers on his left hand for easy reloading. This reinforces battlefield experience. It's a statement that Kyle is a believable hero. Fisher even adds in the fact that the sheriff doesn't remove his hat when talking with Kyle, but the deputy does. It solidifies a good relationship, an alliance, between the deputy and Kyle. These little things are important. 

While I'm sure Fisher was delighted that his books were published by Berkley, the publisher misled the consumer. Kyle isn't the “M-16 vigilante of Vegas” like the cover suggests. I recently acquired the second and third books of the series and they have equally frustrating covers. While I enjoy The Vigilante, Sharpshooter, The Executioner, and so forth, Doctor Death isn't that type of debut. It's a different presentation and style, a screenplay to the extent that it fits into a novel. In other words, make an appointment with Doctor Death and take your damn medicine. 

Buy a copy of the brand new edition HERE

The Penetrator #02 - Blood on the Strip

With the success of The Executioner, Pinnacle began creating titles that captured the action-oriented, vigilante feel. In 1973, the publisher released The Target is H, the first novel of The Penetrator series. It ran a total of 53 installments under the house name of Lionel Derrick. The odd numbers were written by Mark K. Roberts and the even installments by Chet Cunningham. I enjoyed the series debut and wanted to revisit the character. The second entry, Blood on the Strip, was published in October, 1973.

Cunningham begins the novel with an eight-page prologue recapping the character's origin story and events from the first book. The series can be read in any order and features hero Mark Hardin as a Vietnam veteran fighting crime vigilante style. He's aided by two behind-the-scenes allies in Professor Hawkins and a Native American named Red Eagle. This opener explains that Hardin destroyed a California mob family and he's now prowling Las Vegas searching for his next mission.

The book's opening chapters has Hardin detonating charges at a talent agency called Starmaker. After, he heads to Professor Hawkins and Red Eagle to summarize events in Vegas. Thus, his recount to them makes up this entire novel and explains the sequence of events that led to Starmaker's fiery destruction. I like when books start with the conclusion and then map out how these events developed. It's like starting with the Oreo stuffing.

Hardin meets a young woman named Sally Johnson, an aspiring model and actress trying to earn a living in Vegas. At a restaurant bar, she advises Hardin that the talent agency she is using wants her to begin stripping and prostituting. When she refuses, they issue violent threats. When Hardin attempts to escort Johnson to her car, he's jumped by enforcers of the agency. Sally is cut to shreds and left to bleed out in the parking lot. Thankfully, she's rushed to the hospital and Hardin begins assembling a plan of attack. 

Cunningham's narrative keeps a steady pace as Hardin investigates the agency and its owner. In what will become a familiar formula, the investigation leads to some hit and run tactics destroying parts of this immense criminal empire. The villain behind the agency is like a knockoff female nemesis of James Bond. She keeps sex slaves locked in cages and eventually captures Sally to lead Hardin to her enforcers. Readers know how the story ends, but the ride is a lot of fun.

Since this was Cunningham's first Penetrator novel, I think this installment is a feeling out process. Hardin doesn't necessarily behave in the same manner in future novels and it becomes less elementary and neanderthal. Roberts had a better version of the hero in the debut, but Cunningham eventually finds a connection to the character and delivers equally enjoyable installments (so I've been told). If you love  the 1970s men's action-adventure genre, The Penetrator is in the upper echelon.

The Revenger #02 - Fire in the Streets

Paperback Warrior continues to devour the literature of Jon Messmann. We've covered his series titles like The Trailsman, Handyman, Canyon 'O Grady, The Revenger, and even his gothic stand-alone novels under various pseudonyms like Claudette Nicole. My first experience with the author was the debut novel in The Revenger series. Inspired by Don Pendleton's The Executioner, the Signet series began in 1973 and ran six total volumes. The entire series has been reprinted in new editions by Brash Books with an introduction by yours truly. 

The book begins with some flashbacks to the events that occurred in the series debut. The quick story is that New Yorker Ben Martin is a Vietnam veteran who experienced the death of his son by mobsters. Avenging his son's murder, Martin became a one-man army and destroyed the local mob. At the end of that novel, he left his wife to pursue an indiscreet lifestyle using the new name of Ben Markham (Messman had never intended the series to continue). 

Now, it's explained to readers that Ben has lived in the Chicago suburbs for a year. He began working for Alwyn Beef Products and worked his way up to a senior manager due to his experiences as a grocery shop owner. But, Ben is attacked one evening at work by enforcers working for mobster Nick Carboni. After killing the attackers, Ben returns home and starts to question his life. In his own headspace, Ben realizes that he has always wanted to kill again, to right the wrongs, and fight evil. But, in a reversal, he also wants to live a normal existence that isn't smeared in blood. 

What makes The Revenger so great is that Messmann doesn't deliberately set out to create a hero for readers. It's never just a good guy with a gun. Like the debut, he slowly has unfortunate events consume Ben's life. It is like an erosion of sanity that reveals Ben's hard-hitting talents. He's meant to kill the bad guys, and he has the skills and talents based on his experiences in Vietnam, but he is hesitant. Slowly, Ben is pulled into this mystery and must fight again.

Ben's employer is a friend, but he's also a terrible gambler. After losing a great deal of money in the gambling rackets, Carboni has struck a deal with him. The mob will infiltrate his business and in return, Carboni wipes the IOUs off the table. Once Ben learns the reasons for the attack, he puts together an elaborate plan to wipe out the mob at strategic locations. From rooftops, he begins assassinating key personnel with different European rifles, weapons he leaves at the scene to confuse Carboni. But Messmann also has Ben fistfighting with mobsters as well as a fiery car chase on the highway. 

What makes this story unique is that it involves three separate women that are experiencing individual struggles directly related to Ben's mission. Carboni's wife is resistant to her husband's criminal behavior and wants out. When Ben's friend and co-worker is killed, he falls into a friendly relationship with the man's widow. But, Ben's love interest in the story is his employer's wife, a defiant woman that knows her husband is a gambling junkie. These three women are liberally featured throughout the 135-page narrative. 

Fire in the Streets is just as good, or better, than its predecessor and rivals some of Pendleton's best single-digit efforts on The Executioner. Imitation is the best form of flattery and Messmann clones a Mack Bolan styled story while also injecting a great deal of emotional drama. It's violent when it needs to be, and Ben proves to be a capable hero when the gunfire begins. The end result makes The Revenger simply fantastic.

Get the new edition HERE