Snakehaven #01 - Doom of the Dark Delta

Author James Reasoner is mostly known for his western contributions in the Stagecoach Station, Longarm, Trailsman, and Wind River series titles. But, Reasoner has a sincere fondness for the pulps, evident with his blog reviews and commentary on the subject through social media. It is that admiration for the genre that prompted him to author a pulpy sword-and-sorcery series titled Snakehaven. As of this writing there are three installments – Doom of the Dark Delta, Fear on the Fever Coast, and Lair of the Serpent Queen. These are one-buck ebooks that weigh in at one-hundred pages give or take a font size. 

In Doom of the Dark Delta, readers learn that series hero Jorras Trevayle is from the land of Albrionne. His father is Lord Amaril and he has two brothers, both of which serve in a loyal and honorable way. Trevayle, being the brave-hearted iron-fisted hero, served as a soldier. On a mission to quell an uprising, Trevayle was betrayed by a superior officer and sent back to his land in chains. Lord Amaril, apparently torn on the matter, buried Trevayle in work – which is where this novella begins. 

Trevayle began a journey down the Gulf of Matoxia to have a contract signed by a plantation owner specializing in giant snakes. These enormous serpents are called Nloka Maccumba. His ship was taken over by pirates and Trevayle washes ashore on an island unknown to him. Immediately a naked woman burst from the swamp as warriors chase her. Trevayle, unarmed, joins the woman in running from these armed combatants. 

Later, he learns that this woman is the daughter of the plantation owner he was to originally meet. Trevayle is then thrust into a battle with a ruler named Ostrizahl as well as the giant serpents, savage troops, and even the woman's own allies. On this island Trevayle has no alliances, no allegiance, and often no weapons. Outnumbered, he must fight to survive this grisly ordeal. 

Through chases, sword fights, prison escapes, and damsel-in-distress rescues, Doom of the Dark Delta is a pulp-inspired sword-and-sorcery tale that is brimming over with nonstop action. With the shorter page length, Reasoner puts his skills to the test with quick character development that matches the fast-paced narrative. I'm imagining this is just as fun for the author as it is for the reader. Doom of the Dark Delta is just fantastic and highly recommended for anyone that loves a great men's adventure. Get it HERE.

Girl on the Beach

We've covered two prior novels by Bruce Cassiday, one stand-alone book, The Girl in the Trunk, and The Buried Motive, the first of two Cash Madigan novels featuring a Manhattan bonding investigator. Cassiday was a versatile writer that transitioned from the pulps to writing paperback originals in crime-noir, science-fiction, and gothics. I discovered a sleaze novel titled Girl on the Beach that Cassiday authored using the pseudonym of Max Day. The book was published by Beacon in 1960 and remains out of print at the time of this writing. 

The novel is set on the shores of fictional Seahaven, Connecticut (probably based on West Haven), specifically a makeshift two-story studio house brooding over Long Island Sound. Artist Shad Crispin makes a mediocre living selling his paintings to the local art community and trusts his business affairs to a sneaky agent. Shad is in a relationship with Cynthia, an independently wealthy woman who met him at his easel in Central Park and quickly installed him in Seahaven as her boy-toy. He lives and sleeps at the studio and Cynthia lives at her Village apartment. It works.

One frosty foggy night Shad sees a golden-haired girl laying on the beach and runs out to help her. After the thawing out, the gorgeous girl introduces herself as Lissa Cloud from the Iowa cornfields. Her explanation of swimming in the cold ocean at night is sketchy at best, but Shad goes with it. Obviously, there's a temptation here to jump little Lissa's bones, but Shad does the respectable thing and places her in the guest bedroom. Through the paper-thin wall, Cassiday enticingly describes Lissa's sexy unclothing to readers. Soon Shad awakens from the brink of sleep to find the vixen in his bed, confessing she is a virgin, and begging for love. Shad pisses himself off by throwing her in the guest bed and locking the door. 

The next morning Shad awakens to find that his sea nymph has disappeared. But, she took the opportunity to destroy his portfolio of nude paintings. Shad wants to know who the girl is and begins making a mini-investigation into her history. This is where things get interesting – Lissa may be a figment of Shad's imagination. Unable to corroborate his story, both his agent and lover believe that Shad made the whole thing up due to mental exhaustion. Instead of finding a detective, they begin searching for a psychiatrist. But, Shad later experiences another run-in with Lissa and begins to think she could be real.

I liked this crafty cozy mystery and enjoyed Cassiday's ability to transition nicely from a very tepid romance into a full-fledged crime-noir. Granted, there isn't a lot of locales trekked through the narrative, but I never became bored with the confined studio and tight atmosphere. The narrative's positioning in this small dwelling made the mystery aspect feel intimate. I also found Lissa – or the idea of Lissa – just sexy as Hell. 

Girl on the Beach isn't going to be anyone's literary mantle piece, but you could do a lot worse. Read the book for free HERE.

East Indiaman #01 - East Indiaman

Beginning in 1972, Griff Hosker became employed as an English and Drama teacher in northeast England. Upon his retirement after 35 years of service Hosker began his new life – a full-time novelist. He has authored over 150 books of historical fiction including over 25 series titles. He prefers his works to be self-published so he (and his family) have sole control of ownership, edits, and future reprints. I've been curious about his writing and decided to try his newest novel, East Indiaman. It was published in 2024 and is the first in a promised series. 

In the book's Prologue, William introduces himself to the reader in first-person narration. He's a boy without a family or home. His father died and his mother moved away to live in Java. As a wharf rat, William embarks on a life of theft and robbery to survive. After a successful string of crimes he learns that he chose the wrong victim. A notorious pirate is now after William to recover what was stolen from him. With no other recourse William hides on a ship headed north of the Canary Islands. 

In the early chapters William navigates the large boat and steals food and water from the crew and passengers. After stealing a crewman's coat William is eventually caught and brought before the Captain. Generously, they ask William to earn his own way by becoming a hard-working crewman working with sails and ropes. The experience humbles William and he eventually begins to see a life beyond criminality. After he makes a strong defense against pirates, William is asked to join a regiment of British troops – a type of special forces made up of former prisoners – to work for the East India Company.

William accepts the job and then East Indiaman really rolls into action. Through the book's second half William adapts to his new role as soldier, horseman, and killer. As he grows into a man he contends with the rigorous chores of rising through the ranks while in combat with nefarious village leaders, the enemy French regiments, and a secret mission to liberate a missionary family from a stronghold. 

Honestly, I wasn't sure how I would feel about Hosker's work and the fast and furious pace at which he writes and publishes his novels. Thankfully, East Indiaman is probably the best contemporary novel I've read this year. The book is expertly written in the first-person perspective and is presented as an epic adventure in a convenient 200 pages. Hosker successfully removes any fluff from his writing and sticks to the basics – tell a great story that is engaging while competently developing a character that adapts as the pages turn. This was such a treat to read considering historical fiction can lose itself in dense details that surround the plot. For validity, Hosker includes a list of his references to substantiate the story's locale and period as well as a brief history of the East India Company.

If you have the opportunity to try Hosker...please do. I also recommend a podcast interview that he participated in that gives some history on the author and his series titles HERE. I'm already reading another of his books and it is equally as entertaining. Highly recommended!

Get your copy HERE.

Ashton Ford #01 - Ashes to Ashes

There's no doubt that Don Pendleton took readers into some unusual places after writing a decade of The Executioner. Towards the end of Pendleton's involvement with Mack Bolan, he had already dabbled in science-fiction, political intrigue, and romance. His first real effort at hard-hitting crime-fiction were six books starring Joe Copp, a private investigator in the Mike Hammer style. But, it was the Ashton Ford series that really had people talking – good, bad, and indifferent. 

Ashton Ford, the psychic detective series, was published between 1986 to 1988. This six-book series stars Ford as a former naval intelligence officer that boasts in the opening chapter of Eye to Eye, the series debut, that he possesses all the talents of a spy. He has also had the good fortune of having a psychic ability. Apparitions and future visions are unveiled in a way he can't control. It is spontaneous, which is of little help in his profession as a private investigator.

Ford's newest client is Karen Highland, a wealthy woman on the verge of inheriting the billion-dollar trust left to her by her deceased grandfather. She comes to Ford because she wants to get laid. Seriously. Ford hangs around a New Age clinic and has discovered a way to create intercourse with women through telepathy. It's the ultimate high in a horizontal position. But, as Ford is explaining his qualms with dishing out the goods to a complete stranger, Karen's bodyguard is discovered dead.

Apparently, the dead bodyguard gets Ashford involved with the police and of course he needs to be better than they are in solving this murder. But, as he is introduced to Karen's suspicious doctor and trustees, there's another body – this one floating face down in the family's lavish pool. What's going on?

Ashes to Ashes is terrible. Don Pendleton can write a bad book and he proves it with this mediocre recycled private-eye plot. My issue isn't the recycling – God knows I read enough carbon copy gothic-romance novels – but it is the ridiculous pages and pages of New Age nonsense complete with detailed explanations of pseudoscience and the eternal struggle between God and the Devil. The character Ford is your typical West Coast private-eye. He drives a sports car, has a boatload of money, and women wanna screw him. Par for the course. The psychic thing comes into play twice, both of which are central to the resolution.

I can't recommend this book to anyone, but I'm sure it has a fair share of fans that are pleased with Pendleton's stark contrast between Bolan and Ford. I love horror novels, action-adventure, and crime-fiction, but the trio of sub-genres combined into this weird occult detective thing just didn't work for me. If you want to try it, get it HERE.

Midnight Vintage

Crystal Lake began publishing horror novels in 2012. In 2023 the publisher transformed into an entertainment company, complete with imprints and divisions like Crystal Lake Comics, Crystal Lake Games, Torrid Waters, and more. As of the time of this writing the company has published over 200 books. My first sampling of their work is the ebook short-story collection Midnight Vintage, a joint venture authored by Sean Eads (Trigger Point, The Survivors) and Josh Viola (The Bane of Yoto) with vibrant cover art by Skinner.

At roughly 338 pages, give or take a font size, the book offers 20 short-stories averaging about 20 pages per story. There is an excellent introduction by Stephen Graham Jones (The Only Good Indian, Night of the Mannequins) outlining the style and nature of the contained stories and a brief history of his friendship with both authors. I enjoyed the book and here are just a few of my favorites:

“The Making”

The narrative is presented in an unusual way with a transcript detailing an investigative conversation between a detective and a murder suspect. This transcript is embedded into a first-person perspective from Stradivarious Cooper, the murder suspect. Cooper explains he was a failed musician with a father serving time in prison. He accepts a bizarre job working for a doctor and his associates in a 3,000 square foot house that looks normal – except for the torture room in the basement. The doctor believes he can capture the proof of ghosts through Cooper violently abusing and murdering victims. The most horrible death insures a very real possibility that a ghost will emerge. However, as these things normally escalate in horror literature, the experiment bites the experimenter. This was a very good opening story that matched the style and intensity of the film Martyrs.

“Many Carvings”

In the book's intro, Jones describes this story as a type of EC Comics homage. I felt it possessed a Shirley Jackson's The Lottery vibe crossed with a more contemporary flavor like Dark Harvest by Norman Partridge. A young boy named Alaster lives in a small farming village. He is questioning why his father and brother haven't returned from “the market”. His mother grows sick and when she is forced to bed he journeys to a neighbor's house. Together the two venture to the home of a pregnant woman where they witness a very strange birth. Mixed into the narrative is a witch that grows pumpkins...in a field with no pumpkin patch. It's a unique story that had me guessing until the end.

“The Bidden”

Many of the stories in Midnight Vintage take place in the 1800s or early 1900s and involve small farming communities. This story is set on a cornfield and begins with a father named Wallace attempting to lacerate himself on corn stalks to feed his ghostly son John. The story then flashes back to the beginning to explain how John's mother Amanda gave birth to the son and the weird aftereffects of birth, growing corn, and the pain of loss and absence. It is easy to compare to the most popular corn-feel short of them all, Children of the Corn, but this works more like a country-fried Frankenstein story of creator and creation.

I also really enjoyed “Bright Rain” with its post-apocalyptic isolation mood. I sense that both of these authors are mood writers. Midnight Vintage isn't the first collaboration between the two. In 2024 Blood Bound Books published their novella Stolen Pallor. It's clear they have a wonderful chemistry in their storytelling. This collection is a testament to their synergy. Recommended!

Get the book HERE.

Paperback Warrior Podcast - Episode 112

Today's exciting episode reviews the life and career of a crime-fiction and pulp megastar named Stewart Sterling. He wrote over 400 pulp detective stories and is credited as the creator of the specialty detective formula. Sterling also wrote numerous paperbacks for publishers like Beacon, Fawcett Gold Medal, Dell, Ace, Pyramid, and Avon. Additionally, the fallout from the Brian G. Berry accusations, Eric reviews the new sword-and-sorcery novella Doom of the Dark Delta by James Reasoner, and much more. Listen to the episode below or on any streaming platform. You can also download HERE. If you prefer to listen on YouTube you can click HERE.

Listen to "Episode 112: Stewart Sterling" on Spreaker.

Sharpshooter Terror

Brian G. Berry is a contemporary horror, science-fiction, and action-adventure novelist that specializes in trash fiction. He has multiple series titles featuring stand-alone books like Slasherback, Chatter from the Tomb, and Splatter Madness. My first experience with Berry was his excellent Chopping Mall novelization, published by Encyclopocalypse Publications before being pulled from shelves for internal discord between the author and publisher (story HERE). In a recent interview with Berry, he suggested that one of his better books is Sharpshooter Terror, an installment in a series of stand-alone novels titled VHS Trash. I stepped into the crosshairs for a closer look.

Berry's ode to the VHS era places Sharpshooter Terror in the 1980s. In flashback scenes readers learn that Alan LaRue served in the Vietnam War in 1968. As a Screaming Eagle of the 101st, LaRue grew into the perfect soldier with a lack of obedience to skill set. He was fast-tracked to Recon School, joined Command and Control, and carried the war on his back in black ops missions hunting and assassinating NVA forces. After years of battle rattle, LaRue is eventually outnumbered in a firefight and is killed. But, that was just the beginning. 

LaRue's body is now a part of Project Night Stalker, a type of Universal Soldier program to create super troops impervious to emotion. Program. Assign. Kill. But, in a freak accident LaRue is dumped into the small rural community of Ashbury with scrambled programming that places every citizen on his kill-list.

LaRue's opponent is a man named Olson, an armed hunter seeking revenge for the death of his family. Mixed into the carnage is a type of First Blood scenario with the military working with the town's police force to try and bring in their man. There's cat-and-mouse tactics, lots of gunfire, and plenty of over-the-top violence. I appreciate that beyond the gory madness there's a really good narrative that should appeal to fans of 80s and 90s men's action-adventure paperbacks. Also, kudos to Berry arming LaRue with the .44 Ruger Redhawk with optics, the same legendary firearm used by Martin Stone in the glorious post-apocalyptic series The Last Ranger.  

Berry is an unrestrained author that charges into his literary lunacy Hellbent on shocking his readers. His writing style mirrors the 1980s cult cinema – those movies that went straight to VHS boxes hoping rental stores found enough sickos to rent them. We're talking about movies like Combat Shock, Deadly Prey, Escape from the Bronx, and The Last Hunter. I spent a good portion of my Dad's union pay renting these movies so I can appreciate Berry's homage with VHS Trash. Sharpshooter Terror is essentially one of these films in book format - the spillage of blood, brains, and bones on every page. 

Get your copy HERE.