Showdown

Norman Danberg (1905-1995) was a prolific multi-genre paperback author under the name Norman Daniels. He utilized the pseudonym Peter Grady for a hardcover western called Showdown in 1963 — later credited to Norman Daniels for the subsequent paperback release by Lancer Books. 

The novel is set in a small town misnamed Tranquility. The town was once tranquil, but it has fallen into anarchy, lawlessness, and dysfunction. Feuds, disputes, and grudges are settled with shootout duels on Main Street, where the townsfolk gather to watch as if it were a sporting event. Just as Daytona and Indianapolis are known for auto racing, Tranquility is known for its public gunfights and public hangings. The fans love it, and it’s great for business at the local saloon.  

Jase Quinlan and Dan Ingram are ostensibly best friends. However, Jase recently went on a trip to visit his brother, and Jase’s whore of a girlfriend has taken up with Dan in Jase’s absence. No bueno. Of course,  all this culminates in one of Tranquility’s famous gunfights, and Jase gets the worst of it. 

All of this is a setup for the arrival of Jase’s Texas cowboy brother, Cass. He received word that his brother was gunned down in one of Tranquillity’s bloodsport events, and he’s come for revenge. The first meeting between Cass and Dan is fascinating reading and sets the tone for the novel, which is way smarter and more nuanced than you’d expect. Cass also has another agenda for coming to Tranquility which is one of this novel’s delightful surprises. 

Norman Daniels is always a safe bet for solid, if unremarkable, pulp fiction. In Showdown, he threw aside the trappings of the genre and authored a novel about the power of human decency packaged as a simple old-west vendetta tale. While the western genre has always been about frontier justice, Showdown also works as a fable making a case for due process and the rule of law. 

Showdown is an interesting western novel if you’re looking for something completely different. There’s not much action or violence, but the story and the themes are unique and the writing is solid. Recommended. 

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Paperback Warrior Podcast - Episode 96

The boys are back in town! On Episode 96, Tom brings you all of the action at the Windy City Pulp and Paper Con from Lombard, Illinois and reviews a vintage Robert Colby paperback called Kim. Eric examines the birth of the Sword & Sorcery genre with Robert E. Howard's Kull character. He also delves into the Lancer paperbacks, Conan, graphic novels and magazines. Listen on any podcast app, paperbackwarrior.com or download directly: https://bit.ly/3lt5NOS

Listen to "Episode 96: Windy City Pulp & Paper and Robert E. Howard's Kull" on Spreaker.

Too Early to Tell

Between the 1930s and 1950s, John D. MacDonald authored over 500 short stories for the pulp magazines and digests. Often, he used pseudonyms so he could appear multiple times in the same issue.  Shortly after moving his family to Florida, and before his first paperback original was published (The Brass Cupcake, 1951 Fawcett), MacDonald's fight story “Too Early to Tell” was published in the October, 1950 issue of Adventure. The story and entire issue is available for free HERE.

The story is presented in first-person narrative by Lew, a gym rat that is friends with an older, veteran fight-trainer named Micky. At a rough local dive bar, Micky watches an irritating kid named “Junior” badmouth the patrons, then proceed to waylay a half-dozen men before being sapped. Micky drives the drunk and dazed kid home and then later gains his life story.

Junior's real name is Harkness Willoughby Franklin the Third and he's living with a sizable emotional burden. His father died, his mother remarried and they moved to California where she started a new family. Considering Junior a forgettable bad apple, his mother sends him to a private school in Massachusetts. Over the years, Junior has asked to visit the family, only to be rejected and then promptly receiving a check in the mail. Now, Junior is mad at the world and Micky thinks he can channel that negative energy into boxing.

Most fight stories simultaneously spin a rags-to-riches lesson on responsibility, humility, determination, and internal fortitude. MacDonald's story is interesting because Junior is never a likable protagonist. That's what makes this so unique and engaging. The story, approximately eight pages in length, contains Junior's rise through the ranks to attain the coveted title shot. But, there's a side-story involving the sister of Micky's former protegee falling for Junior despite his angry, emotional barricade.

If you love in-ring action, MacDonald delivers a great, climactic bout in the story's conclusion. With its clash of characters, fighting, and emotional undertakings, “Too Early to Tell” was an enjoyable reading experience.

Time War

Lin Carter (Linwood Vrooman Carter, 1930-1988) was a longtime science-fiction and fantasy fan. Along with his writing mentor, L. Sprague de Camp, he authored a number of Conan novels either as original tales, or by finishing original, unfinished drafts by Robert E. Howard. He also contributed edits to Howard's Kull character while also creating his own series titles like Gondwane, Terra Magica, and Thongor of Valkarth. Carter only authored a few stand-alone novels, one of which is the science-fiction novel Time War. It was originally published by Dell in 1974 with an amazing cover by Frank Frazetta. It was reprinted by Wildside Press in 2021 in both physical and digital editions. 

John Lux is a scientist, industrialist, entrepreneur, and a military veteran. He's also the target of an invisible assassin. In the book's opening pages, John is shot at by an invisible force that somehow lifted his own revolver from his desk drawer. In another murder attempt, John is nearly run over in the street by a maniacal driver. Why is he being targeted for assassination by this intelligent, murderous entity?

After visiting a local friend and professor, John awakens the next day to learn the man is dead and the police are searching for him as the prime suspect. On the run from the police and an assassin, John learns more about his nightmarish predicament from a strange woman who claims she is from the future. Her explanation of John's trials and tribulations is similar to that of Skynet and John Connor, two time-traveling opponents that battle through the years in the popular Terminator franchise of movies, books, and comics.

In the future, Earth's population is pampered in a sprawling urban metropolis known as the Living City, governed by a super computer. It is here that civilization has spiraled into a luxurious world where every want and need is supplied by the city. Because of this slothful lifestyle, humans have evolved into simply existing with no ability to think for themselves. They can no longer survive without the assistance of the computer, thus the development of this long-lasting parent-child nurturing. Instant entitlement and gratification is the way of existence.

John learns that this computer has built a cocoon around the city, a nearly impenetrable shield that protects everything and keeps this rather elementary form of living intact. But, a rebellion created a Weapon Machine to destroy the computer, only it is stuck inside the shield with no way to penetrate the exterior, and no method of retreating. To John's surprise, he learns he is the only human in existence that has neuro-radiontic powers. In essence, he is a time-traveling superhuman that can teleport himself anywhere. Since his powers are new and underused, this dormant skill can only be utilized if his body is facing an emergency. Thus, these future agents are attempting to kill John to awaken his ability to teleport. If he can teleport through time, and through this city shield, he can bring the Weapon Machine to its destination and liberate humanity.

The author's note from Carter states that he authored Time War as an affectionate tribute to author A.E. van Voget, a contributor to the Golden Age of mature science-fiction led by John W. Campbell Jr. and his Campbellion revolution. In doing so, Carter inputs a lot of startling social awareness into his precognitive narrative on mankind's modern dependence on technology. Much of Carter's future, filled with frivolousness and a rudimentary need for immediate satisfaction, resembles our present. While it isn't preachy or chastising, Time War certainly predicts and warns of many present day struggles.

As an action-oriented science-fiction novel, I found the narrative was busy and bogged down with explanations of what, when, where, and how. There just wasn't enough space to allow the anticipated front-cover action to develop properly. I encourage short novels, but the 150 page count was too short in this instance. If you love a dense, smart story, then Time War should be a wonderful experience. Those of you looking for a soaring stellar war should look elsewhere. 

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News of the World

After graduating from University of Missouri-Kansas, author Paulette Jiles (b. 1943) was employed by the Canadian Broadcasting Corporation. Her original novels and poetry collections include Waterloo Express (1973), Blackwater (1988), and The Late Great Human Road Show (1986). After extensive travels, Jiles settled in San Antonio, TX in 1991. My first experience with the author is her western News of the World. It was published in 2016 by William Morrow and adapted to film in 2020 by Universal Pictures and Netflix International. The movie, starring Tom Hanks, won Academy Awards in 2021 for Best Cinematography, Score, Production Design and Sound. I've never seen the film, because I'm a reader not a watcher. 

The key to fully experience News of the World is understanding the time period and place in which it takes place. The book is set in 1870 and begins along the border between Texas and Indian Territory. Texas is a political hotbed after Republican Edmund Davis was elected in 1869 as the state's governor, barely defeating Democrat Andrew Hamilton. Tensions were high, the Texas State Police had privileged power, and a civil rights commitment had been made. The introduction of public printers made way for state journals and newspaper to provide official notices. It was a Reconstruction period for Texas.

The book's main character is Captain Kidd, a 71 year-old man and veteran of the War of 1812 and the Mexican-American War. After becoming a widow, Kidd began traveling the country reading national and international newspapers for a dime a listener. His business isn't a lucrative one, so Kidd becomes interested when he's offered money to transport a young girl named Johanna.

Johanna's parents were killed by Kiowa warriors when she was six. After four years of being a captive, she is freed from the Kiowa and placed in the hands of a man named Johnson, who then hands her off to Kidd to take the girl back to her only relatives, an aunt and uncle in Castroville, TX. Johanna's experiences with the Kiowa result in her being a wild child with very little possession of the English language or modern customs. She speaks fluid Kiowa, minimizes animals to food, eats with her hands, and wears primitive clothing. She's a fish out of water with Kidd.

Like any great mono myth, Kidd's journey through Texas brings elements of danger and adventure that transform the elderly individual into the unlikely hero. Kidd must carefully navigate the political landscape, balancing a bipartisan stance while contending with fierce supporters of both Hamilton and Davis. He's also threatened by perverse men who want Johanna for their harem or themselves. When he's not being asked to provide a fee for traveling through towns, he's dealing with Johanna's struggles with communicating with him or her complete recklessness and rebellion. Kidd has a lot to deal with throughout the book's narrative. 

News of the World isn't an action-packed western, but it does have one of the better gunfights I can recall. In fact, Jiles offers a lot of surprising insight on guns, ammunition, load sizes and feet-per-second velocity that I found especially interesting. The gunfight between Kidd and a group of criminals is innovative with the alternate strategy of using dimes in shotgun loads. Beyond this scene, the narrative is mostly verbal jousting. Jiles is much more literary than traditional western storytellers.

This novel provides an excellent history of Texas during this tumultuous time period and compares to today's political rivalries between the parties. As Americans, we continue to fight with each other over allegiances to parties and this book proves that nothing has really changed in 150 years. It probably never will. But, Jiles also provides insight on the historic alienation experienced by children captured by Native Americans and then returned years later to modern society. Jiles credits Scott Zesch's The Captured as an influence. 

Overall, I was deeply moved by News of the World and the relationship formed between Kidd and Johanna. As the centerpiece of the novel, I found it remarkable. I look forward to reading more of Paulette Jiles including her 2010 novel Color of Lightning, which also features the Kidd character.

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Logan #01 - Logan

Jon Messmann created the long-running and highly successful western series The Trailsman, as well as other series titles like The Revenger and The Handyman. We have explored numerous novels by Messmann and mostly love all of them. Both Brash Books and Cutting Edge have performed a remarkable public service by reprinting most of Messmann's bibliography in brand new editions with modern artwork and short essays about his work. 

Cutting Edge's most recent release is the two-book Logan series, a character that Messmann created in the style of John D. MacDonald's popular Travis McGee series. Messmann authored both Logan and Killers at Sea under the pseudonym Alan Joseph. These books were originally published in 1970 and have remained out of print until now. I'm beginning with the series debut, Logan.

Not much is known about Logan other than he has some sort of combat history, owns a speedy boat simply called Sea Urchin, and is kind of a jerk. In the briefest of backstories, Messmann hints that Logan has experienced some sort of tragedy in his life that makes him this despondent, rather miserable person. But, he has a soft heart for charity, namely a nun named Mary Angela in Kenya. When Logan completes odd jobs, like chartering or salvaging, he sends most of his earnings to her with a letter thanking her for prior help. 

In Panama, a man asks Logan to perform a job for $10,000. Not liking the guy, or the vagueness of the task, Logan kicks him off of his boat. Later, Logan returns to his boat with a beautiful young woman only to find a corpse on the downstairs deck. The Panamanian police arrive and all fingers point at Logan as the prime suspect. He's been framed.

An emissary from the Peruvian government arrives at the jail and advises Logan they can make the charges go away if he simply agrees to the $10,000 job. He explains that their government is having a problem with a left-wing revolutionary group led by a man named Panico. Peru feels that they have finally killed Panico, but need positive ID. The body has been buried in a remote village and Peru feels as though one of their men will easily be spotted by guerrilla forces. A man like Logan can travel to the village by water under the disguise of a hunter or trapper. Once there, Logan's companion, a Peru woman who dated Panico, can make the positive ID. Mission over, collect $10K. Simple, right?

Messmann is in his wheelhouse with this high-octane, action-adventure yarn. Like his characters Jefferson Boone: Handyman and Skye Fargo, Logan is the author's formulaic, bull-headed man's man. He's handy with the ladies, gets laid a lot, and offers no lasting promises or commitments. In terms of rebellion and angst, Logan is 110% against-the-grain. He chooses painful opposition over smooth conformity despite the overwhelming odds. But, he always wins. 

Thankfully, Cutting Edge realizes Messmann's storytelling talent and have re-introduced these fun novels for a new generation of readers. As a nautical escape, Logan succeeds with it's fast-paced, calculated action. There's an ample amount of sex and violence contained in Messmann's propulsive plot to please fans of popcorn action-adventure fiction. There's nothing to dislike about Logan, and I'm looking forward to this book's sequel, Killers at Sea. 

Fun Fact – Papillon Books used this book's original cover art for their 1974 private-eye novel Wake Up Dead by William Wall. 

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Conan - The Phoenix on the Sword

In 1929, Robert E. Howard submitted a story called "By This Axe I Rule" to magazines like Argosy, Weird Tales, and Adventure. The story starred King Kull, the hero of Howard's published story, "The Shadow Kingdom", which is arguably the grandfather of the sword-and-sorcery genre. "By This Axe I Rule" received the same cold shoulder as 10 of Howard's other Kull manuscripts. Instead of giving up on the story, Howard modified the manuscript to include a different king, a dark haired barbarian called Conan. The story was re-titled as "The Phoenix on the Sword" and published by Weird Tales in December, 1932.

The story begins with an outlaw named Ascalante formulating a plot to assassinate King Conan of Aquilonia, a country that has turned against their king due to his foreign heritage. The Rebel Four (Volmana, Gromel, Dion, Rinaldo) all feel as though they are employing Ascalante's services. In reality, Ascalante plans on betraying the killers so he can seize the crown for himself. Ascalante's ace-in-the-hole is Thoth-Amon, an evil wizard he has enslaved to do his bidding.

A number of events occur that aid King Conan in escaping the assassination. A dead sage (ghost?) appears before Conan and warns him of the plot, allowing the barbarian king to prepare for their arrival. Additionally, this dead sage singes Conan's sword with the symbol of the phoenix, a tribute to a God named Mitra. At the same time, Thoth-Amon gains back a magical ring he lost years ago. To exact revenge on Ascalate for enslaving him, he conjures a large ape-like creature to venture out to hunt and kill Ascalante. All of this culminates in a bloody and vicious fight in Conan's throne room as he battles the Rebel Four, Ascalante, and sixteen of his rogue warriors. 

Obviously, there's a lot to digest over the course of this 9,000 word short story. In the manuscript's original form as "By This Axe I Rule", the magic element is absent, replaced with a simpler approach of Kull being warned of the assassination plot by a slave girl. Perhaps the story was too simple for Weird Tales editor Farnsworth Wright. Thus, Howard injects a magical pageantry to the tale, mystifying readers with political intrigue, monstrous mayhem, and a violent hero to cheer. The story is beautifully constructed with all of these moving, intricate parts blended together to create an artistic apex. This is Howard in brilliant form. "Phoenix on the Sword" is a mandatory read for any action-adventure fan. Perfection. 

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