The Three Widows

Wisconsin native Bernice Carey (1910-1990) authored poems, short stories, and book reviews in newspapers and literary magazines before becoming the author of eight crime-fiction novels between 1949 and 1955. Stark House Press has reprinted all of these as twofers with introductions by author and blogger Curtis Evans. My first introduction to Carey is her 1952 novel The Three Widows. It has been packaged with the author's 1950 novel The Man Who Got Away With It in the 2019 Stark House Press reprint. 

This cozy mystery novel features three vacationing women as prime suspects for murder – Mrs. Smith, Ferguson, and Meadows. The three are introduced to the book's protagonist, Melvin, while on vacation in a California resort in Escondido. Prior to Melvin's arrival, he spent the prior days with his wife in Santa Cruz and Yosemite. Oddly, both locations featured law-enforcement recovering a corpse. With the murders following Melvin, he soon finds another dead person at the Escondido resort. Readers know Melvin isn't the killer, but after engaging in chit-chat with the “three widows” he soon discovers they were all vacationing in Santa Cruz and Yosemite. Do one of these women have a penchant for cross-country murder?

The Three Widows is a short, pleasant mystery with one of crime-fiction's most enjoyable tropes – the amateur sleuth. In a hilarious scene, Melvin begins piecing together his gumshoe manual by reading a mystery novel. Soon, he is on the trail breaking into the women's rooms, examining their belongings, and piecing together motives and peculiar pasts. Some of the mystery is removed when readers are placed into the minds of each of the three widows, creating intimate moments when readers learn more about the characters than the investigating bungler. 

Overall, The Three Widows was an excellent introduction to Bernice Carey's writing style, that of the prim and proper mystery novel complete with a dialogue heavy tenderness. Comparisons could be made with another mystery author of the era in Jean Potts, although she is a tad more abrasive. With tragedy afoot, a moderate mystery, and corpses 'aplenty, Carey delivers a solid crime-fiction novel with The Three Widows. Cheers to Stark House Press for keeping the torch lit on these early 20th century classics. 

Buy a copy of the book HERE.

Zanthodon #01 Journey to the Underground World

As a longtime fan of science-fiction, fantasy, and the works of Robert E. Howard and Edgar Rice Burroughs, Lin Carter (1930-1988) authored a number of novels and series titles using unfinished manuscripts from his literary idols or by utilizing a pastiche to contribute future installments of established, classic titles. Using the Pellucidar series, written by Burroughs between 1914-1963, Carter created his own “hollow Earth” concept with the Zanthodon series. The five-book run, also inspired by Jules Verne and Arthur Conan Doyle, was published by DAW Books between 1979 and 1982. It has been reprinted by Wildside Press as one of their digital Megapacks featuring all five books for an affordable price. I'm starting with the series debut, Journey to the Underground World. 

The book's star is Eric Carstairs, the stereotypical 1970s action-hero that can pilot, captain, shoot, salvage, and deal with the best of them. He's in North Africa looking for work when he saves a professor named Potter from muggers. At the bar, where Carstairs stores his steep tab, he discusses Professor Potter's interesting proposition. Potter explains that he needs Carstairs to pilot a helicopter into an inactive volcano in an effort to locate the middle of the Earth, a place called Zanthodon. He provides evidence that many ancient cultures knew about Zanthodon and wrote about its whereabouts. The origin stems from a giant meteor that crashed to Earth, plunging through the volcano and making an impact on our planet's central core. The “Big Bang Theory” would have created a miniature Earth inside Earth. Make sense? Potter wants to locate it.

Carter doesn't waste the reader's time, and by page 40 both Carstairs and Potter have crashed the helicopter miles below the volcano. They crawl out of the aircraft and discover that Zanthodon is an evolutionary paradox. Dinosaurs roam free, along with two different types of humans – Neanderthal, which are the most basic of prehistoric humans and the slightly more advanced, evolved humans known as Cro-Magnon. As we know it, roughly a 350,000 year difference between the two on the evolutionary scale. But, in Zanthodon they are both alive and active, although warring with each other.

Aside from being a fighting man, Carstairs has a key advantage by carrying a .45 handgun to shoo away the pests. But, the duo is soon captured by the Neanderthals and taken on a long trek through the wilderness. It's here that Carstairs meets Darya, the captive daughter of the Cro-Magnon's tribal king, as well as Jorn, a fierce warrior-hunter. The narrative builds around Carstairs' attempts to become free while working together with an unlikely ally in Hurok. The book introduces future plots while familiarizing readers with the series vibrant and dangerous landscape.

As pure popcorn fiction, there's nothing to dislike about Journey to the Underground World. It obviously pays homage, and takes some liberties, from prior works like The Lost World and Journey to the Center of the Earth. Carter spends ample time with each character detailing the separate perils they are facing. The plot is spacious, allowing multiple events to occur in different areas – different enemies and challenges that rotate for the characters. I really liked that aspect of the storytelling. 

As a fast-paced, descriptive adventure novel, Carter delivers the goods. Journey to the Underground World is a journey worth taking. Recommended! 

Buy a copy of this book HERE. Get the eBook omnibus HERE

To Venus! To Venus!

Robert Silverberg said that Donald A. Wollheim (1914-1990) was one of the most significant figures in 20th century American science-fiction publishing. He was the editor for Avon Books between 1947 through 1951, then left to spearhead the new publisher Ace Books. He invented the adored “Ace Double” and spent 20 years as the publisher's editor-in-chief. He later left Ace to form one of the most instantly recognizable publishers in science-fiction literature, DAW Books (Wollheim's initials). But, Wollheim also wrote a lot of science-fiction stories and books, including To Venus! To Venus!. It was published under his popular pseudonym David Grinnell by Ace in 1970. The flip story of this double is The Jester at Scar by Edwin Charles Tubb. Cover art by John Schoenherr.

The book begins with a U.S. Space Agency's crew, led by protagonist Chet Duncan, navigating a difficult task on the Moon's surface. It is presented as a bit of foreshadowing, eventually culminating later in the narrative as Duncan is forced to navigate more challenging tasks on the surface of Venus. Once the crew is back home in CA, Duncan's senior management discusses the next mission.

Russia (then the Soviet Union) made a transmission from what appears to be a communication station on Venus. This would be unlikely considering that the U.S. and world leaders have established that Venus contains an atmosphere that is over 500 degrees. However, the Reds state that the information is inaccurate and that the atmosphere is similar to Earth's. In an effort to gain credibility, and in the fairness of competition, the Americans want their own people on Venus. A three-man crew led by Duncan will train extensively for the flight to Venus and make the voyage. Thus, a narrative is born.

The flight to Venus is somewhat boring as readers endure daily activities, training exercises, and some flat banter between the characters. The only entertaining aspect is that another group of Russians are en route to Venus as well, so the rivalry between the two space capsules is interesting. The Russians are heavily stereotyped, which made the dialogue unintentionally humorous. But, eventually the Americans land on Venus only to discover that the Russians are in need of medicine and assistance. The mystery on whether Venus is sporting the inner rings of Hell or the atmosphere of Central Park comes to fruition as the story reaches its central apex. Unfortunately, it was like a faulty firework on the 4th of July. A bummer instead of a starburst.

There's nothing about To Venus! To Venus! to recommend. The narrative just plods along with no  real enjoyment beyond simple escapism. The finale, which I thought was surely going to be an entertaining sequence of American/Russian cooperation to escape the fiery doom of Venus turned out to be about a paragraph in length. Just when I was fully invested, I turned the page and found an advertisement for more Ace books before the pages flipped upside down. Needless to say, I was underwhelmed with the ending. To Venus! To Venus! isn't Hall of Shame worthy, but it is certainly in the neighborhood. Take a hard pass. 

Buy a copy of this book HERE

The Terrified Heart

According to the internet, New York native Irving Greenfield was a youthful runaway, a Korean War veteran, a merchant seaman, professor, and author. He authored the 16-book series Depth Force for Zebra as well as the Navy trilogy under the pseudonym of Roger Jewett. His most popular novel is Only the Dead Speak Russian, which spent six weeks on the New York Times bestseller list. My first introduction to him is his gothics. He authored 11 gothic novels from 1966 through 1976 under the pseudonym Alicia Grace. I'm trying out The Terrified Heart, originally published by Belmont Tower in 1973. 

Danielle has experienced a tumbled love affair in New York. Breaking away from the past, she moves to cozy Vermont to work as a college professor teaching Greek History. It's here that she begins struggling with an awkward friend relationship with a man that just can't accept no as an answer. Needing a break from her new job and residence, Danielle spots a dreamy part-time job as a research assistant working on a Greek project. She's all in.

When Danielle meets Keith Wyler, he explains his entire convoluted past and job to her. Keith grew up on Long Island on a sprawling estate called Eleusis. He became married to a woman named Nina, who was then murdered and dumped on the shoreline. Keith was the main suspect in her murder, but the jury acquitted him and he left the family home for many years. Keith studied abroad, became enthralled with Greek culture, and now has returned to the U.S. hoping to write a book about an ancient Greek text. But, he wants to return to Eleusis to write the book while also reclaiming his birthright to inherit the estate. To accept the job as an assistant on the book, Danielle must agree to pose as Keith's wife upon his return to Eleusis. 

Greenfield's prose is elementary with a particular dryness to the characters. There's nothing to really like or dislike about any characters – even the murderer. Instead, Greenfield spends most of the 192 pages as banter between Danielle and Keith about his upbringing and the rivalry between himself and his crippled brother James. Readers can figure out who killed Nina instantly, which doesn't prove much credibility to the local law-enforcement. 

The unbelievable portion of the plot is that Nina and Danielle are nearly identical. What are the chances that Keith can find a woman who has a Greek History degree, looks identical to his previous wife, and is willing to pretend to be his current wife on a trip to the 'ole homeplace? That alone should be enough evidence that this is a complete mess. With a paper-thin plot, and disposable characters, The Terrified Heart is a literary deadbeat. 

Buy a copy of this book HERE

Logan #02 - Killers at Sea

Jon Messmann authored comic books before moving into men's action-adventure paperbacks in the late 1960s. He contributed installments to the spy-fiction series Nick Carter: Killmaster as well as creating and writing his own titles like The Revenger, The Trailsman, and The Handyman. In 1970, Messmann wrote two novels starring a begrudged boatman named Logan. Thanks to Brash Books and Cutting Edge, two publishers that have concentrated on releasing brand new additions of Messmann's literary work, I had the opportunity to read the first book, the eponymous Logan. Enjoying the novel, I'm back to the well again with the book's sequel, Killers at Sea. 

Messmann moves the action from Panama to the quiet South Carolina coast for this second Logan adventure. The battle-scarred protagonist receives a letter from an old friend in the fictional one-horse town of Kingdom Point. Upon his return, Logan discovers an elderly man's body lying on a secluded beach. Before he can notify the authorities, the bullets start to fly. The dead man's young friend, a gorgeous woman named Julie, begins taking potshots at Logan believing he is the murderer. Wrestling the gun away from Julie, Logan is then forced to kill one of three savage tough-guys that arrive at Julie's house. 

Like a mid 20th century crime-noir novel, Logan unexpectedly finds himself a murder suspect and must prove his innocence. In doing so, Logan is forced to contend with the group of criminals that killed the old man searching for something valuable he possessed. Now, the criminals believe that Logan somehow knew the old man and has the goods. But, how does Julie fit into this robbery and murder? 

Killers at Sea isn't quite as effective as its predecessor, but still retains the same ingredients. Lots of sex, gunplay, and violence that reminded me of the Netflix original show Ozark. While Logan's signature is his fast boat, The Sea Urchin, most of the book's violence surprisingly occurs on dry land. Messmann's plot development moves at light speed, never pausing for lengthy dialogue. It's a sacrifice of character building in exchange for the pure adrenaline rush brought on by the hero's struggle.

With Logan's sexual prowess, “big” Colt Python, sleek speedboat, and savage instincts, Killers at Sea is a fun romp through the wild formula of men's action-adventure. Recommended.

Notes – Despite the book titles, I honestly feel as though Messmann wrote Killers at Sea first, then followed it up with Logan. In reading both books, Killers at Sea is a looser outline of the character. First, a little more backstory is revealed with Logan's charity in Sister Mary Angela. This has the genre tropes of an origin tale. The Logan installment briefly mentions Sister Mary Angela as if readers are already familiar with that character. Second, I'd venture to say that Messmann's writing isn't as good in Killers at Sea as it is in Logan, as if he was still working out the hero's characterization.

There is also the character of Julie, which I find interesting. In this book, Julie is Logan's lover and she experiences violence and criminality before Logan ditches her on an island on the last page. In the opening pages of Logan, he is arriving back at his boat with a girl named Julie. If this isn't the same person, why name two female characters the same? The Julie in the Logan novel doesn't really say much to reveal her past, and she quickly leaves Logan when bullets start flying. It was as if the Julie chapter of Logan's life had reached its conclusion. 

The end result is that Killers at Sea was first, Logan second. 

Buy a copy of this book HERE.

King Kull

Texas author Robert E. Howard (1906-1936) is considered the grandfather of the sword-and-sorcery genre. His most popular and influential character was Conan, an iconic fixture of film, comics, graphic novels, vintage paperbacks, and the pulps. But, Howard's precursor to the famed barbarian was another sword-wielding hero named Kull (or King Kull). In fact, Howard's very first Conan story, “The Phoenix on the Sword”, was a reworking of a Kull story called “By This Axe I Rule!”. Howard authored 12 total manuscripts and a short poem that starred Kull, but only two were published during his lifetime - “The Silent Kingdom” (Weird Tales Aug 1929) and “The Mirrors of Tuzun Thune” (Weird Tales Sep 1929). What happened to the Kull stories after 1929?

Let's leap to 1946 and an Arkham House volume called Skullface and Others that featured “The Mirrors of Tuzun Thune”, “The Silent Kingdom”, and the poem “The King and the Oak” (originally published in Weird Tales Feb 1939). Other than this rather limited publication, the Kull stories simply disappeared. In 1966, Glenn Lord, literary agent for the Robert E. Howard estate, located six cartons of the author's papers, including unpublished manuscripts, carbons, and early drafts.* Among these cartons were seven complete, previously unpublished Kull stories, plus three unfinished stories. 

Lord then went to work compiling these stories into an omnibus for Lancer, a publisher that was already reprinting Conan stories as paperbacks, including unfinished drafts and stories that were completed by L. Sprague De Camp and Lin Carter. It only made sense for Lancer to do the same thing for Kull that they were doing for Conan. So, the first printing occurred in 1967 as King Kull with gorgeous cover art by Roy Krenkel. The paperback included the 12 Kull stories and the poem, three of which were completed by Lin Carter based on Howard's unfinished manuscripts - “Wizard and Warrior”, “Riders Beyond the Sunrise”, and “Black Abyss”. Minor edits were also made to other stories by both Carter and Lord.** Carter also drew out a handy map of King Kull's World for inclusion. 

Ultimately, this King Kull paperback is essential for any sword-and-sorcery, Conan, or Robert E. Howard fan. I really enjoyed the entire collection, but here are three of my favorites:

“The Shadow Kingdom” - Ka-nu is a Pictish ambassador, peaceful to Kull's kingdom of Valusia but sworn enemies to Atlantis. Kull is invited to have a feast with Ka-nu, where he is warned that a Pictish warrior named Brule the Spear-Slayer will appear before Kull at sunset. Kull then travels back to his throne and Brule the Spear-Slayer appears. Brule reveals to Kull that there are secret passageways in Kull's palace that he isn't aware of. Futher, Brule shows Kull that Serpent Men are secretely disguising themselves as palace guards and that the real palace guards are all knocked unconscious and their bodies hidden. The story features furious fighting in the palace and a dose of magic as an imposter Kull is revealed. These Serpent Men become Kull's enemy, although they never appear again in any future stories. But, this is a great reading experience, filled with stirring action sequences. It moves along quickly with an uncanny amount of vivid descriptions of grim settings. This story sweeps away the prior romanticism of fantasy stories and poems and replaces it with a more serious tone. 

“Black Abyss” - This story concerns one of Brule's fellow warriors, a guy named Grogar, seemingly disappearing into a black crevice in the wall. Brule quickly notifies Kull and the two enter this secret doorway into the dark. Inside, they find dark wizardry as Grogar has been tortured and strapped on an altar. When Kull attempts to free him, a giant slithering devil worm enters and the story turns into an action-packed horror story. It was so descriptive and dark, and I really loved the ending, which I assume is credited to Carter's storytelling. This story was also adapted into comic form as The Beast from the Abyss (The Savage Sword of Conan, No. 2 Oct 1974), written by Steve Englehart with art by Howard Chaykin. 

“By This Axe I Rule” - In this story, an outlaw named Ardyon has been employed by four killers. Together, the group proposes a plot to assassinate Kull. The group, assisted by 16 rogue swordsmen, will strike while most of Kull's army has been lured away from the palace. However, Kull learns of the murder attempt from a slave girl, providing him just enough time to prepare for the onslaught of death and violence. In the throne-room, Kull fights 21 men with a sword and battleaxe. Needless to say, this story was brutal, violent, and exhilarating in its good-versus-evil clash. The bloody finale finds Kull destroying the city's old laws and proclaiming, “I am the law.” Powerful stuff. 

Honorable mention goes to Kull's origin story, “Exile of Atlantis” and the “The Skull of Silence” with its dark and brooding Lovecraft elements. 

Sphere Books reprinted the paperback in 1976, then Bantam reprinted it again in 1978 as Kull minus Lin Carter's edits. Donald M. Grant reprinted the novel in 1985, once again titled Kull without Carter's edits. In 1995, Baen Books released the paperback as Kull with Carter's edits removed and a story added, “The Curse of Golden Skull”. Finally, in 2006 a trade paperback was published by Del Rey called Kull: Exile of Atlantis. 

* Information found in Glenn Lord's article “An Atlantean in Aquilonia” (The Savage Sword of Conan, No. 1 August 1974).

** Information found in Lin Carter's article “Chronicles of the Sword” (The Savage Sword of Conan, No. 2 October 1974). 

Get the Kull: Exile of Atlantis book HERE.

Murders Macabre

Norman Firth (1920-1949), known as the “Prince of Pulp Pedlars”, was a British author that contributed to small publishers like Bear Hudson, Utopian Publications, and Mitre Press. The diversified writer delved into multiple genres including crime, western, science-fiction, and horror. At one point, Firth accepted a commission to author 30,000 words a month of spicy stories for various magazines. Bold Venture Press has been working with Firth's estate to reprint some Firth's short stories that were originally published under pseudonyms. The first collection is called Murders Macabre, a 200 page volume that contains three short stories with an introduction by Firth's estate manager Philip Harbottle. 

"Terror Stalks by Night"

This story was originally published in 1945 by Bear Hudson under the pseudonym N. Wesley Firth. Bob Carter arrived in the tiny village of Riverton three days ago and has found himself incredibly bored. During a heavy thunderstorm, Bob pulls his car into a bus station to smoke a cigarette and reflect on his poor decision to visit such a dull place. A beautiful woman named Lucille quickly approaches Bob's car thinking he is a taxi. With a beautiful woman in his car, and nothing planned for the day, Bob casually asks “Where'd you want to go?”. Lucille explains that she is headed to a decrepit mansion called Rivers End to meet her remaining family members. It is here that her late aunt's will is to be read and the inheritance to be divvied out. Her aunt's stipulation was that all remaining family members had to be in the house at the same time for the reading of the will. When Bob arrives at the spooky mansion, Lucille goads him into going into the house with her. Inside, Bob and Lucille experience a long night of bloody, homicidal terror. A phantom with knives for fingers is stalking the halls and killing each family member one by one. With a corpse in the front doorway and the telephones down, the two are trapped with the killer. "Terror Stalks the Night" was absolutely amazing with its blend of violent savagery, eerie ambiance, and slight sense of dark humor from Bob, the stories central character. This was just a superb introduction to the author.

"Phantom of Charnel House"

This story was originally published as “Death Haunts the Charnel House” in 1946 under Firth's pseudonym of Jackson Evans. Six years ago, Wenton inherited a ton of money from his uncle's estate. With nothing to do but loaf around all day, Wenton thought it would be fun to become a ghost hunter. He placed an ad in the local paper and soon found himself extremely busy traveling the English countryside proving that most of the haunting and ghost appearances could easily be explained. Only a few cases seemed genuine, although Wenton still retained some doubt. His newest endeavor is Charnel Estate, a haunted habitat that features over 100 workers residing in the Charnel Estate village and working at the nearby factory. Only, rumor has it that the original Charnel Estate housed a murderer, a fiend that used harpoons to impale victims. Now that there's a new owner of Charnel Estate, the old murders have returned again. It is up to Wenton to find the murderer and determine if there's a supernatural aspect to the killings. Again, Firth does an amazing job with atmosphere and location, placing Wenton's investigation in the middle of a rural, foggy English village ripe with suspects and motives. The appearance of this “phantom” was terrifying, despite the very real possibility of the Scooby-Doo styled ending. Regardless, the suffocating tension, horror tones, and grisly murders were worth the price of admission. This was a fantastic story.

"The Devil in Her"

This story was originally published in 1945 under the pseudonym of Henri Duval. Dr. Alan Carter arrives at an English lodge to recuperate from the horrors he witnessed treating ill patients in third-world countries. The lodge is a family friend's place, a household that Carter frequented in the past. Once there, he begins to hear rumors of a witch prowling the moors killing livestock. Once Carter reunites with a former lover named June, he begins to think she herself may be the witch. Once the victims shift from animals to humans, Carter is thrust into the investigation to determine who the killer is and the motivation. The suspect list grows to include a therapist named Calatini, a rival that impedes upon Carter for the affection and love of June. There are plenty of slayings before the story's stirring finale. This was a solid story filled with suspicions, murder, re-kindled passion, and the tropes of an old-fashioned detective tale. 

I hope Bold Venture Press will continue compiling Norman Firth's short stories for future collections. I thoroughly enjoyed Murders Macabre as an introduction to this talented, seemingly forgotten author. If you love traditional horror and the weird menace type stories of Bruno Fischer, this is a mandatory addition to your reading collection. 

Buy a copy of this book HERE.