Come Closer

Sara Gran is a contemporary crime fiction author and creator of the acclaimed Claire DeWitt private eye series. However, at the beginning of her writing career, she wrote a terrifying little horror novel called Come Closer that genre fans haven’t stopped talking about since its 2003 release.

Our narrator is a yuppie architect named Amanda, and weird things are starting to happen. A written proposal she hands to her boss has a cruel, vulgar, and insulting sentence at the top that Amanda didn’t write or doesn’t recall writing. She’s also hearing scratching noises throughout the urban residential loft she shares with her doting husband.

Of course, things escalate. Plates start flying from the cabinets and car keys begin to disappear from their home. All of this is definitely slow-burn creepy, but the true first nail in Amanda’s mental coffin is when her imaginary childhood friend Pansy begins visiting again in her sleep. Anyone who reads horror fiction or watches scary movies knows that imaginary friends are Never A Good Thing.

Astute readers will also recognize at this point that this is not a haunted urban condo story. It’s a haunted (or worse - possessed) Amanda story. And, man-oh-man, does it get scary. With each unnumbered mini-chapter vignette, the tension escalates. This is underscored by the fact that Amanda is telling us the story of her own possession. Like a heroin user sliding into addiction, all she feels at first are the addictive good vibes while the people around her are forced to bear witness to a woman becoming irrevocably unhinged.

It’s been a long time since a work of fiction rattled me as much as Come Closer did. The way the insanity/possession gently escalates over the course of the novel’s 176 pages was masterful and the pages fly by as the author ratchets up the intensity. Some segments were tough to read, but I defy you to look away. I haven’t read Gran’s mystery fiction, but if it’s half as good as her horror, she’s a unique talent to watch. Highest horror recommendation. 

Get a copy HERE

87th Precinct #11 - Give the Boys a Great Big Hand

The 87th Precinct series of police procedural mysteries were the crowning achievement of author Ed McBain (1926-2005, birth name: Salvatore Lombino, adopted name: Evan Hunter). The books star a rotating cast of cop characters dealing with the ins-and-outs of big-city policing and the crimes that keep them busy at the intersection of Dragnet and Hill Street Blues. The 11th paperback in the series is Give the Boys a Great Big Hand from 1960.

It’s a rainy day in the urban environs of Isola, McBain’s thinly-veiled fictional analog to Manhattan. A foot patrol officer spots a distant figure with an overcoat, hat and umbrella boarding a city bus while leaving an airline overnight bag behind at the bus stop. The vigilant beat cop makes his way to the bus stop, opens the bag, and finds a severed human hand inside. This is the Chapter One spark that ignites the action in this lean, 200-page mystery.

The patrolman brings the bag and the detached hand to the detective bureau at the 87th Precinct for further investigation, and we get reacquainted with all our chatty old friends chewing the fat in the squad area. The dialogue among the unflappable cops is often some of the best - and most authentic-sounding - parts of any McBain novel. For the reader, the funny conversations are really an opportunity to witness a master writer at work.

Each of the 87th Precinct series installments stand well on their own and feature different combinations of the detectives who solve the cases. The case of the severed hand is assigned to two of the strongest characters in the series: Steve Carella and Cotton Hawes. Carella is a smart, tough and hard-working steel-jawed hero, and Hawes is a redhead ladies' man. We also get a liberal dose of Meyer Meyer, a cop with the mannerisms of a Jewish borscht-belt comedian. It’s like a perfectly-cast buddy cop movie.

Most murder mysteries find the investigators searching for the identity of the killer, but Give the Boys a Great Big Hand turns the formula on its head because the detectives need to find the identity of the victim first. They begin with reports of missing persons and find themselves in a web of strippers, prostitutes, drummers, cheating husbands, and other colorful citizens. All of this leads to a rather gruesome ending that will test your gag reflex and satisfy your search for a logical solution.

Where does Give the Boys a Great Big Hand fall on the McBain-o-Meter? It’s definitely top-tier, but maybe not the absolute tops. It’s certainly worth reading and remains in print today. You shouldn’t have a problem finding a copy. You can get it HERE.

Chase

Using the pseudonym K.R. Dwyer, future horror-fiction superstar Dean Koontz wrote his first suspense novel, Chase (1971), when he was 25 years old. It’s a stalker-serial killer, cat-and-mouse book with no supernatural elements. In 1995, Koontz overhauled and re-released the book for modern audiences to enjoy under his own name.

Our hero is 25 year-old Ben Chase, a legitimate hero freshly returned from Vietnam where an act of bravery won him the Congressional Medal of Honor and made him a local celebrity in his suburban hometown. However, Ben wants nothing to do with fame or awards. He is suffering from severe PTSD and prefers to spend his time in isolation, locked in his rented room drinking whiskey and watching old movies.

One evening, Ben drives his Mustang alone to ruminate at the local lovers lane where teens are copulating in their cars. Ben spots a creepy stalker lurking in the woods watching the teens get busy. Eventually the stalker rips open the door to a vehicle and attacks a teen couple inside with a knife. Ben snaps into action and grabs the stalker in a choke hold. Unfortunately, the stalker killed one of the teens and traumatized the other, and Ben sustains a knife wound that allows the maniac to escape the scene. No one, including Ben, was able to get a good look at the stalker.

Ben’s most recent act of heroism catapults him to the front pages of the local newspaper again as a local hero when all the young vet wants is to be left alone. This leads to Ben receiving phone calls at home from the stalker who explains his motives and tells Ben he’s a marked man. The authorities are no help, so Ben must decide if he wants to wait for the stalker to attack or go on the offensive to eliminate this shadowy enemy.

Having read many of Koontz’s horror novels when he was at the top of his game in the 1980s, it’s cool to read one of his early works. Chase is a pretty basic suspense novel, but it’s also an important rumination on the psychological costs of war and the way we treated our vets returning from Vietnam. The reader cares about Ben’s physical and mental well-being and quickly becomes invested in his success as he matches wits and might against the stalker through the novel’s nightmarish, violent and climactic conclusion.

Chase is a quick read - practically a novella. Koontz eliminated about 25% of the fat from the original K.R. Dwyer manuscript and overhauled the dialog for the 1995 re-release available today. As such, it’s a completely fat-free reading experience, and a pretty great page-turner. It’s admittedly a pretty formulaic suspense story, but it’s a formula that has always worked for me and an easy recommendation for you. Check it out HERE

You Find Him - I'll Fix Him

James Hadley Chase was a popular pseudonym of U.K. Author Rene Raymond (1906-1985) for over 90 thrillers. You Find Him - I’ll Fix Him was a 1956 novel originally released under his Raymond Marshall pen name and later re-released as a Chase title. The lean noir paperback was also adapted into the French film Les Canailles in 1960.

Our narrator is Ed Dawson, an American newspaper bureau chief working in Rome. He’s appropriately terrified of his boss, Mr. Chalmers, who is back at the home office in New York. One day Mr. Chalmers calls the trembling Dawson to ask a favor. The boss’ college-age daughter Helen will be arriving in Rome tomorrow and needs a ride from the airport to her hotel. At this point I thought, “I bet the daughter is a real dish, and this airport pickup is about to get way more complicated.”

Not so fast! Helen is a bookish, Plain Jane, and the hotel drop off was uneventful. However, weeks later when Ed runs into her at a party, the ugly duckling has become a swan. She’s wearing a slinky backless cocktail dress with hair and makeup eliciting a 1956 va-va-va-voom from our horny hero. They begin dating and planning a one-month secret getaway to a remote Italian villa in Sorrento. As long as the boss back home in New York doesn’t find out that Ed is banging his barely-legal daughter, everything is cool, right?

Upon arriving at the villa, Ed finds Helen floating face-first in the water at the bottom of a cliff and very, very dead. The whole thing looks like foul play causing Ed to face an early-novel predicament: Call the cops or not? A police report might make him a suspect, ruin his reputation and cost him his job. As they say in Italy, “Non buono.” The other option is to hightail it back to Rome and hope that no one ever finds out he was there in the first place. Ed chooses the coward’s route and skedaddles back to his urban bachelor pad.

The author does a fabulous job dissecting the ways we rationalize our bad behavior. The character of Ed is a rationalization gold medalist riding the Bad-Choice Express all the way to Noirville. Of course, Helen’s body is found. Of course, it turns out she was murdered. And of course, Ed’s lies land him deeper and deeper in hot water until he has no choice but to solve the murder himself to save his own hide. As a mystery, the novel works marvelously as clues pile up to a logical conclusion and climactic finish.

As usual, Chase is a good writer who knows how to move a story forward with his economical, no-frills prose. It’s always interesting to read a Brit author writing American dialogue because he can’t help but slip U.K. idioms into the prose that Americans would never use. Some readers find these “mistakes” annoying, but I’m always charmed by them. I’ve read several of his novels, and You Find Him - I’ll Fix Him is by far my favorite of his work. It’s a paperback that would have fit in nicely with Fawcett Gold Medal 1950s releases like Gil Brewer’s The Vengeful Virgin and other works in the femme fatale hit parade.

Bottom line: We have a winner. If you can scare up a copy of this one, buy it and read it.

Binary

Before he became one of the bestselling authors on Earth, Michael Crichton (1942-2008) was a medical student writing short paperback thrillers under the name John Lange. The good people at Hard Case Crime landed the reprint rights to his early works and repackaged them with their trademark alluring covers. Binary was a 1972 beat-the-clock domestic terrorism thriller and Crichton’s final novel using the Lange name.

The book begins with a daring heist of two canisters of deadly nerve gas ingredients being transported on a U.S. Government train through Utah. The heist crew is mafia guns-for-hire who are unsure exactly what they are stealing or for whom. The theft happens directly before the kick-off of the Republican National Convention in San Diego, and astute paperback original readers will quickly come to the conclusion that the timing of this heist was probably no coincidence.

We then meet U.S. State Department Intelligence Bureau Special Agent John Graves, who will be playing the role of Jack Bauer on this Very Special Episode of 24. He’s a polymath genius who is conveniently good at everything. Graves is the case agent in the investigation of a politically-radical billionaire named John Wright, who is clearly up to no good. Graves tails Wright as he purchases empty scuba tanks and other stuff that might help in weaponizing stolen nerve gas components. Before the heist, the routing and the contents of the train were obtained by a computer-hacker-for-hire who admits under questioning that Wright paid him for the information. Even more nerve-wracking, Wright also paid for the hacker to obtain Graves’ government personnel file. Has the hunter become the hunted?

The idea of "Binary” things carries a lot of weight as a metaphor in the paperback. The gas, posing the central threat of the book is inert unless mixed with a complementary gas to form the nightmarish chemical weapon. Meanwhile, the two Johns - Graves the hero and Wright the villain - are also two sides of the same coin. Both are highly-intelligent chess and poker enthusiasts squaring off in a battle of wits with millions of lives in the balance.

Binary is an exciting and simple paperback that ticks down the minutes over a rather short period of time with little opportunity to ever get boring. Is it a masterpiece of the genre? Hell, no. It’s about as good as the post-Pendleton Executioner books of the 1970s. Moreover, the novel has plot holes you could drive a freight train through, but why quibble? It’s a blast to read if you’re looking to kill a couple hours. If this is your kind of thing, you’ll like this one just fine. Buy a copy HERE

Swap

Walter Wager (1924-2004) was an American author of espionage, crime, and adventure fiction. He penned the books inspiring the movies Telefon and Die Hard 2. Under the name John Tiger, he also wrote several media tie-in novels for Mission Impossible and I Spy. His stand-alone 1972 novel Swap was a Cold War espionage heist adventure of the Vietnam war era.

The action opens in combat where American super-soldier David Garrison is 28 days away from the end of his tour in Vietnam. Garrison is a jungle fighter, parachutist, sabotage expert, and ambush maven. He’s like Rambo on steroids (make that additional steroids). Unfortunately, Garrison’s luck runs out when an enemy grenade detonates near him in the ‘Nam forest making his whole world go black.

Fortunately - for the sake of the novel - killing Garrison isn’t that easy. He is airlifted to safety - blind, mute, disfigured and paralyzed - where a U.S. Army brain surgeon named Dr. Bruce Brodsky saves Garrison’s life and mind. Garrison learns that Dr. Brodsky is “at war with war...he wants to kill death with a scalpel...it’s a personal feud.” In any case, Garrison’s war in Vietnam is over. He’s flown to Walter Reed Hospital in Washington, DC, where a plastic surgeon gives him a new face - just like Parker, Drake, Bolan and dozens of other men’s adventure paperback heroes.  

Garrison owes his life to Dr. Brosky and seeks out the miracle medic to thank him. After tracking him down, Garrison offers him a favor - anything the surgeon wants. After some cajoling, it turns out that Dr. Brodsky actually does need help. The doctor’s grandfather is a department store tycoon in his 80s who is dying of cancer. Before the old man dies, he wants his 14 year-old great-grand-niece rescued from a Russian orphanage and brought to America to live in freedom. The problem is that back in 1972, the Soviets weren’t enthusiastic about shipping teenage orphans to capitalist America. The old man is willing to pay Garrison $250,000 to snatch the girl from her orphanage and transport her to the USA. Out of loyalty to Dr. Brodsky, Garrison accepts this impossible mission.

En route to the Soviet Union, Garrison stops in Athens and Israel and is able to dispatch terrorist plots in both countries. Once in Moscow, the difficulty of the mission becomes centralized. Grabbing a kid from a Soviet orphanage is harder than you might think. As Garrison’s plan evolves, Swap becomes a team-based heist novel featuring the obligatory Apache soldier, Georgia hillbilly, Israeli killing machine, and sexy babe. Think of them like a smarter, better-written Phoenix Force.

Beyond that, I don't want to give much else away other than to say that this book is so, so good. Wager’s writing is never flashy, and the action moves forward in a compelling, linear fashion. There are great twists and turns along the way and vivid characters who make you want to cheer and jeer. Wager successfully merges the combat, heist, and espionage genres into one, nearly-perfect paperback.  

Many of Wager’s novels have been digitized and reprinted over the past few years, but Swap has yet to be rediscovered by any of the reprint houses. This is a glaring oversight because the novel is simply awesome and will appeal to fans of early Nelson DeMille or classic Alistair MacLean high adventure. Whatever it takes, your mission is to drop everything and get yourself a copy of Swap. Highest recommendation. Get a copy HERE

First Blood

David Morrell's First Blood (1972) is probably one of the biggest influences on men's action-adventure literature behind Don Pendleton's War Against the Mafia (1969). The novel eventually launched a blockbuster film franchise starring Morrell's main character. I've seen the Rambo films and I'm quite fond of the film version of First Blood. I was curious to read the differences between the film and book. With a few extra dollars, I bought a used Fawcett Gold Medal printing of this classic action novel.

First Blood begins with Rambo (no first name) walking into the rural small town of Madison, Kentucky. With his thick beard and long hair, Rambo stands out in this quiet God-fearing community. Wilfred Teasle, the town's sheriff, is a decorated Korean War hero that is highly respected by Madison's residents. Wanting to shield his little town from danger, Teasle forces Rambo out of Madison. Rambo defies Teasle by walking back into town to dine on burgers and a coke. Once again, Teasle escorts rebellious Rambo out of town only to find him returning again. Three strikes and you are out.

Teasle arrests Rambo and the judge books him for a 35 day stay in jail. When the deputies attempt to shave him, Rambo has a flashback to his military service in Vietman. Rambo grabs the straight razor and disembowels one cop before blinding another. He then steals a motorcycle and flees into the mountains. Teasle, wanting control, doesn't want the state police involved in the manhunt. Instead, he leads his own task force to hunt Rambo through the Kentucky wilderness.

First Blood in novel format is much different than the film. Examples: Rambo isn't in town to visit a friend. Rambo doesn't have a close relationship with Colonel Trautman. Sheriff Teasle isn't a scummy villain. But beyond all of that, the film version depicts Rambo as a humble, quiet, reserved man that has a lot to say about Vietnam veterans and the poor homecoming they received. The novel showcases a loud-mouthed, sarcastic, and defiant Rambo as a psychotic veteran battling voices in his head. Perhaps the most striking difference is that Morrell's story reveals that Rambo has killed at least one homeless person in a park prior to arriving in Madison. It's also hinted that he previously killed another man as he attempted to escape by car. 

I would be remiss if I didn't state that this original version of Rambo weirded me out. There are some similarities (Rambo is a proficient warrior) and then odd moments (Rambo drinking moonshine with hillbillies) that made me question which version I liked. The book's end result effectively squashed any opportunity for book sequels. However, after the film's popularity, Morrell performed a quasi-retcon to write the novelization of Rambo II and III. I'm okay with that. At the end of the day, I can comfortably say I really enjoyed the book and Morrell's writing is top-notch. Plus, one can never truly have enough Rambo, right? Get a copy HERE