Moon of Madness, Moon of Fear!

Cleveland, Ohio native George Alec Effinger (1947-2002) won Hugo and Nebula awards for his 1988 novelette Schrodinger’s Kitten. Collectively, the science-fiction author wrote over 25 novels including four novelizations of the Planet of the Apes television series. Effinger contributed stories to magazines like Haunt of Horror and Fantastic. In the 1970s, Effinger authored comic book stories for publishers like DC and Marvel, including titles like Fantastic Four, Journey into Mystery, and Sword of Sorcery. My first experience with the writer is his story "Moon of Madness, Moon of Fear", originally published in the first issue of the short-lived Marvel Comics series Chamber of Chills (1972-1976).

The story begins in the gloomy hills of Bavaria as a young man is seen running from wolves in the forest at night. Effinger warns readers that old-wives’ tales might have a grain of truth. The story then goes back just a few hours and shows four young people preparing for a camping trip into the Bavarian wilderness. They receive a warning from an old woman that the residents live by the moon, including both man and wolf. 

Later that night, by the light of the moon, the four people come to the aid of a man found surrounded by wolves in the forest. They bring him to the light of their fire and the group band together to fend off a pack of snarling wolves that have surrounded them. But, as the first rays of sunlight pierce the sky, the young travelers meet their fate. 

The presentation is the team of Dan Adkins (Eerie, Creepy) and his assistant at the time, P. Craig Russell. This was one of Russell’s first comic jobs, as he would later go on to provide artwork for titles like Robin, Batman, Justice League, and Sandman. The book’s cover was penciled by Gil Kane. 

This was neat story with a unique twist on the werewolf formula. The traditional horror concept of a full moon transforming human to wolf is skillfully used by Effinger. The writing is short and to the point, with a careful emphasis on folklore underlined in a form of truth. An entertaining story plus terrific visuals makes this an easy recommendation for spooky 1970s comic book fans. 

The Black Farm

Contemporary New England author Elias Weatherow started his horror-writing career with online short fiction, and his popularity blossomed as he produced several well-received novels. His masterwork to date is The Black Farm, and I can honestly say that I’ve never read anything quite like it.

Dig the premise:

Nick (our narrator) and Jess are a severely-depressed couple who decide to commit suicide together in one of the grimmest Chapter One openers you’ll ever read. The tragic couple swallows a fistful of pills each and dies in each other’s arms. And then their adventure begins.

Nick awakens, not in heaven or hell, but in a horrific purgatory reserved for suicides. It’s called The Black Farm, and it’s a terrifying place filled with aggressive rotting slugs and a variety of disgusting, murderous creatures. If they kill you, you are simply reincarnated back at The Black Farm to be haunted, hunted and abused for an eternity.

The administrator of The Black Farm is a disgusting, corpulent creature called The Pig. The only way out of The Black Farm is to allow yourself to be eaten by The Pig which allows you to move onto another realm that may be better or worse than the farm. Tough choice.

For his part, Nick chooses to try to survive the horrors of this dark fantasy hellscape in hopes of reuniting with Jess and somehow protecting her in a way that he was unable to on Earth. Over time, the novel adopts the story arc of a men’s-adventure paperback of the 1970s in a dark fantasy setting with Nick on an armed mission to save a damsel in distress from an army of bad guys.

The author is a vivid extreme horror writer who set this novel in a dark fantasy otherworld allowing him to spread his creative and perverse wings. The world-building is simply fantastic. The violence and gore are indeed extreme. Torture scenes are bookended by bone-crunching fight scenes and non-stop action.

If you can handle some stomach-turning scenes, you’re bound to appreciate The Black Farm. The author has also written a sequel, which I will one day read and review. First, I need some earthbound violent adventures before I partake in more of The Pig’s nightmare world. Highly recommended.

Buy a copy of this book HERE.

Pirate's Lair

I'm always searching for the next great sea-adventure. In my quest for a good nautical romp, I started thumbing through digital copies of Blue Book from the early 20th century. I found a copy of the October, 1933 issue, featuring an incredible cover painting by Joseph Chenoweth, and decided to try a story called “Pirate's Lair”. It was written by Arthur D. Howden Smith, a prolific pulp writer for the magazine Adventure, who created a number of popular serials featuring characters like Captain McConaughy, Swain the Viking, and Grey Maiden. 

“Pirates Lair” introduces Captain Cahoon, a courageous New England ship-captain of the Cotuit Lass schooner. The ship is off the coast of Cuba when it is assaulted and boarded by a cutthroat crew of pirates captained by Gomez, a vicious scoundrel that the crew members call “One-Eyed”. After lining up Cahoon's crew, Gomez's men tie all 18 sailors and two boys with their hands behind their back. Cahoon knows what is to come, the dreaded “over the side” dumping as each man is thrown from the ship to drown in the ocean depths or to be mauled by hungry sharks. This part of Smith's story has such a profound impact on Cahoon and the readers – he's the last man that Gomez pushes off. As each man hits the water, splashing and gasping for air, Cahoon can hear the men's voices in his head and the mothers of the boys that asked that Cahoon look after their babies on the voyage.

The narrative moves into a more gritty, action-oriented second act as Cahoon, the last man over the side, dives deep into the water and brutalizes his lungs in a desperate swim to the pirates ship. By using a piece of their ship underwater, Cahoon is able to free his bonds. Through the evening, he swims to the shoreline to discover the pirates lair, a small village that the bastards use to drink, fight, and rape various women they have enslaved. Like a mean and gritty Mack Bolan revenge yarn, Smith's narrative explodes into a frenzy as Cahoon goes after the men who killed his crew and burned his ship. Only Cahoon isn't empty-handed. Instead, his weapon of choice is an axe.

Man, “Pirates Lair” was absolutely awesome. Smith can write his ass off and was able to inject so much emotion and doom into the opening pages that it sparked off a white-hot firestorm as the book kicked into the revenge tale. I truly felt for Cahoon's character and how much the loss of his men and ship decimated his soul. I also loved how Smith finished the story with an introspective thought as Cahoon questions the night's events. 

You can read this awesome story for free on archive.org HERE or stream it below:

Spawn of Blackness

Carl Jacobi (1908-1997) authored short stories for the pulps like Doc Savage, Weird Tales, Thrilling Wonder Stories, and Top-Notch. Many of his tales were compiled into short story collections published by Arkham House including Revelations in Black (1947), Portraits in Moonlight (1964), and Disclosures in Scarlet (1972). My first experience with the author was his short story “Spawn of Blackness”, which was originally published in the October, 1939 issue of Strange Stories. 

The story begins with a ferocious pace as Dr. James Haxton, the story's protagonist, is introduced as racing through the city streets at midnight to answer a disturbing call from his old friend Stephen Fay. Haxton had received a call from his friend that something terrible had happened to him and that he needed urgent medical help. 

Arriving at Fay's home, Haxton and readers are brought up to speed on the astonishing events that have led to Fay lying in a bloody heap. From his bed, Fay explains that he had taken a trip to a South African village. While there he purchased a small wooden statue of a large rat. Upon returning to the US, he showed the statue to an anthropology expert that recognized it as a religious fixture used by a tribe in New Guinea. Learning of its history, Fay dropped an old piece of black cloth over it. But, sometime in the night, the rat came alive and burrowed through the wall. Fay describes it as “...a gray shape and a head with red eyes and white gleaming teeth.” The rat creature threw itself at Fay ripping and tearing.

“Spawn of Blackness” wasn't particularly scary, but it was a real pleasure to read. Jacobi's approach is more of the arm-chair detective style as the hero Haxton tries to solve the mystery behind the savage rat attacks. Is the rat real or some figment of the overworked scientist? The author also included some great usage of colors, particularly the scientific approach of black absorbing all of the primary colors. There's some use of the concept that is crucial to the story's ending. Overall, a very entertaining story. 

Kane - Darkness Weaves

In 1970, Knoxville, TN native Karl Edward Wagner authored a short novel titled Darkness Weaves with Many Shades. It was published by Powell as a “gothic fantasy” with cover art by Bill Hughes. By 1978, Wagner had revised the book as Darkness Weaves. It was published by Coronet in Europe with a cover by Chris Achilleos. It was also published in a more popular edition the same year by Warner Books with an equally great cover by Frank Frazetta. That version was reprinted again in 1983. The ebook version was published by Gateway in 2014. The novel is also included in a large omnibus titled Gods in Darkness, which was published in 2002 by Night Shade Books with a cover by Ken Kelly.

Darkness Weaves introduces a character named Kane, who is best described by some fans as the very best elements of Robert E. Howard’s Conan and Michael Moorcock’s Elric of Melnibone. On page 163 of this 292-page paperback, Kane’s murky origin tale is told.

“Kane was one of the first true men - born into a hostile world of strange ancient beings. In this dawn world of humanity, Kane defied the insane god who had created his race – an experiment that had turned out far from the creator’s expectations. This demented elder god dabbled at creating a race of mindless creatures whose only existence would be to amuse and delight him. He almost succeeded, until Kane rebelled against this stifling paradise and spurred the young race to independent will. He killed his own brother, who sought to oppose his heresy, thus bringing violent death as well as rebellion to the infant mankind. Disgusted at the failure of his depraved design, the god abandoned his creation. And for his act of defiance, Kane was cursed with immortality – doomed to roam this world under the shadow of violence and death.”

Wagner’s villain protagonist (yes Kane is an evil guy) is born out of the combination of Biblical prophecy found in the book of Genesis – that of Satan rebelling against God and falling from grace to a cursed oblivion and that of Cain, who committed the first sin in the Bible by murdering his brother Abel. Readers learn that Kane never ages and has a fast-healing factor that is like Marvel’s Wolverine. His wounds heal at a remarkably fast pace. While Kane can surely die (we think), his skill in combat is unprecedented. No one can best him in battle, so the fatal blow to head or heart never seems to occur. In one vivid series of images presented to an evil priestess (more on her later), readers see Kane battling through toppled towers, fire-scarred cities and engaged in combat with giant demons or running up castle stairways fleeing from werewolves. It is easy to gain this feeling of epic greatness associated with the character. There is a lot to unpack here, but the author brilliantly shields the reader from Kane’s detailed past. Instead, only one tale is to be told, and Darkness Weaves presents that story – two empires colliding as Kane wrestle’s control of a navy fleet.

Without giving too much of the story away, the general premise is that two men track down Kane in a coffin-filled, rain-drenched cave to make a proposal. An island federation known as the Thovnosian Empire is ruled by a monarch named Maril. There’s a backstory of family relations and betrayal that led to Maril torturing and supposedly killing his wife Effrel after she had an affair with his nephew. But the horribly mutilated wife secretly survived and is now preparing an awesome military campaign to crush Maril and take over the empire.

Kane has a connection to this empire because they formed the federation to defeat him. In his early buccaneering days, Kane ravished these island coasts with his army of cutthroat pirates. So, who better to lead Effrel’s navy fleet than Kane? If Kane accepts the job, his reward will be a hand in the spoils of war – his own island kingdom. But, Kane secretly is planning on helping Effrel win the war so he can eventually overthrow her.

This is an epic book despite its rather short length of less than 400-pages. Wagner sets the table with some world building while also presenting histories for the major characters that make up the two warring factions. While there is plenty of action, readers do need to exercise patience while the author builds to the grand finale. There are numerous side-plots featuring characters involved with each other, fighting with one another, spying on the campaigns, and ultimately betraying family and friends in a quest for greed. The violence is gore-soaked and barbaric, but nothing extremely graphic or disturbing.

Additionally, Wagner’s writing is a mix of fantasy and sword-and-sorcery. There’s a Lovecraft-like dark fiction etched into the finer details of the plot, mainly how Effrel has a secret alliance with an other-worldly cosmic horror. This part of the story involves sacrifices, pentagrams, body-swapping, and tentacles – lots of tentacles.

Darkness Weaves is one of the very best sword-and-sorcery novels I’ve read. While soaked in all of the 1970s weirdness, it still has a unique literary escapism that reaches Shakespeare-styled revenge-drama. Wagner is an incredible writer that doesn’t give too much away with his style and presentation. I can’t wait to read even more of these Kane novels and short stories.

Buy a copy of this book HERE.

Ki-Gor - King of the Jungle

Jungle Stories was published quarterly by Fiction House, a pulp division of Glen-Kel Publishing, from 1938 to 1954 – 58 total issues. These magazines each featured a lead novel starring a Tarzan clone named Ki-Gor. The house pseudonym for the stories was John Peter Drummond (except the first credited to real author John Murray Reynolds), but the actual authors were Dan Cushman, James McKimmey, Stanley Mullen, Robert Turner, and W. Scott Peacock. 

My introduction to this prolific jungle hero is “King of the Jungle”, the very first Ki-Gor story. It was originally published in the 1938 Winter issue of Jungle Stories and later collected in the omnibus Ki-Gor: The Complete Series Volume 1 by Altus Press. 

Pilot Helene Vaughn is flying across equatorial Africa when she loses her engine. The female pilot is quick to release all of her fuel in preparation for the treetop crash, thus avoiding a deadly explosion on impact. She awakens after the crash and begins a walk through the dense jungle foliage in hopes of finding anyone that can help her. When she's stopped by a jaguar, a six-foot bare-foot man with blue eyes and long hair comes to her rescue, fighting the jaguar and stabbing it to death with a steel knife. This is Helene's introduction to Ki-Gor, King of the Jungle.

The brawny hero takes Helene back to his cave and speaks some broken English with her. Later that night, the two fend off a vicious attack by the Wungubas, a fierce African tribe that have warred with Ki-Gor for years. When the two successfully survive the onslaught, Ki-Gor takes Helene to a small abandoned cabin. It is here that the hero's origin story is revealed through a diary entry and photograph.

Ki-Gor's real name is Robert. He was the son of John Kilgour, a missionary who came to this part of Africa in 1917. On a mildewed piece of notebook paper, Helene reads that Chief Kranta of the Wunguba tribe grew unfriendly with Kilgour's work in the region. On the diary page, Kilgour describes Kranta as "...there seems to be evil back of his beadlike eyes." Piecing this together with what Kil-Gor explains, it is revealed to readers and Helene that John was killed by the Wungubas around the time that Robert was seven or eight years old. Kil-Gor has survived in the jungle for over 20 years.

"King of the Jungle" has a fragmented narrative that doesn't allow a lot of character development or growth. But, it is the first story and I understand the series improves over time. I really enjoyed the story for what it was and found that Ki-Gor's relationship with Helene could spark some future interest. I also love this fiery feud with the Wunguba tribe and the hero's ability to use a special blend of mystical "powder" to provide dreamlike visions for Helene. This addition has an E. Hoffmann Price feel to the character. 

Obviously, there are a ton of Tarzan imitators. Just like there are tons of James Bond, Conan, Mike Hammer, and The Shadow imitators. The borrowed idea of a white man surviving the death of a parent in an exotic jungle doesn't steer me away. I enjoy a good jungle romp and these Ki-Gor stories certainly seem to provide that. If you love that type of presentation, then this is a mandatory read.

Buy a copy of this book HERE.

Martin Fallon #01 - Cry of the Hunter

In 1959, while teaching at James Graham College, thirty-year old British military veteran Harry Patterson (aka Jack Higgins) began writing action-adventure novels. I've read a great deal of them, but wanted to experience the author's early efforts at mastering his future bestselling craft. I decided to read Cry of the Hunter. It was published in 1960 by John Long as a hardcover and is now available everywhere in multiple formats. 

Martin Fallon served the Irish Republican Army for years. Simply referred to as “The Organization”, Fallon fought valiantly for the cause. As a schoolboy, he idolized the I.R.A., and later joined their crusade at the age of 17. At 22, he became a leader of the Organization in Ulster. He was eventually arrested and served nine long years in prison (even escaping once) Now, at age 40, Fallon lives a complacent life in the countryside writing books (under two pseudonyms) and sipping whiskey. But, the past always has a way of rearing its ugly head.

One night, Fallon receives some unexpected visitors. It's his former I.R.A. colleague O'Hara with a young trainee and an old blind woman. What are the three up to? They advise Fallon that the old woman's son, a guy named Rogan, is a hair-brained lunatic that leads “The Organization” now. But, the police finally caught up to him and are holding the gunman in custody. Rogan shot a police officer, crippled another, and the legal system will plan for a much-publicized hanging. O'Hara wants Rogan out, and knows that Fallon is just the right man to spring him. He also senses that Fallon isn't content with the dull lifestyle he's created for himself. After hearing from Rogan's son, Fallon agrees to the prison break.

Higgins' novel uses a flexible recycled plot. The concept of the prior criminal coming to the aid of another has been used in westerns as the retired, rehabilitated outlaw recommits to criminality to save a former partner or relationship. Or, it can be used as a crucial plot point for crime-fiction, typically as a former criminal-turned-cop is forced into the underworld to save a badguy from his past. The only hindrance to Higgins' use of the plot is there is no prior relationship between Fallon and Rogan. Fallon just sees himself in the new leader and possibly wants to change Rogan's path of failure.

Cry of the Hunter is an unusual Higgins novel due to the confined setting. The book isn't a globe-trotting affair through desert, sea, and high mountain peaks. In fact, the entire book mostly takes place in just a few blocks of a suburban sprawl. Fallon's time with the readers is spent moving from house to house to avoid the police while also attempting to reconvene with former I.R.A. colleagues for safe harbor. Ultimately, the author introduces a young boy to help Fallon, creating a heartfelt bond between the two that forces the protagonist to see the sins of his past by idolizing the I.R.A. when he was the boy's age. Overall, the novel fits snugly into what I would consider a crime-noir genre more than any Jack Higgins staple of high-octane, high-adventure. This is a very different novel written by an inexperienced, yet entertaining, Harry Patterson.

Higgins himself grew up in Belfast and was exposed to political and religious violence in Northern Ireland at an early age. His novels often feature Irish Republican Army elements. Interesting enough, the character of Martin Fallon would reemerge years later as the star of 1973's A Prayer for the Dying, in which a mob boss makes a pitch to Fallon to assassinate a rival. I enjoyed Cry of the Hunter enough to warrant reading that novel as well. Additionally, the author's most admired hero is that of Sean Dillon, a recurring character that appeared in 22 novels as a former IRA assassin.

Buy a copy of this book HERE.

The Coast of Hate

Frederick Nebel (1903-1967) was second only to Erle Stanley Gardner in total number of stories published in Black Mask. The New York native sold his first story to the magazine in 1926, launching a prolific career that included stories for Danger Trail, Dime Detective, Air Stories, Northwest Stories, and Detective Fiction Weekly among others. His pseudonyms included Grimes Hill, Eric Lewis, and Lewis Nebel. I stumbled on his nautical adventure novella The Coast of Hate, which was first published in the January, 1930 issue of Action Stories. It was also collected in a black and white omnibus of Action Stories that was published by Odyssey in 1981, complete with an introduction by the great Will Murray explaining how Action Stories was the “alternate Argosy”. You can read the issue for free on Archive.org HERE.

The novella begins by introducing readers to action-man Jack Ridlon. It is explained that Ridlon was a one-time sailing master in the island trading and shipping business. After saving and acquiring a plantation on the Borneo coast, a poor crop and a tidal wave completely flushed him out. He's now back to the drawing board as a free-lance adventurer searching for a quick fortune in Macassar, a small city on the coast of South Africa. 

In town, Ridlon meets an old businessman named McGarry. He offers Ridlon a skipper's position on a shipping schooner called the Flying Moon. The old man describes it as “...a two-masted schooner, fast and with a fair bottom. But, there's something queer in the wind behind her.” What McGarry is referring to is the death of the ship's prior Captain and the bizarre interest in the ship from a guy named McKimm. McGarry has the ship loaded up and she's ready to haul up the coast. Ridlon explains he has a girl waiting back in Singaproe and he needs the money. The two agree that Ridlon is the man for the Flying Moon and the telling of the tale begins.

The night before the ship's sail, Ridlon stirs up some action in a local dive. After a rowdy fisticuffs, Ridlon drags an old seaman named Captain Plummer out of the bar and sobers him up. Hesitantly, Plummer agrees to join Ridlon on the trip. The next day, Ridlon and Plummer discover they have some additional hands and one interesting guest, a guy named Starkey that paid for a passage on the ship. His destination isn't unusual, but his curiosity about the ship and a little clay Buddha statue peaks Ridlon's interest. What is the guy's true intention?

Nebel absolutely writes his butt off on this action-packed nautical adventure. The Coast of Hate has one of the finest pirate battles I've ever read. The action heats up in the fourth chapter, “Beyond the Jungle”, when the Flying Moon drops anchors at four fathoms on the coast of the Pahlawan Lagoon. After reaching their destination, Ridlon, Starkey, and Plummer go ashore to have dinner with a local businessman. But, when Starkey disappears, Ridlon and Plummer go on a wild goose chase to find the traveler. When they look out at their ship, they find their own crew in a fierce battle with pirates led by McKimm, the guy who was originally interested in the ship. 

The author includes violent knife fights, blazing guns, fist-fights, and jungle savagery as the crew battles McKimm's forces. Nebel is a sensational writer, penning these action sequences in a style similar to a rowdy boxing announcer on old-time radio– calling each vicious blow with a powerful bravado for the listening audience. Check out the imagery of this oceanic battle between knife-wielding combatants: 

“He plowed after him, churning the water, his knife between his teeth. It was the Ridlon of eight or ten years ago, the high-stepping young blood who had roved wild beaches, downed yellow mutinies, and fought bushmen on the raw New Guinea Coast. McKimm must have reasoned that the shore was too far away. He turned, treading water, his knife raised and gripped hard. His face was a blur in the gloom, fringed with the ripples that gleamed intermittently. Ridlon forged toward him, trailing a phosphorescent wake. They met in five fathoms, gleaming wetly. Steel flashed, missed and churned up the water. Ridlon shot his legs behind him and cannoned through. They came to grips, went beneath the surface, turned about and over and pushed their blades toward each other.”

Or, this description of the tough drunkard Captain Plummer:

“There was old Plummer, his face smeared with blood but his jaw set like a steel chisel – his hair plastered over his ears, his eyes burning fiercely. Plummer slugging his way into a knot of cursing, hard-fighting case-hards, many of whom had not so long ago thrown jibes at him in the Yellow Lantern. Plummer, stark sober was a different man from Plummer the drunkard. He was brimstone, rough on rats.”

I could probably write for days about this simple 17-page adventure tale. Frederick L. Nebel was really something special and I'm so thankful that archive.org exists to still salvage these old magazines and stories in quality scans for legions of readers. They are doing God's work when it comes to these vintage magazines. Do yourself a favor and read this awesome Nebel story, then chase down some of the independent publishers that keep publishing awesome vintage adventure stories in affordable collections.

Apache Wells

According to the Cutting Edge Books author page, Robert Steelman (1914-1994) worked for the Army as a civil electronics technician from 1936-1949 before publishing his first of many westerns in 1956. According to the author's papers at the University of Wyoming, one his earliest manuscripts was originally titled Road to the Wells. It was published by Ballantine in 1959 using the revised title Apache Wells. Cutting Edge Books have released a new version of the book in both ebook and paperback formats.

It's 1876 and seventeen-year old Joey is traveling with a wagon train across Arizona Territory. Along with his older brothers Saul and Dave, Joey's destination is the fabled golden land of California. While the perilous trek is long and dusty, the most dangerous aspect of the trip is found within. Both Saul and Dave become embroiled in a bitter rivalry concerning Saul's young wife Eda. Confined in a hostile territory ripe with Apache attacks and savagery, Dave and Eda depart to city life in Tucson, leaving Saul enraged. He decides to forego the trip to California and instead begins to carve out a homestead in Apache Wells.

Steelman's plotting is superb when Joey is forced to choose sides between his warring brothers. After an argument with Saul, Joey heads to Tucson where he is robbed by a prostitute and her pimp. Left penniless, he heads back to Saul to help him defend his newly built homestead against the raids of Apache attacks. This propulsive plot device delivers a frantic pace as readers are thrust into these violent encounters. Saul is forced to protect his young brother while also attempting to build a fortified defense against the raiders. There is an exceptional amount of detail spent on planning and defending the attacks, which I found added a tremendous sense of realism. 

However, the other plot point that Steelman cleverly balances is a familiar one – the inevitable traditional western story of land grabbing. In this case, it's a land baron that is controlling the town's businesses and assets. He needs Saul's newly acquired land to host his new shipment of cattle. When Dave agrees to side with the land baron, Joey finds himself in a fight to either protect Saul from Dave and other hired guns or from negotiating with Saul to leave the land and homestead he's fairly earned.

Apache Wells is a terrific tale that highlights the importance of family, responsibility, and commitment. Steelman's prose is written in cowboy dialect that is similar to Zane Grey or Walt Coburn. While that rich cowboy-speak may be off-putting to some, I thoroughly enjoyed the authenticity. Additionally, I liked the minor hints of Biblical components and theology as well as the various humorous bits sprinkled in courtesy of a cagey old mountain man. Thanks to Cutting Edge Books for re-introducing this great western to newer generations.

Collector's Note – Ballantine published a second printing in 1965. My version is the 1972 paperback by Ballantine with a cover by Frank McCarthy. The most admired version of the book is probably the 1975 Ballantine paperback with a painted cover by Boris Vallejo (Conan, Red Sonja).

Buy a copy of this book HERE.

Slave Island

Author Simon Finch was born in Rio de Janeiro, where his father served in the Diplomatic Corps. Finch was educated abroad before attending university in England for studies in Classical History. His first three novels consist of the Vesuvio Trilogy, including Golden Voyager (1978), Pagan Voyager (1979), and Voyager in Bondage (1981). Avoiding any heavy lifting, I opted to try Finch's stand-alone novel Slave Island, which was originally published by Souvenir Press in 1983 as a hardcover, then later in 1984 in paperback by Pan with an amazing cover by Gino D'Achille.

The 300-page paperback begins in Boston with Billy Peake, a young English colonial, awaiting a shipment of Mexican silver to arrive on a convoy ship. However, the ship's captain and a local businessman named Easton conspired to swindle Peake out of the cargo. After convincing Billy to rut out all of his frustrations at the local whorehouse, the two get Billy drunk and throw him on a ship destined for Africa's slave coast. Two days later Billy awakens to find himself in bondage. 

Arriving in Africa, Billy is placed into caged slavery and forced to mate with a young white woman named Jenny. At first Billy refuses, but as time marches on the two do the wild monkey dance and get it on. Then, the two are forced to walk with a parade of slaves across the continent to an island north of Madagascar named Slave Island. It's a prison dedicated “for the worst Arabian, Turk, and European scum, a Tower of Babel in the ocean for more sinner than saints.”

I know what you're thinking – this sounds awesome! A wild adventure ripe with jungle savagery, the inevitable fight to the death on an island prison, nautical battles, and a revenge plot as Billy fights his way to freedom in the Hellish heat of Slave Island. Well, scratch all the excitement off that excursion list. This literary cruise is headed to a penis extravaganza led by a phallus-obsessed captain named Simon Finch.

I mentioned the page count earlier. Out of those 300 pages, approximately 200 is dedicated to just straight, plain 'ole porno. I'm fairly certain Finch is making up for something because nearly every word is “phallus”, “penis”, “meat”, “sheathed manhood”, “prick”, “throbbing member”, “shaft” or just “dick”. I thought author Dan Streib was fascinated with genitalia, but he's no stiff competition for Finch. This dude is dialed into dick in a big boner way. 

Look, Savage Island is mostly what I would consider a plantation novel or a slave gothic. Lots of African American men being sold into slavery and forced into wild sexual encounters with lonely white women. If that's your thing, you may dig this. There's also plenty of cathouse antics, tons of rape, and some wild (I mean wild!) stuff with dicks being sliced off and stuffed with sand and then being placed on sticks to...well you get it. Maybe 100 hundred pages is the rough and tumble adventure stuff, which is where I like it, and I mostly just skipped all the graphic sex. If you like the plantation stuff, Slave Island is probably a must. There's nothing particularly discouraging about Finch's writing other than his unhealthy fixation on dick. I'm not reading a word of the author's other stuff and will count Slave Island as a one-time sentence. I'm sure I'll never be a repeat offender.

Buy a copy of this book HERE.

G.I. Joe - Tales from the Cobra Wars

Hasbro began production of the G.I. Joe: A Real American Hero toys in 1982 and licensed the line to Marvel Comics for an ongoing series. In 1983, the popular animated series began it's four-year television run, producing 95 total episodes. The franchise has spun into animated and live-action films, additional comic series titles, and an assortment of collectible toys that have lasted over 40 years. 

As a casual fan of the franchise (I grew up watching the animated series), I was surprised to find an anthology of short-stories set in the G.I. Joe universe. The book is called Tales from the Cobra Wars and it was published in 2011 by IDW and edited by World War Z novelist Max Brooks. The collection includes seven total stories authored by the likes of Jonathan Maberry, Chuck Dixon, John Skipp, Cody Goodfellow, and even Brooks himself. The book also features an introduction by Brooks and artwork by Michael Montenat.

I have always enjoyed the G.I. Joe ninja character Snake Eyes, including the 2021 Paramount Pictures film Snake Eyes: G.I. Joe Origins. I also really like Chuck Dixon's writing style, especially his amazing run on the Marvel Comics title The Punisher. So, the story I decided to review from this collection is simply called “Snake Eyes”, penned by Dixon. 

When the story begins, a mathematician named Hanover is lecturing at a conference in Geneva about an algorithm he has perfected over the course of ten years that can predict growth in the economy of a developing nation. After the performance, Hanover is interviewed briefly by a woman calling herself Anastasia deCobray, but fans of the franchise will quickly realize from Dixon's description that this woman is the heinous Baroness, a lieutenant to Cobra Commander. Hanover is then knocked unconscious and taken into a Cobra hideout in the French mountains. 

When Hanover awakens, he learns that he has been taken captive by Cobra in an effort to reverse his complex algorithm, ultimately creating a new formula that would quickly, and efficiently, decrease the growth of a developing nation. Cobra hopes to use Hanover's intelligence to cripple a nation. In an effort to force Hanover into working with Cobra they show the mathematician a camera feed from inside his daughter's apartment in Paris. Comply and she lives. Fail and she dies. 

This was a fun 28 page story that thrusts readers into a search and rescue mission as the good guys' ninja works remotely in Moscow to gain intel on Hanover's whereabouts. By communicating with Scarlet and Mainframe, two of his Joe teammates, Snake Eyes is deployed to this monastery in the high peaks for a rescue mission. There's plenty of gunfire, and a few sword swipes, to satisfy G.I. Joe fans. Additionally, unlike the tame television show, Snake Eyes kills his enemies, which added some much-needed realism to the heroics.

“Snake Eyes” was a fun short with plenty of action-packed excitement. But, it did force me to wonder why we aren't getting any full-length G.I. Joe novels. A twenty-pager is fine, but it would seem there are a ton of stories to write about a variety of universe characters outside of the graphic novel and comic medium. Based on the box-office failure of the most recent G.I. Joe film, I assume Hasbro is content selling toys and comic licensing. 

Purchase a copy of this book HERE.

Solomon Kane - The Skull in the Stars

One of Robert E. Howard's most iconic characters, along with Bran Mak Morn, Conan, and Kull, is Solomon Kane. The character's first published appearance was in a short story called “Red Shadows”, which was published in the August, 1928 issue of Weird Tales. Mixing sword-and-sorcery and horror, Howard's Solomon Kane stories feature a late 16th century Puritan who adventures around the world fighting evil. 

My introduction to the character is the January, 1929 issue of Weird Tales which features a Solomon Kane short called “Skulls in the Stars”. In the story, Kane is departing a small town in England and is faced with two separate roads to reach his next destination, a village called Torkertown. In the opening paragraph, Howard offers one road as a shorter, more direct route for Kane across a barren upland moor and the second option as a longer tortuous route through a dreadful swamp. Debating the decision, a boy passing by warns – downright prohibits – Kane from taking the moor road. He urges that Kane avoid the moor road because it is haunted by some sort of foul horror that claims men for his victims. Naturally, the adventuring Kane decides to travel the moor road.

Providing any additional insight into this story may spoil your enjoyment, so I'll stray from further plot points. But, Howard's story is just an exceptional blend of supernatural horror and the traditional monomyth of a hero's journey through danger. The author's descriptions of horrifying things lying in wait along the isolated, non-traveled road is superb. I love this:

“Then the thing began to take on shape, vague and indistinct. Two hideous eyes flamed at him – eyes which held all the stark horror which has been the heritage of man since the fearful dawn ages – eyes frightful and insane, with an insanity transcending earthly insanity. The form of the thing was misty and vague, a brain-shattering travesty on the human form, like, yet horribly unlike.”

What I really like about the Kane character, which I'm introduced to in this macabre tale, is his use of two long pistols as well as a rapier sword. There is a unique dynamic approach to the hero's skill-set, which will introduce yet another weapon to his repertoire – a magical staff – in future stories. He's a Puritan, with an eye for injustice and evil and a heart dedicated to the power of all things good. 

With just one story as my trial size, I can see why this character receives so much admiration and loyalty. “Skulls in the Stars” is one of the finest stories I've read this year. Highly recommended!

Buy a copy of this book HERE.

Winter Chill

Joanne Fluke, John Fischer, Gina Jackson, Kathryn Kirkwood, and R.J. Fisher are all pseudonyms of Minnesota author Joanne Fischmann Gibson (b. 1943). In the 1980s, she used the name Jo Gibson to write young adult horror books like Dance of Death, My Bloody Valentine, and Slay Bells. My first experience with the author is her novel Winter Chill, originally published by Dell in 1984. The book was reprinted by Kensington in 2013 as a mass-market paperback and now exists in both physical, audio, and digital editions.

The book begins with Dan Larsen playing in the snow with his daughter Laura. The two are buzzing through the Minnesota powder on a snowmobile when Dan runs into a snow-covered plow. The accident leads to Laura's death and Dan's permanent paralysis. This opening chapter also introduces readers to Dan's wife Marian, who becomes the main character.

To help his wife's mourning, Dan comes up with the idea of writing little notes to Marian pretending to be Laura's ghost. Things like, “I'm in a happy place now Mommy”. It is just as weird as it sounds, and I had to suspend my disbelief that Marian, a teacher that had her own daughter as a student, couldn't recognize that this was Dan's handwriting. But, in bypassing the nitpicky stuff, I carried on.

Throughout the narrative, the kids in the tiny Minnesota town are being murdered by a shadowy killer. Two kids die in a garage when the killer turns the car on and closes the door. Little Becky is sawed to death in an icehouse. There's a throat-slashing on a snowy hill. You get the idea. It isn't nearly as compelling as an 80s slasher flick (or knock-off) because the dread and terror is simply stripped from the soggy narrative. The book's main focus is Marian's grieving, which sort of makes sense when the killer is unveiled, but the plot is buried in Dan adjusting to paralysis and Marian reading made-up messages from her dead daughter. I found Sheriff Bates the most interesting character, but he's third-string.

Despite a great cover, and back-cover synopsis, Winter Chill is a Winter Bore. Unlike Dan, proceed with caution.

Buy a copy of this book HERE.

Punk & Other Stories

Cleve Adams (1885-1949) was a hardboiled crime-fiction author for the pulp magazines whose premature death robbed him from seeing his work be rediscovered in the paperback era. Author and literary scholar Ben Boulden has resurrected four of Adams’ best novellas from 1937-1941 into a modern volume called Punk & Other Stories. I’ve heard good things about Adams’ writing, so I was excited to dive into the title story from the March 1938 issue of Detective Fiction Weekly.

“Punk” is narrated by Jerry, whose job is collecting coins from slot machines and pinball games located in disreputable taverns. Jerry has two childhood friends: Big Ed, a local hood who owns the machines Jerry services and Slats, an honest police detective.

About a month ago, Jerry murdered a guy who also used to work for Big Ed. The cops are looking for the dead guy and suspect foul play. There’s a lot going on in this novelette: a love triangle, political corruption, more murders, mutilation, a frame-up and lots of hardboiled, tough-guy patter.

Adams was a solid writer with an ear for dialogue, and his style never slips into parody (like, say, Robert Leslie Bellem’s Dan Turner: Hollywood Detective). Like a lot of pulp writing of the 1930s, the novella is over-plotted with way too much happening. To his credit, the author does a nice job keeping all the plates spinning. It’s also plenty violent and action-packed with a tidy ending.

I’m thankful that a forward-leaning editor put this collection together, and I intend to dip back into it in the future. For reference, the other novellas are:

“Default With Doom” (1937)
“Frame for a Lady” (1938)
“Forty Pains” (1941)

Buy a copy of the book HERE.

Little Sister

Robert Martin (1908-1976) wrote a fair amount of crime and mystery paperbacks under his own name as well as the pseudonym Lee Roberts. Little Sister was a 1952 stand-alone Fawcett Gold Medal hardboiled private-eye paperback that has been reborn as a Black Gat reprint, including an insightful introduction by Bill Pronzini.

Our narrator is Private Detective Andrew Brice, and he is summoned to a new client meeting at a large estate. His client is a wealthy, attractive woman named Miss Vivian Prosper who has just gone through a financially-advantageous divorce. Vivian shares the lakefront mansion with her little sister, Linda — and since the novel is called Little Sister, you probably saw that coming.

Little Sister Linda is a 17 year-old whiskey-swilling hellion, and she stands to inherit a pile of money from a trust fund soon when she reaches 18. Linda intends to marry a 30 year-old gas station attendant, and Big Sister Vivian wants PI Brice to break up the romance because the loser boyfriend is clearly just trying to get his claws on the trust fund cash.

All of this is conveyed in the Chapter One meeting between Brice and Vivian. The reader sees where this is going, and then Little Sister Linda arrives home in her convertible, drunk-as-a-skunk with a dead body in the trunk. And THAT’S how you start a private eye paperback.

As a licensed professional, Brice is duty bound to report the corpse in the trunk to the police, but sexy Vivian has other ideas. Could the prospect of getting laid with the seductive divorcee possibly convince our PI to dispose of the body with no police involvement? That’s the kind of thing that could turn a hardboiled private eye mystery into a femme fatale crime noir paperback.

You’ll need to read the book to find out how Brice handles this and other dilemmas he confronts throughout this lean paperback. The plot eventually settles into a pretty standard PI mystery with Brice interviewing one witness after another until the situation becomes both more clear and more messy as red herrings arise. It’s all well-written with a sexy undercurrent thanks to the seductive sisters at the eye of the storm and the fact that every female interviewee throws themselves at Brice.

The climactic conclusion is a scene where the villain, now revealed, explains the motivation and execution of the murder in painstaking detail while holding a gun on Brice. It’s an overused trope in mystery fiction, but well-executed in this case.

And that’s the thing with Little Sister. This paperback breaks zero new ground for a private eye mystery of the 1950s. However, if you’re in the mood for a completely traditional and readable genre paperback, you could do a lot worse. It’s about as good as a better-than-average Mike Shayne novel. 

Buy a copy of this book HERE.

Conan - The Thing in the Cave

We've proven time and again that nothing is really off the coffee table here at Paperback Warrior in terms of books. We've covered graphic novels, magazines, paperbacks, hardcovers, and even audiobooks. So, why not a Little Golden Book review?

Chances are you've probably held a Little Golden Book at some point in your life. There are thousands of them. The first one was published in 1942 as a project of Georges Duplaix, then head of Artists and Writers Guild Inc. as a follow-up to the publishing concept of A Children's History. At the end of the first year, Simon & Schuster had a runaway hit with 1.5 million books sold. In 1958, Simon & Schuster sold Little Golden Books to Western Publishing, which then later sold it to Random House. 

I remember owning a lot of second-hand Little Golden Books, including some that were Golden Melody Books that played songs. But, my fascination was on the Golden Books special line of male-oriented titles published as A Golden Super Adventure. These special books, published in the 1980s, focused on toy-line franchises that often shared an animated children's television show. Brands like Masters of the Universe, Princess of Power, Centurions, Mask, Defenders of the Earth, and Adventures of the Galaxy Rangers. 

As a fan of Conan, I stumbled upon the lone Golden Book dedicated to the barbarian hero, The Thing in the Cave. It was originally published in 1986 as part of the Golden Super Adventure line. The book's cover was painted by the great Gino D'Achille (Fu Manchu, Barsoom, Flashman) while the interior pages were illustrated by the equally great Dan Adkins (Doctor Strange, Eerie, Creepy). 

Conan fans may remember a short story titled “The Thing in the Crypt”, which was authored by Lin Carter and L. Sprague de Camp and first published in the 1967 Lancer paperback Conan. This Little Golden Book publication, The Thing in the Cave, is a reworking of that story. It was authored by Jack C. Harris, a prolific comic book author and editor that worked for DC Comics penning titles like Wonder Woman, Supergirl, Batgirl, Robin, and the graphic novel Batman: Castle of the Bat. After leaving DC, Harris freelanced for DC, Marvel, and Darkhorse while also working for a trade magazine for the licensing industry. It was here that Harris received a press release from Golden Books about a series of Masters of the Universe publications being created for the Golden Super Adventure line. Harris connected with a colleague that led him to penning a number of Golden Books including Masters of the Universe, Batman, Dino-Riders, Super Mario Bros., Garfield, and this Conan book.

I would encourage you to read my review for the original “The Thing in the Crypt” (or just read that story). This Golden Book variation stays mostly true to form, but retains some safety measures for the sake of the young reader. In this version, Conan uses the chains to crack the hardened ice, thus allowing the snarling wolves to simply fall away into oblivion. In the original story, these snarling wolves chase Conan to the cave. The cave itself is substituted for the more sinister-sounding “crypt”. Also, the giant sword-wielding monster isn't so much a mummy, but instead is simply an animated statue made from rock. 

At 25-colorful pages, this was a fun little visual jaunt into “The Thing in the Crypt”, a fun, yet criticized story inspired by Robert E. Howard's literary work (mostly because it is the first story in the Conan paperback and is missing REH). My guess is this Conan title was inspired by the many Golden Book publications featuring He-Man and the Masters of the Universe. Nonetheless, this is a great collector's item and worth a couple of twenty-dollar bills for the pure nostalgia.

Buy a copy of this book HERE

The Sins of War

 John Rester Zodrow was a screenwriter of made-for-TV movies in the 1970s and 1980s who also authored four novels, including a WW2 thriller called The Sins of War, originally published in 1986 and currently available as a trade paperback reprint.

In the aftermath of the Pearl Harbor attack, the U.S. was focused upon filling the president’s request for 70,000 warships and 100,000 tanks. U.S. manufacturers worked around the clock to make this happen — particularly in New York City. The Sins of War is based on a true story about 1942 efforts to prevent the German sinking of newly-minted U.S. warships leaving New York harbor.

The allied victory in World War 2 is now the stuff of legends, but the early days of the war were anything but smooth. The U.S. and our friends suffered Naval defeats in Guam, the Philippines, Burma, and throughout the seas. Meanwhile, ships leaving the ports along the U.S. east coast were regularly sunk by German submarines waiting offshore, killing American troops and destroying supplies en route to our soldiers overseas. It was a grim dilemma, and the U.S. Navy was stymied in their efforts to stop it.

Meanwhile, in the book, a German-American secretive organization called The Bund are quietly loyal to Hitler and sabotaging the ships under construction through acts of terrorism and arson. Someone needs to do something, or America will be neutered in our efforts to save the world.

In the novel, President Roosevelt comes up with a plan: Have the New York Mafia patrol the waterfront ports where the warships are constructed looking for any signs of German saboteurs. Rather than having the U.S. Navy negotiate this deal with the mafia, the President tasks Roman Catholic Archbishop Francis Spellman to handle the deal since the mobsters are likely all Catholic. Roosevelt dubs the plan “Operation Underworld.”

Our hero is a welder in New York named Nick Remington working to secure the metal paneling on ships bound for the war in the seas surrounding Africa. Before becoming a welder, Nick was a Catholic priest driven from the clergy in the wake of a financial scandal. Nevertheless, the Archbishop chooses Nick to be the go-between with the mob and the Navy to coordinate the protection of the ports.

Along the way, there are conflicts and cooperation with Lucky Luciano’s New York mafia, a German social club in New York serving as a counterintelligence squad for Hitler, and a sexy military lady who partners with our defrocked priest to get the job done. Trust me, it’s a wild ride.

The author wrote the novel in the style of a propulsive men’s adventure paperback with short chapters — 70 of them over 300 pages — and pulpy dialogue with limited character development. The Germans are cartoonishly-evil and the Mafia characters are all walking stereotypes. To his credit, the author did not make this a faith-based novel as the characters find themselves in graphic sexual and extremely-violent situations. The action scenes are remarkably vivid and exciting.

This paperback is so much fun to read. It’s an audacious bit of historical fiction begging for a Hollywood adaptation. The reader can’t help but want to know more about the reality surrounding the implementation of this audacious plan. It seems that the facts largely came from a 1977 non-fiction book called The Luciano Project: The Secret Wartime Collaboration of the Mafia and the U.S. Navy by Rodney Campbell.

The climactic ending was a fun series of harrowing adventure set pieces similar to something you’d read in a Doc Savage pulp story. Overall, The Sins of War was, without question, one of the finest adventure novels I’ve read this year. Highest recommendation.

Buy a copy of this book HERE.

The Magpie Coffin

The genre “splatter western” came to fruition when Patrick C. Harrison III of Death's Head Press made it a company goal to release a series of western trade paperbacks featuring explicit violence and gore. There have been at least 13 paperbacks published by Death's Head Press as their “splatter western” offerings, but countless others have appeared from various self-published authors and small publishers. I've always enjoyed the western genre, so I borrowed a friend's copy of The Magpie Coffin (2020). It was written by Wile E. Young and represents the very first Death's Head Press splatter western title published. 

The Black Magpie is the book's anti-hero protagonist, a moniker heaped upon a notorious outlaw named Salem Covington. He's an American Civil-War Veteran that prowls the wild frontier (for reasons never really disclosed) killing and torturing bad people (?). He collects pieces of his victims – pieces of flesh, scraps of clothing – and uses them in black magic rituals to gain power. He possesses a gun that apparently (and magically) doesn't miss and it is revealed that Covington can't be killed by bullets. So, who the Hell is he then?

That's the part that Young never really dishes out to his reader, and that's the most frustrating part of the book's narrative. For reasons unclear to me, the author only provides hints of Covington's backstory and life purpose. For example, there is a brand of some sort below Covington's eye that provokes stark fear for anyone that sees it. But, what is it? Young really doesn't elaborate. There's an entire scene in the book where readers finally have the opportunity to learn more about Covington's mission when he meets “the coffin maker”. This man has some sort of history with Covington, but nothing specific is ever mentioned. It's all incredibly frustrating and senseless.

The Magpie Coffin's narrative features Covington on the revenge trail for the group of killers that murdered his mentor, a Comanche shaman named Dead Bear. Covington locates Dead Bear's corpse (far too easily) and puts him in a coffin wrapped in chains. But, Dead Bear is still somehow alive spiritually, which begs the question on why Dead Bear doesn't just perform his own revenge. Nevertheless, Covington rescues a young Union soldier and a prostitute and takes the two with him on a quest to hunt down the killers.

If you enjoy graphic violence often found in the horror and splatterpunk genre, then the sheer levels of brutality should be a pleasure for you. Like I wrote in my review for Suburban Gothic (co-wrote by a splatter western author Bryan Smith), the details of raping a corpse, scissoring off testicles, or sewing lips shut does nothing for me. It's all shock and awe, which isn't a satisfying substitute for a riveting story. There's not enough left in The Magpie Coffin contents to warrant a compelling read. This is standard volume feedback with gore. Nothing more, nothing less. Skip it.

Buy a copy of this book HERE.

Bounty Man Kildoon

Conventional wisdom is that Jory Sherman (1932-2014) was the man behind the Robert Eagle pen name for the paperback Bounty Man Kildoon. The novel was published in 1975 by Major Books and features an Old West manhunter who delivers the severed heads of his prey to collect rewards.

A skeptic might think the headhunting thing was just a cover artist’s gimmick, but the opening chapters establish that Kildoon is the real deal. By page two of the novel, the reader is treated to a description of the putrid, rotting head hanging from Kildoon’s saddle horn. He rides the trail cognizant of bushwhackers who may seek to swipe the decomposing head in exchange for the bounty.

It takes a couple chapters for a plot to develop, but once it does, it’s a familiar one. A comely young widow inherits a modest ore mine that a rival mine-owner wants to buy for a lowball price. The widow and her Oriental helper are being threatened by thugs to put pressure on her to sell. She hires Kildoon to protect her homestead from her enemy’s henchmen. And that’s the problem. 

The range war between two rival landowners was a serviceable western, but nothing you haven’t read before. It was quite different in tone and execution from the opening chapters about a decapitation freak bounty man. I wanted more of the loony hero galloping around the Wild West with a decomposing heads strapped to his saddle.

In the opening chapters, the author writes fantastic scenes of bone-crunching, stomach-turning graphic violence - likely in an attempt to one-up or surpass the Edge series, which predates Kildoon by four years. He falls more into a ho-hum, traditional western rhythm for the rest of the novel with hardly any violent gore or dismemberment.

If you’re looking for the most violent westerns in print, stick with the Edge or Apache series titles. Bounty Man Kildoon showed great promise, but failed to deliver the bloodshed as advertised.

Acknowledgment & Addendum:

Thanks to James Reasoner for his assistance in unmasking Jory Sherman as the likely author of Bounty Man Kildoon. If you’re looking for a great stand-alone western, check out his new one, Texas Bushwhack, available HERE.

There was a sequel to Bounty Man Kildoon called Bounty Man’s Target: Wanted Dead or Alive by Buck Adams, also published by Major Books. Why they didn’t use the same house name as the author of this two-book series is a mystery lost to the ages. Nevertheless, I’ve ordered the paperback. Whether I read it or not is anybody’s guess.

Buy a copy of this book HERE. 

Joe Gall #11 - The Fer-De-Lance Contract

James Atlee Philips (1915-1991) authored 22 novels in the Joe Gall espionage adventure series between 1963 and 1976 under the name Philip Atlee. Much of the series has been reprinted by Mysterious Press, so you won’t have to do much digging to score a copy. The Fer-De-Lance Contract is the 11th Joe Gall adventure from 1970.

Grouchy CIA assassin Joe Gall is our narrator, and the novel opens with his arrival on the Caribbean island nation of Antigua, which Gall hilariously describes as a “sunbaked poorhouse.” He’s a politically-incorrect curmudgeon and no fan of the Caribbean islands or their native people. He’s also rather hilarious in his narration leaving me surprised at the quality of Philips' prose. He really was a delightful writer.

The mission involves a group of black rebels planning to seize all transportation and communication facilities throughout the Caribbean islands. This includes cruise ships, freighters and private yachts as well as radar and weather stations. The only nations exempt from this plan are, of course, Haiti and Cuba. The Black Militant mastermind behind this planned regional disruption of the public order is employed as the purser on a cruise ship, and Gall needs to be on-board to stop the scheme.

The plot is interesting and easy to follow as the story bounces from the Caribbean island of Antigua to Dominica to St. Lucia. However, halfway through the paperwork, a nemesis from the previous installment, The Trembling Earth Contract (1969) — in which Gall famously goes undercover as a black man by dying his skin — returns to continue the fight. The author does a nice job of getting the reader up-to-speed, but in a perfect world, one would read them in order (I didn’t).

The Joe Gall series has a reputation among Men’s Adventure Paperback connoisseurs as having plotting problems. The stories either make no sense or go off the rails midway through the novel. This one was pretty straightforward. The action scenes were solid. The social commentary involving the black power movement of the era wouldn’t fly in today’s world, but that’s part of the fun of reading paperbacks from 53 years ago. Overall, The Fer-De-Lance Contract was fun adventure novel and an easy recommendation.