Monday, August 11, 2025
Paperback Warrior Podcast - Episode 123
Friday, August 8, 2025
Johnny Liddell #02 - Green Light for Death
The novel begins with Liddell arriving in a small town called Waterville. His client was named Nancy Hayes, a young woman recently found floating in the water. Her death is deemed a suicide by the local homicide detective, a guy named Happy Lewis. Liddell finds some discrepancies in the story and begins to fish around town for answers.
His investigation leads to Nancy's roommate, a sexy lounge singer that Liddell refers to as “Red” through the narrative. Red reveals that Nancy was in a panic prior to calling Liddell and hints that she may have been in some trouble. By teaming up with the local press, Liddell hones in on clues that Nancy came to Waterville searching for her younger brother. When Liddell goes to Red's lounge he learns about a unique colored lighting system that identifies certain patrons. From the title, one can assume that the green spotlight is fatal.
Frank Kane writes Liddell as the standard competent private-eye that loves trouble, sarcasm, and women. The mix thrusts the hero into precarious situations that outmatch the small town police force. In this case, Liddell suspects the town's Chief is paid to allow a criminal network to flourish, thus there's a good side story with Detective Lewis looking to overthrow the Chief to regain the town's trust. I particularly enjoyed the physical aspects of Liddell fighting a couple of Chief thugs in a jail cell. There's plenty of gunfire and fisticuffs to match Liddell's determination to honor Nancy even in death.
If you love this era's Mike Hammer and Mike Shayne then you will surely find plenty to enjoy about Green Light for Death. Get the original vintage edition HERE. Or, HERE in digital.
Friday, July 8, 2022
Johnny Liddell #06 - Bare Trap
Liddell is finishing up a case in San Francisco when he receives a phone call from series staple and love interest Mugsy. She asks if Liddell can take on a new case in Los Angeles before he flies back home to New York. A young actor named Shad has gone missing and his agent wants the investigation to be hush-hush. If they hire a local PI, the missing kid could make the papers and create a career misstep. With a chance to visit Mugsy in LA, Liddell takes the case.
Shad's agent is a guy named Richards, a fat loudmouth that explains that Shad is set to inherit a ton of money when he reaches the age of 21. There's hints that the kid is in some trouble, but Liddell thinks the disappearing act will solve itself. A few hours later, Liddell finds the kid riddled with bullet holes in the back.
Liddell's case transforms from a missing person's gig to a murder investigation. With the assistance of Mugsy, a local inspector, and a prolific columnist, Kane's hero runs a convoluted gauntlet of blackmail and deception. The road leads to Richards running a badger scheme where he uses a local honey to photograph high-profile Hollywood celebs. He then uses extortion tactics to push the celebs into writing IOUs, which Richards then turns into gambling debts to repay back the mob to settle his own sheets. Got it?
Frank Kane was notorious for recycling plots and Bare Trap is no different. In the series debut, About Face (Fatal Foursome), Liddell is hired to find a missing actor in Hollywood and receives help from a journalist and a coroner. The 'ole extortion bit using photographs or videos is an overly used genre trope, most notably Mickey Spillane's third Mike Hammer novel, Vengeance is Mine. Yet, there's a really abrasive tone to the novel – actresses with cut throats, multiple beatings, numerous fist and gun fights, a knife attack, and tons of shady characters - to keep the reader fully invested. While never particularly dense, I still had to consult a short list of characters to remember who everyone was.
Detective stories can be run of the mill, familiar, and stereotypical, but they still provide a lot of enjoyment for crime-fiction fans. Bare Trap is no exception.
Buy the eBook HERE.
Thursday, March 12, 2020
Johnny Liddell #04 - Bullet Proof
The novel begins with Liddell receiving a phone call from a woman named Jean Merritt. She wants a second opinion on her father's death by suicide. Fearing that he was murdered, Merritt requests to meet Liddell on a lone cross-street at 10:30 PM to discuss pertinent facts about the case. Only Merritt doesn't show, instead she is replaced by a black Cadillac filled with hardmen. In an explosive opening chapter, Liddell dives for cover as Tommy guns eradicate a phone booth and nearby store. During the firefight, Liddell is able to kill one shooter but the man's identity leads to a number of questions and an intense interrogation inside the police precinct.
Learning that Merritt wired a $500 retainer for his services, Liddell is determined to learn what happened to the woman and her father. With the help of a wise medical examiner and a tenacious reporter named Muggsy (a series mainstay similar to Mike Shayne's Lucy Hammilton), Liddell delves into the Merritt family's history and their early ties to organized crime. When Liddell gets too close to the truth, he becomes a running target for a number of assassins. With riveting gunfights in the streets and hotel corridors, the aptly titled “Bullet Proof” delivers the goods in grand fashion.
While I enjoyed the 1947 Liddell debut, About Face (aka Fatal Foursome), I found it to be mired in mystery mud with very little action. Kane takes a cue from Mickey Spillane's red-hot character of that era, Mike Hammer, and adds a prevalent edginess to this book. There's even a scene with Liddell punching a beautiful prostitute in a hotel suite. The author uses the familiar genre tropes – hazy cigarette smoke, copious amounts of alcohol – to provide a seedy, darkly lit nightlife for the hero to operate. The atmosphere, engaging investigation and intense action sequences contribute to what is essentially the best Liddell novel I've read. Bullet Proof excels on all levels.
Buy a copy of this book HERE
Wednesday, March 4, 2020
Johnny Liddell #01 - Fatal Foursome (aka About Face)
In the series' first three installments, Liddell is a New York City sleuth working for a detective agency called Acme. Later, the character would be an independent private-eye free from any pesky agency’s rules and regulations. In this series opener, Liddell has been summoned to Hollywood to investigate the disappearance of a pretty-boy movie star named Harvey Randolph. The client is a rotund, loud-mouthed producer who may have more than just a professional interest in the actor's exodus.
Liddell's procedural routine involves a lot of people, a lot of questions and a lot of alcohol. Once the protagonist finds Randolph, things escalate rather quickly. Everyone involved in Randolph's disappearance is suddenly wearing bullet-holes and Liddell fears he might be next. While teaming with a sultry reporter named Toni Belden and coroner Doc Morrisey, Liddell navigates a complex world of insurance fraud and body doubles. But is any of it really entertaining?
If you love detective fiction, then Frank Kane's literary creation is just right for the genre's era. There isn't anything overly complicated about the character – he's got the rod and know-how to discover who's taking the next powder. It's slightly humorous, overly fantastic (using the ol’ make-a-new-face-for-the-criminal-routine) and soaked with masculinity. While Liddell is one-dimensional, the pairing of Toni and Doc expanded the narrative to allow different viewpoints and theories on motive and murderer. I preferred their commentary more than the hero’s insights.
While certainly a mainstay in crime-fiction, Frank Kane's debut Liddell story is average at best. Maybe social media groups or a deep dive online could produce a “best of” list of preferred series reading. For me, the debut doesn't catapult Frank Kane into my next batch of books to read. There's so much better stuff out there.
Purchase a copy of this book HERE
Monday, March 2, 2020
Paperback Warrior Podcast - Episode 33
Listen to "Episode 33: Johnny Liddell" on Spreaker.
Wednesday, June 5, 2019
Johnny Liddell #05 - Dead Weight
Liddell is a stereotypical New York private eye with a smoked-glass office door and a sassy redheaded secretary. One day an elderly Oriental (remember: 1951) man visits Liddell with an interesting proposition. In exchange for $100, Liddell will safely store a package for the client, and return it when asked - no matter when the request is made. Neither Liddell nor the reader get to know the contents of the package when he agrees to this engagement.
Within a few hours of Liddell taking possession of the package, federal agents show up as his office with a warrant and seize it. Liddell sets off to identify and locate and notify his client (“the chink” - again: 1951) in Chinatown. Upon finding the client’s flophouse, Liddell enters the room and finds that the old man has been tortured and murdered in a particularly brutal fashion.
Things get even more interesting when it turns out that the men who confiscated the package weren’t actually feds, and the warrant they produced was a phony. Someone is trying to use Liddell as a patsy, and he’s not letting go of the case until he gets to the bottom of it. This is a great setup for a P.I. mystery. Can the author deliver a worthwhile, action-packed investigation and satisfying solution for the reader?
Not really. It was a decent private eye novel, but no one will ever confuse “Dead Weight” as being a classic of the genre. Liddell and his sidekick, a foxy newspaperwoman named Muggsy, follow a winding and convoluted route through the ins-and-outs of Chinese organized crime. The mystery’s final solution contains a national security curveball that I never saw coming, but that doesn’t make it particularly satisfying. Overall, I’d say that the novel failed to live up to the promise of the excellent opening chapters. As a reader, you deserve more.
Buy a copy of this book HERE