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Monday, May 17, 2021
Paperback Warrior Podcast - Episode 89
Friday, May 14, 2021
Make My Bed in Hell
While Make My Bed in Hell has a rather simple storyline, Sanford's presentation is very dynamic. In a rather unique and innovative style, Sanford writes the whole book as fragmented parts that are placed in various time periods. To add even more complexity to his prose, the author often doesn't identify which characters are talking. The reader is challenged to determine the dialogue's source instead of following a simple “he said” or “she said” formula. While I found myself perplexed at the peculiarity, the concept was a refreshing reading experience.
When the novel begins, middle-aged Aaron Platt walks a snowy path to his barn. It is there that he finds a frigid man lying in an empty stall. In what appears to be a rather cold-blooded response, Platt allows the man to shiver through the night with very little food or water. As night turns to day, Platt's past is presented to readers in jagged sequences. These are dark, extremely depressing visions of Platt's childhood, his endearing mother, and the brutality thrust upon his family by his aggressive and unyielding father. The harsh elements of childhood bullying, family abuse, death, and poverty is presented as a parallel portrait of a rugged, impoverished farming community that faces immense financial adversity.
Sanford really shined as a complex, but readable, young author that had a unique voice. Considering the wealth of literature I have devoured over 30 years, I've never read a novel like this one. Despite its 1939 conception, the book is seemingly timeless considering America's rural towns and communities that are still struggling with financial distress, lack of government funding, and an aptitude that fighting with each other is sometimes the best solution to life's most difficult oppositions. Sanford's characters are hardened by strife and the land they plow and that gritty combination affected me long after the final pages were read. Make My Bed in Hell is the main character's outlook on his tumultuous life and a fitting title for such a poignant literary novel.
Buy a copy of this novel HERE
Thursday, May 13, 2021
Race Williams #09 - I'll Tell the World
As the story opens, Race is broke again and hoping for a new client in search of a “confidential agent” for hire. While browsing through the newspaper classified ads, Race sees a coded message that reads:
“Tom: As promised, 69th C.P.W. Two’s day. Eleven years old. Frantic. Dorothy.”
Race smells an opportunity to make some money and his decoding of the message sends him to a Manhattan street corner where someone else’s clandestine meeting is taking place Tuesday at 11pm. Hiding in the shadows, he witnesses a lone woman being abducted by two men who toss her into their car. Ever the stealthy sleuth, Race follows quietly behind.
The confrontation between the kidnappers and Race only serves to deepen the mystery and underscores the depravity uncovered by sticking one’s nose where it doesn’t belong. For her part, Dorothy the kidnap victim is filled with secrets and appropriately skeptical of trusting Race, the stranger who saves her.
The main mystery of “I’ll Tell The World” is: What chaos has Race stumbled upon here? Why the classified ad? Who are the powerful people behind Dorothy’s kidnapping? And what is their agenda? Without a paying client, Race pursues this because he is curious. Just like the reader. Eventually, his curiosity is rewarded with a paying client who engages him to investigate the matter.
And that’s where the story loses its way. Daly falls for the trap of many early 20th Century mystery writers and creates a confusing and labyrinthian plot that is hard to follow and a pain to read. Race’s swagger remains but the plot lost me at the novella’s halfway point. I’m not giving up on Race Williams, but this installment was a bumpy ride best forgotten.
Buy a copy of this HERE
Wednesday, May 12, 2021
Panic!
In Panic!, five characters are placed in extreme situations where they are forced to behave in different ways to survive. In essence, it's a gritty, fast-moving crime-noir that checks off mostly everything one needs for the genre: beautiful woman, drifter on the run, a veteran cop and two deadly criminals. Pronzini's prose is fast-paced with most of the attention on the present, although the narrative thankfully explains a few important elements from each character's past that helps to connect the readers to these four men and one woman.
This short book is divided into four days and first introduces readers to a drifter named Lennox. Using a variety of names, Lennox is on the run from a failed marriage. During the divorce, Lennox is ordered to provide nearly his entire life's savings and assets to his ex-wife including a sizable amount of monthly alimony. Refusing to pay, Lennox leaves town and is now penniless and stranded in a dusty desert town called Cuenca Seco. Earning three hots and a cot, Lennox begins working for the town's cafe owner for a few days. While Lennox is working in the cafe's basement, two hitmen arrive to empty their guns into the cafe's owner. Lennox, being the only other party in the cafe, sees and hears the event and immediately runs into the desert to avoid the two killers.
In separate parts of the narrative, the two hitmen are introduced – one a seasoned, veteran killer and the other a wet-behind-the-ears apprentice learning his new profession. Also, there's a woman named Jana, an accomplished artist and author who, like Lennox, is also on the run. Although her situation isn't illegal, she's running from an affair in New York that has placed her career on the rails. She's arriving in Cuenca Seco to spend a quiet week writing the book that will meet deadlines and urgent requests. Unfortunately, she journeys into the desert to study rock formations on the day of the killing. After a dehydrated, panicked Lennox runs to her in the desert, she's unwillingly caught up in the deadly chase – two people with no food and water on the run through a dry wasteland as killers track them down.
Then there's Brackeen. He's the real star, although his role is a bit underplayed due to the nature of the character. In a rather mesmerizing backstory, the author shows Brackeen as a veteran police officer in San Francisco. On a really horrific day on patrol, Brackeen's career as a police officer comes to a screeching hiatus. After years of alcohol and depression, Brackeen attempts multiple careers in multiple places before finally putting down stakes in Cuenca Seco. Due to the lack of crime (and people for that matter), the town makes Brackeen a deputy. The former big city cop spends most of his day patrolling the desert and getting slouched. However, once the cafe owner's body is found, Brackeen is propelled into the story as a lovable loser. The state authorities refuse to accept his plausible – and very accurate – proposal of why and how the cafe owner was murdered. His validity as a creditable asset to the community is questioned due to his alcohol abuse and downtrodden lifestyle.
There's so many things to love and enjoy about Pronzini's simplistic storytelling. The quest for freedom, overcoming adversity, retribution, the replacement of heroes and the mere idea that the average citizen's best approach to fixing a problem is self-realization. Pronzini's desert locale is symbolic – it's two characters running through life without the emotional resources to contend with complexity.
Pronzini is always solid and Panic! is just another testament to his strengths as an author. Despite one scene presented as outrageously preposterous in 2021 (blatantly obvious to today's reader), the novel has aged well. Whether you love hard-charging crime-fiction or gritty character studies, this brisk novel is just fantastic.
Buy a copy of this book HERE
Tuesday, May 11, 2021
Branded
Three years ago, protagonist Rock Kendall owned a large spread of acreage and cattle in Texas with a business partner named Ash Carlton. Unfortunately, greedy Carlton killed a young woman and framed Rock for the murder. Eliminating Rock from the business, Carlton had complete power and control of the ranch. Now, Carlton has expanded his empire into New Mexico using lies upon lies to prepare for a possible state political seat. Rock, a fugitive from justice, rides into New Mexico looking to clear his name and bring Carlton's criminal enterprise down.
Meinzer's writing is just superb as she uses the proverbial “cattle rustling” sub-genre of western storytelling to create an effective and exciting plot. Rock's quest for justice is riddled with obstacles, painful and deadly reminders that guilty until proven innocent was often the frontier's unfair justice system. Through a series of gunfights, fisticuffs and horse-chases, Rock carefully balances two possible love interests – one an untamed wildcat and the other a soft-spoken lady. The hero's twisting turmoil is center stage while Meinzer distributes possible allies and friends as support through the narrative.
Branded is delivered with solid storytelling that stays true to the roots of the genre. The lone hero's battle against the vile villain is a traditional concept - good versus evil in the mountains and plains of an unjust frontier. With its balance of romance and violence, Branded is sure to please western readers.
Buy a copy of this book HERE
Monday, May 10, 2021
The Outcasts
Jennie is a twenty-something New York woman married to an aspiring artist named Brian. They have had a rocky marriage stemming from a failed pregnancy but remain together to avoid an embarrassing divorce. Brian's sexual urges have led him to months of infidelity while Jennie struggles to control her personal desires and sexual frustrations with Brian. As the novel begins, Brian rapes Jennie before instructing her to accompany him to an art show where his work is being shown.
It's at the art show where Jennie is introduced to Brian's business advocate, a luscious, sexually-charged woman named Leigh. In forced conversation, Jennie learns from Leigh that she has had sex with Brian, thus the personal interest in his below-average painting talents. Leigh and her husband are extremely wealthy and they invite both Brian and Jennie to the couple's swanky seaside mansion for the weekend. Jennie, caving to her desire to learn more about Leigh, accepts the proposal despite her white-hot anger with Brian.
As the wet and wild weekend getaway unfolds, Jennie spirals further into her sexually repressed feelings. The first night at the mansion, Jennie witnesses Leigh and Brian engaged in sexual foreplay, a not-so-shocking discovery that leads Jennie to pleasure herself while watching Brian from a window. Jennie's instinct is that Leigh is toying with Brian, perhaps using him as some sort of bizarre and ritualistic way to attract Jennie. Needless to say, The Outcasts takes a turn into full-on lesbian affairs as Leigh and Jennie realize they are both sexually starving from frustrated heterosexual relationships.
The Outcasts, as a 1961 seedy paperback, isn't remotely graphic by today's standards, but Singer writes in a provocative way that is visually stimulating and somehow still timeless. Regardless of whether you like lesbian pulp-fiction (newsflash: this is my first foray into it), The Outcasts has this riveting subplot that involves Leigh's freakish husband. As the novel ascended from kinky foreplay into heightened arousal, Singer successfully incorporates an element that is mostly found in Gothic Romance – the beautiful young woman trapped in the mansion of doom. Leigh's odd basement combined with her equally odd husband added a sense of panic and fear to what would otherwise be a tame lesbian romance. I believe this additional element upsold me from liking to loving this book. Based on sheer reading pleasure, I'll be reading more of Sally Singer's literary work.
Buy a copy of this book HERE
Friday, May 7, 2021
The King of Horror & Other Stories
While I enjoyed the entire collection, here are some highlights:
“Last Stand” features Blaze and Kate, a unique pair of mercenaries who are married to each other. This gritty duo travels the world, accepting contracts to guard stagecoaches, participate in various revolutions or just killing selected targets. After a long career of blood and bullets, Blaze and Kate eventually saved up enough to retire to Mexico. When the story begins, they are both attempting to cross the border, but are ambushed by Native Americans. Through 11 action-oriented pages, the two of them attempt to shoot their way out only to be plagued by wave after wave of warriors. It's really a last stand for Blaze and Kate as Mertz places these characters in an extreme position to test their love for each other. This is an effective story that shows the powerful force of love through overwhelming adversity.
Like “Last Stand”, the Vietnam War story “Fragged” again showcases Mertz's interesting outlook on marriage and the ties that bind. “Fragged” features Cord McCall, an investigator working for the U.S. Criminal Investigation Division in Saigon. McCall investigates homicide, desertion, robbery and other crimes committed within military ranks. Interestingly, McCall's wife is also in Vietnam as a war reporter. The two find themselves in Firebase Tiger, a military installation where McCall is responsible for a homicide investigation. A lieutenant-colonel in the 13th Infantry Battalion was killed by a hand grenade in his own barracks. It is up to McCall to determine if this is an enemy penetration or if someone within the battalion committed the murder. It is a great return to the golden age of the mysteries of the locked chamber – which, why, where, how. Also, there is Mertz's signature of sandbags, guts and bloody warfare. These two characters also appear in another included story called “Chez Erotique” as well as Mertz's novel Saigon Homicide.
Mertz says that “Talon's Gift” is the nastiest story he has ever written. It's not so much nasty as it is violently shocking. The narrative features a suburban couple named Talon and Evie. When Evie departs to the movie theater, Talon begins to spin the cylinder of his .38 while explaining to readers (and himself) that Evie has been unfaithful. There's some backstory on the neighborhood and the couple's neighbor Pete. The most intriguing part for me was Talon's profession. I won't spoil the fun for you. It's an enjoyable read.
The book's centerpiece is “The King of Horror”, a short-story that Mertz penned about his friend and longtime author Michael Avallone (1924-1999). In many ways the main character, established horror author Rigley Balbo, is Avallone. Mertz's line, “A man who was cheated and pushed aside by these grubby, Johnny-come-lately punks and their million-dollar contracts and their New York Times bestsellers”, perfectly describes the peaks and valleys of Avallone's career. In first person narration, Balbo explains that he was an A-lister early in his career before the publishing market dried up. Crummy distribution, poor advances and strangled sales have plagued Balbo's career for a decade. Needless to say, Balbo's household name tarnished along with the relationship with his publishing agent. Like one of those old Alfred Hitchcock stories, Balbo has a plan to get even with his agent, a grand scheme that will vengefully heal his heart and mind. However, Mertz pitches a wicked curveball to delightfully wreck Balbo's plan. I loved this story and it's one of those rare “industry insider” stories that jerks the curtain on the hectic and turbulent publishing world.
There are so many great stories in this collection, from Mertz's tribute to the pulps with “The Lizard Men of Blood River” to the slick and violent “The Death Blues”. The compilation showcases all of Mertz's skill and passion - violent storytelling with a powerful sense of love, loss and regret. It was a real treat to find Mertz submerged in many different genres and styles. King of Horror & Other Stories is a real showpiece of skill and craftsmanship. If you've never stepped out of Mertz's Mack Bolan world, this is your certified encouragement to delve into this author's deep literary catalog. It's a dive worth taking.
Buy a copy of this book HERE
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