Boy-Lover

Charles Boeckman (1920-2015), a celebrated jazz musician, authored short stories for the pulps and digests through the mid 20^th century. He also wrote paperbacks including mystery, western and suspense. In his autobiography, Pulp Jazz: The Charles Boeckman Story, Boeckman elaborates on the name Alex Carter, a pseudonym that he used to author a number of racy romance novels. In the book, he says he didn't want readers to connect these novels directly to him. He learned of Robert Turner, an author for the publisher Beacon, spending a night in jail for writing “pornography.” He didn't want to experience the same fate. It's a real shame that readers couldn't connect Boy-Lover to Boeckman considering its quality. It was published by Beacon in 1963 with a painted cover by Clement Micarelli.

Babs is in her late 20s, has a ravenous sexual appetite, and is mired in the suburbs with her tired, complacent husband Art. Instead of providing Babs hours of ecstasy, Art's idea of a good time is hosting tame neighborhood parties, discussing mechanical issues concerning  the couple's car, or just sleeping like a log. Babs is craving the sins of the flesh and has horny housewife eyes on a young mechanic named Jack.

Jack recently graduated high school and is now working at the local garage. When he delivers Bab's repaired car to her house, he is shocked to find her sunbathing in the nude while Art is at work. Babs slaps the seduction on thick as the experience increases from lemonade to dancing to bedroom antics as Jack loses his virginity to this gorgeous married woman in grand style. But, as you can imagine, Babs and Jack aren't fulfilled with just one encounter. Soon, they are sneaking out to do the nasty in abandoned parking lots, the closed mechanic's shop, and eventually into an apartment outside of town. It's here that Babs and Jack are shocked when their affair is revealed.

Boy-Lover isn't explicit by any stretch of the imagination. It's all PG-13 if it was released today. Boeckman's novel works exceptionally well as a character study – Jack as the inexperienced youth experiencing an accelerated maturity and Babs as the frustrated housewife that feels no purpose. The two need something from each other, but it isn't an emotional connection. Their responses to changes in their lives is met by sex – simply sex, nothing more and nothing less.

Boeckman takes readers through the rocky relationship that Jack and Babs feel. We feel Jack's frustration as a mechanic in a new town - the low wages, the impending poverty, the scorching cement – and sympathize. In many ways, this 1963 glimpse at the lower-class hasn't changed. It's timeless as these problems are eternal for generations of Americans. Jack contemplates the money left over on payday and has to decide if his last savings should be spent on a movie and popcorn. Alternatively, the upper middle-class Babs realizes what blue-collar money is worth. She is used to expensive cars, fine dining, and the ability to shop for high-quality wine and clothes. She faces a new awakening under Jack's small, but hard-earned, salary.

Boy-Lover is way better than it ever has a right to be. The cover is gorgeous, but it doesn't do the author or the publisher any real justice. This is just a fantastic novel that makes you feel a responsibility to the characters. On the last page I felt the impact of these two lovers and the impromptu life they led. I felt their emotional connection, their financial struggle, and the challenges they faced in an unconventional relationship. In a way, this is Boeckman's take on youth, the end of innocence, and the daunting threat of impending adulthood. I really enjoyed it and I think you will too. Recommended!

Strictly Poison and Other Stories

Charles Boeckman (1920-2015) learned to play clarinet and saxophone through listening to records and studying fingering boards. His musical talent made it possible for him to play and write New Orleans jazz for 70 years. However, it was not his only occupation. Boeckman sold his first short story in 1945 and contributed regularly to Alfred Hitchcok's Mystery Magazine, Manhunt and pulps like Detective Tales, All-Story Detective and Dime Mystery. In the 1980's, he partnered with his wife Patti to write 25 love novels. 

In 2015, Bold Venture Press of Florida captured 24 short stories from the author in a massive volume entitled Strictly Poison and Other Stories. The book consists of four pages of commentaries by Boeckman shortly before he died. In addition, the publisher includes small cover pictures of many digest magazines and pulps that these stories are harvested from. I listed some capsule reviews from some of my favorite stories:

"Should a Tear Be Shed?" was originally published in 1954 by Malcolm's. It is a success story that focuses on the rise of a tap dancer named Lawrence Terrace Jr., a young man that suffered a brain injury when a truck ran him over. When a shyster named Jess Norvell catches Lawrence dancing by a bar jukebox, he puts together a scheme. First, he befriends Lawrence, then has an insurance policy placed on the young man for $50,000 (double indemnity for an accident) with himself as beneficiary. The next logical step is to get Lawrence accidentally killed. However, Jess' girlfriend, Candy, does not endorse the scheme and repeatedly tries to warn Lawrence that Jess is using him for financial purposes. Like any good story of suspense, Boeckman intensifies the tension with multiple attempts at murder. It's an explosive, though not surprising, climax. I loved the story and read it twice.

"I'll Make the Arrest" was one of Boeckman's most successful stories. It appeared in the very first issue of Manhunt (Jan 1953), one of the most highly-regarded digest magazines. The story was also adapted to the television program Celebrity Playhouse in 1956. This is an unusual story involving a police detective named Mike O'Shean tracking down the killer of a beautiful female celebrity. O'Shean has a particular need to locate the killer and, despite the title of the story, has no intention of arresting him. I love how Boeckman, in first person narrative, advises readers of O' Shean's motives: "I went down into the night and where it was dark and alone; I checked my gun because I was going to kill this boy who had strangled Pat." But, the author throws the obligatory curveball and it was a twist I didn't see coming. This was so unique and Boeckman delivered it perfectly with a smooth prose.

Boeckman's musical career contributed to "Run, Cat, Run", a 1949 story initially published in Dime Mystery. The story is about a trumpeter named Johnny Nickle fleeing a murderer. It's a suspensive tale about the musicians who appeared on a hit record called Jazz Date. Unfortunately, all the musicians on the album died mysteriously but Johnny. While frantically jumping from one town to another, Johnny manages to make ends meet by performing dive bars and jukes. But his luck runs out in Texas when a lady with a gun walks into his hotel room. Is she the killer? Or is she also running from a murderer? The story comes to a close on the shore of Corpus Christi Bay. I have always enjoyed novels and stories in the music industry and Boeckman used this aspect well. "Run, Cat, Run" was a real high point to me.

I wouldn't have the blog space to write spacious reviews on all of the high-quality stories included in this volume. Fantastic entries like "Ybor City" (1953 Manhunt), a gritty revenge story set on Florida's Gulf Coast or the wickedly humorous "Strictly Poison" (1945 Detective Tales) is worth mentioning. Even Jacksonville, Florida, otherwise known as the Paperback Warrior headquarters, plays host to the murderous terror of "Class Reunion" (1973 Alfred Hitchcock Mystery Magazine). 

In the early 1950s, renowned writers such as Day Keene, Gil Brewer, Harry Whittington and Talmage Powell moved to Florida's Gulf Coast. Boeckman spent several weeks getting together with his colleagues at Day Keene's house to talk about the industry. I feel that Boeckman deserved to be there with crime-noir royalty. He was just a fantastic storyteller and had a knack for portraying broken and financially strapped characters in his story. Whether they were avenged, killed, successful or simply unlucky was in the imagination. Thankfully, Boeckman had it in spades.

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Traded Wives

Celebrated jazz musician and author Charles Boeckman authored crime-fiction short stories and novels using his own name through the mid 20th century. However, using the pseudonym of Alex Carter, he authored racy, sexually-charged romance paperbacks for publishing houses like Beacon. I've enjoyed his writing, especially his Alex Carter novel Boy-Lover (1963). I recently purchased another Carter novel, Traded Wives. The book was published in both the US and Canada simultaneously in 1964. The American version was published through Beacon (8711X, cover artist unknown). The Canadian version by Softcover Library (S95157) recycled Clement Micarelli's painting from Orrie Hitt's 1962 novel Love Thief.

The novel presents three couples and a single woman living in a new housing community called Garden Acres. Each of the couples is struggling in various ways that revolve around intimacy. Boeckman depicts each marriage through revolving chapters that explain each character's backstory, the evolution into marriage, and the physical wants, desires, and jealous rage within this sexual suburbia. 

Debbie and Bobby have just moved into Garden Acres after graduating from high school and becoming pregnant. Their parents are wealthy, respectable contributors to the community that can't afford any negative influences. They immediately force the two kids to become married and quickly convert the couple into expecting, stereotypical middle-class suburbanites. The problem is that Bobby is still running around with the town's young hotties and Debbie isn't thrilled to be settling down after bedding down the senior class's male students. That's a real problem.

Charles is an alcohol distributor and sales rep that travels the back roads of America selling booze. He smokes cigars, drives a Cadillac, and has a loud-mouth that mostly spews dirty jokes. After meeting backwoods country girl (and virgin) Barbara Lee, he talks her into marriage and they quickly move into  the thriving sexual landscape of Garden Acres. Barbara Lee wants to pursue a college education and learn more about the modern world. After conquering Barbara Lee, Charles sets his eyes on his neighbor Cheryl. 

Tony is a white-collar guy living the American dream – playing golf on the weekends, mowing green grass, and relaxing in the shade with his newlywed wife Cheryl. The problem is that Cheryl isn't into sex, thus creating a physical barrier between the two. Tony is sexually frustrated with Cheryl and she is equally angered with his insistence on intimacy. 

Boeckman was just such a great storyteller of these noir novels. Despite the titles and covers, these novels aren't any different from a Nora Roberts novel today. There are no graphic sex scenes or much (if any) profanity. In cinematic ratings, these are probably PG-13. But, that doesn't make them any less intriguing or enjoyable. 

The story-lines are detailed with plot and character development that's simply superb. The narrative thrusts these unhappy couples into a wild mix of sex, fantasy, and appeasement. Debbie with Tony and Bobby, Cheryl with Tony, Charles with Cheryl, and Bobby with a divorced, sexually starved woman named April. It's a mingling of affairs and it's fantastic. I also enjoyed the “crime-noir” aspect of Tony, Charles, and Cheryl's love-triangle. It becomes violent and engaging and is probably the real highlight of the novel. The end result is that Traded Wives is highly, highly recommended. 

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Paperback Warrior Podcast - Episode 89

On Episode 89 of the Paperback Warrior podcast, Eric takes the reigns for an action-packed 45-mins of vintage paperback discussion. The show hits the road to visit an exciting pulp convention in Fort Lauderdale, Florida. Also, a feature on the life and work of author and jazz great Charles Boeckman. Plus: shopping, Bold Venture Press, Theodore Pratt and a surprise visit! Listen on any podcast app, paperbackwarrior.com or download directly HERE

Donate to the show HERE 

Listen to "Episode 89: Charles Boeckman" on Spreaker.

Change Partners

Celebrated jazz musician Charles Boeckman (1920-2015) authored crime-fiction novels, westerns, and short stories for the pulps and digests in the mid 20th century. Using the pseudonym Alex Carter, Boeckman authored racy sleaze novels for Beacon Books. I read, enjoyed, and reviewed two of these novels, Boy-Lover (1963) and Traded Wives (1964). I thought I would try another one, Change Partners, originally published in 1963.

In 1960, Ernest Evans, known as the famous singer and dancer Chubby Checker, released a cover of Hank Ballard's song “The Twist”. The song, and Checker's dance move, lit up the club floors and had incredible success on radio. But, “The Twist” dance was considered pretty provocative for 1960. 

In Change Partners, Les Kennedy arrives home from his photography studio to find his suburban housewife Vicki doing the Twist dance in his living room. The way her hips and buttocks twist and shake puts Les into an immediate sexual surrender. After the two make love, they agree to head to the local country club to dance the night away. It is here that Les gets drunk and Vicki gyrates with a used car salesman. Spotting his wife's sexy dance moves on the floor with a stranger, Les makes a club spectacle by dragging her to the car and back home. Things aren't looking good for the Kennedys.

Pretty soon, the club incident spills over into marital disharmony when Vicki begins an affair with the used car salesman from the dance. In retaliation – you know where this is going by the title – Les strikes up an affair with the couple's friend and dance instructor Sybil. The married couple's sexual encounters with other people makes up the bulk of the narrative.

Before you start thinking this story seems tepid and dull, let me remind you that this sort of novel isn't a far stretch from what Gil Brewer and Orrie Hitt were doing with their own sexy crime-fiction. Arguably, those authors created crime stories with the real focus being the tumultuous affairs and sexy flirting to propel the plot. Boeckman is just missing the crime element in his books, but to be clear there is a crime committed in Change Partners that provokes some jail time for the main character. But, it isn't anything exceptional. Instead, the author pursues the hot chemistry and sex (never graphic) that the characters experience as their marriage deteriorates. The emotional baggage, insecurities, guilt, and motivation to adultery is what makes the narrative twist and turn to the literary music.

Like Boy-Lover and Traded Wives, Boeckman pens another gem with this portrait of suburban marital Hell. If you enjoy the riches-to-rags fall from grace noir that stems from crime-fiction, then you'll love this book. Recommended.

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Motel Trap

The book is called Motel Trap, with a blurb suggesting its contents are prostitutes, pimps, and sex elements. But, the whole “motel” thing happens on page 147 of 155 pages. You might ask what the first 147 pages of the book are about, right? Try this on for size – its about the pantyhose industry. 

Motel Trap is essentially an episode of Mad Men as protagonist Dave Shelton wheels and deals his company's silk pantyhose to retail chains hoping to reverse the company's downward spiral. The narrative focuses on marketing ideas, photo shoots, women's catalogs, etc. Not exactly provocative or riveting reading.

Western novelist Lee Floren, who authored Motel Trap under one of his many pseudonyms, Matt Harding, was well outside of his element to tackle softcore, sleazy romance titles. This novel was published by Beacon in 1962, a company that was notorious for hundreds of romance paperbacks, each with gaudy blurbs like, “Her office was a motel room!” 

Kudos to Floren for at least attempting to write a serious novel, like Beacon's own Charles Boeckman, who was writing the same type of books for the publisher as Alex Carter. But, unlike Boeckman, Floren's novel is predictable, penned in a pedestrian style that doesn't captivate the reader. 

While its not a Hall of Shame candidate, Motel Trap is certainly lodging in the vicinity. Unless you are collecting this stuff, with “artist unknown” cover art, then for God's sake just stay away. 

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Bait

According to his bio, William E. Vance (1911-1986) taught creative writing and worked for the Federal Aviation Administration in Utah. The author's short stories first appeared in the early 1950s in magazines like Argosy and Esquire. He turned to paperback originals, penning over 40 novels including western and crime-fiction. Using the pseudonym George Cassidy, he authored more racy romance novels including The Flesh Market, Wanton Bride, Assignment: Seduction, and Sin Circus. Stark House Press chose his 1962 novel Bait to reprint as Black Gat Books #59.

Melody Frane is 17 years old and living in a one-room shack on an Arizona migratory farm. Daily, she performs hard labor and arrives home to hear the rhythmical sounds of a squeaky mattress holding her drunk mother and a hoodlum. Melody wants out, and she has the knock 'em dead good looks to rise above her sorrowful lifestyle. Her meal ticket might be Harry Ransome. 

Harry is the town's wealthy entrepreneur, holding the keys to the city through real estate, investments, and solid business savvy. However, most of his success comes from swindling young women like Melody as special concessions to close the big deal. When Harry propositions Melody for the big plays, she hesitantly accepts. Soon, she's wining and dining in Los Angeles while attending a performing arts school that hopes to firm up her mind and soul to deliver the goods. She's forced into uncompromising situations with Harry and his business associates while pining for the real love of her life, a hard-working pilot that works for Harry.

Bait was originally published by Beacon, a sleaze publisher that mostly offered very tepid sex scenes (what we would consider PG-13 today) peppered through a gripping human conflict story. Author Charles Boeckman wrote some of the best Beacon paperbacks as Alex Carter, and Bait sort of falls into the same overall theme. Vance presents the glitz and glamour of the high-dollar white-collar, but underlines it with a blue-collar “fish out of water” story of a small-town girl pressured into unfamiliarity. As a breezy read, take the Bait and enjoy. Recommended. 

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Back Alley Jungle

Leo Margulies (1900-1975) is a familiar name in the world of pulps, MAMs and digests. Originally from New York, he started as a researcher for 20th Century Fox before becoming the editor of Ned Pines' Standard Magazines. Along with magazines like Mike Shayne, Popular Detective and Thrilling Detective, Margulies also compiled and edited a number of anthology collections including Back Alley Jungle. This 1960 collection of short stories was initially published by Fawcett Gold Medal under the Crest brand name. Here’s some highlights:

Ed McBain (written under the name of Richard Marsten) is the author of the 1952 story entitled “Carrera’s Woman”. In it, a man named Jeff has been working the oil fields in Mexico. After many hard years, Jeff amassed $10,000 in savings. Before returning to America to start a new life he was robbed by a co-worker named Carrera and his girlfriend Linda. When the story starts, Jeff takes Linda hostage behind big rocks. Carrera is across the dry gulch firing futilely into the rocks hoping to kill Jeff and reclaim Linda. During the night, the three parties are at each other's throats with both sides taking potshots across the gap. But the story changes fast as Linda starts to seduce Jeff. Is this an escape strategy or is she sincere in her sexual advances? This is the ultimate question McBain is asking, and it's such a tempting one. I really liked this story and it's a key part of the collection. 

In Steve Frazee's 1953 "Graveyard Shift" story, the close narration focuses on a busy police dispatcher on a late night shift. When a woman holding a gun enters the police station, this lone dispatcher is ordered to place all of the city's patrol cars in one section of the city. The woman's motive becomes clear when the dispatcher locates the pattern - she's purposefully maneuvering the police away from the local casino. Involved in this complex case, it is up to the dispatcher to use code words so that officers redirect efforts to the casino. This is a really unique story that presents a rare, but deserving hero - the police dispatcher.

The longest and most enjoyable story is Richard Deming's 1955 short "The War". This starts with a woman named Janice entering the Rotunda Club, a posh casino owned by Clancy Ross. After a talk and a call upstairs, Clancy greets Janice in his office. In short, Janice is the widow of Clancy's old Army buddy from the Korean War. She explains to Clancy that her husband witnessed a mob slaying and was later gunned down by killers working for a syndicate kingpin named Lawson. During the exchange, the Mob framed Janice so that she would appear as a frustrated wife who shot her husband during a heated argument. After the arrest, the Mob posted bail for her in an effort to then kill her in a way that would resemble suicide. With no friends or allies, Janice fled to Clancy hoping he will keep her safe. This violent and explosive story features Clancy at odds with Lawson over the woman's safety. But is there some secret about her? Deming was a great storyteller and “The War” is absolutely awesome. I can't say enough good things about it.

Other authors appearing in this compilation are Jonathan Craig (Frank E. Smith), Dan Sontup, Mann Rubin, Charles Boeckman, Robert Turner and Don Stanford. There's an additional Ed McBain story titled "Clean Break" that's listed under the pseudonym Hunt Collins.

At 150-pages and 10 solid short-stories, Back Alley Jungle is an absolute joy to read and a fairly affordable used paperback considering the era and publisher. Highly recommended.

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