McHugh #02 - It's Murder, McHugh

The McHugh series of American spy novels was a five-book series originally published between 1959 and 1962. The author of the McHugh books was a colorful, hard-drinking character named Jay Flynn (1927-1985). The first four books in the series remain available as affordable ebooks, including the second installment, It’s Murder, McHugh from 1960.

McHugh is a spy for the Pentagon who spends his time working in a San Francisco bar awaiting his next assignment from D.C. This case finds McHugh dispatched to Mexico to find two missing Navy pilots from the same jet squadron and a missing supersonic fighter jet. The Department of Defense doesn’t know if the men are alive or dead, guilty or innocent, and it’s McHugh’s job to figure out the truth.

The missing pilots are Nate Bramhall and Donald Long. Before they disappeared, they were both sharing the same woman, Nate’s wife Peggy. McHugh thinks that Peggy may be the key to this mystery as she recently drove to Mexico and has a history of radical leftist politics. When McHugh tracks her down in a small Mexican village, she’s changed her hair color and is otherwise acting quite squirrelly.

While in Mexico, McHugh is joined by his seaplane-flying sidekick and a freelance soldier of fortune with questionable loyalties. The search for the missing pilots and the jet uncovers a sinister Soviet plot with high stakes for Mexico - and the U.S. - requiring some expert thwarting. The author writes good action sequences, but he relies on seaplane travel way too much to push the messy plot forward.

As long as you control your expectations, It’s Murder, McHugh (a crappy title that doesn’t fit the book) is a fun way to kill a few hours. It’s slightly better than an average Nick Carter: Killmaster novel but nowhere near as good as the espionage fiction of Ian Fleming, Donald Hamilton or Edward S. Aarons. There’s nothing particularly wrong with this paperback, but it’s also nothing you should be eager to tackle. 

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Nolan #01 - Bait Money

The Nolan series by Max Allan Collins lasted for nine installments stretching between 1973 and 2021 with some sizable gaps in there. The books are a pastiche of the Parker series by Donald E. Westlake/Richard Stark written with Westlake’s blessing. Hard Case Crime has reprinted the first two installments in one volume called Two for the Money, but I’m starting with the opener, Bait Money from 1973.

As we meet Nolan, he’s a 48 year-old professional heist man recovering from a bullet wound with a dame while feeling sorry for himself. Sixteen years ago, Nolan made enemies with a mid-level Chicago mobster named Charlie, and he’s been dodging and catching bullets from the guy ever since. Through an intermediary, Nolan attempts to broker a truce with Charlie so he can retire from the heist business in peace and run a nightclub without looking over his shoulder.

Finding peace with Charlie comes with a price of $100,000, and the only way to get that kind of cash is to pull one more job. Nolan teams up with three amateurs (always a mistake in heist fiction) to knock over a bank in Davenport, Iowa. Collins populates the paperback with an outstanding supporting cast of underworld characters and bumbling wannabes. The heist planning section is particularly rewarding, and the robbery and aftermath both contain many Grade-A action set pieces.

Overall, Nolan is a more vulnerable character than Stark/Westlake’s stoic Parker, but the differences really worked well. The story structure was similar, and I can’t imagine anyone liking one series and not liking the other. I’m told that Bait Money flows nicely into the second book, Blood Money, so I’m excited to dive back in for more Nolan action.

Addendum: The Nolan Novels in Order

• Bait Money (1973)    

• Blood Money (1973)

• Fly Paper (1981)

• Hush Money (1981)

• Hard Cash (1981)

• Scratch Fever (1982)

• Spree (1987)

• Mourn the Living (1999)

• Skim Deep (2021)

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The Kid I Killed Last Night

Before he was a successful paperback crime novelist, Day Keene (real name: Gunnard Hjertstedt) was a successful author of short stories in the pulps. Reprint publisher Ramble House has released their seventh volume of Day Keene short stories called The Kid I Killed Last Night named after the story from the September 1949 issue of New Detective Magazine. The 20-page story, reviewed below, originally appeared under the pseudonym Donald King.

Steve Breen is a cop who awakens after narrowly escaping death the night before in a shootout with a street punk. The punk got the worst of it, and is now in the morgue thanks to Breen’s pistol proficiency and more than a little luck. The punk had been stealing a car while high on reefer (it makes people nuts, you know) and opened fire on Breen, a mistake the kid won’t make twice.

Breen is hardboiled as hell, but the killing of the punk has him thinking about everything that’s wrong and corrupt about his city. Due to staff shortages at the department, its incumbent upon Breen to investigate the background of the kid he killed the night before. His personal mission is to find the guy who supplied the kid with dope as well as the local monster who buys the hot cars from the city’s delinquents.

Breen’s investigative technique usually involves knocking the teeth out of the mouth of the wise guy he’s questioning. His brutality is reminiscent of the 1970s serial vigilante paperback heroes such as Mack Bolan. Instead of going after the juvenile delinquents in his town, Breen targets the corruption and culture that turns idle teens into violent criminals.

Overall: a compelling story that was plenty fun to read. It made me want to check out more Day Keene pulp content. Thanks to Ramble House, there’s no shortage of his stories collected for modern readers to enjoy. Recommended.

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The Specialist #02 - Manhattan Revenge

Horror, action-adventure, and science-fiction author John Shirley used the pseudonym John Cutter for an 11-book vigilante series in the 1980s called The Specialist. I read and enjoyed the series debut, A Talent for Revenge, and have waited long enough to revisit this series. I'm picking up chronologically with the second installment, Manhattan Revenge, originally published in 1984 by Signet.

The early installments have a through-story that neatly allows hero Jack Sullivan to fight the villain of the week while still staying on task with his life’s greater purpose. Sullivan's reason to rise and exist each day is the hope that he will eventually locate his lover's murderer, a mysterious villain named The Blue Man. Because of this continuing storyline, readers should be reading the series in order.

In Manhattan Revenge, Sullivan is renting an apartment in a slummy area of New York City when he's approached by a knock-out named Tessa. She runs to his apartment after two men have broken into her place. After asking and receiving his violent assistance, Tessa rewards Sullivan with a sexy romp on the floor (a non-graphic presentation by the author). Afterwards, she introduces Sullivan to a guy in the building who has been asking about him. It turns out the guy is named Malta, and he’s an old ally of Sullivan's when he was working CIA jobs internationally. Now, Malta mostly just sells guns and information and offers both to Sullivan. The job this time recalled some terrifying scene out of Lee Goldberg's second installment of .357 Vigilante (aka The Jury series).

On the Lower East Side, a gang calling themselves Meat Hooks is assisting a sadistic married couple with child sex trafficking in a base of operations informally called The Meat Locker. Malta has learned about the operation due to a child who escaped the facility. The issue with the police learning about the place is that one of the detectives is in on it. If Malta goes to the cops, the bad cop then goes to the traffickers and the kids are possibly all killed in a scramble. Suspending my disbelief at such a preposterous plot, I went all in. And, man...am I glad I did.

Manhattan Revenge is simply awesome. There's a lot happening at one time but the plot is never too dense to be overly-contrived. After taking the job, Sullivan begins killing Meat Hook members one-by-one with a variety of machine guns, sniper rifles, knives and revolvers (his boom-maker is a .357). While conducting hit-and-run tactics, Sullivan also pairs up with a female cop named Bonnie who has an extraordinary ability to shoot and fu...fight. She does the nasty with Sullivan repeatedly. Also in the mix is a tactic often used by Mack Bolan – turning the enemy against each other. By attacking the drug gang calling themselves Bowlers, it interferes with the sex trafficking ring and pits two criminal enterprises against each other.

John Shirley is such a talented storyteller and he clearly received some influences from the crime-noir genre. At one point, Sullivan uses the alias “Richard Stark”, a tribute to Donald Westlake's pseudonym for the Parker series of heist novels. Also, he has Judas Priest playing in a nearby car when Sullivan is searching for gang members. I couldn't help but think Shirley was thinking of the Priest classic hit “Grinder” with the lyrics fitting the story – “Grinder! Looking for meat!” Get it? Sullivan looking for Meat Hooks. Shirley was winking and typing.

The through-story continues with Sullivan learning from Bonnie that a criminal enterprise led by a nickname Blue Man was being run in the Pacific Northwest. During the battle, Sullivan often tells the consumer that he's headed to Oregon in the next installment. That was an invitation that I gladly accepted with my $1.50 token of appreciation at the used book store. Look for my review of Sullivan's Revenge soon.

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Sgt. Hawk #02 - The Return of Sgt. Hawk

In 1979, Belmont issued the eponymous Sgt. Hawk, the first of four published novels authored by Patrick Clay featuring a gruff, tough-as-leather Marine Sergeant named James Hawk. Like Len Levinson's Rat Bastards, the series is set in WW2 on the chain of islands making up the bloody Pacific Theater. That campaign continues in 1980's Return of Sgt. Hawk, the series' second installment.

The novel begins as American Army and Naval forces are thrashing the Japanese occupied Philippine Islands. The assault is bureaucratically led by Kravanart, a bullheaded General who despises the U.S. Marine Corps. In an effort to assault the beach, Kravanart is persuaded to allow three companies, including Hawk, to hit the beachhead and engage the enemy. This heavy lift is welcomed by Hawk. Bloody, battered and shirtless, he scorches his Thompson extinguishing the bad guys while chomping on a plug of tobacco. After the assault, Hawk and the rest of the Marines are ordered to simply camp and wait while the Army and Navy clean up the mess and take the spoils.

In a small village, Hawk befriends a young American woman named Amelia and her cowardly fiance. The trouble begins when Hawk and company are left to “camp” for weeks on end simply waiting for Kravanart to allow them to fight. Eventually, tempers flare and Hawk storms a dense jungle hill, kills everything and stacks the bodies despite the orders to stand down. While the Marines are dishing out the damage, the village is captured by the Japanese forces and Amelia is taken. To complicate matters, Kravanart becomes angered with Hawk's defiance and orders an Army strike-force to search and kill the Marines.

Unlike the series debut, which combined a murder-mystery with gun-blazing action, Clay really branches out here and diversifies the narrative with a variety of subplots across multiple locations. The most interesting of these is a unique fantasy element that presents itself in what is otherwise a war-torn plot. Hawk learns that not only was Amelia captured, but that she was sold to a race of primitive men. In true Robert Howard fashion, Hawk breaks into a castle, fights enemies in a temple and even rescues Amelia from a dungeon filled with poisonous gas. There's really something for everyone – nautical adventure, military missions, shoot 'em ups, a heist, team-based combat and romance – through 225-pages of suspense and action.

I just can't say enough good things about this Sgt. Hawk series thus far. These first two installments are well-written, clever and fairly unique with a  central character who is just a tough son-of-a-bitch. His mannerisms, dialogue, finesse and firepower should appeal to fans of rough 'n rowdy action novels no matter if it's a World War or a range war. He's a lovable, violent white-hat hero clearly created by a fan of those genres. Track this one down as it is truly something special.

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Mountain Majesty #01 - Wild Country

The 1990s proved to be a fruitful era for pioneer westerns. While the mid-to-late 1800s frontier was typically the backdrop for western storytelling, these early pioneer sagas were different. Instead of gunslinger showdowns, cattle rustlers and the U.S. Calvary dominating the western fiction, authors like James Reasoner, William W. Johnstone and David Robbins often placed their westerns in earlier time periods in locations west of the Mississippi River. Six-guns and repeating rifles were sacrificed for tomahawks and flintlocks that captured the essence of the true frontiersman.

One of these series titles was Mountain Majesty. The series lasted eight total installments and was published by Bantam between 1992 and 1995 under house name John Killdeer. According to my research, the first six novels were authored by science-fiction, western and fantasy author Ardath Mayhar and the last two by David Robbins. My introduction to Mayhar and the series is the debut novel titled Wild Country (with beautiful gatefold artwork by Tom Hall).

The book centers around two protagonists who are culturally different. One is Cleve Bennett, a young man who runs away from home after being whipped mercilessly by his abusive father. When his mother attempts to intervene, Bennett's father turns his rage on her. On the defense, Bennett ends up assaulting his father and makes a wise choice to just leave his family and head into the majestic Northwest Territories to learn trapping.

The second series character is a Cheyenne woman named Second Son. After besting most of the male warriors in physical combat, Second Son achieves a level of respect that makes her a “man” within the tribe. She spends most of the narrative hunting, trapping and eventually fighting with a despicable French trapper named Henri Lavallette.

These 1990s pioneer sagas typically showcase the same genre tropes, and this one is no different. Readers are thrust into the Cheyenne customs and traditions when young Bennett is incorporated into the tribe through various physical trials. It's the proverbial “fish out of water” element that captivates the central story-line. While there isn't a lot of action, the tribe does face the villainous trapper and consistently feuds with the Blackfoot tribe.

If you enjoy early entries in The Last Mountain Man, Sacketts (chronologically) and Wagons West then certainly you'll enjoy this as well. From a writing perspective, I think the delivery and plot could have used some spark to compete with the above mentioned titles. Otherwise, this is another solid 1990s pioneer western that's sure to please.

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S.O.B.s #01 - The Barrabus Run

Author Jack Canon spent a majority of his action-adventure storytelling career firmly planted in the Nick Carter: Killmaster series. Canon penned over 40 novels of the series in the 1980s, but he was also contributing to a team-based combat series for Gold Eagle called S.O.B.s. The series debut, The Barrabus Run, features not only Canon but also two additional authors – David Wade (Executioner, Super Bolan) and Robin Hardy – all writing as Jack Hild. This team-commando series was published from 1983 through 1989 with a total of 33 installments. The Barrabus Run is my starting point with this beloved series.

The book's opening chapters introduces two key characters, protagonist Nile Barrabas and eventual team liaison and C.I.A. operative Walker Jessup. This early narrative explains that Barrabas was in the U.S. military from 1958 through his retirement in 1975. His career included extensive training at West Point before joining Special Warfare Training in Fort Bragg and Panama. The advancement led to his placement in a Vietnam Special Forces team. During the conflict, Barrabas received Silver Stars, a Distinguished Service Cross and the eventual Medal of Honor. Then he seemingly disappeared.

Now, Walker Jessup works for a shadowy Senator running administrative duties and delegating high-powered personnel into high-intensity situations. The Senator asks Jessup to run an operation in South Africa. There, the people of Kaluba are subjected to a puppet dictator and the U.S. wants to establish a different leader in his place – Noboctu. Only he is now being held prisoner by the puppet dictator's chief rival, a notorious terrorist named Mogabe. Mogabe wants to become the new dictator and is holding Noboctu prisoner until after Kaluba's elections are over. Follow me?

The formation of S.O.B.s (Sons of Barrabas or Soldiers of Barrabas) originates when this Senator requests that Jessup create a team of specialists who can do his international bidding. The team, described as a dirty strike-force, will perform assignments and tasks that are beneficial to America's security as well as its allies. To lead the group, Jessup picks Barrabas. The problem is that Barrabas has been off the radar performing international mercenary jobs. His most recent venture led to captivity in a Latin American prison awaiting execution. Jessup finds Barrabas there and makes him a deal. He'll spring Barrabas, ultimately saving his life, if Barrabas will come work for Jessup. 

Barrabas agrees to the deal and makes arrangements to recruit ten hardened operatives who fulfill the checklist for a team-based combat series – explosives, driver, sailor, Native American, general commando, etc. The wildcard is a female specialist who also serves as a doctor. The whole team makes for a dirty dozen.

Surprisingly, I enjoyed the hell out of this series debut. I typically like my team-combat titles to feature no more than five members. It's easier to keep up with and a quick read through the recruitment stages. However, this trio of authors really made the recruitment compelling, an asset made even more valuable by making them a bit more vulnerable than the stereotypical “invincible white hats”. The obligatory training and exercise segments was paired with a narrative that featured Barrabas on solo assignments scoring guns, bombs and transportation. Otherwise, 11 people training for combat could have been uninspiring. 

When the mission begins, the authors never tap the brakes and provide for an explosive good time that served two distinct purposes – enjoyment and introducing a series villain in Karl Heiss.

If you love team-combat titles, S.O.B.s certainly seems like an easy choice. Based on this excellent debut, the series seems to possess the correct ratio of dialogue versus action. While this trio of authors will fragment, Robin Hardy takes over most of the series installments going forward. I hope to purchase and review more installments in the coming months. Stay tuned!

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