Below

According to his bio, Ryan Lockwood holds degrees in technical journalism, environmental science, and has been employed as a biological research assistant and professional editor. In 2013, he authored the first of two books starring a marine biologist named Valerie Martell – Below (2013 Pinnacle) and What Lurks Beneath (2015 Pinnacle). Living a mere 15-minutes from the ocean, I'm always looking to dive into a good aquatic horror novel. 

Below contains everything you want from the typical Pinnacle action novel. Roguish male hero, the seasoned good guy cop, plenty of killing and a few high-energy chase sequences. Oh, and the inevitable booming of explosions. By the book's halfway point, one would never fathom that the hero is a woman. It's Pinnacle after all...with decades of male-led heroism. 

In the book's first half, the capable hero is Will Sturman. He grew up in the rugged Rocky mountains, joined the military and now makes a meager living as a professional diving instructor on the southern California coast. In the book's opening chapters, Sturman is underwater instructing a semi-experienced group of divers when there's nearly a casualty. One of the women becomes tangled in an old boat resting on the seabed. These introductory chapters are a frantic grasp for air as Sturman rescues the woman from the clutches of death. Later, readers learn that Sturman is suffering the loss of his wife by staying drunk and shooting pool at his favorite bar. His ex-military buddy, Joe Montoya, is the town constable. 

But, this is an underwater horror novel and soon the body count starts to rise as divers and fishermen are devoured (more like sucked apart) by enormous Humboldt squid. Sturman is eventually led to an expert on these unique predators, Valerie Martell. Together, Sturman, Montoya and Martell become unlikely opponents to hundreds of people-eating-squid-monsters. Surprisingly, it's not as preposterous as it sounds. Humboldt are terrifying and have been known to attack deep sea divers outside of the pages of a fictional aquatic horror paperback. They are the real deal. 

By the book's furious finale, Martell becomes the hero. In fact, Sturman is sort of cowardly and abandons the whole mission for most of the third act (although he does save the day). I thought the transition into this new Pinnacle hero was well played with Martell becoming this fierce and determined leader facing overwhelming adversity. 

With underwater fights, creepy and ferocious “monsters”, a high body count, sea chases and heroic camaraderie, there's plenty in Below to keep you afloat. Get your copy HERE

Railroad Stories #07: The Return of Casey Jones

As early as the 1800s, stories about the railroad industry have been a popular staple in pop culture. Those in need of an escape from everyday boredom often gravitated to the rails at the turn of the 20th century. The hobo lifestyle of seeing the country by riding the boxcars was a prevalent one, eventually becoming ingrained into the mainstream through songs, films and books. The most prominent magazine of railroad fiction was Railroad Stories. It was the first specialized pulp magazine to offer these types of stories and featured a variety of authors applying their expertise. 

Under license from White River Productions, Florida's Bold Venture Press has been publishing stellar collections of these vintage railroad stories for modern readers. Beginning in 2015, they began publishing trade paperbacks collecting stories culled from Railroad Stories and other magazines. Each of these volumes, mostly feature author E.S. Dellinger, but Vol. 4 is A. Leslie Scott, Vol. 7 is John Johns, Vol. 8 is Norman Brandhorst, and Vol. 10 is Don Waters. My first ride on the rails is Vol. 7: The Return of Casey Jones. It was published in 2019 and features five stories that have never appeared in paperback until now.

The book's lead story is “The Return of Casey Jones”, authored by John Johns and originally published in the April 1933 issue of Railroad Stories. The story begins with a young schoolboy named Jim Martin learning about the tragic death of his idol, the famed engineer Casey Jones. Years later, Jim's father dies and he is left to tend to his ailing mother. Jim is an engineer for the The Chicago, Milwaukee, St. Paul and Pacific Railroad (CMStP&P). Like his idol, Jim is known as a fast runner and can make up time between meets. 

A lot of Jim's railroad buddies sign up for early action in World War 1. Jim is anxious to join the fight and use his engineering skills for his country. But, the doctors suggest that if Jim joins the military his mother may suffer another stroke. To protect her, he chooses not to enlist, which infuriates his peers. To complicate things further, Jim experiences a terrible train crash and is thrown from his cab. Suspecting that he jumped from his engine instead of holding tight, the town immediately ridiculed him for being a coward. He's disowned by his girlfriend and his railroad crew. But, after another freak accident, Jim has the ability to prove the town wrong. Thus, "The Return of Casey Jones" is a story of redemption. 

I really enjoyed this 70-page novella and found myself cheering Jim as his mountain of misfortune began a seismic shift. There were some technical aspects that I struggled with, but it didn't detract from the story. Jim's adversity and clash with the military and his town was engaging, and thankfully ended on a good note. In terms of action, the book recounts the story of Casey Jones, adding more action to Johns' narrative.

This story was also released as a film in 1935 by Monogram. This collection features a short article by Bold Venture Press co-owner/editor Rich Harvey about the film as well as information on the its star, Charles Starrett. 

Other John Johns stories in this collection are:

"Roads End" (Railroad Man's Magazine, Oct 1930)
"Smoke Gets in your Eyes" (Railroad Stories Magazine, May 1935)
"Emergency Run" (Railroad Stories Magazine, Decemer 1936)
"Running Signals" (Railroad Stories Magazine, November 1936)

Additional volumes:

Railroad Stories Vol. 01: Avalanche (E.S. Dellinger)
Railroad Stories Vol. 02: The Legend of King Lawson (E.S. Dellinger)
Railroad Stories Vol. 03: Gangsters of the Rails (E.S. Dellinger)
Railroad Stories Vol. 04: Civil War and Tales of Jagger Dunns (A. Leslie Scott)
Railroad Stories Vol. 05: Steam and Steel (E.S. Dellinger)
Railroad Stories Vol. 06: The Saga of Kiamichi Bill (E.S. Dellinger)
Railroad Stories Vol. 08: Colorado Midland (Norman Brandhorst)
Railroad Stories Vol. 09: Ballad of Redhot Frost (E.S. Dellinger)
Railroad Stories Vol. 10: Rolling Wheels and The Georgia Rambler (Don Waters)

Secret of Canfield House

Florence Hurd (1919-2008) was born in Chicago and graduated from the University of Chicago. According to her obituary, she moved to San Diego, California and became a social worker. Later, she married, raised two children, and enjoyed a successful career as a gothic romance writer. My first experience with Hurd's writing is her beloved novel Secret of Canfield House. It was published in 1966 by Fawcett Gold Medal. 

The novel stars a young, vulnerable, and attractive woman named Emeline. After moving from Vermont to New York, Emeline discovers that she was never cut out for the big city. When her father dies, Emeline returns to Vermont to pick up the pieces while discovering new employment. She settles on interviewing for a housekeeper job with a snooty woman named Mrs. Canfield. The gig is that she will temporarily live at the vast Vermont manor aptly titled Canfield House. The pay is good but the job is a rather lonely one. Mrs. Canfield and her son Miles only use the house on occasional weekends. But, they want the silver polished and the pillows fluffed – a housekeeper ritual left to Emeline. 

Settling into her new employment and residence, Emeline attempts to befriend the house's groundskeeper. He lives in the barn, drinks a lot, and is a mute – not the best company for a lonely woman. After failing to make small talk in the quaint New England village, Emeline finally finds companionship with the family's weekend cook. Through this relationship, Emeline discovers that Miles was married once, but his bride ran away with another man. Oddly, their bedroom remains closed off from the rest of the house, a dusty tribute to lost love...or maybe death?

Emeline's new job becomes a terrifying ordeal when she's forced to contend with an arsonist, her poisoned dog and what could be an “unholy” haunted bedroom. Like something out of Amityville Horror, she hears noises in the cellar, footsteps through the empty house, slamming doors and monstrous faces in the window. Does the “secret” of Canfield House concern a demonic doorway to Hell or a home invasion nightmare? 

While Secret of Canfield House possesses all of the genre tropes of a fine New England gothic, Hurd cleverly skirts the edges of a traditional old fashioned suspense tale. The story's sweeping finale comes during an onslaught of howling winds and rain. During a power outage, Emeline explores the house by candlelight determined to solve the mystery. Skeletons in the wall, missing pearls, a hidden diamond bracelet, and a smoking gun smoothly enhances this moody 160-page thriller. I was firmly glued to every page in a white-knuckle race to find the answers. You will be too. Highly recommended!

Toll for the Brave

Before Jack Higgins (real name: Harry Patterson, born 1929) became a massive bestselling author of thick, high-adventure novels, he wrote exciting 180-page paperbacks for guys like us. Case in point: His 29th novel, Toll for the Brave (1971), which remains in print today. 

The protagonist and narrator is Ellis Jackson, a British citizen who enlists in the U.S. Army to fight in the Vietnam War as a paratrooper in 1966. Evidently this was a real thing - highly unusual - but it happened. Despite serving with valor, he is captured by the Viet Cong and thrown into a tortuous prisoner-of-war camp administered by the sadistic Chinese. This segment of the paperback was vivid, violent and compelling as Ellis is brought to the physical and the psychological breaking point.

Inside the camp, an African-American U.S. Army Brigadier General with a fantastic backstory named Max Sinclair is also housed as a prisoner of war. Black Max, as he was called, was a U.S. military legend who fought in World War 2, Korea, and now Vietnam where he was caught by the commies while venturing beyond the confines of his command post. Black Max teaches young Ellis how to handle the confinement and torture with a Zen equanimity that preserves Ellis’ sanity and life. Meanwhile, a sexy Chinese psychologist at the camp named Madame Ny is assigned to be Ellis’ chief interrogator while using sensuality and mental manipulation to break the young Britton down. The POW camp scenes comprising the book’s first act were among the best I’ve read this year.

Eventually, Ellis wins his freedom and begins a new life in a marshy village 50-miles outside of London called Foulness. This setting change comprises a new section of the novel, and Ellis is dealing with what appears to be severe PTSD. It’s so bad that when he goes to walk his dog, he thinks he sees Viet Cong lurking in the swamp trying to kill his pet. It’s during one of these dreamlike episodes that a suspicious murder occurs (the novel’s back-cover spoils it, but I won’t), and it’s then incumbent upon Ellis to prove his own innocence and solve the murder. The innocent man being forced to solve a murder to clear his own name has got to be the plot of darn near half the novels we review here at Paperback Warrior. To his credit, Higgins does a good job with this tired storyline, but it has nowhere near the edge-of-your-seat emotional impact of the POW camp scenes. 

There are plenty of great action sequences that will please readers - including some particularly well-crafted martial arts fights. The climactic ending has a giant twist you won’t see coming, but that comes with a cost. The “solution” to the novel’s central mystery is truly moronic and illogical. It’s safe to say that the paperback’s resolution would only please fans who have received frontal lobotomies. Can you enjoy a good book with a bad ending?  That’s the real question here. Is it the ride or the destination that matters? It’s your call. 

Buy your copy HERE

The Girl from Addis

Ted Allbeury (1917-2005) served as a U.K. Intel officer from 1940 to 1947. During WW2, he infiltrated Nazi Germany via parachute and later was caught - and tortured by commies - smuggling spies between East and West Germany. He began writing espionage fiction with a heavy dose of realism at age 55 and went on to publish 40 novels in the genre. My introduction to his work was his 1984 stand-alone paperback, The Girl from Addis.

The story is narrated by our hero, Johnny Grant, a British MI6 operative during WW 2. Back in 1941, Johnny was stationed in the Ethiopian capital of Addis Ababa. The country had just been liberated from Italian rule and the Ethiopians were organizing themselves as a nation under the leadership of their own emperor. The Brits were providing transitional help to the emperor, and Johnny was serving as the chief’s British Military Liaison. Of course, what he was really doing was spying. His main target was a wealthy Armenian named Jonnet who was supplying the Japanese with fuel and arms during the war. Before he could get the job done, Johnny’s cover is blown and he has 48 hours to leave Ethiopia or be killed.

Anyway, that’s the background. Johnny left MI6 in 1947 and embarked on a far more interesting career as a photographer of swimsuit models. Every now and then he uses this as cover to take freelance spy assignments from his old employer. We rejoin him decades later in the 1970s. The emperor of Ethiopia has been overthrown and imprisoned in a military coup, and the new government seems to be getting cozy with the Soviets. The U.K. fears that the Eithiopians aspire to overrun the other nations of East Africa - starting with Somalia -  to form one big Soviet client state. Even worse, Johnny’s old target Jonnet seems to be helping the Soviets achieve this goal from his trusted perch advising the new Ethiopian regime. The Brits want Johnny to return to Ethiopia to finish the job he started 25 years ago - neutralize Jonnet and the Soviet plans before someone gets hurt.

As you may have gathered, this isn’t the “death-ray from the sky” espionage fiction of Nick Carter: Killmaster or a gadget-heavy spy story like a James Bond movie. Instead, Allbeury crafted a more cerebral - and presumably realistic - paperback where old adversaries and allies meet at diplomatic cocktail parties and plot against one another with a greater subtlety than we normally see in pulp fiction. Despite being rather smart, it’s never boring. The brinkmanship was fascinating, thanks to the fact that Allbeury’s writing is staggeringly good. He explains the geopolitics of Ethiopia with a clarity that makes even the dumbest reader (i.e. me) feel like an expert. And, yes, you’ll get your spy action set-pieces at the paperback’s climax.

While back in Ethiopia, Johnny quickly becomes beguiled and infatuated with a mixed-race woman sharing Greek and Somali backgrounds. The problem is that she’s the kept woman of the local KGB colonel, a truly loathsome villain.. The introduction of the titular girl also introduces sex and violence into the thoughtful plotting as well as a pretty sweet love story and insightful observations about western culture.

This was a fantastic novel - weighty and thought-provoking with a lot of substance squeezed into 191 paperback pages. Ted Allbeury was a genius writer who deserves to be rediscovered. Five of his novels have been reprinted by an outfit called Dover Publications but not The Girl From Addis. You’ll need to seek out an old paperback to enjoy it. If you like smart and realistic spy stories, you won’t regret it.

The Mob Says Murder

Albert Conroy was one of the cadre of pseudonyms employed by Philadelphia native Marvin H. Albert (1924-1996) to flood the market with his innovative crime and western novels of the mid-20th century. As far as I can tell, he wrote 14 paperbacks as Albert Conroy/Al Conroy between the years 1952 and 1972, including a stand-alone crime-noir paperback from 1958 titled The Mob Says Murder.

Eddie Driscoll is six years into his state prison life sentence for a fatal bank robbery he didn’t commit. In his day, he did plenty of bank holdup jobs, just not the one that landed him in the pen. Driscoll spends his days pining away for his wife who left him and remarried a year into his sentence. Nevertheless, he remains infatuated and in love with the memory of her soft flesh against him.

One day, Driscoll gets an unexpected visitor in prison. It’s a spicy Mexican dame is pretending to be his cousin delivering a cryptic message that Driscoll interprets as an invitation to bust out of the prison with the help of unknown friends on the outside. This evolves into an early-novel breakout that's about as good as any pulp fiction jailbreak I’ve ever read. Before you know it, Driscoll goes from lonely and horny inmate to a most-wanted fugitive.

The person pulling the strings to orchestrate Driscoll’s shaky freedom is a mobster named Bruno Hauser who runs a nightclub and illegal gambling joint called The Ocean Club. Hauser has a problem - the anti-crime governor has been sending state law enforcement goons to Hauser’s joint to bust up the place and interrupt business. Hauser’s solution? The governor must go. Interestingly, the same governor was once the prosecutor who wrongfully put Driscoll away for life. After his guilty verdict six years ago, Driscoll swore revenge on the prosecutor, and Hauser is hoping to utilize Driscoll as an assassin to remove their shared enemy from office permanently. After all, busting a guy out of prison means he owes you a big favor, right?

Albert has crafted another crime-noir masterpiece here. I thought I knew where the plot was headed based on the cover art spoiler, but it quickly became clear that the artist and copywriter had never read the book themselves. The novel’s characters are vivid and the dilemmas - both practical and moral - are taken seriously by the author. The relationships between the characters are especially well-drawn and add a dose of humanity to this ultra-violent and sexy 141-page lost classic. The plot is perfectly constructed and the dialogue is crisp. There’s really nothing to dislike about this novel.

The Mob Says Murder is another work of pulp literary greatness by Albert. The more I read from him, the more I’ve come to believe that he was a uniquely excellent writer of his era and a step above his peers. For reasons unclear to me, I don't believe this one has ever been reprinted since it hit the spinner racks in 1958. Maybe someone will read this review and do something about that. It’s really something special. Get a copy HERE

Paperback Warrior Primer - Clifton Adams

Clifton Adams was a wine connoisseur that loved jazz music and Oklahoma history. He also wrote a bunch of violent, gritty novels about heroes and outlaws. He won two coveted Spur Awards and was admired by many of his contemporaries. Popular crime-noir author Donald Westlake cited Adams as an influence on his beloved Parker series of heist novels. We've reviewed many of Clifton Adams' novels and we hope today's Paperback Warrior Primer will prompt you to explore his robust bibliography. 

Clifton Adams was born in Comanche, Oklahoma in 1919. He began writing at an early age. However, his writing development paused when he joined Hell on Wheels, officially known as the U.S. Army's Second Armored Division. During WW2 he served as a tank commander in both Africa and Europe. 

After WW2, he utilized the G.I. Bill to attend University of Oklahoma to study professional writing - a degree that focused on making a living as a writer. It was there that he won the “Oklahoma Writer of the Year” award. In his acceptance speech he said, “There’s only one way to approach the kind of writing I do - and that’s as a business. I’m not selling art. I’m selling entertainment.”

And with that idea as his North Star, he succeeded. In his career, he wrote 50 full-length novels and 125 short stories the magazines and digests. His first professional sale was the short story "Champions Wear Purple", published in Adventure in January 1947. His first novel, Desperado, is often cited as his finest work. It was originally released as a Fawcett Gold Medal paperback in 1950. It was a monster hit and spawned a sequel in 1953 called A Noose for the Desperado. Both books remain available as reprints from Stark House Press. 

Besides the two Desperado books, his only other recurring character was Amos Flagg, a western series written under the pseudonym of Clay Randal. The series ran from 1964 to 1969 for seven installments. He also wrote five stand-alone novels under the Clay Randal name between 1953 and 1963. He also wrote six westerns between 1958 and 1963 under the name of Matt Kinkaid. Celebrating his western writing, he won two Spur Awards from the Western Writers of America - 1969 for Tragg’s Choice and 1970 for The Last Days of Wolf Garnett.  

While most of his literary work falls into the western genre, he also wrote crime-fiction. Whom Gods Destroy and Death's Sweet Song were both published in 1953 by Fawcett Gold Medal. His 1956 crime-noir, Never Say No to a Killer, was published by Ace under the pseudonym Jonathan Gant. All three of these books have been reprinted by Stark House Press. He also used the Gant name to author The Long Vendetta, published in 1963 by Avalon. Under the name Nick Hudson he authored The Very Wicked, published in 1960 by Berkley. 

Clifton Adams died from a heart attack in 1971 in Comanche, Oklahoma. According to our research, the author's papers are kept at the American Heritage Center at the University of Wyoming. For more information, listen to the Paperback Warrior Podcast episode about Clifton Adams HERE.