Cut Me In

According to Stark House Press, the publisher that reprinted Cut Me In (1959) via their subsidiary Black Gat Books, Jack Karney was born in New York in 1911 and specialized in crime-fiction. He was married with three children and spent his entire life in the same Lower East Side neighborhood in New York City. He tried out for the police department, but ultimately ended up working in the Civil Service within the District Attorney's office. He authored a number of titles like Tough Town (1952), Cop (1952), and Knock 'em Dead (1955). As Mike Skelly he authored the novel There Goes Shorty Higgins (1953). Cut Me In is my first experience with Karney's work.

This novel is similar to other 1940s and 1950s crime-fiction where the rise from rags to riches becomes a captivating look at criminality. Like Benjamin Appel's The Life and Times of a Tough Guy (1960) and Ed McBain's Big Man (written as Richard Marsten, 1959), Jack Karney centers his narrative on Coley Walsh, a young beat cop working the New York streets. His wife died, and now he raises his crippled son while living with his mother on swing shifts. Coley's righteous path becomes corrupt with the simple longing for a patrol car and a promotion to investigator. Coley decides to cut some corners on the way to the top.

While working the beat, Coley saddles an armed robber that is fleeing from the police. In a devilish conversation, Coley learns that the police precinct is corrupt with several key personnel working hand-in-hand with the Syndicate. They run the protection rackets, gambling joints, and swindle politicians to do their bidding. Coley conceives the idea that he should assemble a small group of police officers willing to push the Syndicate out. But, these criminal elements would then be replaced by Coley and his guys. Instead of looking out for the Syndicate, they should become a new Syndicate. 

Through 200 pages, Karney documents Coley's rise through the ranks from small time to the big man. The most compelling portions concern Coley's relationship with a small business owner named Joseph Cantor and his adopted daughter. Coley looks out for Cantor, and understands he represents everything right about America – work hard, build a legitimate owner-operator business, serve the community. In creating his criminal empire, Coley realizes guys like Cantor are prime targets for protection rackets, thus an emotional conflict arises within Coley's pursuit of fortune. It's this conflict that really propels Karney's well-written narrative.

Cut Me In was a wonderful reading experience laced with criminal plans, fall-guys, payoffs, heartbreaks, and violence. Karney's writing style relies heavily on dialogue to tell the tale, and the author created enough diverse characters to keep the story alive and moving. The book's beginning and ending are its strongest parts, with the finale a real barn-burner with flourishes of action and cool-headed resolve. The balance was exceptional, and a difficult feat considering the moving parts. Karney was a pro and Cut Me In must surely represent some of his best work. Recommended. 

Buy a copy of this book HERE.

Blood of my Brother

Roll out the red carpet. Vacuum it. Fluff it a little with the heel of your shoe. Why? The festivities are about to begin. The Hall of Shame is receiving its newest member, the 1963 paperback Blood of my Brother, written by the very talented Stephen Marlowe (real name Milton Lesser). Only, Marlowe didn't want to use his name for this turd. Instead, he used the name C.H. Thames. To rub salt in the wound, Armchair Fiction reprinted this book. 

In the opening chapter, spoiled college kid Johnny Baxter is with an unknown person cracking a safe in a mansion. Next chapter, Johnny is found floating in the ocean. Dead. His car went off of an embankment and crashed into the lake. Johnny's father is devastated and regrets some of his fatherly decisions in life. Johnny's step-brother Dave is a modest attorney in town and the star of the family. He goes to identify the body and believes his brother was murdered. 

Dave believes there is foul play because Johnny's car is turned the wrong way in the lake. That's it, that is the big piece of evidence. Pay no mind to the flask, the fact that his brother was an alcoholic, the reckless lifestyle, the fast Jaguar. Just the wrong direction in the lake. The next 129 exhausting pages consist of Dave interviewing the college faculty, Johnny's roommate, the fraternity brothers, and Johnny's father. Readers already know that Johnny was stealing money from his father, so that little little morsel is quickly chewed up and dismissed. Second, if Dave can't figure out that Johnny's roommate, Tony, is the killer, then there is no reason for him to be an attorney. Here's some clues:

1 – Tony is flatass broke. 
2 – Tony has clothes and jewelry belonging to Johnny.
3 – Tony has a freakin' gun under his bed.
4 – Tony won several medals for killing a ton of bad guys in the Korean War.
5 – Tony tells lies.
6 – Tony seems jealou....nevermind, you get the idea. TONY IS THE DAMN KILLER! 

But, Dave interviews hundreds of people and discovers that Johnny has cleverly blackmailed every one of them. He's taken photos of them doing the humpty-hump, caught them in elaborate forgeries, threatened to report cheating to the faculty, and on and on. It's ridiculous to think Johnny Baxter has this many blackmailing schemes in the works and that this little California college is hosting this many blackmailing schemes. These people aren't that interesting. But, none of it matters! Pages 12 through 141 serve absolutely no purpose whatsoever. You can read the first 12 pages and the last 9 and that's the book. Open, shut, the end. A pointless endeavor. My suspicion is that Marlowe knew this book sucked. That's why he didn't want his name associated with it. I also think that he gave his readers a secret code so they would stay away from this novel - the title. The acronym is B.O.M.B. 

It brings me great pleasure to return this book to its little plastic book condom, complete with a piece of sticky scotch tape across the horizontal flap. I have no plans to ever open it again. I'm placing it in our virtual purgatory for bad books. Thus, the Hall of Shame remains open. This book does not. 

Buy a copy of this book HERE.

Paperback Warrior Podcast - Episode 99

On this last double-digit episode of the Paperback Warrior Podcast, Tom and Eric delve into the life and career of an underrated crime-fiction author named James McKimmey. Tom talks about a new Day Keene reprint and Eric discusses two brand new Stark House Press editions. Reviews include a 1984 spy novel called The Girl from Addis by Ted Allbeury and House of Evil, a 1954 crime-noir by Clayre and Michael Lipman. Listen on any podcast app, paperbackwarrior.com or download directly HERE

Listen to "Episode 99: James McKimmey" on Spreaker.

Dark December

According to Wikipedia, Alfred Coppel, real name Jose de Arana-Marini Coppel (1921-2002), served as a fighter pilot in the United States Army Air Forces during WWII. The Oakland author then began a prolific writing career using pseudonyms like Alfred Coppel, Robert Cham Gilman, and A.C. Marin while writing for pulp magazines. Coppel is mostly known for science-fiction, but he also authored action-adventure and espionage. He transitioned into full-length original novels, including his bestseller, Thirty-Four East, about the Arab-Israeli conflict. My first experience with the author is his post-apocalyptic novel Dark December, published by Fawcett Gold Medal in 1960. 

U.S. Major Kenneth Gavin spent WWIII in an underground bunker in Alaska. From that safe and secure location, Gavin was a “missile-man”, a launch pad operator in charge of firing nuclear warheads at the Soviet Union and other foreign enemies. After two long years of global destruction between warring countries, the military, and ordinary life, has crumbled. Sensing no real purpose to the missile launches, Gavin is released from his service in Alaska.

It is Gavin's intention to travel south into San Francisco to finally reunite with his wife and daughter. It has been months since he had spoken with them and he just wants to return home. But, the journey won't be easy. Most of the population has descended into anarchy, with diseases, malnutrition, and radiation being catalysts for humankind's ruin. There is still a military presence available, so Gavin aligns with a military patrol led by Major Collingwood, an arrogant, mentally unstable superior that feels right at home within the destruction and chaos. When Gavin witnesses Collingwood ordering a group of bandits to be executed, the two come to a disagreement. The end result – Collingwood swears he will murder Gavin. 

Escaping from Collingwood, Gavin meets up with a young woman and a boy and the three form a partnership to travel safely through California. Unfortunately, they run into a fanatical group of teenagers that have a penchant for torture and depravity. When Gavin discovers they have a Soviet pilot locked in a shed, he learns just how dark and sadistic civilization has become.

Alfred Coppel does everything right in his nightmarish look at a bombed out America. It's the traditional monomyth featuring the lone hero on a quest through a perilous landscape, essentially the oldest storytelling formula. Coppel's examination of humankind's descent into sadism and nearly Neanderthal behavior is the book's real strength. Gavin is the unconventional hero, a man who has seemingly killed millions with the press of a button, but now can't cope with the idea of taking another life. His journey through the wasteland, as a pacifist, is really a unique twist on what would otherwise be an “all guns blazing” survival tale like the numbered men's action-adventure titles that would arrive 20+ years later – The Survivalist, Deathlands, The Last Ranger, Phoenix, etc. Coppel's writing is more insulated, concentrating on human psychosis or the boundaries of sanity when threatened with extinction. It's smart.

If you enjoy post-apocalyptic novels, then this is an easy recommendation. But, if you enjoy books ranging from Lord of the Flies to novellas like Heart of Darkness, then this should be an appealing, disturbingly entertaining read as well. 

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Thirty Pieces of Lead

It's hard to believe that just down the road from me, here in the Sunshine State of Florida, the Nazis invaded. It's a little known fact, something that isn't often discussed in the history books. But, on June 16th, 1942, a submarine assisted four German spies to step on the sands of Ponte Vedra Beach, just south of Jacksonville. Their mission was to destroy bridges and the parts of the railroad system using dynamite. Thanks to the efforts of the FBI, they were captured and executed before their mission was accomplished.

Using this unique piece of history, Frank Kane, author of the successful Johnny Liddell private-eye series, constructed a short-story called "Thirty Pieces of Lead" for the September, 1945 issue of Crack Detective Stories. To my knowledge the story has never been reprinted, but you can read it for free HERE or scrolling below.

At the story's beginning, an Italian prisoner-of-war named Musico is being interrogated by a Gestapo colonel. Musico has served time in a concentration camp, along with his mother and wife. The bullish interrogator suggests that Musico was separated from them at some point, and would probably wish to visit with them again. Musico tells himself that he already knows the fate of his loved ones. But, he plays along. The colonel explains that a group of highly trained professionals is planning a landing on the American coastline, and they want Musico to assist them. In return, Musico will get to see his wife and mother again. 

Musico is an ex-mob runner that ran bootleg products out of Chicago ten years ago. Musico tells the colonel to call his old mob boss, and explain the landing operation and ask that they pave the way with the police and Coast Guard. To insure the request is legit, Musico provides his interrogator a password so the mobster will know the request came from him. Musico says the mob has no loyalty to America and will work with the Nazis. Further, Musico volunteers to join the landing in an effort to accomplish the mission and to see his loved ones again. But, Musico has a clever plan for revenge in mind. 

At just a few pages, this story has so much life in it. It explodes with detail and ties into this little piece of history in a really unique way. I love the mobster aspect to it, and the idea that the mob and the Nazis are featured in the same story – two despicable factions that are being combated by this courageous, yet defenseless prisoner. Short stories can really be hit or miss, but this one was a sure-fire winner. Recommended!

A Night for Treason

Before John Jakes struck gold with his Civil War epic North and South, he was a paperback author for dudes like us. A Night for Treason was a 1956 spy thriller that was released as an Ace Double with many subsequent reprints over the years. 

Our hero is an American secret agent named Max Ryan. The novel begins with an exciting action set-piece with Max hijacking a truck filled with military supplies. It’s a violent and fast-paced opening that sets the tone for this short, peppy paperback. 

We are quickly introduced to our villains: a shadowy European-based organized crime and intelligence cabal known only as The Combine seeking to steal American industrial secrets for its own profit and benefit. The focal point for this showdown between The Combine and Max’s agency is an Atomic energy conference hosted on the estate of an Air Force colonel. It’s up to Max to figure out who the technology thieving Combine spies are among the guests and neutralize them without getting whacked himself. 

The Air Force colonel has a sexy, 26 year-old niece named April who is the hostess of the conference and a pivotal player in the weekend’s intrigue. John Jakes keeps the narrative exciting with well-crafted action scenes every few pages. His plotting is basic but serviceable. 

Overall, this early work from a future famous author is about as good as one of the better Nick Carter: Killmaster installments. If you can score a cheap copy of A Night for Treason, you won’t regret reading it. However, it’s unlikely you’ll remember it for long after you’ve moved onto the next paperback in your stack. 

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Whiteout #01 - The Snow

Flint Maxwell is an Ohio native and author of horror and fantasy titles. He's authored a post-apocalyptic series called Jack Zombie, co-wrote the Midwest Magic Chronicles novels, and contributed to the short-story collection 25 Gates of Hell featuring horror authors like Brian Keene. The author's own short-story collection, The Bitter Cold, was published in 2018. My first experience with the author is his 2020 five book series of post-apocalyptic novels, Whiteout. I'm starting with the series debut, The Snow, published in multiple formats by Dark Void Press.

Through first-person perspective, readers are introduced to Grady Miller, an Ohio firefighter that experienced a harrowing tragedy that left a little boy dead. Trying to recover from the trauma, Grady pals around with his two childhood friends, Stone and Jonas. The three buddies want to celebrate July 4th in tradition in a lakeside cabin at fictional Prism Lake. The festivities of drinking beer and telling stories is fun for the trio, and the author conveys their friendship and inner-loyalty to the printed page quite well. However, “The Three Musketeers” are about to experience outright horror.

The three awaken to find that it's snowing. On the fourth of July. In Ohio. Once the snow starts falling, it never stops. The friends soon learn that the radio stations and internet are out and soon the power begins to fade. As a blizzard soaks the landscape, the three also learn that their fears, the things that trouble them the most, are becoming real things outside. The dead kid begins calling to Grady from the snow. Dark figures are seen in the distance. Spiders as large as cars start crawling. It's a nightmare scenario. But, is it any good?

For the most part I enjoyed the book for what it was. This is clearly the origin tale, and it ends right when the action begins to escalate. The setup was appropriate, the characters introduced, and doomsday ushered in to create the backbone of the series. I found it to be truly scary at times, but for the most part it's just gloomy and depressing. Like most post-apocalyptic tales, the team-building is a necessity and the survivors have to possess some sort of past tragedy to overcome in the post-apocalypse. It suspiciously reminded me of Christopher Golden's more superior novel Snowblind, which has nearly the same concept.

I plan on reading the next installment soon. I found The Snow to be enjoyable enough to warrant an extended look at the series. Flint Maxwell is creative, has a plan, and forms the story well. Recommended. 

Buy a copy of the book HERE.