Armless O'Neil #01 - Seekers of the Glittering Fetish

Armless O’Neil is a hardboiled adventurer who starred in 12 pulp novellas by Dan Cushman (1909-2001) between 1945 and 1953. The stories have been compiled into two collections by Steeger Books including the first adventure, “Seekers of the Glittering Fetish” - originally from Jungle Stories Magazine.

Armless O’Neil isn’t exactly armless. He does have a steel hook projecting from the left sleeve of his jacket in place of an arm, but the right hand seems to be intact. He’s described as being ugly, but an “Irish ugliness which a person would enjoy looking upon.”

The story takes place in the port city of Brazzaville, what is now known as the Republic of Congo, back when it was a French colony — a combination of Wikipedia and Google Maps are good supplements to a Dan Cushman story. We join Armless in a seedy tavern where he’s meeting an acquaintance named Swede to discuss some rare blue diamonds.

It quickly becomes clear that the Swede won’t show at the meeting because he was double-crossed and murdered by his business partner, the Dutchman. Armless has zero interest in doing business with the Dutchman because of his practice of flaying the skin off African natives.

Recovering the cache of missing diamonds is the focus of this story. Armless has a sidekick named Tommy who falls in love with a girl along the way in a nice subplot. Cushman writes shockingly violent fight scenes — among the best I can recall in pulp fiction. Having a sharpened hook for a hand sure helps.

Armless is a gruff and charmless character, but you’ll find yourself rooting for him nonetheless.

If you’re sensitive to antiquated African stereotypes, you may want to skip this one as the natives are all of the ooga-booga variety. But if you enjoy old-fashioned hardboiled treasure hunt stories, you’re bound to enjoy this one. 

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Children of the Dragon

From my research, author Frank Robinson is a retired New York judge and an expert on coin values and collecting. He only authored one work of fiction in his short writing career. The book is Children of the Dragon, published in 1978 by Avon. Admittedly, a 450 page paperback isn't normally something I'm interested in reading, but the novel's cover art is extraordinary. It was painted by popular Spanish artist Manuel Perez Clemente, referred to as Sanjulian. His career work includes characters like Conan, Vampirella and magazines like Eerie, Creepy, and Famous Monsters of Filmland. In stereotypical fashion, I was totally prepared to judge a book by its cover. 

As a long fantasy novel, Robinson spends some time building the world the story exists in. It's a fictional place called Bergharran, similar to Robert E. Howard's Hyborian Age. There are regions (countries), dialects, languages, cultures, and so forth that are explained in great detail. But, overall I speculate that Robinson mirrored parts of the book after the Timurid Empire of the 15th century, what is known now as modern Iran, Iraq, Afghanistan, Pakistan and portions of North India and Turkey. Bergharran is experiencing an age similar to a post-Civil War. The Tnemghadi (the North) defeated the Urhemmedhi (the South) and they now rule with an iron fist as a tyrannical empire. The book's sprawling landscape fits the book's narrative, a storyline that encompasses 20ish years of Bergharran history. 

Over the course of time, the book examines several characters and their growth from poverty to royalty, most playing a supporting role to the chief protagonist, a man named Jehan Henghmani. He's married with two daughters, and in the opening pages it is explained that he had been captured by the Emperor of Tnemghadi. Jehan, a bandit by trade, is able to break his bonds and kill the executioner assigned to behead him. Because of this, and his inability to escape the dungeon, the Emperor imposes a strict punishment. He is to be tortured each day for the rest of his life. Any dungeon master that allows this prisoner to die under torture will receive the same punishment as Jehan. Further, he is fed only human flesh. These torture scenes, which is sometimes described in great detail, were extremely vile and disturbing. After years of abuse, Jehan's wife and kids are brought in and raped repeatedly in front of him. 

Eventually, Jehan is able to escape his Hell and begins to create a new group of roving bandits. But, instead of stealing from the Tnemghadi, he wants to destroy them. The next 300 pages are saturated with Jehan's creation of a large military force that collides with Tnemghadi's reign. There are large swaths of land and regions that are slowly devoured through calculated battles. In essence, Jehan rises to become a new leader through military tactics. This is where the problem lies - the book's focus on continental reformation.

Robinson's book is captivating at times, and feels epic – as it should. But, the narrative is bogged down with so much political strife and turmoil that I became exhausted. This isn't a fantasy novel, nor is it science-fiction or sword and sorcery. There is no dragons or magic and there isn't anything cosmic. This is purely a fictional middle-ages type of story with normal people displaying acts of barbarism, brutality, and violence on one another. At times, the torture sequences rivaled one of the most graphic novels I've ever read, Jack Ketchum's The Girl Next Door. This isn't for the squeamish. 

If political intrigue, royalty chess games, and the pursuit of power by ruthless, self-absorbed characters is your thing, then by all means reading this book should be a pleasant experience. Robinson is a great writer and the overall storyline is superb. But, at the end of the day, it's a lengthy book and requires some patience, and I simply don't have it.

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The Temple

“The Temple” is a short story from Howard Phillips Lovecraft (1890-1937) that first appeared in the September 1925 issue of Weird Tales pulp magazine. The story has been compiled in countless collections and is available as a free Kindle download. 

The story presents itself as a found “letter in a bottle” manuscript written by a German submarine captain who just sank a British ship during WW1. A member of the German crew removes a mysterious amulet from the pocket of a dead enemy seaman, and things begin to get weird. 

The German crew begins experiencing mass nightmares, babbling, and visions of floating corpses in the sea. Things get worse for the cursed crew throughout the story as insanity leads to mutiny and murder. 

Eventually, the U-Boat settles upon the bottom of the sea where there is a great temple on a large campus recalling tales of the underwater City of Atlantis. Lovecraft does a great job of creating a spooky atmosphere as our unreliable narrator explores the city and slips deeper into madness. 

While not much actually happens in the story, it’s all about the vibe. Lovecraft was a master of creeping dread caused by circumstances and forces beyond our control. Taken in that context, “The Temple” is a worthy, short read.

Conan - Wolves Beyond the Border

I questioned whether to place “Wolves Beyond the Border” in the Conan category. Technically, it's in the same fictional universe and mentions the hero, but Conan doesn't actually appear in the story. Yet, it first appeared in the 1967 Lancer paperback Conan the Usurper, alongside other Conan classics like “The Scarlet Citadel” and “The Phoenix on the Sword”. By association alone, it seems mandatory. In fact, Howard began the story in the 1930s, but it went unfinished and unpublished. It was located in 1965 by Glenn Lord and then passed to L. Sprague de Camp to finish writing the story based on Howard's notes and summaries.

“Wolves Beyond the Border” takes place along the Pictish border. For Hyborian Age rookies, the Picts are similar to the Native American tribes of the North American continent in the 1500-1800s. If you read early frontier novels by the likes of James Fenimore Cooper (Leatherstocking Tales) or later, traditional westerns by Zane Grey (his Border Trilogy for example), the narratives mostly consist of early settlers and pioneers struggling to live in the same territorial regions as Native American tribes. So, Robert E. Howard used this as a blueprint when creating Conan stories like “The Treasure of Tranicos” and “Wolves Beyond the Border”. The Pictish borders are similar to the surrounding areas of North America's early Ohio River Valley.

This story is told in first-person narrative by a border ranger. In the early pages, this ranger (unnamed and referred to as Gault Hagar's son) witnesses a bizarre ritual by the Picts, where they torture a man and then magically place him in the body of a snake. It is a disturbing, horrific passage that surpasses even the mad-scientist terrors lurking in “The Scarlet Citadel”. This ranger sees that an Aquilonian named Lord Valerian is conspiring to secretly ally with the Picts. This is important because the story is set during a time when Conan was attempting to overthrow Aquilonia's leaders and become the new king. An alliance of Picts and Aquilonian noblemen doesn't promise success for Conan. 

At nearly 60 paperback pages, the story becomes bogged down and convoluted in the middle. The ranger hero confronts Lord Valerian and Pictish leaders at a swamp cabin and there's a fight and a capture. The beginning and end are exciting skirmishes and chase sequences, but overall I found the story to be of middling quality. From what I understand, Howard wrote the story up to the cabin meeting, and then the reigns were handed to de Camp to complete the manuscript from there. 

In the big picture of the Conan mythos, “Wolves Beyond the Border” is like the Star Wars film Rogue One. It is a separate story without the major heroes like Skywalker and Solo, but adds to the trilogy that began with Star Wars. Same principle here. While Conan isn't around, this is a behind-the-scenes political/military strategy that contributes to the events leading to Conan capturing the Aqulonian throne. If that's your type of story or if you are a Conan collector, then I'm sure there is plenty of enjoyment to be found here. Otherwise, skip it.

M.I.A. Hunter #10 - Miami Warzone

M.I.A. Hunter was a series of men's action-adventure novels published by Jove in the 1980s and early 1990s. The series was created by Stephen Mertz (Cody's War, Kilroy) and featured his outlines and editing with a revolving door of authors including Joe Lansdale, Arthur Moore, and Mike Newton. Crime-fiction author and popular blogger Bill Crider (1941-2018) contributed as well with his series debut, Miami Warzone. It is the 10th installment, originally published in 1988 and existing today in digital format through Wolfpack Publishing. 

Miami Warzone is the first domestic appearance of Mark Stone, Terrence Loughlin, and Hog Wiley, the three-man retrieval team effectively known as “M.I.A. Hunter”. The series began with dangerous missions into Southeast Asia to rescue American prisoners held captive from the Vietnam War. Stone's team was working without permission from the U.S. Government, therefore their activities were highly illegal and placed them on a C.I.A. hitlist. But, the American government caught on to Stone's skills in the same way that they caught on to The Executioner. If you can't beat them, join them. So, a U.S. Senator (Harler I think?) in book seven liberates the three hunters and places them on the federal payroll working out of Fort Bragg. You're all caught up now.

In this 10th installment, Crider introduces readers to Jack Wofford, a former teammate of Stone's during the Vietnam War. He even helped to save Stone's life during a nasty firefight at a seemingly abandoned village. In a terrific backstory, Crider tells of how Wofford's brother succumbed to drug addiction and eventually died. To avenge his brother's loss, Wofford went vigilante and began running his own one-man vice-squad. Eventually, he had enough intel and dirt on some of America's most powerful drug dealers. The D.E.A. were impressed with Wofford's talents and placed him on the payroll, similar to what happened with Stone and the C.I.A. But, on a recent undercover buy, Wofford is caught and becomes imprisoned as collateral during a Cuban and Columbian drug war. 

Stone receives a call from Wofford's wife stating that the D.E.A. isn't doing enough to free her husband. The trio takes the job to track down Wofford's whereabouts while also attempting to destroy the drug importing operation devouring Miami. The narrative has a tremendously high body count as the locations include park battlefields, a wild Everglades romp, the ultimate barfight, a mansion blowout, and even a shootout at an airport. 

M.I.A. Hunter isn't Hemingway and never professed to be. Instead, it's a rip-roar, ass-kicking team commando series with explosive action and a slight dose of testosterone humor (Hog is a riot!). As much as I loved the old fashioned “bring 'em back alive” Vietnam rescue missions, the idea of Stone and company working domestically is a nice change of pace. The last two novel locations, the Soviet Union and Nicaragua, were both excellent choices to move this series into another dynamic. Crider's writing style is ultra-violent, but also balances out with a quality story laced with crime-fiction elements, sex, and a buddy cop camaraderie. In other words, this one is a series standout. 

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Five Decembers

The 2022 Edgar Award for Best Novel went to our friends over at Hard Case Crime for an original work called Five Decembers. The author is a successful contemporary novelist named Jonathan Moore using the pseudonym James Kestrel.

It’s Thanksgiving, 1941 and Honolulu Police Homicide Detective Joe McGrady has no idea that Japanese planes will soon be headed his way to bomb Pearl Harbor and change the world forever. McGrady spent some time in the U.S. Army before becoming a patrolman in Honolulu. Four years later, he’s a new detective who just caught his first murder case.

And what a case it is! A young man and woman are found slaughtered in a dairy farm shed on Oahu’s windward side in a bloodbath not for weak stomachs. The dairy farmer is politically-connected and one of the victims has ties to local Navy brass. McGrady is under a ton of scrutiny from his bosses, and he’s feeling the pressure to solve this thing quickly and with minimal fanfare in the news.

The author’s writing mimics the style of James Ellroy in his Los Angeles Quartet/American Tabloid period - a hardboiled cop doing his best to solve a murder case in the shadow of world-changing events — namely World War 2.

It’s a pretty standard hardboiled police procedural with international implications that receives a giant boost of storytelling nitro when the Pearl Harbor attack occurs and the war with Japan commences. At that point, this good book becomes a great one.

The fictional events that transpire during the war and thereafter were among the most creative and unexpected plots that I’ve ever read in crime-fiction. You want heartbreak and romance? It’s there. You want bone-crunching hardboiled violence? You got it. You want a clever espionage thriller? Here you go.

Don’t let anyone spoil this novel for you. It’s not just the Best Mystery Novel of 2022, it’s the finest book I’ve read in 20 years. Essential reading for paperback genre fiction fans. Highest recommendation.

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The Mutants

Kris Neville (1925-1980) was a St. Louis native and author that wrote a half-dozen science-fiction novels, contributed to anthologies, and authored numerous short stories for magazines and digests. My first introduction to the author is his 1966 Belmont paperback novel The Mutants. This was originally published at a shorter length as Earth Alert!, a novella that appeared in the February, 1953 issue of Imagination with artwork by W.E. Terry. Now, the good folks at Armchair Fiction have reprinted the novel as a double with Poul Anderson's The Virgin of Valkarion. 

Many miles outside of the moon's orbit, a space station sits in waiting as nine aliens prepare for Earth's destruction. This space station maintains a cloaking device that shields it from Earth's observation and detection. Inside, these aliens have bred a thousand male and female hybrids of alien and human life forms, referred to as mutants. Their mission is to utilize these mutants to assist in decimating Earth's population after a deadly frequency is broadcast that will turn humans against one another. The mutants will act as a “seek and destroy” crew cleaning up all the leftover humans. 

On Earth, the aliens detect one of their own hybrids, a woman named Julia. This woman discovers that she has a form of telekinesis and can talk with the aliens in her mind. Sensing the aliens' plans, she plans on contacting the U.S. Government to warn them of the incoming invasion. The aliens, hoping to stop the warning, send one of their own alien hybrids, Walter, to intercept Julia and kill her.

There really isn't much to this 150 page paperback beyond the Julia character alerting the authorities of the alien attack. The tentacled aliens in space fill a small portion of the narrative, but overall remain mysterious and unimportant to the reader. The author maintains a frantic pace, which helps elevate the lifeless plot, but there just isn't enough here to really keep anyone interested. Think of The Mutants as a cross between a tepid Terminator flick and Disney's very safe Escape to Witch Mountain. Avoid this one.

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