Paperback Warrior Primer - Thomas B. Dewey

Paperback Confidential by Brian Ritt is my favorite reference book about vintage crime-fiction. In browsing the book (published by our good friends at Stark House Press), I was able to locate a lot of information about an underrated author named Thomas B. Dewey. He authored 36 novels and a handful of short stories between 1944 and 1969. He also wrote a number of stand-alone novels using the pseudonyms Thomas Brandt and Cord Wainer. For this Primer, I'm using the information I discovered in Ritt's book, so all credit goes to him.

Thomas B. Dewey was born in Ekhart, Indiana in 1915. Dewey graduated from Kansas State Teachers College in 1936 and attended grad school at the University of Iowa. After grad school, he moved to Hollywood to find his fortune working for a correspondence school called Storycraft. In 1942, he moved to Washington, DC to be an editorial assistant for the U.S. State Department during World War 2. While working as a writer and editor for the State Department, he began writing novels as a side hustle. 

Dewey's first published novel, Hue and Cry, was published in 1944. It was also released under the titles Room for Murder and The Murder of Marion Mason. The protagonist was a character named Singer Batts, a hotel owner and Skakespeare fan living in Preston, Ohio. He partners with his hotel manager, Joe Spinder, to solve the book's mystery. Dewey (or readers) liked the character so much that he wrote three other novels starring him - As Good As Dead (1946), Mourning After (1950), and Handle With Fear (1951). The books and character are similar to that of Rex Stout's Nero Wolfe series with Spinder serving as the narrator like Archie Goodwin's role in the Nero Wolfe books. You can obtain the four Singer Batts books through Wildside Press HERE. 

In 1945, Dewey leaves the State Department to go back to Los Angeles to work in advertising. It’s there that he marries his first wife, Maxine Morley Sorensen, in 1951. It was during his advertising years that he launched his most popular series starring a Chicago private eye named Mac – the reader never gets to know his full name. The first Mac book, Draw the Curtain Close, was published in 1947. It took Dewey six years before the second Mac installment was published, Every Bet's a Sure Thing. Our review of the book is HERE. Remarkably, the Mac series continued for 17 novels with the last installment being The Taurus Trap in 1970. 

Mac is often described as “The Compassionate Private Eye”, a true statement that also understates that Mac can, and does, kick some serious ass when called upon to do so. His compassion as a character really humanizes him in the body of his first person narration. But these books shouldn’t be confused with soft-boiled cozy mysteries. They are top-notch private eye stories. I’ll be reading and reviewing more Mac books here at Paperback Warrior, and he may turn out to be my favorite private-eye series. Wildside Press has reprinted most of these for $5 or less per book HERE.

Dewey quit his job in advertising to write full time in 1952, a steady gig he continued until 1971. In 1957, Dewey launched his third series character, a San Fernando Valley private-eye named Pete Schofield. The first book in the series was And Where She Stops (1957). That series continued for nine total installments through 1965’s Nude in Nevada.  The gist of the series is that Schoefield solves crimes with his adorable redhead wife Jeanne. Once again, Wildside Press has these available as well HERE. 

The usual trajectory of an author of this era is to write a lot of stand-alone novels, hone their craft, and then launch what they hope will be a successful series. Dewey did it backwards launching three successful series titles right out of the gate and keeping Mac and Pete Schofield alive at the same time.

He did write a handful of stand-alone novels – a couple under his own name - but he also deployed two pseudonyms in the 1950s. This was a pretty common way either to get some extra work on the side without your publisher knowing or to ensure that you aren’t flooding the market and hurting your own brand.

Dewey’s last novel was published in 1969, and then it appears he retired from writing fiction at the age of 54. In 1971, he became a professor of English at Arizona State university, where he taught writing. In 1972, he married his second wife Doris L. Smith, and the author died nine years later in 1981 at age 66.

Hollywood never adapted his work for the big screen, but two of his novels were made into TV episodes:

Bob Hope Presents The Chrysler Theatre
"Runaway" (1964)
Based on “A Sad Song Singing” 

Cannon
"Death's a Double-Cross" (1971).
Based on the novel Every Bet's a Sure Thing

The Burglar

As a career midpoint, The Burglar exemplifies everything we've grown to appreciate and admire about David Goodis. It was originally published as a paperback original by Lion Books and later reprinted by Black Lizard, Simon & Schuster, and a host of others. Goodis wrote the screenplay for the film adaptation, making it Goodis' only solo authored screenplay to actually be produced. The film was released in 1957 and starred Dan Duryea and Jayne Mansfield. In 1971, the French continued their fascination with the author by remaking the film with Omar Sharif and Jean-Paul Belmondo in starring roles. 

In flashback sequences, readers learn that Harbin experienced a poverty-ridden childhood. After his mother and father both die, Harbin hits the road and is picked up by a professional thief named Gerald. Harbin learns to become a skilled burglar under Gerald's tutelage. After Gerald is killed, Harbin is left to raise Gerald's young daughter Gladden. Over 18 years, Hardin's role transforms from Gladden's older brother to father, bringing the novel to the present with Hardin at age 34 and Gladden now 24. 

The opening chapters is a suspenseful heist as Harbin and his crew (two men and Gladden) rob a large mansion on Philadelphia's Main Line. The take is a whopping $100K in emeralds. But, the robbery didn't go as planned due to Harbin being interviewed by police outside of the mansion. Harbin miraculously explains his way out of the situation, but the police take note of his whereabouts. 

Back at the crew's “home”, a place deemed The Spot, Harbin makes the decision to send Gladden to Atlantic City for a few days while their hot status cools down a bit. While wasting the days, Harbin strolls around Philly with no real destination in mind. He contemplates the next move and his relationship with Gladden. But, a knockout named Della approaches Harbin at a bar and the two immediately hit it off. 

After a few chapters, Harbin and Della are in love and have the proverbial “white picket fence” lifestyle planned in the Pennsylvania countryside. The problem is multifaceted – Harbin has a criminal background that he needs to share with Della, he has a complicated relationship with Gladden that needs unraveling, and he has to leave the burglary business and his crew. The first one is easy, the second is an emotional implosion and the third becomes central to the book's propulsive plot.

As always, Goodis is one of the masters of crime-noir storytelling (arguably the very best) and The Burglar is about as good as it gets. The characters are dynamic, with each one facing extreme adversity while carrying heavy burdens. Both Della and Gladden are in love with Harbin, but his decision to choose one not only has a lasting impact on his own life, it controls the fate of the heist crew. There is the obligatory “running from the law” plot threads that keep the narrative at a brisk pace.

I like the author's subtext that theft is like a drug. It brings these characters emotional peaks and valleys while insuring they avoid the rat-race of a 9-to-5 job. At one point Harbin admits he has nothing he wants or even desires. He can't locate any material objects to buy with his $7K in walk-around money. Much less, where to spend his share of $25K from the most recent heist. It's not about the money, it's the adrenaline rush. 

If you just love a great story, The Burglar is absolutely fantastic. As a mid 20th century crime-noir, it's sheer perfection. Tangled love, the burden of criminality, greed's fascinating tug-of-war, flawed justice, the price of happiness, these compelling, prevalent plot-points just go on and on. Excellent books create meaningful discussion and The Burglar does just that. Highest recommendation. 

Get the book HERE.

Two-Gun Law

Robert J. Hogan (1897-1963) is mostly associated with his creation of the pulp-aviation series G-8 and his Battle Aces. After serving in WWI, Hogan worked in the aviation industry while writing for the pulps from 1930 through 1957. It's hard to locate information about Hogan's work beyond G-8 or his Smoke Wade creation. But, Hogan wrote a number of original western paperbacks like Brand of Cain, Renegade Guns, and Two-Gun Law. Pageturner's Buckskin Editions imprint have reprinted six of Hogan's western novels as affordable ebooks including Two-Gun Law. It was originally released as Law for La Mesa, a complete novel featured in Giant Western October, 1950. Lancer later reprinted it in paperback as Two-Gun Law. 

Rod Gordon was born and raised in the southwestern frontier town of La Mesa. Growing into an adult, Gordon had become a fast gunman and a reckless youth. To stop Gordon's inevitable criminal path, his father sent him back east to study law. Maturing, and learning the mantra that “every man is innocent until proven guilty”, Gordon returns to La Mesa to begin his law practice. His first client is an elderly man named Blue Harmon.

Harmon explains to Gordon that his ranch is being seized by the town bank, specifically a man named Colonel Ball. Harmon has paid taxes and has the official rights to keep his ranch, but due to some crooked politics Ball has proven the tax receipts are missing, thus the delinquency. Harmon is now dispossessed of the ranch so Gordon takes the case pro bono. After talking with Ball, Gordon explains that Harmon simply misplaced the receipts and needs more time. Before Gordon is able to elevate the case, Harmon's foreclosure leads to a shootout. Harmon is killed and Gordon is furious.

As Gordon begins to dig into the town's most recent history, he learns that Ball has repossessed many of the ranches and farms. La Mesa's citizens have been misled, cheated, bullied, and forced into poverty due to Colonel Ball's criminality. But, Ball wants to work with Gordon and explain that the whole business is on the up and up. Further, Ball wants his beautiful daughter Maxine to marry a civilized, noble professional like an attorney. While Ball plays matchmaker for Gordon and Maxine, the town turns on Gordon. They think Gordon has sold out to Ball and is now a part of an evil criminal alliance.

Hogan's western falls into the genre's trope of “land baron takes over the town.” Hundreds of stories and books fall into this category, but Hogan's writing style is exceptional because he molds it into a compelling crime-noir. Two-Gun Law reads like a Clifton Adams novel (oddly Adams also has a western with the same title) with the traditional western formula laced with crime-fiction elements. There are some footprints of Hogan's pulp writing as the characters display a seemingly supernatural ability to shoot precisely. But, it never really interferes with the story. I love the little nuances that the author includes. 

When Gordon finds the corpse inside Harmon's house, a nearby neighbor named Loony is playing a mouth harp and singing "The Dying Cowboy" (also known as "Cowboy's Lament"). Readers immediately think the song represents Harmon's death. But, in brilliant foreshadowing, the song is really a prophetic tune for Loony himself. I also really liked that Gordon, the wild-and-woolly gunman turned attorney, hangs his six-guns on his office wall. As the town turmoil increases, Gordon retrieves the guns from the wall and reflects how heavy they seem now. It's a parallel to Gordon's heavy burden as town savior. 

If you have a Kindle, $3 is well worth the price of admission for Two-Gun Law. If you want paper, affordable copies of the Lancer version are still out there. As an introduction to Hogan's writing, I was really impressed with the book and I'm looking forward to reading more of these Buckskin Edition reprints. 

Buy the ebook HERE.

Men's Adventure Quarterly #04

Robert Deis and Bill  Cunningham have been doing God's work with their Men's Adventure Quarterly publication. It's an old-school throwback to the men's action-adventure magazines (MAMs) of the early to mid 20th century. The magazine's debut was in 2021 and featured westerns as the theme. The second issue focused on espionage and the third installment contained stories around vigilantes. This fourth installment is “The Jungle Girls Issue!” 

In the opening pages, Deis authors “It's a Jungle Girl Out There!”, a great article examining the origins of the “jungle girl” stories in fiction, magazines, and comics. Deis cites two of the genre's earliest works, H. Rider Haggard's 1886 novel She and William Henry Hudson's 1904 novel Green Mansions. I enjoyed the timeline Deis presents from these novels, including Edgar Rice Burroughs' Jungle Girl in 1932 and the 1940s/1950s movie serials and comics starring Nyoka the Jungle Girl. The introduction expands into the variations and eras of Sheena, Queen of the Jungle. It was a real education for me learning the concept of “jungle girl” and its place in literature and pop-culture.

The magazine dedicates 50+ pages to model, author, traveler, and icon, Jane Dolinger. Deis interviews Lawrence Abbott, author of the book Jane Dolinger: The Adventurous Life of an American Travel Writer. Throughout the interview, Abbott provides Dolinger's history from pin-up model to her books like The Head with the long Yellow Hair (1968) and Jaguar Princess (1964). It was interesting to learn her backstory, the travels, and about her marriage. Many of her articles and columns are reprinted, including "I Helped Shrink a Human Head" (Champion 09/1959), "I Found the Jaguar Princess" (Adventure 04/1965), and "The Jungle Killers Who Fight for Women" (All Man 05/1963). I found "Around the World with Jane and Camera" (Wildcat 07/1966) as a terrific insight into her traveling experiences in rural locations and hostile jungles. She led an incredible life and the magazine is loaded with gorgeous photos of her (NSFW).

Like prior issues, this issue is saturated with reprinted stories and art from vintage men's action-adventure magazines. First off is “The She-Wolf of Halmahera” (Spur 09/1959), a first-person account by Leonard Kelcey (not a real guy) who explains to readers his harrowing experiences in Indonesia tracking down a she-wolf/vampire seductress. “Yank Explorer Who Ruled Guatamala's Taboo Tribe” (For Men Only 08/1959) features cover art by the talented Mort Kunstler, which in itself is worth the price of admission, and interior art by one of my favorites, Gil Cohen. The story is written by Donald Honig, an author that Deis spotlights in the story's introduction page. Other stories include “Borneo's Topless Army” (True Adventures 10/1966, art by Vic Prezio and Basil Gogos) and “Forbidden Amazon Female Compound” (Stag 04/1968, art by Mort Kunstler).

The book includes pages upon pages of vintage MAM artwork, including a variety of stunning models from the era. There is also an article on Marion Michael, a German model and actress that starred in films like Liane, Jungle Goddess and Native Girl and the Slaver. The editors include lobby card and movie poster artwork featuring Michael as well as a number of photos. 

Men's Adventure Quarterly #04 looks absolutely fantastic on paper (wink wink). As an educational tool, Deis and Cunningham provide an academic approach to this genre and I learned a great deal more about the MAM industry and culture. Each issue of MAQ continues to improve and expand while also rekindling the same fires stoked by the legions of creators, artists, writers, publishers, and fans that came before it. Deis and Cunningham's collaboration is pure dedication to the spirit and heart of MAMs and I absolutely applaud their efforts. 

Get the book HERE.

The Stalker

In 1971, author Bill Pronzini's first two novels were published, The Snatch and The Stalker. The former was the first of Pronzini's successful and respected Nameless Detective series. The Stalker was the first of over 30 original, stand-alone novels. After positive Paperback Warrior reviews for Panic (1972) and Snowbound (1974), I was excited to re-enter Pronzini's early 1970s era of crime-fiction. I decided to retrace his steps and begin with The Stalker. 

The book begins in Granite City, Illinois in March of 1959. Six men successfully rob a Smithfield armored car transporting $750K in money from Mannerling Chemical. Aside from punching a guard, the heist is executed flawlessly and these six men become financially stable in less than 10-minutes. Readers are advised that the investigation into the robbery was unsuccessful in locating the men or the stolen money.

The next chapters feature newspaper articles from 1970 detailing the grisly deaths of three, seemingly unrelated men. These deaths appear to be random accidents, but in the book's compelling middle chapters, readers discover that these men were half of the 1959 heist crew. It's explained that three Army buddies – Conradin, Drexel, and the book's protagonist, Kilduf – planned the heist and are now the remaining members of a mysterious kill-list. 

Pronzini's plot development is exceptional as he leads readers into a dramatic mystery as these three men attempt to identify their stalker. Considering the heist was perfect with no fatalities, and that law-enforcement never located a single clue, the idea that someone has found them seems impossible. But, three of their crew is dead and the list has shortened. There is a tremendous amount of urgency, which Pronzini successfully balances with the slower pace of suspense and mystery. I won't ruin the surprise, but there is another character in the novel that adds some insight to the puzzle.

The Stalker is a short novel, but Pronzini is able to develop the characters at a quick pace that doesn't detract from the story's impact. I loved the relationships between Kilduf and his frustrated spouse, as well as the summarized backstory of these three characters and the wealth they spent or invested. Pronzini is able to create this mental anguish as the characters learn of their potential fates and how their criminal pasts may now extinguish their future. Was the money worth the guilt? Was the fortune worth the mental sacrifice? I love these questions as Pronzini violently shortens the kill-list one by one.

As either a murder mystery, a psychological suspense novel, or as crime-fiction, The Stalker is absolutely fantastic. Pronzini crafts a believable heist tale, but manages to reshape it into a thrill-ride. The end result makes it a mandatory read. Highly recommended! 

Buy a copy of this book HERE

Girl on a Slay Ride

Louis Trimble (1917-1988) was a Seattle author that specialized in science-fiction, western, mystery, and espionage genres. He wrote under multiple pseudonyms and has been reprinted numerous times. In 2012, Prologue Books reprinted his crime-noir novel Girl on a Slay Ride, originally published by Avon in 1960. 

Cliff Mallory is employed as a salesman, but is described by another character as a high-class messenger. The term fits considering Mallory has a briefcase containing $40,000 in securities that he needs to deliver to his boss in Port Angeles, Washington. After the drop, Mallory is headed into the state's Olympic Mountains to enjoy his favorite pastime, camping and fishing. But, his plans take a detour when his ex-wife Denise calls asking for a favor.

After picking Denise up at the Portland airport, she advises Mallory that she's on the run from her husband and his Syndicate cronies. Her husband fears that she knows a little too much about his business dealings and wants to snuff her out. Denise called the only person she ever truly loved for help. Mallory and Denise head to the coast highway and follow it through the fog and dense forest to a small-town motel. After sensually making up for lost years, Mallory sees two men in the parking lot that he knows must be on to them. 

Back on the rural highway, Mallory and Denise are intercepted by a man calling himself Graef and two other guys. But, Mallory can't figure out if they are after Denise or trying to rob him of the $40K. The three thugs escort Mallory into a coffee shop where a newspaper shows Graef's photo and the ominous headlines that he is a rapist and kidnapper that has escaped from jail after killing a deputy. Quickly, Trimble's crime-noir escalates into a psychotic suspense thriller as Mallory and Denise try to escape this horrible scenario.

In some ways, I think Trimble combined a rugged, outdoor modern western with a crime-noir to create this very unique novel. It features a long chase through the pines and snow, with tracking, guns, and a survival element built in. But, the author isn't content with just that. Instead, he injects this frantic sense of suspense and mystery because everything isn't what it appears to be. I was thrown off by the story's twist and had to re-read certain chapters just to be sure I was clear on who's betraying whom. I applaud the originality and presentation, but there's a lot going on that requires some serious page dedication. 

Girl on a Slay Ride was a terrific, fast-paced narrative with plenty of action and intrigue. Trimble reads like John D. MacDonald here and I can't help but think he was slightly influenced by JDM's violent novel The Executioners (aka Cape Fear, 1957). It has the same intensity with one unforgettable character that is a repulsive, psychotic savage that preys on young girls. The original paperback's cover (Victor Kalion) conveys the emotional terror. What you see is exactly what you get. 

Recommended! Buy the ebook HERE.

Boy-Lover

Charles Boeckman (1920-2015), a celebrated jazz musician, authored short stories for the pulps and digests through the mid 20^th century. He also wrote paperbacks including mystery, western and suspense. In his autobiography, Pulp Jazz: The Charles Boeckman Story, Boeckman elaborates on the name Alex Carter, a pseudonym that he used to author a number of racy romance novels. In the book, he says he didn't want readers to connect these novels directly to him. He learned of Robert Turner, an author for the publisher Beacon, spending a night in jail for writing “pornography.” He didn't want to experience the same fate. It's a real shame that readers couldn't connect Boy-Lover to Boeckman considering its quality. It was published by Beacon in 1963 with a painted cover by Clement Micarelli.

Babs is in her late 20s, has a ravenous sexual appetite, and is mired in the suburbs with her tired, complacent husband Art. Instead of providing Babs hours of ecstasy, Art's idea of a good time is hosting tame neighborhood parties, discussing mechanical issues concerning  the couple's car, or just sleeping like a log. Babs is craving the sins of the flesh and has horny housewife eyes on a young mechanic named Jack.

Jack recently graduated high school and is now working at the local garage. When he delivers Bab's repaired car to her house, he is shocked to find her sunbathing in the nude while Art is at work. Babs slaps the seduction on thick as the experience increases from lemonade to dancing to bedroom antics as Jack loses his virginity to this gorgeous married woman in grand style. But, as you can imagine, Babs and Jack aren't fulfilled with just one encounter. Soon, they are sneaking out to do the nasty in abandoned parking lots, the closed mechanic's shop, and eventually into an apartment outside of town. It's here that Babs and Jack are shocked when their affair is revealed.

Boy-Lover isn't explicit by any stretch of the imagination. It's all PG-13 if it was released today. Boeckman's novel works exceptionally well as a character study – Jack as the inexperienced youth experiencing an accelerated maturity and Babs as the frustrated housewife that feels no purpose. The two need something from each other, but it isn't an emotional connection. Their responses to changes in their lives is met by sex – simply sex, nothing more and nothing less.

Boeckman takes readers through the rocky relationship that Jack and Babs feel. We feel Jack's frustration as a mechanic in a new town - the low wages, the impending poverty, the scorching cement – and sympathize. In many ways, this 1963 glimpse at the lower-class hasn't changed. It's timeless as these problems are eternal for generations of Americans. Jack contemplates the money left over on payday and has to decide if his last savings should be spent on a movie and popcorn. Alternatively, the upper middle-class Babs realizes what blue-collar money is worth. She is used to expensive cars, fine dining, and the ability to shop for high-quality wine and clothes. She faces a new awakening under Jack's small, but hard-earned, salary.

Boy-Lover is way better than it ever has a right to be. The cover is gorgeous, but it doesn't do the author or the publisher any real justice. This is just a fantastic novel that makes you feel a responsibility to the characters. On the last page I felt the impact of these two lovers and the impromptu life they led. I felt their emotional connection, their financial struggle, and the challenges they faced in an unconventional relationship. In a way, this is Boeckman's take on youth, the end of innocence, and the daunting threat of impending adulthood. I really enjoyed it and I think you will too. Recommended! 

Buy a copy of this book HERE