The Freakshow

According to his Goodreads profile, Bryan Smith has authored more than thirty horror and crime novels and novellas. His crime-fiction book 68 Kill was adapted into a critically-acclaimed film in 2017. Smith also co-scripted an original Harley Quinn (Batman) story for DC Comics' House of Horrors anthology. I first discovered the author in the mid-2000s by reading his mass-market horror paperbacks like House of Blood and Deathbringer. His 2007 horror novel The Freakshow was originally published by Leisure and has now been reprinted by Grindhouse Press in multiple formats. 

The Freakshow is splatterpunk with the obligatory copious amounts of sex (mostly rape), gore, and violence prevalent over the science-fiction and dark fantasy elements. The novel's concept is that supernatural beings from a netherworld are playing a game where they control humans to do just about anything imaginable. These “things” are losing their home world, so they want ours. By conquering humans through assimilation, they can move from the netherworld into ours. 

These beings are sort of like Clive Barker's Cenobites from his novella The Hellbound Heart and the franchise of films. They have a variety of appearances and abilities and aren't necessarily good or evil, thus the “angels to some, demons to others” sentiment of Barker's stories is the theme of The Freakshow. Because of the variation, Smith's imagination runs wild. There's a two-headed succubus leader, a robotic clown, sexually depraved humans (if you can call them that), rolling heads that chomp flesh, you get the general consensus.

It's hard to find any characters to really cheer other than Heather, a young woman in an abusive relationship with her boyfriend and dealing with an ailing mother. She is the main character, but that's a loose term considering the book has a dozen or more characters. Mostly these characters are disposable and make for rape and torture targets. The story presents characters that are fighting the freakshow invaders or working for these supernatural beings. Mostly, the characters just dwell on perverse sex and creative ways to kill or maim each other. There's no respect for any higher authority beyond their own self-interest 

Overall, I found the book to be slightly better than average. With Smith's literary work, I manage my expectations, knowing that his narratives are saturated in over-the-top violence and gore. There's nothing wrong with that, but I normally like my horror to be more psychological than physical. If a unique, violent bloodbath is your thing, then The Freakshow will surely please you.

Note – Brian Keene's Urban Gothic and this book tie-in to a novel called Suburban Gothic, authored by both Keene and Smith. 

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The Brat

The Brat, published in 1957 by Fawcett Gold Medal, was Gil Brewer's 12th career effort, a mid-era crime-noir that is misrepresented by the book's sultry cover. Fans of Brewer's sexier femme fatale novels, like The Vengeful Virgin (1958) or The Tease (1967) may be led to believe that The Brat possesses that same energy level. It includes all of the potent ingredients to make the narrative seemingly explode – wild women, lust, greed, criminality, and average men pushed from their suburban threshold into a world of madness. Like Orrie Hitt, Brewer loved this type of storytelling experience - the sexy seductress weaving a master-plan. But, The Brat doesn't utilize these ingredients to create anything magical. 

In this novel, Brewer mimics Day Keene's more simplistic approach. It makes sense considering the two were friends and even collaborated together. If I didn't know better, I would have pegged The Brat as a Keene novel. The narrative is saturated in genre tropes that are familiar to any seasoned crime-noir fan. The narrative's central element is identical to the “man awakens to find a corpse and flees from the law to prove his own innocence” concept. Only, Brewer exchanges the swanky apartment, soft bed, or suburban house with a bank.

Lee is a fairly wealthy guy before his trip into Florida swampland. It's in the sweltering jungle that he finds the sexy Evis, a backwoods tramp that he can't resist. Her family is redneck loonies, so Evis is rescued by Lee and soon the two ring the wedding bells. But, Evis’ domestication is ripe with greed and self-interest. She carves through Lee's savings, leaving the two almost destitute just a short time later. Evis, who conveniently works at the local bank, pitches Lee a heist plan. She can easily steal money from the bank's vault during her closing shift. Lee slightly agrees, but doesn't want to commit to steering into that lane yet.

Lee arrives from work one evening to find that Evis is working at the bank and she needs him to pick her up. When he arrives at the bank, there's a corpse, missing money, missing spouse, and enough evidence that suggests he collaborated with Evis to commit this criminal act. Terrified of being fried for murder, Lee hits the road to pursuit Evis. Along the way, he is tracked by a greedy sheriff that wants the money all to himself. There's also Lee's best friend that may have been Evis's side hustle to seduce into a joint heist. Lee must avoid the police, find Evis and the missing cash, and prove he is innocent. 

Brewer's novel  is one long road trip as Lee hops from destination to destination searching for clues. The pacing and plot structure never allows the narrative to breathe, making the characters one-dimensional and over-obsessive. This is Day Keene's wheelhouse and he excels at it far better than Brewer. The Brat is similar to Brewer's Sin for Me (1967) novel with its western feel and seemingly endless manhunt. If you must read everything Brewer has written, then you aren't skipping The Brat. Otherwise, there's no need to spend any time reading this less than satisfactory novel.

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All the Way

Charles Williams (1909-1975) was the best American author of 20th century crime-noir fiction that most Americans have never encountered. Thanks to some smart reprint publishers, his work is being introduced to a new generation of readers looking for propulsive plotting and gritty, vivid characterizations. All the Way was a 1958 paperback also released under the title The Concrete Flamingo that has been reprinted by Stark House.

The narrator is a drifter named Jerry Forbes, who’s in Key West, Florida when he spots a sexy dame on the beach giving him the eye. Her name is Marian Forsyth, and she’s a secretary in a small Louisiana town. From the moment they meet, Jerry knows that Marian has a hidden agenda. Even the sex between them feels transactional. For those who read a lot of these types of books, this dame has femme fatale written all over her. 

After getting to know one another a bit, Marian proposes an idea to Jerry. She needs Jerry to impersonate her boss to move money from a stock account into their hands as a prelude to murdering the boss. Marian used to be his mistress, and he failed to marry her. Hell hath no fury and all that. 

As usual, Williams’ writing is head-and-shoulders better than his contemporaries. The monologues he wrote for Marian explaining the humiliation she suffered at the hands of her boss are staggering. The book is a bit of a slow burn, but Williams keeps the emotions running high, so the reader understands the narrator’s anxious longing for this woman bent on destroying another man. 

All the Way is basically the story of a complex and dicey long con. It’s an inventive paperback, but you need to be patient with the novel’s sluggish pace. This elaborate identity theft scheme doesn’t unfold with breakneck action. This culminates in one of the most bleak and tragic conclusions I can remember reading in ages. 

All the Way was compelling and interesting, but I don’t think it’s top-shelf Charles Williams. It would have been more impactful as a 50-page novella in Manhunt Magazine. If you’re working your way through Williams’ entire body of work, you’ll probably enjoy the novel just fine, but don’t make this your first stop. 

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Chief Inspector Andreas Kaldis #01 - Murder in Mykonos

Jeffrey Siger is a Pittsburgh native who fell in love with Greece and has written 11 contemporary police procedural novels starring an Athens cop reassigned to the tourist island of Mykonos. The first installment is titled Murder In Mykonos, and it was originally published in 2011.  The Greeks have gone bonkers for this series despite being written by an American who is only a part-timer in the ancient nation, so I wanted to see what the fuss is all about. 

Mykonos is a Greek island in the Aegean Sea 90 miles from Athens. During the months of July and August, the population explodes from about 10,000 to over 50,000 as European tourists descend on the vacation island thick with 16th century windmills, dance clubs, and white-sand beaches matching the sun-baked white buildings. This is the island that our hero, Chief Inspector Andreas Kaldis now calls home. He was an ass-kicking hardboiled cop in Athens who was transferred to sleepy Mykanos after the wealthy residents of the island demanded better, more aggressive policing. 

Early in his new island job as Police Chief, a murdered body of a missing tourist girl is found hidden in an abandoned church. Further investigation shows that the murder may be connected to an earlier homicide, making Andreas come to the preliminary conclusion that there is a serial killer operating on this island paradise — a fact that would be devastating to the tourist-based local economy. Even worse, the murders seemed to be ritual killings of some sort. 

Mykonos makes its money from tourism and the island’s leaders doesn’t want anything to upset the visitor trade. As such, there’s a tendency to sweep bad news under the rug. If someone reports a missing foreign woman in Mykonos, the police instinct is to assume she left willingly and no missing-person report is filed. This poses a real challenge to Andreas as he’s trying to get his hands around the number of missing girls who may have been victimized by this hypothetical serial killer. 

Anyone with an interest in serial killer police procedural mysteries or life in the Greek Islands is sure to be pleased with Murder in Mykonos. The fact that it was written by an American was helpful because he took the time to explain things to readers unfamiliar with Greek culture or the unusual setting. No punches are pulled in thoughtful critiques of the island, its residents, and the underlying political climate. 

If you like crime fiction set in exotic locales, this novel is for you. Siger knows his way around the structure of a good mystery novel, and his characters are vivid and fully-realized. I look forward to the next Andreas Kaldis novel. Recommended. 

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James Bond #03 - Moonraker

James Bond's third series installment, Moonraker, was first published in the U.K. as a hardcover by Cape on April 5, 1955. Macmillan published the U.S. edition on September 20, 1955, followed by Pan Books publishing a paperback edition in the U.K. a month later. In December of 1955, Permabooks published a paperback version in the U.S. under the title Too Hot to Handle. In 1979, the book's title was used for the eleventh James Bond film and the fourth appearance of Roger Moore as the Secret Service hero and heartthrob. The film's production company, Eon Productions, authorized Christopher Wood to write a novelization of the film, which was published under the title James Bond and Moonraker (a bestseller that I've heard is quite terrible). 

In Moonraker, Fleming begins by providing a more intimate look at Bond's day-to-day activities. Readers gain a peek into his home, his routines, and his official desk assignments when he isn't globetrotting to extinguish international fires. It's shown that Bond is having affairs with three married women, works a desk schedule of 10 to 6, and likes to play cards in the evenings with friends. 

Fleming reveals that Bond uses a stimulant known as Benzedrine to stay awake and alert, and even combines the amphetamine with champagne. It was also,interesting to watch his habit of sprinkling black pepper on the surface of vodka. 

It is all of these things that further connected me to the character. I also found it fascinating that Bond was contemplating how many more assignments he has to complete before he can retire. He even fathoms how many will introduce the real possibility of his own death. It was written in such a poignant way that made me sympathize with him. Personally, I felt that his characteristics from Casino Royale were further enhanced by this novel. The idea that he wants to move on and have a normal existence is re-visited at the beginning and ending of Moonraker, leaving an emotional impact on readers.

Down to business, M approaches Bond about a personal favor, sort of an “off the record” assignment. He wants Bond to join him at an exclusive gentleman's club called Blades to play poker with a wealthy entrepreneur named Hugo Drax. M suspects Drax is cheating, but wants Bond to discover his method. This segment of the novel includes intense rounds of bridge as Bond verifies Drax's cheating and beats him with a stacked deck of cards, winning seven times his annual salary. All of this is important because the narrative focuses on Bond and Drax's working relationship later.

Bond's official assignment comes to fruition when a Ministry of Supply security officer is fatally shot in a facility housing England's first nuclear missile. This missile has been created by Drax's company and is to take flight as a demo version for England and foreign powers. Bond is assigned as the security officer's replacement in an effort to determine what's going on. I found his investigation hard-boiled and edgy, culminating in a high-speed chase between Bond and Drax's crew from the town of Deal to London. Of course, it wouldn't be a Bond novel without the inclusion of a beautiful co-worker named Brand. 

Moonraker is rather unique due to its settings. The entire novel takes place in and around London, with a focus on atmosphere as Bond is centralized on the sprawling White Cliffs of Dover, the countryside, and the battering of the North Sea and the English Channel. There's a sense of isolation as Bond gazes at the ocean at night, listening for the ship's foghorns and spotting a beacon. I felt that this, combined with Bond's lonely position in the book's last pages, added a sense of solitude to the story. 

Drax's backstory of his rise to criminality, war atrocities, and his fevered attempts to destroy London paired nicely with Bond's “do or die” mission. There's violence, sexiness, thrills, car chases, shootouts, and the pesky Russians to keep the pages moving at a brisk pace. The storytelling improved drastically from the rather average prior installment, Live and Let Die. While that book was action-packed, it came  across a bit campy when compared to the series debut in Casino Royale. Ian Fleming is all business in Moonraker, making it a fan favorite among James Bond fans. Recommended! 

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Earl Drake #06 - Operation Drumfire

After the success of The Name of the Game is Death (1962) and One Endless Hour (1969), crime-noir author Dan J. Marlowe found his heist hero in protagonist Earl Drake, the “man with nobody's face.” The Earl Drake series, for lack of a better name, includes 12 total novels, all published by Fawcett Gold Medal between 1962 and 1976. We've covered the first five novels right here at Paperback Warrior and continue our coverage with this sixth installment, Operation Drumfire, published in 1972.

In Operation Drumfire, readers become fairly familiar with Earl Drake's backstory. He was a professional bank robber who now works occasional assignments for a special agent named Erikson. It is never explained who Erikson works for beyond hinting at a sub rosa agency deep within Washington D.C. Drake's lover is a tenacious former barkeep named Hazel, who has a talent for gambling on horses and the skills to pilot the couple's airplane. She's also a sexy cowgirl that owns a sprawling ranch built from the fortunes of her former husband. Beginning in the series fifth installment, Operation Breakthrough, the duo is joined by an eccentric martial arts expert named Candy and his Chinese girlfriend Chen Yi.

In this book's opening chapters, Erikson visits Drake and Hazel to show them a video of a bank heist at a horse-racing track. Erikson's agency feels that a think-tank defense contractor called the Institute of Defense Analysis (IDA) may be behind it. The idea is that mathematicians inside the agency put together an elaborate plan to knock off the track. Now, due to Erikson's involvement in a meeting between senior leaders in Mexico and the US, he's touching shoulders with IDA. His growing suspicions of their abilities may lead to chaos with the meeting. He wants Drake and Hazel to infiltrate the agency by going undercover as mathematicians inside their headquarters. 

Honestly, I have no idea what is happening in this book. None of it makes any sense to me. Normally, I can stay fairly entrenched with whatever Marlowe is springing, but I'm not even sure he knew what was going on. It's like a chain of events including a Black Panthers type of military presence in Oakland that Candy must deal with. Then, Drake has to fake his math skills inside the agency while Hazel gains clues for something or another. There's an explosion somewhere and a firefight at the end. It was like Marlowe had individual events he wanted to schedule in the narrative, but had no logical way to connect them. 

But, it isn't all completely lost. Drake changes his old snub-nosed .38 revolver for an automatic .9mm. I felt this was a major change for the character, like a promotion into the big leagues. Also, one of the four main characters is killed off in this installment. Shamefully, I felt good about that. Other than those positives, Operation Drumfire is more like Operation Dumpsterfire. 

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Elin Warner #01 - The Sanatorium

According to Penguin Random House, Sarah Pearse grew up in Devon, UK and studied creative writing and English at the University of Warwick. Her debut book, The Sanatorium, was published in 2021 and became a Sunday Times and New York Times bestseller. Apparently, actress Reese Witherspoon knows a thing or two about books, and has a Book Club in which she selected The Sanatorium as a featured novel. Witherspoon is irrelevant to me, but I'm a sucker for locked room mysteries and this one looked appealing on Target's bookshelf. 

The Sanatorium introduces readers to British Detective Elin Warner, a character that Pearse is also featuring in the 2022 sequel The Retreat. Elin has been a successful, veteran detective for years, but after a particularly gruesome investigation, she's taking a sabbatical. What better place to rekindle energy than a formerly abandoned mental hospital in the Swiss Alps that has been lavishly restructured into a posh hotel? With a raging winter storm outside and the roads cut off, Elin and her husband discover that a killer is on the loose in the hotel, knocking off the trapped guests one by one as some sort of revenge tactic. 

There's so much to like about the story – great main character, multiple murder investigations, an intriguing backstory, excellent atmosphere and location – but it just fails to be overly stimulating. It's nearly 400 pages, which has become the mandatory publishing requirement for thrillers, and that's an eternity for readers to become trapped in this cavernous hotel with dull and uninspiring guests. By page 300, I no longer cared to learn the killer's identity or to even suspect who's next on the chopping block. I had lost interest completely.

If you love modern thrillers that heavily rely on lengthy dialogue to devour a high page-count, then The Sanatorium is awaiting your stay. 

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