Five Decembers

The 2022 Edgar Award for Best Novel went to our friends over at Hard Case Crime for an original work called Five Decembers. The author is a successful contemporary novelist named Jonathan Moore using the pseudonym James Kestrel.

It’s Thanksgiving, 1941 and Honolulu Police Homicide Detective Joe McGrady has no idea that Japanese planes will soon be headed his way to bomb Pearl Harbor and change the world forever. McGrady spent some time in the U.S. Army before becoming a patrolman in Honolulu. Four years later, he’s a new detective who just caught his first murder case.

And what a case it is! A young man and woman are found slaughtered in a dairy farm shed on Oahu’s windward side in a bloodbath not for weak stomachs. The dairy farmer is politically-connected and one of the victims has ties to local Navy brass. McGrady is under a ton of scrutiny from his bosses, and he’s feeling the pressure to solve this thing quickly and with minimal fanfare in the news.

The author’s writing mimics the style of James Ellroy in his Los Angeles Quartet/American Tabloid period - a hardboiled cop doing his best to solve a murder case in the shadow of world-changing events — namely World War 2.

It’s a pretty standard hardboiled police procedural with international implications that receives a giant boost of storytelling nitro when the Pearl Harbor attack occurs and the war with Japan commences. At that point, this good book becomes a great one.

The fictional events that transpire during the war and thereafter were among the most creative and unexpected plots that I’ve ever read in crime-fiction. You want heartbreak and romance? It’s there. You want bone-crunching hardboiled violence? You got it. You want a clever espionage thriller? Here you go.

Don’t let anyone spoil this novel for you. It’s not just the Best Mystery Novel of 2022, it’s the finest book I’ve read in 20 years. Essential reading for paperback genre fiction fans. Highest recommendation.

Buy a copy of this book HERE.

The Mutants

Kris Neville (1925-1980) was a St. Louis native and author that wrote a half-dozen science-fiction novels, contributed to anthologies, and authored numerous short stories for magazines and digests. My first introduction to the author is his 1966 Belmont paperback novel The Mutants. This was originally published at a shorter length as Earth Alert!, a novella that appeared in the February, 1953 issue of Imagination with artwork by W.E. Terry. Now, the good folks at Armchair Fiction have reprinted the novel as a double with Poul Anderson's The Virgin of Valkarion. 

Many miles outside of the moon's orbit, a space station sits in waiting as nine aliens prepare for Earth's destruction. This space station maintains a cloaking device that shields it from Earth's observation and detection. Inside, these aliens have bred a thousand male and female hybrids of alien and human life forms, referred to as mutants. Their mission is to utilize these mutants to assist in decimating Earth's population after a deadly frequency is broadcast that will turn humans against one another. The mutants will act as a “seek and destroy” crew cleaning up all the leftover humans. 

On Earth, the aliens detect one of their own hybrids, a woman named Julia. This woman discovers that she has a form of telekinesis and can talk with the aliens in her mind. Sensing the aliens' plans, she plans on contacting the U.S. Government to warn them of the incoming invasion. The aliens, hoping to stop the warning, send one of their own alien hybrids, Walter, to intercept Julia and kill her.

There really isn't much to this 150 page paperback beyond the Julia character alerting the authorities of the alien attack. The tentacled aliens in space fill a small portion of the narrative, but overall remain mysterious and unimportant to the reader. The author maintains a frantic pace, which helps elevate the lifeless plot, but there just isn't enough here to really keep anyone interested. Think of The Mutants as a cross between a tepid Terminator flick and Disney's very safe Escape to Witch Mountain. Avoid this one.

Buy a copy of this book HERE.

The Devil's Daughter

We really have gained some mileage out of Stark House Press's Lion Trio 3. This recently released omnibus features new editions of three rare, long out of print Lion paperbacks. We covered Sin Pit (Lion Book #198, 1954) by Paul Meskil HERE and HERE. Also, we covered Dark the Summer Dies (Lion Book #138, 1953) by Walter Untermeyer Jr. HERE. This review is for the third and final book in the collection, The Devil's Daughter. It was authored by Peter Marsh, a pseudonym for Alan Williams (1890-1945), and published as Lion Book #16, 1949. The omnibus is prefaced with an insightful article by Paperback Parade's Gary Lovisi detailing the history of these novels and reasons that they remain classics of dark crime-noir. 

The Devil's Daughter is a unique book, told in a conversational way between two people, Michael Perry and Laura. This storytelling style isn't something new, most recently having been used by Stephen King for the Hard Case Crime novel Colorado Kid (2005). Generally speaking, one would think reading a conversation shouldn't be an edge of the seat thrill-ride. However, if done well, the characters in the present day – the mood, emotions, character development – should progress to match the dark history, suspense, excitability of the past events they are presenting. In that regard, Williams is an absolute scholar and creates two dynamics, the mysteries unfolding in the past through this conversation and also the two characters adapting to each other's account as they slowly begin to change emotionally. It's a superb reading experience. 

Michael Perry runs a nightclub and resides in a posh apartment above it. He's a corrupt character that routinely uses cameras to spy on the women's restroom and microphones to listen to patron's conversations at the bar and nearby tables. While the reader can speculate that Michael is into a lot of bad stuff, on paper he is mainly just a drug dealing pervert. Laura, a stunning beauty, catches his eye and eventually he invites her upstairs to his apartment. It's here that Laura discovers mirrors on the ceiling, different types of cigarettes for drug “moods”, and the not so discreet cameras and microphones. Michael, wrought with desire for Laura, confesses he likes to have a good time. 

Before Laura agrees to fool around, she wants Michael to hear a story. Taking the bait, Michael agrees and this is how the reader is submerged into both characters' histories. Through the course of the conversation, Michael realizes he does know Laura, and that she was a part of his shady criminal past. When Laura explains that she has systematically seduced and murdered many of Michael's former allies, the novel takes a bleak, but enjoyable, turn into some really violent events. It is a race to the end as the body count stacks (in Laura's tale). Will Michael suffer the same fate?

The Devil's Daughter is a unique book for all of the storytelling techniques I've alluded to already. However, as a reading experience, the author pulls no punches. There are a lot of elements in this novel that are somewhat uncommon for 1949. The time-period was a pivotal point in crime-fiction. The 1940s was the birth of the paperback original, but also as the decade came to a close, Mickey Spillane's 1947 smash hit I, the Jury really pushed the boundaries of what writers could say and do within the context of their story. 

Williams injects the gritty, violent determination of prohibition era bootleggers and the extreme nature of their business practices smoothly into the book's narrative. It is punctuated by a captivating, unforgettable scene that is written in a tremendously violent way. It's nearly an unprecedented chapter that wasn't typical of a consumer “everyday” paperback. This culmination into ruthless aggression was an obligatory portion of the plot's development, another staple that binds these characters together in a turbulent way. 

If you enjoy clever, well-written novels that stray from the path of least resistance, then The Devil's Daughter will certainly be an entertaining, worthwhile investment. Combining this novel into a collection with the exceptional Sin Pit makes the price of admission an easy expenditure. Stark House Press has outdone themselves again. 

Buy a copy of this book HERE.

South Pacific Affair

We've covered a lot of Ed Lacy's (Leonard Zinberg) crime-fiction, but his rare adventure novels have mostly gone unnoticed. I discovered a $2 ebook on Amazon called South Pacific Affair, originally published by Belmont in 1961. With a fistfight, a beautiful woman, and a boat on the cover, I was hoping this nautical adventure would provide me with an excellent escape from my average suburbia.

Lacy's first-person narrative begins rather haphazardly with protagonist Ray debating marriage with an islander girl named Ruita. They are both on the fictional South Pacific island of Numaga. After the conversation, readers are left puzzled as Ray gets intoxicated, pursues a nude fat woman, and is then punched by his co-worker/friend Eddie. It infuriates me when books begin without an explanation or clue of what the Hell is happening.

Through dialogue, readers learn that Ray and Eddie sail a small shipping vessel in the South Pacific. Their main gig is obtaining and selling copra, which is essentially the insides of a coconut. It isn't a lucrative business and the duo realize that most of their proceeds are spent on supplies, women, and booze. But, Ray is disgruntled with his life after discovering his wife having an affair with a Hollywood film producer. Disgusted with love, marriage, and the 9-5 life, he partnered with Eddie to become a seaman. Then, he met Ruita and fell in love. The issue is commitment, which sometimes isn't completely embedded in the male DNA. He's been burned already and doesn't want to make the same mistake again. 

Unfortunately, that is really all that Lacy has going for him in this book. Ray and Eddie get involved in various shipments, fight with a rival, much larger crew, and have a small bout with a ship carrying natives infected with smallpox. This isn't riveting stuff and I was expecting the narrative to develop into some semblance of an adventure story or, at the very least, incorporate some sort of crime-fiction element. These things never come to fruition and the end result is an absolute dud of a novel. Stay away. There are so many better Lacy novels.

Buy a copy of this book HERE.

Conan - Blood of the Serpent

S.M. Stirling (Stephen Michael Stirling, b. 1953) is a Canadian-American science-fiction and fantasy author. His literary work includes the Draka, Fifth Millennium, Shadowspawn, and Emberverse series titles. He also co-authored The General series with David Drake and teamed with Jerry Pournelle for two Falkenberg's Legion books. My first experience with Stirling is his recent Conan novel, Blood of the Serpent, published by Titan Books in 2022. It is the first official Conan novel since 2011's novelization of Conan the Barbarian. 

Blood of the Serpent takes place after the events in Conan the Buccaneer and before the novella “Red Nails". Conan, in his late 30s, has joined up with the Free Companions working for the leader, Zarallo. In the book's opening pages, Conan is in a bar in the southwestern portion of Stygia. It's here that he first sets eyes on Valeria, a female privateer in the Red Brotherhood. After Conan saves a gambling man's life, Valeria herself runs afoul of a reckless Stygian commander. In quick fashion, Valeria wins the fight and embarrasses the leader. 

The book's first adventure has Conan, Valeria and other mercenaries guiding a Stygian shipment of supplies and slaves to one of their massive mines. In an odd twist, Conan and Valeria must protect the Stygians when the slaves revolt, kill off their masters and run the mercenaries off. Conan admits that if he were enslaved, he would have done the same. With the slave uprising, the Stygian command is fragmented, making a perfect getaway for Conan and Valeria to conduct a gold heist. After some fights with crocodiles and other reptiles and animals, the gold heist doesn't quite work out. But, this sets up the next part of the narrative when Valeria is forced to kill the Stygian commander she skirmished with earlier. She then flees on her own, but Conan learns that the commander's brother is going to trail her, hoping for a vengeful surprise kill away from prying eyes and allies. 

The second half of the novel has Conan battling Abomean warriors deep in the jungle. He makes love to a native, frees her people, and then aligns with the Abomeans. There's also battles with apelike creatures that were right out of an Edgar Rice Burroughs novel, but I received vibes that closely compared with that of Thak, the ape-man creatures that Conan fought in “Rogues in the House”. There were some odd moments with Conan and the native girl swinging on vines through the jungle, but eventually the book pairs right up to the opening paragraphs of “Red Nails” with Conan finding Valeria. 

Many have compared this novel to the Robert Jordan (James Oliver Rigney Jr.) Conan books, and that might be a fair comparison. But, Stirling is rougher around the edges, incorporating lots of gore and ultra-violence. He's far from Robert E. Howard (isn't everybody?), but still can tell a quality story that has the overall feel of Conan. I would have preferred the titular hero to do less talking, have a little more bravado compared to Valeria, and be more authoritative. I don't believe de Camp, Howard, or Carter's versions of Conan would have a return of the gold, but instead would have involved some way for the hero to lose it in a self-serving, selfish attempt to get rich quick.

I enjoyed Stirling's flashbacks to classic Conan adventures from the past. Conan recounts events from “Rogues in the House” and “Tower of the Elephant”, and I also really liked the purposeful continuity right into Howard's “Red Nails” novella. It is seamless, and maintains the same pace and formula that made that story so outstanding. As a bonus, the book even has “Red Nails” at the end to preserve one long story. If you bought the hardcover, there are also illustrations by Roberto De La Torre included. If you wanted to finish this particular portion of Conan's life, Roland Green's Conan and the Gods of the Mountain completes this story arc and dismisses Valeria's future participation. 

Buy a copy of this book HERE.

Men's Adventure Quarterly #05

I can remember watching all of the old war films on TBS as a kid. My father had them on and I always camped out on the living floor to watch all of the action. I can remember repeated watches of The Dirty Dozen, The Wild Geese, Attack Force Z, and Devil's Brigade. Heck, my parents just celebrated their 50th wedding anniversary and “their song” is Mike Curb Congregation's “Burning Bridges”, the closing credits theme music of Kelly's Heroes. Needless to say, the team-based, do-or-die missions was ingrained into my childhood.

I was happy to learn that Bob Deis and Bill Cunningham's fifth issue of Men's Adventure Quarterly (MAQ) was dedicated to the team-combat “Dirty Mission” sub-genre of military-fiction and men's action-adventure. 

In the issue's opening pages, Deis traces the history of the concept, citing the 1965 novel and 1967 movie The Dirty Dozen as a possible catalyst for the numerous stories that appeared in men's adventure magazines. As Deis illustrates, the story that inspired The Dirty Dozen, “The Filthy Thirteen”, was published in 1944 in True: The Man's Magazine. Deis's opener is punctuated by glorious vintage artwork by Frank McCarthy, Norm Eastman, and popular Spanish comic book artist Vincent Sagrelles. 

The magazine's opening pages also features a short article by Bill Cunningham. He spotlights various films that featured unusual, unfortunate heroes partaking in dangerous military missions. Kudos to Cunningham for including one of my favorites, Uncommon Valor. 

Paperback Warrior is a big fan of Justin Marriott's magazines focusing on vintage books, pulps, comics, and more. One of his most recent projects is a series of fanzines dedicated to the British war comics and comic strips of the mid to late 20th century, Battling Britons. Using simple terms, he explains that the bigger British comic companies were Fleetway IPC and DC Thomson. These are like the Marvel and DC companies in the U.S. One of the things I found most interesting is that British monthly publications featured “pocketbooks”, 64-page stories that were sometimes written by military veterans. This provided a sense of realism and technical detail. Marriott's article is laced with spectacular comic panels from the likes of Battle Picture Weekly and Warlord as well as covers of Commando. 

The bulk of MAQ5 is dedicated to Eva Lynd, an iconic model that posed for MAM artists like Al Rossi, James Bama, and Samson Pollen. One of her most popular pairings was with artist Norm Eastman, which is a working relationship that Deis expands upon. There are numerous art panels and magazine covers to feast your eyes upon, including several that feature both Lynd and iconic male model/actor Steve Holland. In addition, Deis also briefly covers Lynd's work with artist Al Rossi, which was something I honed in on as a paperback fan. Book covers include Orrie Hitt's Women's Ward, Don Bartell's Strange Lovers, and one of the best books I read in 2022, Nude in the Sand, by John Burton Thompson. I really enjoyed the inclusion of fake movie posters portraying Lynd and Holland in action-packed military yarns. These are “fan” movie posters created by Vance Capley and David Goode, originally featured on a now defunct blog called Goode Stuff. Personally, I'm dying to see Fortress of the Damned. But, one can only dream of a film matching the power and vivid imagery of the faux poster.

Glorious Trash blog superstar Joe Kenney offers up a unique insight into his childhood. Kenney explains how he was submerged into the men's action-adventure genre, specifically MAMs and how they spawned his undying love for late 20th century paperbacks. I enjoy Kenney's blog and it was interesting to learn more about his life and what brought him to this wild dance. 

Most of the book's second half is dedicated to outrageous dirty mission stories, a majority featuring scantily-clad women. Stories like “The Captive Stalag”, “Lace Panty Guerillas”, “The Wild Lace Panty”, “Death Doll Platoon”, and the “Nazi Sex Circus”. The vivid artwork from Fernando Fernadez, Bruce Minney, and Gil Cohen enhances these stories and articles. These tales also feature female models like Lisa Karan, Carole Landis, and contemporary photographer/model Mala Mastroberte.

I seem to say the exact same thing after reading each new issue of MAQ: This is their best issue! I don't know where Cunningham and Deis find the time, energy, and dedication for all of these vintage magazines, artwork, reference material, books, the MAM CULTURE, to be featured in such a classy, professional way. This duo has side-projects, blogs, their own enjoyment, and families to tend to on top of what appears to be a full-time job creating these MAQ volumes. My hat remains tipped to their labors of love. MAQ #5 is...well Hell, it's their best issue yet! 

Buy a copy of this book HERE.

The Cheaters

Ledru S. Baker Jr. served in the U.S. Army Air Corps during WW2. In 1951, his short literary career began with the bestselling Fawcett Gold Medal paperback And By My Love. He followed with three more novels before his death in 1967. Cutting Edge Books has released nearly all of Baker's works, including The Cheaters, originally published by Fawcett Gold Medal in 1952. The book is available in both digital and physical editions as a stand-alone or as part of the Ledru Baker Jr Reader, an omnibus also containing Brute Madness and And Be My Love. 

Orchestra musician and bandleader Jack Griffith works at a posh Hollywood night club that is controlled by the Syndicate, specifically a Mafioso named Moss Morrison. One evening, Griffith is summoned to a meeting with Morrison and offered a peculiar proposal. Morrison wants to divorce his wife, a hot ticket named Mardi, but needs something on her to avoid a huge payout in alimony. Sensing his wife's attraction to Jack, Morrison offers Jack a large sum of money if he can swindle Mardi into a romantic fling. Griffith accepts the deal, but after meeting Mardi he falls in love with her. 

Just when you think Baker's smooth prose is surely leading into the overused “innocent man on the run” formula, the talented author switches the narrative entirely. Instead, Griffith figures out the whole setup while falling in love with a clever and sexy waitress. When she's taken captive by the Mob, Griffith recalls his WW2 days of fighting the Italians in brutal, bloody combat. With an iron-fisted vengeance, Griffith takes the fight to the Mob.

Baker's writing is exceptional and injects a heavy dose of realism and violence for a 1952 novel. The Cheaters mixes the grit and grime of Donald Hamilton (Matt Helm) with the sarcastic afterglow of Mickey Spillane (Mike Hammer). Baker's writing is just so engaging and produces a strong, emotional reaction. An example:

    They looked up, and their startled faces gave me all the time I needed. I shot the first one through the head; his skull and hair rose magically. I snarled and turned to the other one as the noise and blast of the gun, the smell in the room and the power I received from the recoil took me away from Los Angeles and threw me back to the Po Valley.

    I swung the gun toward the other one. He had risen, and his hand was pawing inside the coat when I said: “Hell's waitin'! Good-by!” at the same instant that I fired.

    The first shot threw him back into the chair. The second one caught him in his throat and ripped out the back of his head. I guess it did, because there were little pieces of bone on the window like flys trapped on flypaper. 

If you have a penchant for strong, “fight or die” heroes forced into inevitable violence, then The Cheaters will surely hit you like a ton of bricks. This is uncompromising, unwavering crime-fiction.

Buy a copy of this book HERE.