Logan #02 - Killers at Sea

Jon Messmann authored comic books before moving into men's action-adventure paperbacks in the late 1960s. He contributed installments to the spy-fiction series Nick Carter: Killmaster as well as creating and writing his own titles like The Revenger, The Trailsman, and The Handyman. In 1970, Messmann wrote two novels starring a begrudged boatman named Logan. Thanks to Brash Books and Cutting Edge, two publishers that have concentrated on releasing brand new additions of Messmann's literary work, I had the opportunity to read the first book, the eponymous Logan. Enjoying the novel, I'm back to the well again with the book's sequel, Killers at Sea. 

Messmann moves the action from Panama to the quiet South Carolina coast for this second Logan adventure. The battle-scarred protagonist receives a letter from an old friend in the fictional one-horse town of Kingdom Point. Upon his return, Logan discovers an elderly man's body lying on a secluded beach. Before he can notify the authorities, the bullets start to fly. The dead man's young friend, a gorgeous woman named Julie, begins taking potshots at Logan believing he is the murderer. Wrestling the gun away from Julie, Logan is then forced to kill one of three savage tough-guys that arrive at Julie's house. 

Like a mid 20th century crime-noir novel, Logan unexpectedly finds himself a murder suspect and must prove his innocence. In doing so, Logan is forced to contend with the group of criminals that killed the old man searching for something valuable he possessed. Now, the criminals believe that Logan somehow knew the old man and has the goods. But, how does Julie fit into this robbery and murder? 

Killers at Sea isn't quite as effective as its predecessor, but still retains the same ingredients. Lots of sex, gunplay, and violence that reminded me of the Netflix original show Ozark. While Logan's signature is his fast boat, The Sea Urchin, most of the book's violence surprisingly occurs on dry land. Messmann's plot development moves at light speed, never pausing for lengthy dialogue. It's a sacrifice of character building in exchange for the pure adrenaline rush brought on by the hero's struggle.

With Logan's sexual prowess, “big” Colt Python, sleek speedboat, and savage instincts, Killers at Sea is a fun romp through the wild formula of men's action-adventure. Recommended.

Notes – Despite the book titles, I honestly feel as though Messmann wrote Killers at Sea first, then followed it up with Logan. In reading both books, Killers at Sea is a looser outline of the character. First, a little more backstory is revealed with Logan's charity in Sister Mary Angela. This has the genre tropes of an origin tale. The Logan installment briefly mentions Sister Mary Angela as if readers are already familiar with that character. Second, I'd venture to say that Messmann's writing isn't as good in Killers at Sea as it is in Logan, as if he was still working out the hero's characterization.

There is also the character of Julie, which I find interesting. In this book, Julie is Logan's lover and she experiences violence and criminality before Logan ditches her on an island on the last page. In the opening pages of Logan, he is arriving back at his boat with a girl named Julie. If this isn't the same person, why name two female characters the same? The Julie in the Logan novel doesn't really say much to reveal her past, and she quickly leaves Logan when bullets start flying. It was as if the Julie chapter of Logan's life had reached its conclusion. 

The end result is that Killers at Sea was first, Logan second. 

Buy a copy of this book HERE.

Logan #01 - Logan

Jon Messmann created the long-running and highly successful western series The Trailsman, as well as other series titles like The Revenger and The Handyman. We have explored numerous novels by Messmann and mostly love all of them. Both Brash Books and Cutting Edge have performed a remarkable public service by reprinting most of Messmann's bibliography in brand new editions with modern artwork and short essays about his work. 

Cutting Edge's most recent release is the two-book Logan series, a character that Messmann created in the style of John D. MacDonald's popular Travis McGee series. Messmann authored both Logan and Killers at Sea under the pseudonym Alan Joseph. These books were originally published in 1970 and have remained out of print until now. I'm beginning with the series debut, Logan.

Not much is known about Logan other than he has some sort of combat history, owns a speedy boat simply called Sea Urchin, and is kind of a jerk. In the briefest of backstories, Messmann hints that Logan has experienced some sort of tragedy in his life that makes him this despondent, rather miserable person. But, he has a soft heart for charity, namely a nun named Mary Angela in Kenya. When Logan completes odd jobs, like chartering or salvaging, he sends most of his earnings to her with a letter thanking her for prior help. 

In Panama, a man asks Logan to perform a job for $10,000. Not liking the guy, or the vagueness of the task, Logan kicks him off of his boat. Later, Logan returns to his boat with a beautiful young woman only to find a corpse on the downstairs deck. The Panamanian police arrive and all fingers point at Logan as the prime suspect. He's been framed.

An emissary from the Peruvian government arrives at the jail and advises Logan they can make the charges go away if he simply agrees to the $10,000 job. He explains that their government is having a problem with a left-wing revolutionary group led by a man named Panico. Peru feels that they have finally killed Panico, but need positive ID. The body has been buried in a remote village and Peru feels as though one of their men will easily be spotted by guerrilla forces. A man like Logan can travel to the village by water under the disguise of a hunter or trapper. Once there, Logan's companion, a Peru woman who dated Panico, can make the positive ID. Mission over, collect $10K. Simple, right?

Messmann is in his wheelhouse with this high-octane, action-adventure yarn. Like his characters Jefferson Boone: Handyman and Skye Fargo, Logan is the author's formulaic, bull-headed man's man. He's handy with the ladies, gets laid a lot, and offers no lasting promises or commitments. In terms of rebellion and angst, Logan is 110% against-the-grain. He chooses painful opposition over smooth conformity despite the overwhelming odds. But, he always wins. 

Thankfully, Cutting Edge realizes Messmann's storytelling talent and have re-introduced these fun novels for a new generation of readers. As a nautical escape, Logan succeeds with it's fast-paced, calculated action. There's an ample amount of sex and violence contained in Messmann's propulsive plot to please fans of popcorn action-adventure fiction. There's nothing to dislike about Logan, and I'm looking forward to this book's sequel, Killers at Sea. 

Fun Fact – Papillon Books used this book's original cover art for their 1974 private-eye novel Wake Up Dead by William Wall. 

Buy a copy of this book HERE.

Frisco Flat

According to Cutting Edge, author Stuart James grew up in rural Pennsylvania and at 15 went to work as a sports reporter for the Delaware Valley Advance. He sold his first story in 1951 to a pulp magazine and later became a staff writer for True and Popular Mechanics. While writing original paperbacks, James became an editor for Midwood Books, a subsidiary of Tower Publications that focused on adult romance novels with lurid covers. It was here that two of James' novels were published, The Devil's Workshop (org. title Bucks County Report (1961) and Judge Not My Sins (1961). Lee Goldberg's Cutting Edge has reprinted four Stuart James' novels including Frisco Flat, originally published in 1960 by Monarch. 

After a short career in boxing, Frankie Cargo receives a letter from a friend suggesting that he comes back home. Home is Frisco Flat, a fishing community off the California coast where Frankie grew up. Frankie learns that his father has died and a man named Sam Barlow now controls a majority of the town's industry. Frankie then discovers that his childhood home is now being occupied by a gorgeous squatter named Tosca, the girlfriend of the town's law-enforcement officer. Frankie gets in a fight with the officer and realizes coming home to Frisco Flat was a very poor decision.

Frankie's father left him a great fishing boat, but Barlow wants to buy it. By owning the boat, he will have a complete monopoly on the fishing industry. Frankie has other plans and borrows money to repair the boat and get it to sea. After days of hot, stinky fishing, Frankie's ton of fish should net him a solid profit to build the business back. But, someone working for Barlow shoots up Frankie's boat, thus sinking the vessel and Frankie's livelihood into the ocean depths. However, Barlow's men don't realize that Frankie grabbed something extremely valuable to them, a package worth a million dollars to the highest bidder.

Based on the book's original cover art, I was expecting it to be a romance novel. Instead, it is a gritty, fast-paced crime-noir with lots of traditional genre tropes – criminal empire, the unlikely hero, beautiful women, a heist, and violence. Lots of violence. Frankie's transformation from the town pushover to the defiant hero was such a pleasure to read. I found that James storytelling presented itself like a good screenplay, which makes sense considering he spent a majority of his career in Hollywood on scripts and treatments. There are two hot romances for Frankie, but James doesn't dwell on it. Instead, he pushes the narrative into a crescendo of vengeance that was reminiscent of a western yarn.

However, Frisco Flat isn't terribly original. In fact, it bears a lot of similarity to Edward S. Aarons' 1953 novel The Net. In that story, Barney is a prizefighter that receives a letter from his brother asking him to return to his hometown. The town is a small coastal village where Barney's brother and father own a fishing business. Barney's father has been killed and a town bully named Hurd wants to buy out the family business. When Barney refuses, violence rises to the occasion. Sound familiar?

Obviously, James probably read Aarons' book that was published seven years earlier. But, despite the similarities and borrowed storyline, Frisco Flat was terrific. The romantic angle, character arc, and the surprises were worth the price of admission. If you enjoy great crime-noir literature of the mid 20th century, then you'll absolutely enjoy this book. Cutting Edge made a fine choice by adding Stuart James to their already impressive catalog of classic authors. Frisco Flat proves it in spades.

Steve Bentley #03 - The House on Q Street

Many fans point to the Steve Bentley series as the best representation of E. Howard Hunt's literary work. Hunt, a former CIA operative and convicted Watergate conspirator, authored over 70 novels using a variety of pseudonyms. The Steve Bentley series was written under the name Robert Dietrich between 1957 through 1962, with one additional novel penned in 1999. I've previously read the first two installments and thoroughly enjoyed them. The books were originally published by Dell and have recently been reprinted by Cutting Edge Books. Savoring the series, it's been 20 months since I've visited the character. Continuing in series order, I'm picking up with the third installment, 1959's The House on Q Street. 

Steve Bentley is a Korean War veteran that was once employed by the U.S. Treasury Department to break up black market rings internationally. Now, he is employed as a busy tax accountant surrounded by the I-495 beltway in Washington, D.C. In The House on Q Street, Bentley is referred by a friend to Major General Walter Ferrand Ballou, U.S.M.C. Retired. The desired meeting is for Bentley to possibly replace Ballou's recently deceased accountant. But, when the two meet face to face, it's a rather unusual discussion. 

Ballou's family is immensely wealthy based on old Washington money. Ballou is quite the war hero, fighting in WW2's Pacific Theater and earning his fruit salad the hard way. In a cavalier approach, Ballou never cashed his paychecks because he felt it was his duty to serve America. Ballou retired and then served as Chief of State Police before later declining a bid for governor. Bentley, respecting Ballou, asks how he can assist the retired general. Without stating the obvious, Ballou needs Bentley to hide a $100,000 payout to a blackmailer by creating a corporation and providing various write-offs and losses. The secrecy is to protect both his son and daughter from noticing the withdraw from their eventual lucrative trust. 

By creating the corporation, Bentley learns that Ballou's daughter Francie is a drop-dead knockout that's divorced and flirty. Her brother Winston is a screw-up that dabbles in horse racing and slowly whittles away his trust funds. Upon a return visit to Ballou's house, Bentley tackles an intruder and then notifies the police. The next day, Bentley learns that a former state police officer that Ballou had previously fired had been shot to death. What's interesting is that the dead man's wife shows up to bail out Ballou's intruder from jail. How are these connected? When Bentley discovers that this same woman was married to a doctor eight years earlier, he finds out that the man was murdered as well. Two husbands. Two murders. The link turns out to be way more than Bentley bargained for.

There is a lot to unpack in The House on Q Street, but it's never too convoluted for its own good. I read the novel in nearly one sitting and absolutely loved the pace and the influx of clues as each chapter scurried by. Hunt sometimes floundered in the “literary hack” echelon of crime-noir and espionage writers. But, with these Steve Bentley thrillers, he absolutely nails it every time. Bentley's probing into the murders leads to a missing gun, a mysterious nurse, the General's secrets, and a high-level criminal in Baltimore. Of course, the hero still has time for the Scotch and Ballou's hot daughter.

The House on Q Street is another D.C. thriller, complete with a twisty mystery and compelling characters. Steve Bentley remains a competent paperback hero that rubs shoulders with politicians while also digging into their darkened past to expose hidden truths. The combination of romance, intrigue, violence, and scandal makes it an absolute pleasure to read. 

Whip of Desire

March Hastings was one of a number of pseudonyms used by author Sally Singer (b. 1930). The New York native specialized in erotic fiction and wrote over 20 novels between 1958 to 1976. These vintage paperbacks have become collector's items and often fetch prices over $100. Thankfully, Cutting Edge has been reprinting Singer's work as affordable paperbacks and ebooks. I read her 1961 lesbian novel The Outcasts and found it enjoyable enough to warrant a revisit of the author's work. I chose the Cutting Edge reprint of Whip of Desire. It was originally published by Midwood in 1962.

The book stars Fred Boyer, a 28 year old man originally from Alaska. He now lives in New York, plays the piano and has a pregnant wife named Mindy. In the opening chapter, Fred is at an employment agency hoping to find work. He's provided instructions to a theater ran by a gorgeous woman named Eve. Instantly, Fred and Eve connect and in a matter of days they establish a business that's funded by Eve's wealthy father. Fred will compose and perform music and Eve will put together a stage act. 

Later, readers learn that Eve's father crashed the family plane years ago, an accident that killed Eve's sister and injured her. Eve feels she is somehow responsible for her sister's death and harms herself frequently – pain as her penance for surviving. As Fred soon realizes, Eve craves rough sex and demands to be dominated. Eventually, Fred's heated desires for Eve erupts in a frenzy of pleasure and pain. He's liberated from the financial stress of being a husband and an expectant father by forcefully taking Eve. She pleasurably gains the abuse she feels she deserves while he is freed from life's cumbersome shackles by becoming her lover. But, Fred learns there is another man in Eve's life, a man so abusive that he leaves Eve broken, bloody, and nearly dead.

As an intriguing romance novel of the 1960s, Whip of Desire introduces some surprising elements. Both Fred and Eve were dynamic characters and the story was serviceable enough. I think Singer is a terrific writer, but she really finds her element in the sex scenes. Her descriptions are never graphic, but really convey the emotions and physical collision between these lovers. Mindy's mistrust in Fred, Eve's backstory, the business venture, and Eve's domineering “other man” made for a propulsive, fully developed story that I found entertaining. 

If you enjoy heated, erotic mid-20th century romance novels, then Whip of Desire will surely be a real pleasure to read. Recommended.

Walk With Evil

In 1957, Crest Books - a sister imprint to Fawcett Gold Medal - published a paperback called Walk With Evil by Daytona’s own Robert Wilder (1901-1974). Just when it seemed that this obscure novel would be destined for the dustbin of history, it has been reprinted by Cutting Edge Books for modern readers to enjoy. 

The story begins in Florida on isolated Redemption Cay, a small spit of land jutting into the tidal mouth of a large river shielded from the Atlantic Ocean by rolling sand dunes. Jeff Martin is a Manhattan newspaper reporter on a five-week vacation fishing in the river from a small rented boat with a temperamental outboard motor.

Not knowing much about boats, Jeff immediately finds himself in a dangerous situation floating too close to the churning waters of the ocean inlet. Fortunately, a pretty young woman in a heavy work boat comes to his aid and tows Jeff to safety. His rescuer’s name is Judy Carter, and she’s the caregiver to a much older, hardcore alcoholic everyone calls the Senator whom Jeff soon meets at the town’s only watering hole. Jeff also re-encounters young Judy later and becomes quite taken with her. They have a flirty chemistry and plan to go on a date sometime soon. 

Jeff’s vacation is interrupted by a call from his editor back home. A notorious gangster from the Al Capone era named Edward Valenti has been released from Alcatraz and flown to Florida. The boss wants Jeff to locate Valenti and figure out what the aged mob boss is doing. Could it have to do with the million bucks in heist proceeds that were never recovered before Valenti’s incarceration?

Jeff quickly unearths a historical connection between Valenti and the Senator that begs further questions. We also get to see Valenti in action aboard a chartered Palm Beach yacht with his colorful entourage. A narrative shift introduces some travelers en route to Palm Beach with their own agendas. Nearly every secondary character in the paperback is harboring a secret, and Jeff pieces the puzzle together over the course of the 180 pages. 

Walk With Evil is a decent bit of Florida noir. Fans of John D. MacDonald and Harry Whittington will feel right at home with this treasure hunt mystery filled with colorful and quirky well-developed characters. The ending solution was a bit implausible and overly tidy, but the ride to get there was mostly satisfying. 

Paperback Warrior Podcast - Episode 92

The Paperback Warrior Podcast rolls into August with Episode 92. On this episode, Eric explains the life and literary work of crime-fiction author Ovid Demaris. Eric talks about his recent gothic paperback bonanza, a visit to the psychic capital of the world and his recent health scare. Tom pops in to discuss the life of the paperback king himself, Harry Whittington, including a review of the author's 1954 novel The Woman is Mine. Listen on any podcast app, paperbackwarrior.com or download directly HERE:

Listen to "Episode 92: Ovid Demaris" on Spreaker.

Branded

Author Helen Abbott Meinzer (1918-1963) wrote a number of short-stories in the 1940s and 1950s in western pulps like Western Action, Rangeland Romances, 44 Western and Thrilling Western. She wrote these stories using the pseudonym of A.C. Abbott. Along with the short-stories, Meinzer also utilized the name to author two stand-alone novels – Wild Blood (1951) and Branded (1954). Both of these western paperbacks have been reprinted by Cutting Edge Books. Unfamiliar with the author, I chose to read Branded first.

Three years ago, protagonist Rock Kendall owned a large spread of acreage and cattle in Texas with a business partner named Ash Carlton. Unfortunately, greedy Carlton killed a young woman and framed Rock for the murder. Eliminating Rock from the business, Carlton had complete power and control of the ranch. Now, Carlton has expanded his empire into New Mexico using lies upon lies to prepare for a possible state political seat. Rock, a fugitive from justice, rides into New Mexico looking to clear his name and bring Carlton's criminal enterprise down.

Meinzer's writing is just superb as she uses the proverbial “cattle rustling” sub-genre of western storytelling to create an effective and exciting plot. Rock's quest for justice is riddled with obstacles, painful and deadly reminders that guilty until proven innocent was often the frontier's unfair justice system. Through a series of gunfights, fisticuffs and horse-chases, Rock carefully balances two possible love interests – one an untamed wildcat and the other a soft-spoken lady. The hero's twisting turmoil is center stage while Meinzer distributes possible allies and friends as support through the narrative.

Branded is delivered with solid storytelling that stays true to the roots of the genre. The lone hero's battle against the vile villain is a traditional concept - good versus evil in the mountains and plains of an unjust frontier. With its balance of romance and violence, Branded is sure to please western readers.

Buy a copy of this book HERE

Enable GingerCannot connect to Ginger Check your internet connection
or reload the browserDisable in this text fieldRephraseRephrase current sentenceEdit in Ginger×

The Outcasts

Author Sally Singer (b. 1930) utilized a number of pseudonyms to author lesbian pulp fiction in the mid-20th Century. The most popular of these pseudonyms was March Hastings, a name she used to author 11 novels from 1958 through 1969. My first experience with the author is her 1961 novel The Outcasts, written as March Hasting and originally published by Midwood. The novel has now been reprinted for modern audiences by Cutting Edge Books.

Jennie is a twenty-something New York woman married to an aspiring artist named Brian. They have had a rocky marriage stemming from a failed pregnancy but remain together to avoid an embarrassing divorce. Brian's sexual urges have led him to months of infidelity while Jennie struggles to control her personal desires and sexual frustrations with Brian. As the novel begins, Brian rapes Jennie before instructing her to accompany him to an art show where his work is being shown.

It's at the art show where Jennie is introduced to Brian's business advocate, a luscious, sexually-charged woman named Leigh. In forced conversation, Jennie learns from Leigh that she has had sex with Brian, thus the personal interest in his below-average painting talents. Leigh and her husband are extremely wealthy and they invite both Brian and Jennie to the couple's swanky seaside mansion for the weekend. Jennie, caving to her desire to learn more about Leigh, accepts the proposal despite her white-hot anger with Brian.

As the wet and wild weekend getaway unfolds, Jennie spirals further into her sexually repressed feelings. The first night at the mansion, Jennie witnesses Leigh and Brian engaged in sexual foreplay, a not-so-shocking discovery that leads Jennie to pleasure herself while watching Brian from a window. Jennie's instinct is that Leigh is toying with Brian, perhaps using him as some sort of bizarre and ritualistic way to attract Jennie. Needless to say, The Outcasts takes a turn into full-on lesbian affairs as Leigh and Jennie realize they are both sexually starving from frustrated heterosexual relationships.

The Outcasts, as a 1961 seedy paperback, isn't remotely graphic by today's standards, but Singer writes in a provocative way that is visually stimulating and somehow still timeless. Regardless of whether you like lesbian pulp-fiction (newsflash: this is my first foray into it), The Outcasts has this riveting subplot that involves Leigh's freakish husband. As the novel ascended from kinky foreplay into heightened arousal, Singer successfully incorporates an element that is mostly found in Gothic Romance – the beautiful young woman trapped in the mansion of doom. Leigh's odd basement combined with her equally odd husband added a sense of panic and fear to what would otherwise be a tame lesbian romance. I believe this additional element upsold me from liking to loving this book. Based on sheer reading pleasure, I'll be reading more of Sally Singer's literary work.

Buy a copy of this book HERE

The Violent Ones

Howard Hunt was a CIA operative, political burglar and author. Using his own name or pseudonyms including Robert Dietrich, David St. John, Gordon Davis and P.S. Donoghue, Hunt wrote over 50 crime-noir and spy novels in the mid-20th Century. Several of these were on Fawcett Gold Medal including the author's seventh novel, The Violent Ones. It was originally published in 1950 and most recently reprinted by Cutting Edge and Armchair Fiction. 

The novel stars Cameron, a rugged WW2 veteran who has recently been released from prison after paralyzing a man who was sleeping with Cameron's mendacious wife. The prison stint left Cameron with very little purpose and even less money. To solve both issues, Cameron travels to France to reunite with his old war buddy Thorne for a potential heist.

It's explained that during the war the allies dropped arms and gold to the Maquisards, a fierce underground band of French Resistance fighters. After the war was over and the Germans were gone, no one bothered to locate the whereabouts of these guns and riches. In 1945, the gold was cached by certain parties and left undetected. Now, five years later, Thorne finds himself in debt to a local gambling house and forced to make a daring venture to clear his account. Teaming with Cameron, the duo aim to move the gold to Switzerland undetected by authorities. After one night in the city, Cameron finds Thorne murdered. Who killed him? Who else is after the gold?

The upside is that Cameron is a great character, and I loved his backstory with the cheating wife and his two love interests in the novel. Both were just so sexy and Hunt expertly describes these encounters. The main problem, and there are many, is that Cameron isn't a formidable hero. He is routinely assaulted by the enemy and left to mend his wounds for another chance. He's just so average in terms of respectability but has the makings of a tough guy – war veteran, paralyzing his wife's lover, chick magnet. Further, I couldn't grasp the dense, overly contrived plot. Even Cameron seems confused with what's happening with the gold and just summarizes the confusion with a lackadaisical “I guess that makes sense?” statement.

My largest complaint is that Hunt uses this book as a way to boast of his knowledge of French locales and cuisine. Large parts of the book are in French – names, dialogue, food, wine, hotels, bars – and I found myself missing key moments of the story due to the language barrier. Hunt was a legit spy and his expertise in European affairs with the likes of Russian commisars, the Tireurs-et-Partisans, the FTP (?) and the Maquisards is impressive. I wanted a slick action-adventure novel with treasure seekers, paid assassins and beautiful women but Hunt failed to produce a compelling story among these unnecessary details. 

Nevertheless, I'm happy I read the book, and I still have a lot of respect for Hunt's writing and the numerous novels he produced. However, they aren't all gems and The Violent Ones proves that.

Buy a copy of the paperback reprint HERE

Buy a copy of the ebook reprint HERE

Let Him Go Hang

In 1963, Time magazine listed David Stacton as one of “10 most promising writers in recent years.” Stacton, who also utilized the pseudonyms Bud Clifton, Carson Boyd and David West, was born Arthur Lionel Kingsley Evans and grew up in the San Francisco area. After studying at Stanford and Berkeley, Stacton launched a 15-year writing career that included 14 diverse novels of historical fiction, crime-noir and gay literature. In 2020, Cutting Edge Books began reprinting several of Stacton's “Bud Clifton” novels including Let Him Go Hang. The book was originally published in 1961 by Ace and marks my first experience with this highly-touted author.

The book is set in a secluded Arizona mountain town called Babcock. It's here that Ben Barrett inherited a small empire encompassing hotels, stores, a ranch and the lumber company. Outside of the sprawling military hospital, Barrett owns the place. But his commercial triumphs pale in comparison to his domestic livelihood. His marriage to Martha is on the rocks and his daughter Stephanie has become a rebellious delinquent. At the end of the book's opening chapter, Barrett's chaotic storm comes to an abrupt finish – Stephanie's corpse is found in a nearby lake.

Unlike a police procedural or murder investigation tale, the novel immediately introduces a confessor. A rather strange man named Charlie pleads guilty after Stephanie's purse is found by Charlie's suspicious wife. By the book's third chapter, Let Him Go Hang has developed into a tight courtroom drama as two rival attorneys compete in a spectacle of small town justice. Is Charlie just the fall guy or did he really commit the crime? Did Barrett's impending divorce have an impact? Unfortunately, Stacton devises a rather clever narrative twist that deflates the momentum of the story: Stephanie's actual killer is on the jury.

Let Him Go Hang features a narrative that is presented to readers through various perspectives. Like Bill S. Ballinger, Stacton utilizes this storytelling approach to introduce a half-dozen characters that may have some link to the murder. It's because of this approach that the story is underwhelming. Readers already know that Charlie is innocent and that the real killer is watching the trial unfold hoping to influence a guilty conviction as a juror. This isn't some grand reveal or mystery that unfolds – readers are informed early in the novel and this declaration is boldly stated on the book's original cover.

Aside from the minor story-lines that come to fruition outside the courtroom, Let Him Go Hang is a murder trial put to paper. If you enjoy judicial procedural novels, this book may entertain you. I don't particularly enjoy courtroom dramas, so the cross-examination intensity didn't have the desired effect. Your mileage may vary. At the very least, Let Him Go Hang possesses the typical mid-20th Century crime-fiction elements – love triangles, corpses, killers on the run, money and tramps – to provide a satisfactory reading experience.

Buy a copy of this book HERE

Paperback Warrior Podcast - Episode 84

Welcome to Paperback Warrior Episode 84! Our feature this week is Robert Terrall, who wrote mysteries as Robert Kyle, John Gonzales, and Brett Halliday. Also discussed: Nursing Noir, Manhunt Companion, E. Howard Hunt, Robert Bloch and more! Listen on your favorite podcast app or paperbackwarrior.com or download directly HERE

Donate to the show HERE

Listen to "Episode 84: Robert Terrall" on Spreaker.

So Fair, So Evil

Thomas Grey Wicker (1926-2011) graduated from the University of North Carolina and began a career in journalism in 1949. His New York Times column “The Nation” ran from 1966 through 1992. In addition to his newspaper reporting, Wicker authored three stand-alone crime-noir novels – Get Out of Town (1951), Tears Are for Angels (1952) and So Fair, So Evil (1955). All three were originally published by Fawcett Gold Medal under the pseudonym Paul Connolly. In March 2021, Cutting Edge has released a reprint of So Fair, So Evil. I've owned the paperback for years and decided now would be a great time to read it.

From a first-person perspective, a guy named Frank explains that his wife Dolly died in a tragic automobile accident on a lonely stretch of Alabama highway. A year later, Frank has returned to the city of Huntsville with a lot of emotional baggage. He's been in a mental institution since Dolly's accident and still hasn't come to grips with the events that led to her death. It's during a cab ride that Frank requests to stop at the dismal crash site, essentially a pile of gravel marked by a large boulder with the word “Repent” painted in red letters. It's here that readers learn of Dolly's death and that Frank is a loose cannon.

In Huntsville, Frank returns to Dolly's childhood home, a sprawling Southern plantation called Old Hundred. It's here that Dolly was raised with her half-brother Harry. The family is filthy rich and in wisely-spaced backstory flashbacks, readers learn of how Dolly met Frank, the proverbial poor guy from across the tracks. Frank never fit in with Dolly's wealthy pedigree and in “grin and bear” fashion received a chastising of his vocation as a soldier in the Korean War. Dolly and Harry were inseparable as siblings and that affectionate relationship played havoc on Frank's insecurities.

Wicker's novel is a showcase of emotions as Frank spends a Fourth of July weekend with Harry and all of the family's friends and colleagues. There's a number of characters (a pen and an index card is helpful) at the house including Harry's wife Ellen, an equal to Frank in terms of being an outcast. Their emotional chemistry explodes into a sexually riveting scene. Also, a loner named Ann helps to enhance the plot when she befriends Frank and begins to sympathize with his feelings of wretched despair and loneliness. Frank's demeanor is foreboding with increasing feelings of paranoia and suspicion as the pages turn. Ultimately, Frank believes Dolly's auto accident was a set-up by one of Old Hundred's guests. It's on this premise that Wicker builds a tight character study that consumes most of the book's narrative.

As a crime-noir, So Fair, So Evil is a compelling, slowly-evolving story that combines adultery, lust and greed with a deep-seated insecurity. This combination is enthralling with the author's presentation of man's psyche central to the story. How can the average man cope in a marriage saturated with jealousy and suspicion? The book is similar to Gil Brewer's 1952 novel Flight to Darkness. In that story, which is also set in Alabama, a Korean War vet is a recently released mental patient with regrets about a fellow soldier being killed. Unlike Gil Brewer's sexy murder-frenzy, Wicker plays it mostly straight with traditional fornication draped in mystery. For the most part, he succeeds and delivers an interesting story that surprisingly rivals Brewer's work.

Buy a copy of this book HERE

Brute Madness

Ledru Shoopman Baker Jr. (1919-1967) was born in Kansas and died in Los Angeles at age 48. He was a painter, novelist and WW2 vet who authored two successful Fawcett Gold Medal novels in 1951 and 1952 as well as an espionage novel called Brute Madness released by low-end sleaze publisher Novel Books in 1961. Fortunately, the paperback has been rescued from the dustbin of history by reprint house Cutting Edge Books.

The paperback opens with out narrator, Mark “Mitch” Mitchell, on trial for stealing a classified technical report on atomic guided missile technology from his employer at the U.S. Atomic Energy Commission. Flashbacks from the trial tell the backstory of how the patriotic young scientist who worked on the Manhattan Project suddenly finds himself on trial for treason.

Essentially, it’s blame the dame.

Mitch has an eye for the ladies. Meanwhile, the agency keeps a close eye on him to ensure he doesn’t get loose-lipped about his nuke job while endeavoring to get laid. Mitch does a fine job of compartmentalizing such things until he meets Marie at a dance club. From the moment they meet, there is an erotic compatibility that the author describes in vivid - but never graphic - detail. Suffice it to say that Mitch is completely intoxicated by Marie’s charms.

Three weeks after meeting, Mitch and Marie are engaged to be married. The internal security people at the Atomic Energy Commission are skeptical of Marie from the beginning. Why can’t they find anything about her past? It’s like she appeared out of nowhere. The marriage moves forward over the protestations of the agency cops.

You don’t have to be a genius to draw a straight line between the opening courtroom scene with Mitch on trial for mishandling classified materials and the flashback involving his suspicious wife who materialized into his life from nowhere. Is it possible that Marie duped Mitch and made off with the secret missile plans?

The trajectory of the legal case comprising the first quarter of the book was nonsensical and made me wonder if the author ever met an attorney. However, if you’re able to suspend your disbelief, there’s a great spy thriller inside the pages of this thin paperback with delightful and unexpected twists and turns around every corner. The paperback’s main villain is a corpulent giant called The Dutchman, who is one of the finest villains I have ever encountered in a vintage paperback. Both the dialogue and action scenes are also particularly good throughout the novel.

Brute Madness is a remarkably good time. It probably won’t be your favorite book ever, but it’s way better than it had to be to satisfy both 1961 readers and those rediscovering the paperback 60 years later. Recommended.

Ledru Baker Jr. Bibliography:

And Be My Love (Fawcett Gold Medal 1951)

The Cheaters (Fawcett Gold Medal 1952)

Preying Streets (Ace Books 1955)

“The Queens Bedroom” - Novelette from Tales of the Frightened magazine (August 1957). The publication was edited by Lyle Kenyon Engel and illustrated by Rudy Nappi.

Brute Madness (Novel Books 1961)

Buy a copy of this book HERE

One for the Road

Conventional wisdom says that the best books by former CIA operative and Watergate burglar Howard Hunt were the ones he wrote under the pseudonym Robert Dietrich. One for the Road is a 1954 stand-alone crime-noir novel that has been re-released by Cutting Edge in trade paperback and ebook formats.

One for the Road begins in the Florida gulf coast town of De Soto, populated by mosquitoes, sea turtles, and rich widows. The old dames are the draw for our narrator, a con-artist and Korean War vet named Larry Roberts, who grew up a poor orphan and has decided to spend his adult life remedying that by latching onto a rich sugar mama and then disappearing with her money. He meets a 40 year-old wealthy woman named Sophie with a smoking hot body and a decent face. Even better: her husband has been dead for a year.

So Larry is a bit of a heel and a misogynist. He’s also charming, clever, funny and unrepentant. You hate yourself for liking him as much as you do - especially when he’s conning money out of an otherwise nice and loving lady. Getting rich quick and dishonestly isn’t a noble pursuit, but it definitely makes for compelling reading. As the paperback progresses, a cool gambling subplot becomes a major source of tension and anxiety for both Larry and the reader before settling into a rather typical femme fatale story.

The coolest things about this thin paperback were the innovative story arcs and vivid settings. Larry covers a lot of ground in the novel, which basically weaves three separate plots into an overarching narrative. I read a lot of these books, and I had no idea where this one was heading. The plotting was just masterful.

Of the Howard Hunt books I’ve read, One for the Road is the best of the bunch by a country mile. There’s sex, violence, duplicity and intrigue. I’m thrilled to see this paperback has made a comeback for modern audiences. This is the vintage novel you deserve. Highly recommended. 

Buy a copy of this book HERE

Designing Fiction: A Richard Himmel Paperback Primer

Did one of America’s most famous interior designers have a side-hustle writing tawdry paperbacks at the advent of the new medium? Today we take a peek behind the curtain and present you with the untold story of author Richard Himmel.

Richard was born in Chicago in 1920 and called the city home for nearly all his life. The young man loved the written word and attended University of Chicago to study writing under the tutelage of his mentor Thorton Wilder, the writer of Our Town. 

“He always intended to become an English teacher. He was a voracious reader,” Richard’s son John Himmel told Paperback Warrior. “In his library, he had first editions, including a D.H. Lawrence collection. He was always drawn toward the literary arts.”

Richard’s plans to teach writing were sidelined by World War 2. When the time came to serve, he enlisted in the U.S. Army. However, an illness prevented him from being shipped overseas into the fields of battle. “The Army realized early on that he was a pretty smart boy, and he was assigned to General Patton’s staff,” John explained. “He wrote pamphlets and brochures for all sorts of things such as identifying Japanese aircraft as well as a primer on the Japanese language.”

After the war, he returned to Chicago with the intention of becoming an English teacher. While waiting for this to occur, he took a job at his sister’s housewares store in the northern suburb of Winnetka. “He began taking on decorating jobs and his career was made,” John said.

Richard’s knack for colors and spacing eventually made him one of the most sought-after interior designers in the United States with high-profile clients including boxer Mohammed Ali and Hugh Heffner’s Playboy Club. However, as his business was growing and becoming established, he never lost his love of the written word. 

Around 1950, a new outfit called Fawcett Gold Medal had plans to revolutionize the publishing industry by releasing all-new novels directly to the paperback format with salacious painted covers. For the past decade, paperbacks had just been reprints of successful hardcover literary works. The idea of releasing original material in a 25 cent paperback filled an important hole in the book market for readers after the pulp magazines had disappeared. Paperback originals were poised to be the next big thing, and publishing houses like Fawcett Gold Medal needed talented authors who could write compelling prose quickly.

At the time, Richard – and all of America – had become infatuated with the prose of Mickey Spillane and wrote a book called I’ll Find You about a hardboiled Chicago lawyer named Johnny Maguire who functions as a private eye for his clients. Richard submitted the manuscript to Fawcett Gold Medal, who released the book in 1950 as the imprint’s fifth paperback original. The book was an instant success and saw five printings through 1955 and a second life in 1962 when it was re-released as It’s Murder, Maguire. 

“He got a literary agent in New York named Sterling Lord, and they worked together to get his books published,” John said. This put Richard in good company as Lord represented some of the biggest names in 20th Century literature including Jack Kerouac, Ken Kesey, and Howard Fast. 

The second installment of the Johnny Maguire series was The Chinese Keyhole from 1951. It’s an odd sequel because there is no mention of Chicago whatsoever whereas the first novel was steeped in local Windy City sites and flavors. Another major change is that The Chinese Keyhole is a spy novel, not a hardboiled crime story. There’s a hasty explanation at the beginning of the book that Attorney Johnny Maguire was also an occasional spy for a shadowy U.S. intelligence agency. The paperback is great, but it was a weird and abrupt genre shift. My theory is that Richard wrote the book as a stand-alone spy thriller and his literary agent or publisher told him to edit the book to make it Johnny Maguire #2. Mickey Spillane taught the publishing world that there’s money to be made in series characters, and Himmel was apparently happy to oblige.

Later in 1951, Fawcett Gold Medal released the third Johnny Maguire novel, I Have Gloria Kirby and things went gangbusters. Over one million copies were sold firmly establishing Richard as one of the bestselling authors in the Fawcett Gold Medal stable. It was also a big year for Richard and his wife for another reason - the arrival of their son. They chose a familiar name for the boy: John Maguire Himmel. 

Throughout the 1950s, Richard was working during the day as an interior designer and at night as a successful writer pecking away at his typewriter with two fingers and a cigarette hanging out of his mouth. “Growing up, I still remember that sound, and I still have his typewriter” John said.

The success of the Johnny Maguire series opened the door for Richard to get his romantic and sexy mainstream novels published as well. The best of these books (The Sharp Edge, Beyond Desire) were also published by Fawcett Gold Medal while others found homes and multiple printings elsewhere. The Johnny Maguire series continued for five total installments through 1958’s The Rich and the Damned.

This was followed by a 19-year hiatus from writing and publishing. “There was a period in his life when he wasn’t really writing because his career as a designer took off,” John said. “He really didn’t have much time to write, but it was always in his mind. Eventually, he went back at it.”

Richard returned to publishing with three longer stand-alone thrillers between 1977 and 1981, each with page counts exceeding 300 pages. The novels were successful and moved the action to international settings, including Iraq, Cuba, and China. By this time, Richard was a high-profile member of Chicago society, and each subsequent paperback was greeted with increasing fanfare. John recalls the release party for his dad’s 1979 Cuba thriller, Lions at Night. Richard used a parking lot on a busy street corner of Chicago’s famed Magnificent Mile for the extravagant outdoor gala. “He rented actual lions and guys dressed in guerilla fatigues for a big-ass party there, and he sold a lot of books,” John said. “My dad was quite a showman.”

Richard’s final manuscript, a novel with a working title of The Uncircumcised Jew, failed to find a home. The book was submitted to publishers through his agent in the 1990s and just didn’t sell. Richard’s literary winning streak had ended. “I think he got a little bit discouraged,” John said. 

Aging and dealing with health issues, Richard’s career as a novelist ended, but he never fully retired from the decorating business. According to John, his father was sick for a long time at the end of his life. “He was a heavy smoker and obviously a workaholic. He also didn’t get much exercise.” Heart problems lead to his death in 2000 in Florida.

Today, Richard is mostly remembered as a visionary in the field of interior design. John took over the business and has continues in the field keeping the Himmel name alive as the go-to brand for upscale decorating clients. 

The Johnny Maguire series, one of the most successful side-jobs of the paperback original era, was almost lost to the ages until Lee Goldberg’s Cutting Edge Books started reprinting the books in 2019 as trade paperbacks and affordable ebooks. John is thrilled that his father’s literary work has found a new audience in a new century. “There was very little that he put his mind to that didn’t excel. My dad was a generic genius.”

Richard Himmel Bibliography:

1950 I’ll Find You / It’s Murder, Maguire (Johnny Maguire #1)

1950 Soul of Passion / Strange Desires / The Shame

1951 The Chinese Keyhole (Johnny Maguire #2) 

1951 I Have Gloria Kirby / The Name’s Maguire (Johnny Maguire #3)

1952 - The Sharp Edge 

1952 - Beyond Desire 

1954 Two Deaths Must Die (Johnny Maguire #4)

1955 Cry of the Flesh

1958 The Rich and the Damned (Johnny Maguire #5)

1977 The Twenty-Third Web

1979 Lions at Night

1982 Echo Chambers

Footnote  

Thanks to Paperback Confidential: Crime Writers of the Paperback Era by Brian Ritt for providing information used in this feature. 

Ride the Gold Mare

While spending a majority of his career penning non-fiction, Ovid Demaris authored a number of crime-fiction novels. While I've had mixed reactions to Demaris' literary work, I enjoyed his 1959 novel The Long Night. Hoping for another positive reading experience, I read the author's first novel, Ride the Gold Mare, published by Fawcett Gold Medal in 1957 and reprinted by Cutting Edge Books in 2020.

The book stars Phil Lambert, a tenacious Hollywood reporter whose focus is the city's deadly heroin distribution network. In the novel's opening pages, a crooked cop named Fusco violently kills a drug pusher. The murder is witnessed by two druggies who flee the scene of the crime. Lambert learns of the murder and suspects that Fusco may be tied to the Syndicate. In an effort to break the story, Lambert tries to stay ahead of Fusco in learning the whereabouts of the two witnesses.

At this early career stage, Demaris was clearly influenced by Jim Thompson's writing style. Ride the Gold Mare is saturated with characters who remain rough around the edges and undesirable. Weepy and Doris, for example, are both losers who never stray far from the gutter begging for drug money. There's a stripper longing for love, a wife begging for faithfulness, a dealer skimming off the top and an average man positioned on the brink of the vast criminal underworld.

Much of the narrative focuses on the aforementioned Sergeant Vince Fusco of the Los Angeles Narcotics Squad. In essence, he is the consummate villain, a narcissistic dirty cop who clashes with the public he’s sworn to serve. In many ways, he's the prototype for the sadistic mob killer that Demaris would later create and utilize for his 1960 novel The Enforcer.

Among the miscreants, delinquents, hookers and dealers, the cast of characters is bleak, created with a sense of depravity by the author. The narrative is littered with profanity, drug use and sexual aggression that is somewhat uncommon for a 1957 Gold Medal paperback. Like John D. MacDonald's 1960 novel The End of the Night, Ovid Demaris' Ride the Gold Mare is a brutal look at youth gone wild with no safety barriers or censorship. It's an epic, violent clash between lawbreakers that swirls into a compelling, fast-moving crime-noir read from beginning to end. The book is a fantastic first-effort from an author who simply excelled in this genre. 

Note - Ride the Gold Mare is also part of a four-book compilation entitled California Crime. The omnibus is available from Cutting Edge and features three other crime-noir novels authored by Demaris - The Enforcer, The Long Night and The Hoods Take Over.  

Buy a copy of this book HERE

Swamp Nymph

Swamp noir was a popular American sub-genre of the 1950s and 1960s born from the idea that the rural backwoods was teeming with sexy, duplicitous babes seeking to take advantage of city slickers who crossed their paths. In 1962, sleaze-fiction maven John Burton Thompson (1911-1994) got into the act with Swamp Nymph, a short novel that has recently been reprinted by Cutting Edge Books. 

Charles Carraway III is a 30 year-old wealthy scion of a chemical company who just caught his wife showering with her tennis partner in his mansion filled with servants. He responds in kind by forming a sexual relationship with his Swedish maid - a coupling that, for various reasons, can never be more than a fling. To escape all the problems of the world, he heads south to Louisiana in his private plane for a much-needed vacation. 

The Swamp Nymph in question isn’t introduced until well into the paperback. Her name is Shayne, and she’s a 19 year-old beguiling beauty living near the Amite River in rural Louisiana. She was sexually assaulted at a young age and has avoided the company of men ever since despite a desire for love and intimacy. Thompson does a nice job of making Shayne sympathetic and attractive to male readers who will want to rescue this girl from her own past. 

For nearly the whole novel, the plot toggles between the Charles story and the Shayne story. The book is really not about their romance because they don’t even meet until 85% into the novel. The entire plot is just a series of life events and romantic near-misses that eventually bring them to the same swamp community at the same time. 

It’s hard to tell from the cover of these swamp paperbacks if a particular book is a crime-noir novel in disguise (like Harry Whittington’s Backwoods Tramp) or just a standard soft-core sex story. Swamp Nymph is definitely not a crime novel, and the sex scenes are so tepid that they’d hardly raise an eyebrow today. It’s really the story of When Charles Met Shayne and it takes a pretty basic, rather lengthy and mostly unremarkable route to get there. 

Thompson was a better writer than his genre deserved, but his plotting in Swamp Nymph was a slow road to nowhere. I didn’t hate the book, but life is short. You deserve to be reading better books than this one.

Buy a copy of this book HERE

Paperback Warrior Unmasking - Philip Race

In the Cutting Edge Books reprint of the 1959 paperback Killer Take All, readers learn that author Elmer Merle Parsons (1926-1970) was as untamed as the criminals he fictionally fabricated. Born in Pittsburgh, Parsons was first convicted of burglary and grand theft auto at the age of 23. After serving three years in prison, Parsons began passing stolen checks. His freedom was short-lived, and Parsons was sentenced to San Quentin Prison for five years. While inside, Parsons discovered a dexterous ability to write, becoming the editor of the prison newspaper and crafting his first novel, Self-Made Widow (1958), which he sold to Fawcett Gold Medal for $3,500 under the pseudonym Philip Race.


While in prison, Parsons authored two novels starring a craps dealer named Johnny Berlin – 1959's Killer Take All and 1960's Johnny Come Deadly (published by Hillman Books). Both were published under the pseudonym Philip Race. Using the name E.M. Parsons, the author wrote a suspenseful romance novel called Dark of Summer (1961) as well as three western originals – The Easy Gun (1970), Fargo (1968) and Texas Heller (1959). Later, the talented writer went to work for Hollywood, writing scripts for a number of television shows like Bonanza, The Dakotas, The Virginian and Sea Hunt. I've always enjoyed the proverbial “small town drifter” story, so the synopsis of Killer Take All peaked my interest.

Review: Killer Take All

Johnny Berlin flees the bright lights of Las Vegas due to a love gone bad. When readers first meet Berlin, he's driving a fog-shrouded highway in rural Oregon in an effort to start a new life in Portland. After becoming lost on the midnight highway, Berlin is aided by a man named Donetti who directs him to spend the night in a small town called McKaneville. Surprisingly, when Berlin rolls into the tiny hamlet, he discovers it's a booming lakeside village ripe with gambling clubs.

Parsons' novel puts Berlin back behind the craps table for a struggling club owner named Dan Gurion. After meeting an old flame, Berlin agrees to assist Gurion in an effort to rekindle the business and keep his new boss from being forced to join a pushy racket called the Gambler's Protective Association. With the mob running a number of gambling halls throughout the area, Gurion is one of the last few holdouts to join the association. Partnering with Berlin, Gurion goes against the grain to defy the odds and beat the rackets. But, when Berlin is nearly murdered and the premier head of the Protective Association is killed, things aren't quite as black and white as readers might think.

The first thing to know about Parsons' writing style is that he introduces over a dozen characters in the narrative's opening half. It's a large cast to contend with, a habit that threw me off of the author's similar novel, Dark of Summer. Both paperbacks feature lakeside communities that are mired in business transactions, lover quarrels and a penchant for violence. Dark of Summer was a dense romantic fling whereas Killer Take All is more of a violent crime-noir complete with painted ladies and jaded faces.

While Berlin isn't the stout heavyweight crime-fighter that readers typically associate with these types of stories, the vulnerable protagonist enhances the overall concept – a flawed human fighting a flawed system complete with flawed justice. Where the characters are sometimes subdued and emotionally wilted, it's the author's storytelling talents that truly blossom.

Parsons wasn’t a remarkable writer as his saturation of characters can, at times, make for a burdensome read. However, he's a solid writer with a knack for great stories. With just a handful of published novels in his career, Killer Take All's affordability as a used paperback and digital reprint is well worth the price of admission. You won't be disappointed.

Buy a copy of this book HERE

Johnny Maguire #02 - The Chinese Keyhole

In the 1950s, Richard Himmel (1920-2000) wrote five books in the Johnny Maguire series about a lawyer who functions as a hardboiled detective and all-around troubleshooter. I loved the series debut, so I was excited to tackle the second installment, The Chinese Keyhole from 1951. The book was originally a Fawcett Gold Medal paperback and has been re-released by Cutting Edge Books.

The novel opens with Johnny telling the reader something he neglected to share in the first book. During World War 2, Johnny was recruited into the OSS, the wartime precursor to the CIA, and he’s periodically called upon to set aside his law practice to engage in espionage at the request of the U.S. State Department. Yes, our favorite hardboiled Chicago lawyer is evidently a spook as well. It’s almost as if the author had a cool idea for a spy novel and decided to slot Johnny Maguire into the lead role because he had an extra protagonist just lying around with no immediate plans. 

Anyway, Johnny’s handler instructs him to go to the Chinese Keyhole, a strip club in Chicago’s Chinatown, to deliver a coded message to an Asian stripper. One thing leads to another, and Johnny has a bloodbath on his hands. The only way to get close to the killers is to, well, sleep with a stripper. A part-time spy’s work is never done. 

Meanwhile, Johnny’s childhood friend Tom was recently plugged in the back six times with no leads as to the killer’s identity. Tom was a walking saint on earth, and who would want to kill a guy like that? If you’re familiar with the way 1950s plotting works, you’ve probably already guessed that Tom’s death is somehow tied into the nudie bar spy situation. A central mystery develops regarding the identity of the enemy spy ring boss, and the solution - a big reveal at the end - was pretty obvious to anyone paying attention. That said, the series of final confrontations with Johnny’s adversaries was pretty outstanding. 

Himmel was a great writer who knew how to keep a story moving, and The Chinese Keyhole is a sexy and exciting thin paperback. Readers should know that this 1951 work of disposable fiction has some retrograde things to say about Asians and gays. It didn’t bother me, but consider yourself warned that 1951 was, in fact, nearly 70 years ago. 

Richard Himmel deserves to be remembered, and I wouldn’t be surprised to learn that The Chinese Keyhole was the high-mark of his writing career. It’s a romantic and exciting bit of domestic spy fiction, and I’m thrilled that Cutting Edge Books has made the series available to a new generation. I’m also excited to read what Johnny Maguire is going to do next. 

Buy a copy of this book HERE