The Last Snow

Nine years before his retirement, Jon Messmann (Revenger, Nick Carter: Killmaster) authored a stand-alone western titled The Last Snow. The book was published as a paperback in 1989 by Random House using Messmann's real name. It's odd that Messmann, a lifelong New Yorker, wrote the novel, considering he was ultra-productive in the 1980s with his tremendously successful adult-western series The Trailsman. By 1989, Messmann, writing as Jon Sharpe, had completed 84 installments of that series for his publisher Signet. In true pulp fashion, these novels were published nearly every month on a firm schedule. Additionally, Messmann was also writing the Canyon 'O Grady series, again as Jon Sharpe. The Last Snow is one of only two stand-alone novels that Messmann wrote in the 1980s, the other being Jogger's Moon (aka To Kill a Jogger) in 1980 for Penguin.

The Last Snow is presented in an epistolary style with 19 journal entries ranging from October 1846 through April 1847. The opening pages of the novel advise readers that these documents were found among the family possessions of Daniel Culver by his granddaughter. It's an old-school storytelling approach that has been used by the likes of Bram Stoker, Edgar Rice Burroughs, and Stephen King. 

Culver is a thirty-something mountain man who makes a living as a trail guide, but has been known to gamble, gunfight, and perform as a type of mercenary. He's the proverbial “everyman”, yet Messmann rarely places Culver in action scenes. Instead, Culver is more of a messenger or consultant. When he arrives in the frontier town of Stoddard, he discovers families brutally massacred in their cabins. Citing the work of the Cheyenne, Culver enters the city to warn the settlers of a coming invasion. His cries fall on deaf ears.

In Stoddard, the U.S. Calvary has a small encampment of 200 soldiers led by a half-dozen officers. The town feels safe and immortal despite Culver's pleas. As the snow begins to fall, Culver realizes the town will be cut off with no way to cross Snowshoe Pass, the only passage through the harsh mountainside. As Culver jockeys as a mouthpiece for the town, he also rediscovers an old relationship he once had with a widow and her son. Further, Culver begins a romance with the daughter of one of the officers.

As the snowfall begins, Culver risks staying with the town in an effort to fortify it from attack. Unfortunately, the military doesn't take his efforts seriously until it is too late. As Cheyenne and other factions begin the invasion, Messmann cranks up the action with gritty violence, savage acts of murder, and the familiar bloodshed of battle. 

The Last Snow is an unusual western, brimming with non-formulaic traits from the protagonist. Culver is a sensible, no-nonsense adventurer, but realizes his efforts to fight the Cheyenne are pointless. The town is ripe for slaughter, the military's strategy is lacking, and the town's chief politicians are clueless. In many ways, Messmann exercises a liberal political fusion of words versus action as this tiny frontier town collapses from internal and external pressures.  

Thankfully, Cutting Edge Books has made The Last Snow available in a new paperback and digital edition. The book is also included in the publisher's western omnibus The Big Bold West #12, featuring novels by James Warner Bellah, Michael Carder, and Riley Ryan. If you enjoy Messmann's writing, Cutting Edge has also made available the author's Logan series, originally written as Alan Joseph, and his gothic-romance novels, originally written as Claudette Nicole. 

Get The Last Snow HERE.

The Night Boat

In high school, I read Robert R. McCammon's Swan Song. The book, which was published in 1987 as a mass market paperback by Pocket, won the Bram Stoker Award for Best Novel in 1988. I was so impressed with the book that I swore that day I would read every McCammon paperback. As book promises go, I didn't follow up and have managed to neglect reading any of the author's books since. 35-years later, I finally have read my second McCammon book – The Night Boat. It was published in 1980 as a paperback by Avon.

The Night Boat is like the paperback equivalent of an Italian zombie film. I've watched the cult-cringes like Zombie Lake (1981), Shock Waves (1977), and Oasis of the Zombies (1982), so I know my way around the undead films featuring Nazi soldiers stirring from some ancient slumber to devour human brains. McCammon feeds off of that for this book, which was his third published work (actually his second written novel).

McCammon sets this underwater horror story in the golden sands of the Caribbean, specifically a fictional, small seaside village named Coquina Island. During WWII, the island was shelled and burned by a Nazi sub. Off the coast, British submarine hunters were able to torpedo the vessel and sink it to the ocean. The island's natives, steeped in Voodoo, curse the German corpses in their aquatic tombs. Then, David Moore comes along and mucks it all up.

Moore, struggling with survivor's guilt after the death of his family, is a salvage diver who runs a small inn on Coquina. While trying to unearth some hidden treasure, Moore sets off a discarded depth charge that frees the German sub from its grave. The sub rises to the surface, and later, is placed in a harbor awaiting either another sinking or some sort of museum appraisal. But, Moore, the island's determined constable, and a museum curator look inside...and discover Nazi zombies. They accidentally free the soldiers, and the undead begin to attack the living.

This is pure popcorn horror fun, and I loved every page of it. This isn't anything epic, and it doesn't waddle away time and energy with a lot of characterization. It's a combination of nautical fiction, police procedural investigation, and survival horror as the island defends itself from the zombies and the “ghost ship”. There's a little bit of entrail-shredding graphic scenes, a small dose of sex, an underwater salvage that reminded me of Clive Cussler, and of course, the traditional fleshy flavor of the traditional zombie sub-genre – in pure pulpy fashion. Voodoo priests, sacrifices, small-town paranoia, ghosts, Nazis, and ghost ships. It doesn't get any more enjoyable than this. The Night Boat is worth sailing. 

Get the book HERE.

The Autumn Springs Retirement Home Massacre

Paperback Warrior reviewed Philip Fracassi's 2023 horror novel Boys in the Valley and praised the author's skillful use of an isolated orphanage to build unease in his violent narrative. Fracassi has authored seven total novels and an additional eight novellas/shorts. His literary work has earned numerous awards including a Bram Stoker for his collection Beneath a Pale Sky (2021). Despite the wordy title, I was looking forward to reading his slasher novel The Autumn Springs Retirement Home Massacre, published by Tor in a hardcover in 2025.

The Autumn Springs Retirement Home is an upstate New York dwelling focused on seniors living their best life. The complex contains an apartment building, a dining hall, gym, sports area, a pond, medical center and a creepy abandoned mental asylum. Intersecting the home and surrounding grounds are colored paths leading to certain areas. Surrounding the complex is dense forest, a fire tower, and a railroad. There's no doubt Fracassi knew how to isolate these characters and reader. Atmosphere is everything in horror.

The book's protagonist is Rose, a former high school teacher now retired and comfortably living her late 70s at Autumn Springs. She has a semi-boyfriend named Miller, a retired professor that adores her. She spends her time watching mystery and crime dramas with Miller while engaging with a handful of close friends. But her peaceful tranquility is about to become shattered.

Readers are periodically removed from Rose's life and thrust into various rooms with a masked killer. This masked killer commits acts of ruthless violence on the home's residents, but stages each murder to appear self-inflicted or an accident. A man is thrown from a fire tower after a lifetime of searching for alien life in the skies (accident?), a man cuts his wrist in the bathtub after his lover is killed (suicide?), another man drowns in the local pond (accident?). As the body count rises, Rose is forced into action as the obligatory amateur detective. While the real detective, a nice but useless character named Hastings, spins his wheels searching for answers, Rose is on the offensive tracking down clues to learn the identity of the killer and his/her motive.

The Autumn Springs Retirement Home Massacre could have easily been authored by an early 20th century mystery writer like Mary Collins, Elizabeth Fenwick, or Charlotte Armstrong. Sure, the novel works just as good as a Scream slasher, but I found the narrative brimming over with a thick mystery, a claustrophobic tightening of suspects, and an admirable amateur detective Hellbent on destroying her opponent. But, like a formulaic 80s slasher, plausibility is thrown away. How the killer can move effortlessly around so many people – security guards, doctors, nurses, residents - while creating this much chaos is unresolved. While the killer's identity makes it seem possible, one must still suspend disbelief. I nabbed the killer in the opening act. 

Aside from the horror and mystery aspect, I felt like Fracassi's telling of these seniors and their lifestyles was very touching. Rose is an endearing character, one of the best I've come across in ages. Her intimacy struggles with Miller, her familial relationship with her daughter, and her history with an ex-husband are all very real and very meaningful. Rose's life story, revealed in the book's final act, proves she's a viable fighter worthy of being deemed “the final girl”. 

The Autumn Springs Retirement Home Massacre is an exhilarating whodunit that possesses a uniqueness – the murder of an aging population already braced for death. This peek into the world of our elders was a surreal glimpse at mortality. No one is getting out of this life alive. 

Get the book HERE.

Pack Animals Exclusive Cover Reveal

Prolific horror and crime-fiction author Greg F. Gifune, recently announced a thrilling four-book partnership with Crossroad Press. The deal features brand new editions of two of the author's out-of-print works, Dreams the Ragman and Samsara, plus two exclusive originals, The Standing Dead and Pack Animals.

Gifune, the recipient of multiple Bram Stoker Award and International Horror Guild Award nominations, sits down with Eric Compton of Paperback Warrior to reveal the details of his new books, including an exclusive reveal of the wrap-around cover art for Pack Animals. It was illustrated by Zach McCain, an internationally published artist who also created the striking artwork for Gifune's 2022 horror novella Savages, published by Cemetery Dance. 

“Zack, he's such a nice guy and he's a very talented guy and he's an absolute joy to work with. He's got the whole retro cover thing. When we got this deal, they asked do you have any preference? We all kind of agreed that the covers are always important, but with these kinds of books, the pulp kind of books, they're really important. They asked me if there was anyone I wanted, and I said if you can get Zach McCain. He'll nail it...and he did”, Gifune said. 

When asked to elaborate on the concept of Pack Animals, Gifune explained the atmospheric nature of the story and the impact it has on the characters.

“There's a couple of werewolf novels that are kind of fun, but I essentially just said, you know what...I'm going to write a book that I would want to read about this kind of thing. And it's essentially about a group of guys who have been friends since high school, and they're middle-aged now and have families. One of them gets divorced in a kind of really messy divorce, and he decides to leave. He moves up to this town in the mountains in New Hampshire. There's this property that's kind of a steal, and he buys it. But not long after moving there, he realizes there's something wrong. There's something moving around out there that shouldn't be. And his friends all sort of coordinate to take vacations and go up and see him because they're worried about him. So they go up, and then it kind of goes from there. There's a blizzard, and they're kind of in the middle of nowhere. There's this pack of animals that are stalking them.”

Gifune, who has a love for survival horror, explained some of the elements that influenced his take on the sub-genre. 

“It's kind of a homage to the survival horror novels of the seventies and eighties. And, you know, the drive-in movies and the exploitation movies of the seventies. It's just like “Savages”. One of the best compliments I had was when somebody said to me, when they were reading “Savages” it was like watching a drive-in movie back in the day, you know, which was just what I was going for.” 

Watch the full Paperback Warrior interview with the author HERE. 

Preorder the book HERE.

The Burial of the Rats

One year before Bram Stoker's penultimate work, Dracula, his short story “The Burial of the Rats” (1896) was published in Lloyd's Weekly News. The story would be collected for the first time in book format courtesy of the George Routledge and Sons 1914 hardcover Dracula's Guest and Other Weird Stories, complete with one of Thomas Handforth's greatest illustrations. Since that date the story has appeared in hundreds of magazines, anthologies, and audio narrations. The story was adapted into a 1995 film titled Bram Stoker's Burial of the Rats by Roger Corman's film company. 

Surprisingly, despite the morbid title, “The Burial of the Rats” isn't quite a horror story. It is more of a dark, man-on-the-run flavor that would find its readership in the pages of a men's action-adventure magazine than a horror anthology. It would be 28 more years before Richard Connell Jr. set the standard for “men hunting men” in his marvelous romp "The Most Dangerous Game", but Stoker's early effort helps shape the formula. According to oldstyletales.com, predating both Stoker and Connell Jr. was the man-on-the-run thriller “An Occurance at Owl Creek Bridge” by Ambrose Bierce, “The Suicide Club” by Robert Louis Stevenson, and Rudyard Kipling's “The Man Who Would be King”.

In Stoker's rather simple story, an unnamed British narrator wants to marry his sweetheart. However, the parents want him to spend a year apart from her, a 12-month journey that places the dejected narrator in Paris. He finds himself in a bad part of town where trash is heaped and the poverty-ridden populace squats in makeshift, unconventional housing. It is here that the narrator sees six veteran soldiers, now tattered in rags and scruffy uniforms, watching him like a hawk.

Lost, he stops to ask for directions from an old woman. She tells him of her life, and, while she talks, the narrator sees large rats swarming all over. She explains a horrible personal experience of venturing into the sewer once to retrieve a lost ring and of the rats there that would suck flesh from bones in an instant. Vaguely, the narrator then hears (or thinks?) the woman call out to the soldiers to help her kill the young traveler. In a quest to survive the night, the narrator then takes off on foot through this kingdom of rubble and trash to escape his pursuers.  

Stoker had a unique fascination with rats and used them quite often to set a type of warning that man's existence is perpetually haunted, or hunted, by a predator. Rats scurrying about is a frightening and disturbing image, but even with this appalling element, Stoker manages to eek by with a storytelling ability that is wholly steeped in an adventure. The story's second half is a furious run as the narrator attempts to escape the clutches of this maddened group of scrawny and starved ex-soldiers. The atmosphere and visual imagery of the city – this wasteland of debris and its King and Queen Squatters – is a character all to itself. For me, this is the real highlight of the book – the visual imagery of this awful place. 

You can get this story and others by Bram Stoker HERE.

Solomon Kane - The Hound of God

Jonathan Mayberry has earned five Bram Stoker awards during his long and prolific writing career. His books include series titles like Joe Ledger, Rot & Ruin, Dead of Night, and Kagan the Damned. The San Diego author joined Titan's round table of authors in 2023 to write fiction based on characters created by Robert E. Howard. Mayberry's contribution is the ebook Solomon Kane: The Hound of God. 

This 39-page short-story is set in Livonia in 1598. Puritan swashbuckling hero Kane has discovered a village literally torn apart. Pieces of bodies are seemingly everywhere as if a pack of wild animals mauled every villager. The scene is so appalling that Kane stops, with tears running down his face, to ask, “God in heaven, have hell's doors opened?”

Kane finds large animal prints mixed with at least as many as twenty bootprints. How could creature and human exist together in one party? Surely this much destruction brought to a village wouldn't bother to spare the lives of a few Cossacks. Kane learns the answer when he is faced with a werewolf and a creature known as The Benandanti.

Overall this was an enjoyable short story that possessed the imagery and feel of a Robert E. Howard Kane entry. It seems that Mayberry is a Solomon Kane fan and his admiration for the character showed in the writing. Solomon Kane stories are easy to read as “monster of the week” episodes and this one was no different. Recommended. Get it HERE.

The Last Night to Kill Nazis

David Agranoff is a San Diego author, screenwriter, blogger, podcast host, and quite possibly the strongest advocate for Philip K. Dick's literary work than any other. His debut novel, The Vegan Revolution...with Zombies, was published in 2010. Since then he has authored nine novels including The Last Night to Kill Zombies. The novel was published in 2023 by Clash Books with vivid cover art by Joel Amat Guell.

In this military-fiction and horror hybrid, Agranoff utilizes a real event from World War Two as a foundation to craft this unusual tale. Heinrich Himmler, one of the most notorious figures of the war, was a powerful Nazi politician, Reich Commissioner, and Commander. He is primarily considered the organizer of the horrific Holocaust and second only to Hitler in terms of absolute evil personified. Shortly after Hitler's suicide, and hours before Russia's Red Army stormed his underground bunker, Himmler was able to escape with several other leaders into the countryside where they remained on the run for several days before being captured by British intelligence. While in detainment Himmler was able to fatally swallow his hidden cyanide pill.

Agranoff begins his novel as the Red Army is within striking distance. Himmler is able to escape with as SS Officer named Heinrich and a few other Nazi personnel. In the countryside, the group travel by truck to a mountaintop fortress to meet nearly 100 German officers that await a plane that will transport them to safety in Manchuria. It's in this seemingly impenetrable fortress where the book's second half takes place.

Hunting Himmler is a small counter-intelligence force lead by Noah, a Jewish fighter and ex-Army Ranger now serving the OSS (early CIA). His team hopes to penetrate and climb to the mountain fortress to kill every Nazi in the fortress. But, with over 100 Nazis occupying this defiant stronghold, what chance does his quartet have in facing these overwhelming numbers?

The answer is Count Reiter. 

In a thrilling enhancement to the breathtaking traditionalism of a World War Two adventure novel, Agranoff introduces a Dracula-like character named Reiter. His castle in the Carpathian Mountains was ransacked by the Nazis, who not only disturbed his domicile but also his centuries of sleep. Reiter wants vengeance and will stop at nothing to kill Nazis. But, in this book Reiter is being kept as a prisoner by the Allies. In a desperate bid to hunt and kill Himmler the Allies agree to a deal with Reiter – help them orchestrate a massacre on the last official night to kill Nazis in exchange for freedom. 

The Last Night to Kill Nazis is nothing short of remarkable. The book's first hundred pages is a type of dangerous road trip introducing Heinrich and his pregnant lover Alice, who both are equal main characters to Noah's opposition. The author masterfully utilizes short chapters, each time stamped, to tell individual stories and angles presenting Alice's experiences as well as Noah, Reiter, and Heinrich's. These punchy chapters help keep the book's 250-pages turning at lightning pace. Once these characters collide atop the mountain the narrative increases speed to match the staccato gunfire, pounding footsteps, and infernal screams as Nazis meet the Hellish Prince of Darkness. 

If Bram Stoker, Alistair MacLean, and Quentin Tarrantino collaborated on a project they surely would deliver this masterpiece. The Last Night to Kill Nazis is epic entertainment and comes with my highest recommendation. Get it HERE.

Killer Delivery

According to his online biography at Blossoms Spring Publishing, Calum France was born in Stirling, Scotland and began writing at a young age. He holds a BA in English Literature and has authored two full-length novels and a novella in the horror genre. I acquired an ARC of the novella, Killer Delivery, published by Sapphire Creed Ink and published in 2024 as a one-dollar ebook. 

The opening chapter, “Cold Night”, places readers in a secluded mansion in the small town of Aberlea on a snowy Halloween evening. It is here that Jonathan Harker (obvious homage to Bram Stoker), successful wealthy novelist, performs the ordinary task of ordering food to be delivered to his home. But, a deranged super-fan named Karlee Monroe has been waiting outside of Harker's home for just this occasion. She savagely executes a gore-gash-to-the-door-dash and then takes on the disguise and carries the food into her literary idol's home. 

But, Killer Delivery offers readers two more surprises. Three burglars decide that this Halloween night is the perfect opportunity to break into Harker's home. Conveniently, as Karlee is inside Harker's home, the three bungling burglars tie Harker to a chair and begin the gun-wielding threats to cough over money. However, all of these intruders are shocked when they realize that Harker doesn't write his murder thrillers as fiction.

This novella slightly resembled Thurlow's Christmas Story, a short story that was authored by John Kendrick Bangs and published in Harper's Weekly in 1894. In that plot design, an author's fan surprisingly appears on his doorstep and then weird things happen. But, in a more modern sense, the novella is like a cross between Dexter and The People Under the Stairs in its clever home-invasion concept plopped neatly upon a stainless steel operating table under the gloom of a professional serial killer.  

At 100-pages, give or take a font size, the novella is presented in a smooth prose with plenty of imagery and compelling storytelling. While it is hard to create an innovative home-invasion plot with today's overuse of the plot design, France works his magic to propel this narrative into a riveting read laced with energy, violence, and a sense of lonely atmosphere that drapes the writing in a snowbound chill. Killer Delivery delivers the goods. Get it HERE.

Dracula

Dracula, written by an Irishman named Bram Stoker, was published in 1897. It was later a huge success in the 20th century and is the most popular horror novel of all-time. It inspired countless media platforms including movies, television shows, animated cartoons, action figures, comics, breakfast cereals, and costumes. The book's villain, Count Dracula, is often the icon for vampire culture - both pop-culture and the freakish folks that dress goth and avoid suntans. Dracula was, and is, a big deal.

Bram Stoker's Dracula is presented in a non-traditional way. The entire book is made up of diary entries, letters, transcripts of phonograph recordings, telegraph messages, and ship logs. It makes for a dynamic reading experience that bounces perspectives. 

The presentation begins with Jonathan Harker's diary entries. He's an attorney who has been asked to travel to the Carpathian Mountains in Transylvania to visit Count Dracula at his castle. The meeting is to settle some financial affairs and complete real estate purchases. However, Harker quickly learns that he has become a prisoner and he's only able to communicate with his fiancé Mina through letters that are read and approved by Dracula himself. Harker also discovers that Dracula is a supernatural being when he sees the Count behave like a lizard and crawl down the castle walls. There are parts of the castle that are restricted, but Harker is able to discover three vampire women that are also in the castle as well as a cemetery and chapel where the Count sleeps in a dirt filled box.

Harker eventually returns to England and is admitted into the hospital where he tells Mina everything that happened. Meanwhile, the Count has purchased an old house in London and arrives by boat in a mysterious fashion. Through diaries and letters the readers are introduced to Lucy, Mina's friend. Lucy begins to behave in a strange way and readers discover that she is a victim of Dracula, evident with puncture holes on her neck and her telepathic connection with the Count. 

Dr. Seward, who is also seeing strange behavior in a patient named Renfield, asks for help from his mentor, Dr. Van Helsing who determines that Lucy is a vampire. Together, they collaborate with other men to find Dracula's home. Eventually, horrible things happen to Lucy and the book's finale has Van Helsing and the other men chasing Dracula through the snowy mountains battling gypsies to kill Dracula.

First off, for 1897, this book is extremely violent. There's women being decapitated, garlic stuffed in the mouths of corpses, a baby that is kidnapped and drained of blood, children dying, etc. These are elements that probably created shockwaves at the turn of the century with not only the level of violence but the combination of intense scenes and the fiendish despicable villain. Despite the book's unpopularity upon publication, the intensity may have drawn filmmakers to the novel. 

The book's beginning with Harker in the castle was fantastic and the last 60 pages is really good with the chase and mystery determining Dracula's whereabouts. The ending is quite epic. The middle 200 pages was my biggest issue - which is the bulk of the book. The constant perspective changes from diary entries of one character to physician notes or letters of another character and the rotation just never glued me to the story. Also, Van Helsing's presence was a real letdown. He cries a lot, speaks like a character in Shakespeare, and is just way too literary for me. These 200 pages are similar to a medical thriller with blood transfusions and endless around the clock care for Lucy. 

I wish Dracula was a traditional novel, but its wide appeal is the style of presentation. Some people love it, others are just underwhelmed by the book. Overall, I really enjoyed Dracula but I'll never read it again. I'm one and done just because of the sluggishness of the middle. But, if you like horror, then Dracula is a mandatory read. You have to read it or else you really can't substantiate your love of vampire literature for something like Salem's Lot or Interview with the Vampire. Take a leap and try the classic. You'll be satisfied.

Blood Farm: An Iowa Gothic

Utah native Sam Siciliano earned a Ph.D. in English from the University of Iowa. His writing career includes nine Sherlock Holmes books as part of Titan's Further Adventures of Sherlock Holmes. His influences are genre fiction and Victorian writers, two loves that led to his three stand-alone vampire novels. I decided to read one of them – Blood Farm: An Iowa Gothic. It was published in 1988 by Pageant Books with an incredible cover by artist Hector Garrido.

In reading the book I began seeing comparisons to Bram Stoker's Dracula. After a shallow dive online I found that Siciliano used Dracula as the template for a modern retelling of the story, relocating the tale from the Carpathian Mountains to Iowa. 

The book begins with Angela, a college student, standing by the highway in a snowstorm. She wants to get to Iowa City and spends the worst possible night begging for a ride. Roy, a Vietnam War veteran, pulls over and picks her up in a long black hearse. He's on his way to retrieve a body in a small town called Udolph. Angela agrees to go along with him in exchange for the ride to Iowa City. Fair enough.

As they pull off the highway and head to the small town they find a strung out guy collapsed by a road sign. They pick him up and together the trio arrive at a derelict old farmhouse. Inside, they are greeted by a man named Blut who appears deathly white and his weirdo girlfriend. He shows them to the body which is really just a locked coffin. He offers to host the trio of travelers overnight so they can transport the body the next morning when the snow lifts. But, things go absolutely batshit crazy. Quickly.

The chaos begins when Roy and Angela have sex (graphically explained in detail by the author). Roy goes to the bathroom down the hall to freshen up and is then raped by the albino's girlfriend. She's clearly a vampire. Roy fights his way free but it is too late. The albino guy is a master vampire and he has attacked and raped Angela. Roy escapes with his life and heads to Iowa City to retrieve a horror mythology expert, a priest, and Angela's friend. They then head back to the farmhouse to do battle with vampires.

First, this book is sort of fun in a campy sort of way. It is all preposterous and the writing isn't fabulous by any means. But, it has a nostalgic charm that reminded me of the 80s classics like Fright Night and Vamp. My biggest issue with the book is that these horny vampires rape their prey. They run around groping for a good lay which erased any scare factor the author could conjure up. I just couldn't take the evil vampire leader seriously when the image is Bela Lugosi but the dialogue is Andrew Dice Clay. It was just weird for me. 

Blood Farm: An Iowa Gothic may be entertaining to vampire buffs. But, as a horror novel with an impressive cover it just doesn't work. Very mild recommendation if you can get it on the cheap. Try HERE.

The Tent

The few stories and novellas I've read by Kealan Patrick Burke were exceptional. Burke is a veteran Irish author that won a 2004 Bram Stoker Award for his novella The Turtle Boy, a work that kicked off a series of novellas starring a character named Timmy Quinn. His work has appeared in publications by Cemetery Dance and the collections Shivers, Grave Tales, and Inhuman. I've slacked off a bit on horror but wanted to read a few of the “newish” authors that I've enjoyed in the past to get back into the genre more. I chose Burke's 2015 self-published novella The Tent as a good camping spot.

Mike and Emma are a married couple on the tattered fringes of divorce. In an effort to restore synergy back into their failing relationship the couple decide to try camping in rural Ohio with their son. When Mike's cheap tent fails to provide adequate shelter the three very-bad-campers head to the car to call it a night. However, Mike gets the family lost in the woods - in the dark in the middle of nowhere with no cell phone service. 

While Mike and Emma turn on each other they discover that their son has vanished. They conduct a frantic search for their boy and find a weird tent that seems to have been made from flesh and bone. Is the tent hiding a body? A psychotic killer? Or, is the tent itself a monster?

At roughly 63 pages The Tent delivers a spooky atmosphere, unlikable characters, and a terrifying menace to consume the unlikable characters. It is easy to compare horror fiction with horror films, so I venture to say The Tent sort of works like Invasion of the Body Snatchers meets The Blob with a companion in Jeepers Creepers. Burke changes the presentation to different characters and scenarios to give readers a break from all the shrubbery. If you need a light horror fix then this is a fun hour. Get your ebook HERE.

Oasis of the Damned

Massachusetts author Greg F. Gifune (b. 1963) has earned many accolades, highlighted by winning Bram Stoker, British Fantasy, and International Horror Guild awards. I've enjoyed reading his novels like Midnight Solitaire, Children of Chaos, and Apartment Seven. It has been a long time since I've picked up one of his books so I decided to read a military-styled horror novella called Oasis of the Damned. It was originally published in 2014 by the now defunct DarkFuse and now exists as the first half of a twofer titled Oasis of the Damned & Heretics: A Novella Double-Shot. 

The novella begins with a woman named Richter awakening from a helicopter crash. Readers learn she is a U.S. Army Transport Helicopter Pilot that has been downed somewhere in the middle of a vast scorching desert. Miraculously, a man named Owens arrives quickly on the scene and helps her gather some belongings for a long walk to a really odd place. 

Owens leads Richter to an old WWII camp that consists of one small square building and a larger tower-styled building. As Richter gets closer she sees sandbags stacked up near the entrance of the tower. Owens is fairly discreet and doesn't provide many details other than the place exists in the middle of nowhere, the chances of rescue are non-existent, and the only thing keeping him alive are the leftover rations from decades ago and the oasis of fresh water inside the camp. 

After a quick introduction Owens begins preparing for some sort of invasion. But what could possibly be happening in this doomed and desolate place? As night falls Richter learns that zombie-like creatures with razor sharp talons and teeth descend onto the camp in an effort to kill Owens. Through the battle, which includes both of them fighting hordes of monsters with guns, grenades, and swords, Richter discovers that Owens is the last survivor of a large crew of refinery engineers. Every night these creatures emerge and a battle of willpower and determination ensues. The key to success is decapitating the creatures and then burning the bodies. However, the creatures can also appear in other forms including hyenas and the bodies of the people they have killed. Needless to say these are some truly terrifying creatures.

Gifune's novella is like a cross between any first-person creature-shooter game and a deranged episode of Lost. This desolate military camp isn't all that it seems to be. When Richter decides to leave the facility the end result is something out of an old Twilight Zone episode – all roads out of town just lead back to town. To spruce up the one-dimensional “1-2-3-Kill!” action, there is a terrific backstory as Richter recalls the tragedy that befell her younger brother in their childhood home. These flashback sequences explain Richter's fighting spirit and her battles in Iraq during two years of active duty. 

Oasis of the Damned was a quick enjoyable read at roughly 90 pages, give or take a large font or two. Gifune's style has always been “hit 'em hard” while still embracing a smooth calculated delivery to spook his reader. I've never read a bad book by this author and Oasis of the Damned is another testimony to his storytelling talent. Recommended. 

Get a copy of the book HERE 

The Castle of Dark

British science-fiction and fantasy author Tanith Lee (1947-2015) debuted her first full-length novel, The Dragon Hoard, in 1971. She amassed a robust career that featured over 90 novels and 300 shorts. She was awarded both the Bram Stoker Lifetime Achievement in Horror as well as the World Fantasy Lifetime Achievement Award. I've picked up a few of her paperbacks over the years and wanted to sample her work. I chose The Castle of Dark, a fantasy/horror novel that was first published by Macmillan London in 1978 and then later in 1984 by Unwin Paperbacks, which is the version I reviewed.

The book is set in the Middle Ages with a narrative that revolves around two main characters, a young woman named Lilune and a minstrel (traveling musician) known as Lir. In the early chapters, the author introduces these characters in very different scenarios. As the book progresses, naturally these scenarios will clash, intertwine, and ultimately create a finale. Creative Writing 101.

Lilune's situation is right out of The Brothers Grimm fairy tales. She is being held captive by two old hags in the Castle of Dark. But, there are some unique offerings here that spin Brothers Grimm into Hammer Horror. Lilune sleeps in a casket during the day and prowls the castle and its barren surroundings at night. She burns in the sunlight and she doesn't eat food. Quacks like a duck, walks like a duck – bound to be a bloodsucking Vampire enchantress, right? But Lilune has a different type of curse that I won't spoil here.

Lir is a pretty good harp player and gets noticed by a wise old musician that may be the Devil. He informs Lir that he has a special musical talent and instructs him to create a new harp made from bone. Lir peddles around the graveyard and tombs to make his morbid instrument. He then feels a spiritual tug that leads him on a short journey to the Castle of Dark. Here's where things get really interesting. 

In the closest populated town the upstanding citizens encourage Lir to go to the castle (never mind those rumors of supernatural occurrences and dead people roaming at night) and check out a young girl that was taken there by her mother when she was a babe. Lir's arrival at the castle is met with abrasion (naturally) and he is led to free Lilune from her eternal imprisonment. But, be careful what you ask for. Little does he know that he is traveling with a....I can't give it away.

The Castle of Dark is a short read at just 178 pages, but the page count just breezes by. I was done in just a few reading hours and felt extremely satisfied with the character development, the central mystery regarding Lilune, and the “darkness” that envelopes the town. What I really enjoyed about the location is that near the castle is another town that is completely uninhabited - empty buildings to explore by moonlight. I felt like I was with Lilune as she would effortlessly glide through the fog into this little abandoned village. The hints at a vampire tale are steady, but for fantasy fans there is a good mix of action and adventure as Lir takes on the quest in true monomyth style...only he's brandishing a harp instead of a savage blade. 

If you want to read something really different, try Tanith Lee's The Castle of Dark. Get a copy HERE

Night of the Mannequins

Texas-born Stephen Graham Jones (b. 1972) contributes to horror, crime, and science-fiction genres. He has earned critical praise for his novels The Only Good Indians and My Heart is a Chainsaw. He is also a multiple winner of the Bram Stoker and Shirley Jackson literary awards. Reading the praise, I jumped into his novella Night of the Mannequins not only to experience Jones for the first time, but also because mannequins are downright terrifying.

There isn't a lot to this little story. The plot is fairly simple and straight-forward. A kid named Sawyer is killing off his friends to protect their families from being killed by a mannequin. But, to jump to that extremity, there are events leading up to this.

Sawyer and his friends find a discarded dummy in the forest. “Manny” becomes the group mascot and gets hauled around from place to place kinda like Pete the Pup in The Little Rascals – only Pete was real and this mannequin isn't. However, for Sawyer that all changes. 

The group play a joke on their friend at the theater and place Manny in a seat, then they go complain to management that somebody in the crowd is being too loud. But, the joke is on Sawyer when he witnesses Manny getting out of his seat and walking out of the theater. Is Manny real? Is IT alive? 

Sawyer believes that one of his friends, and their family members, is run over in the street by Manny. He also believes Manny is stealing food from the neighborhood and eating in some hunkered-down locale in the woods. It's really out there man. But, to protect all of the innocent family members from being murdered, Sawyer decides he will just take a less violent approach and kill his friends before Manny can. If his friends can't be slashed to death by the slasher, then innocent lives will be spared.

Night of the Mannequins is a goofy serial-killer-slasher novel that is told from Sawyer's perspective. I have a minor beef with these types of stories because I don't want to be trapped in the mind of a lunatic. Some readers, and horror fans, love this sort of thing. I'm borderline with it. I like that Jones knows how to get into the story and get out quickly, leaving a short space here to do his thing. At 144 pages, this book is a real breeze that's enjoyable and fun without any excess baggage. Recommended.

Buy a copy of this book HERE.

Dark Harvest

According to trusty Wikipedia, Norman Partridge (b. 1958) has authored two detective novels starring a retired boxer named Jack Baddalach. He won his first Bram Stoker award in 1992 for his collection Mr. Fox and Other Feral Tales. He also won Stoker awards in 2001 for The Man with the Barbed-Wire Fists and in 2006 for Dark Harvest. In scanning retail bookshelves, and movies on various streamers, I can't seem to escape Dark Harvest. It's available in digital, physical, and audio versions and was also adapted into a 2023 film and released by MGM. Accepting it as an omen, I decided to just give the book a whirl. 

The novel is set in an unnamed Midwestern small town on and around Halloween night. The town is unlike any other because it has a strict set of rules that are enforced by a macabre annual contest. Here's the setup:

Every year on Halloween, one male citizen journeys into a town cornfield and digs up a small boy-sized corpse. Using a process unknown to readers (and I'd speculate the author), this corpse comes to life and is provided some sort of jack-o-lantern head and vines and tendrils that make up arms and legs. Injected into its torso is a big bag of delicious candy. The animated corpse then has only one mission. The corpse must make it to the old church before midnight. The corpse is named The October Boy, but some refer to it as Sawtooth Jack. Oh, and the corpse can legally kill anyone in its way.

Okay, with me so far? Continue on...

A week or so before Halloween, the teenage male boys are placed into a type of solitude by their parents to starve them. The purpose is because on Halloween night, the male kids are let out and they must hunt and kill the corpse. Like a Capture the Flag kind of thing. Whoever the lucky kid is that can successfully kill the corpse before it reaches the old church wins the annual prize – a free pass to get out of town and his parents get a ton of money. The kids are starved purposefully so they will go after the corpse in an aggressive way to eat the candy inside. 

You're probably thinking, what sort of puny prize allows someone to just leave town. Well, that's the kicker. You see in this town no one can ever leave. The only way out is by winning the prize. Also, if you are a female, well you're just completely trapped in town forever because females aren't allowed to compete in the game.

Dark Harvest is one-part Stephen King in its The Walk and The Running Man dystopian contest. The other part is similar to Shirley Jackson's The Lottery, based on a small hamlet's annual weirdness. Partridge's writing is like a bleak crime-fiction novel, with plenty of pistol and shotgun blasts to compete with many men's action-adventure paperbacks. He also uses a quick and punchy prose that delivers a smooth, short-sentence presentation for his readers. I liked the more masculine wording Partridge uses to describe cars, motors, guts, and gunshots. He has a gritty, more realistic style that isn't punted away by the dark fantasy make-believe of the overall story.

My real complaint with Dark Harvest (besides the irritating present-tense narrative) is a popular one. The book's violent wrap-up doesn't provide any explanation as to why the town is the way it is. If you are looking for closure, none will be found. The mystery of the magical corpse, why the game is played, and the overall necessity of the corpse's death is left unanswered. Reading Dark Harvest reminded me of why I gave up on Lost by the second season. I had a sense of urgency to know the answer. In that regard, the reading experience was unsatisfactory. But, getting to that conclusion was actually a lot of fun. Your mileage may vary. 

Buy a copy of this book HERE.

The Lantern Man

Having read four of Jon Bassoff's nine novels to date, I'm convinced he might be the most talented and thought-provoking author in the business. When writing a blog dedicated to reviewing vintage fiction, of which many of its authors are long dead, it is unusual for me to even refer to a writer as still being alive and relevant. Yes, Bassoff is alive (and well I hope) and continuing to write amazing books that defy any specific genre. He's as much a murder-mystery guy as a horror writer, as much a crime-fiction stalwart as a noir enthusiast. If Bassoff was a filmmaker, nods to David Lynch would certainly be warranted. He's that good.

In The Lantern Man, originally published in 2020 by Down and Out Books, Bassoff once again takes his readers into a dark strip of American Gothic, a Bible Belt of the Devil where small-town killings somehow find a shaded pathway to a not-so-idyllic family. Like his previous novels in Corrosion and Beneath Cruel Waters, The Lantern Man is set in a small community nestled in a rural stretch of Colorado mountains. It is here that mining was once prominent, and like any mining town, there are inevitable childhood rumors of a murderous miner that steals away children in the night to feast on their flesh. This rumor of “The Lantern Man” plays a big part in the murder of a teenage girl. Did a killer miner from days gone by murder her or was it a young man named Stormy Greiner?

The book is presented in a pretty innovative way, with comparisons made to House of Leaves (Mark Danielewski) or Dracula (Bram Stoker). The book is presented as texts, but made up of diary entries that feature footnotes written by a detective. It is a form of ergodic literature where the reader is forced into a sort of game to review all of the book's passages and clues. It isn't a heavy lift and can be read seamlessly from beginning to end. 

Ultimately, the narrative is a pretty twisted venture into some really dark places. The book's protagonist, Lizzie Greiner, is immediately disclosed to the reader as a suicide victim, a young woman who burns herself to death in an old mining shack. Beside her charred body is her journal, left in a fireproof box in a way that spells out all of the events leading up to her death. 

Detective Russ Buchanan is assigned the cumbersome chore of weeding through the journal and interviewing witnesses that may hold the answer to the girl's murder. The real answer lies in the eye of the beholder – none of the evidence or witnesses provide an indisputable explanation. The author's message is purely subjective. 

The Lantern Man is an extremely rewarding reading experience. The text is a great story, saturated in family ties, mystery, and a compelling narrative. But, the presentation is equally satisfying and designed for fans of crime-fiction. No matter what genre you prefer, this novel checks off every box. Highest possible recommendation.

Buy a copy of this book HERE.

Thurlow's Christmas Story

Did you know that the Christmas season not only brings glad tidings, but also ghost stories? Sure, the easy nod here goes to the ultimate Christmas ghost story, Charles Dickens' 1842 classic A Christmas Carol. But, references to the Christmas ghost can be dated as far back as 1730 with Round about Our Coal-Fire (aka Christmas Entertainments). 

In an effort to locate a Christmas tale for Paperback Warrior, I delved through some old anthologies and found Horrors in Hiding, a 1973 Berkley Medallion paperback edited by Sam Moskowitz and Alden H. Norton. While the cover screams Halloween, the book actually features a Christmas story called "Thurlow's Ghost Story" (misspelled in the TOC), authored by John Kendrick Bangs. The story was originally published in Harper's Weekly in 1894 as "Thurlow's Christmas Story". It turns out that Bangs was the humor editor at Harper's and was assigned with writing a holiday-themed story that year. He submitted "Thurlow's Christmas Story" as a sort of morality tale/tongue-in-cheek jab at holiday publishing deadlines.

The story is presented as a mild form of ergodic literature, meaning that the text itself represents a piece of the story. You can find this meta-story in a story in other early fiction, something like Bram Stoker's Dracula where parts of the book are diary entries. Here, the story is a statement written by Henry Thurlow, an author assigned the cumbersome task of writing a holiday-themed piece for the Idler, a Weekly Journal of Human Interest. The story's text is this statement sent to George Currier, the journal's editor. 

In the statement, Thurlow attempts to explain, in detail, why the assignment hasn't been completed, why the looming deadline is in jeopardy of tardiness, and how his own mindset is being plagued by an unknown supernatural force. Thurlow advises that several nights ago he saw his doppelganger standing at the foot of the stairs. He describes this vision as, “It was then that I first came face to face with myself – that other self, in which I recognized, developed to the full, every bit of my capacity for an evil life.” A week later, Thurlow sees the person again, describing it as, “...that figure which was my own figure, that face which was the evil counterpart of my own countenance, again rose up before me, and once more I was plunged into hopelessness.” 

As the deadline looms closer, Thurlow experiences this bizarre visitation multiple times. However, the strangest visitation occurs one night when the author's fan arrives at his doorstep to present him with a manuscript. The fan explains that he spent nearly a decade writing the story and that he feels Thurlow should publish the piece as his own. Without spoiling too much, Thurlow sheepishly accepts the manuscript and dismisses the fan. Later, Thurlow reads the manuscript and deems it to be brilliant. By using his own byline, Thurlow submits the manuscript only to find a surprising response from his editor. In a clever way, the text the reader is consuming makes up the final submission to the editor. The long and short of how the text becomes a part of the story is a real thrill.

You can read this story, including a neat write-up on Christmas ghost stories, at the Library of America's Story of the Week blog HERE.

Suburban Gothic

Bryan Smith has authored more than thirty horror and crime novels. His novel 68 Kill was adapted to film and his 2009 novel Depraved became an instant cult classic, leading to three sequels. Brian Keene earned the 2014 World Horror Grandmaster Award, two Bram Stoker awards, and the Imadjinn Award for best fantasy novel in 2016. It was just a matter of time before the two friends collaborated on a novel. 

In 2009, Brian Keene authored a paperback for Leisure called Urban Gothic. The premise had a group of kids breaking into an old row house in Philadelphia that they thought was abandoned. Unfortunately for them, a family of inbred cannibals lived in the basement. The book was an obvious ode to “grindhouse” theater flicks like Hills Have Eyes and Texas Chainsaw Massacre. I enjoyed the book years ago, so I was intrigued to learn of the book's sequel, Suburban Gothic, published in 2020. But, the backstory on the novel doesn't stop there. 

It turns out that Suburban Gothic actually connects (retcons?) Keene's Urban Gothic with Bryan Smith's horror novel The Freakshow, which was originally published by Leisure in 2007. I also read that novel, and reviewed it HERE. In The Freakshow, cosmic entities are controlling humans from a netherworld. These entities combine mayhem, torture, cannibalism, rape, etc. into a sort of game which comes to a small town in Tennessee through a traveling carnival. The book was slightly above average and written in a perverse way that I typically find distasteful. I'm not a fan of Bryan Smith.

Suburban Gothic, which is authored by both Smith and Keene, has an early explanation that the inbred cannibals from Urban Gothic are forced to move to an abandoned mall located in a sketchy crime-ridden part of Philadelphia. At the same time, Smith's crazy supernaturally-controlled entities also move into the mall. One side is occupied by these mutant freaks (humans with arachnid-like appendages, multiple heads, etc.) while the other side is the weirdo cannibals. 

Like Urban Gothic, various people enter this abandoned mall for different reasons. These disposable characters include a group of urban explorers shooting YouTube footage, a real-estate agent, and your common everyday headbanging stoners. This is a problem for the book and it's readers. None of these characters are remotely interesting, and all of them are flawed and unlikable. So, when Smith writes nasty, violent deaths for each character (I'm sure he was tasked with their violent endings), I found myself simply skipping to the next death set-up. 

Brian Keene typically isn't an extreme splatter-horror guy, but Smith's participation drags this book into uncomfortable depravity. Characters are raped sodomized, eaten, beaten, forced into various amputations, dragged across multiple hard surfaces, shot, stabbed, and, in some cases, involuntarily placed into barbaric medical experiments. At a time in my life when I can turn on any social media news platform and see brutality and death, reading the intricate details of a fishing hook ripping an anus isn't really what I find enjoyable. 

If you love shock and awe, then by all means have a great time with Suburban Gothic. For me personally, this book is just an absolute mess mired in useless death, excess violence, and horrific gore. Take a hard pass on this kind of thing. Maybe it will eventually just go away. 

Black Mouth

We continue to make our way through horror author Ronald Malfi's bibliography, including his prior publications as well as brand new ones. The Brooklyn native's debut, The Space Between, was published in 2000. His 2011 novel Floating Staircase was nominated for a Bram Stoker award. Collectively, the author has 27 novels and novellas published with his newest, Black Mouth, released in 2022. 

Black Mouth has a familiar horror premise that was popularized by Stephen King in his iconic novel It. The concept is that troubled adults reunite to combat a terror they experienced in their childhood. In this case, Jamie, an alcoholic construction worker, receives a notification that his mother has died. Facing his fears, Jamie returns to West Virginia to reunite with his disabled brother. But, the duo begin to experience the horrors from their childhood regarding a mysterious one-eyed magician. The terror stems from a black pit leading to the town's closed mining shaft.

The supporting characters are Mia and Clay, both of which were Jamie's childhood friends that experienced the trauma as well. Jamie contacts them and soon the foursome are reunited to track down the magician. The author includes a wild card with a hooker-killing lunatic that is also haunted by the magician. The narrative travels from present day events to the 1990s, offering two time periods for readers.

Black Mouth offers a wild emotional ride as these adults, and kids, face small town horrors as well as their own personal traumas. The idea of the evil magician reminded me of Ray Bradbury's Something Wicked This Way Comes, with an elevated dose of violence and murder. While disturbing, Black Mouth never offered any truly chilling scares, instead focusing on a more visceral level than physical. There were a few surprises, some laughs and cries, and a genuine, heartfelt camaraderie between the characters that helped solidify the story. While not Malfi's best, the talented author is still miles ahead of his contemporaries. Black Mouth is a recommended read. 

Get your copy HERE.

The Tomb of Dracula #01

In 1971, the Comics Code Authority eased its rules and regulations on horror comics publications. A lot of editors started testing the waters with different heroes and supernatural villains. Marvel Comics decided this would be the perfect chance to explore a more traditional vampire character. Discovering Bram Stoker's Dracula property in the public domain, the publisher developed The Tomb of Dracula. This series lasted from April 1972 until August 1979. I decided to check out the series debut. It was written by Roy Thomas and Stan Lee and penciled by Gene Colan.

Frank Drake inherited $1 million of his late father's money. He explains to readers that it took him a mere three years to blow all of it. Drake's lover is Jeanie, a beautiful woman who doesn't care about his lost fortune. When Drake talks about an old castle with his best friend Cliff, all three characters end up in a real estate quest. 

Drake explains to Cliff that he's actually related to the original Count Dracula. The lineage of his family can be traced back to the original Dracula family. When his ancestors moved out of Romania, they changed their name to Drake. What's left behind is an old diary and a monolithic castle in Transylvania. Drake's father failed in his attempts to sell the "cursed" property. Cliff suggests that this is a golden opportunity for Drake to cash in on his iconic Dracula heritage and open the castle as a tourist destination.

When the book begins, these three people struggle through the rain trying to locate the castle. When they stop in an old inn, they discover that none of the bar's customers are willing to discuss the castle. After failing to find a sufficient means of transport, an old man agrees to bring them by horse and carriage to the property. But, just outside of the castle, he becomes skittish and drops them on the road.

The narrative increases its pace with a heightened sense of dread. As the three investigate the ancient, abandoned castle, the tension and intrigue becomes a thick veil. In the castle's cellar, Cliff discovers an old skeleton with a wooden stake piercing its dry, brittle bones. Is this one of Drake's ancestors? When Cliff disturbs the skeletal remains, he awakens a fiendish vampire. Is this the Hellhound known as Count Dracula?

While this issue doesn't capture the true essence of a Hammer Horror film, the colors and the atmosphere certainly pay homage to the traditional vampire tale. As a story of origin, Lee and Thomas excel in creating a captivating story that is not as horrific as the legend of vampires itself. I understand that subsequent issues invoke a Hammer Horror feel, but for the most part this issue is a dramatic pairing of adventure and romance. By today's "scary" horror standards, The Tomb of Dracula pales in comparison. However, as a nostalgic return to a more innocent age, I loved it.

Get the complete collection as an ebook HERE