Louis Charbonneau (1924-2017) was primarily known as an author of science fiction and horror, but his second novel from 1959 was a straight-up crime thriller titled Night of Violence that was also released as The Trapped Ones. The novel remains available today as a paperback reprint, ebook and audiobook.
Lew Cutter’s car has a blown out tire outside of Albuquerque, New Mexico. This presents a particular problem because Lew is traveling with $50,000 in stolen cash with a pair of deadly California hoodlums named Lefty and Pete on his trail. Lefty is a particularly deadly sort - a former baseball pitcher who can throw hand grenades through windows with terrifying accuracy.
The author introduces the reader to a handful of other characters who converge upon the downscale Hideaway Motel. There’s a traveling salesman, a family of four with a horny teenage daughter, a couple of lovers looking for a place to screw, Lew, his pursuers, and others. The girl working the motel’s front desk is an adorable character involved in her own relationship drama with the establishment’s owner. The author uses short chapters that cut from one character’s third-person perspective to another. It’s an effective storytelling technique that satisfies the reader’s hotel-based voyeurism. You finally get to find out what’s actually happening behind the closed doors of the other rooms at the inn.
In his science fiction work, Charbonneau is known for his claustrophobic settings where action unfolds among characters in, say, a cramped space station. This is also the dynamic at work in Night of Violence. The author gathers these characters into a small, remote motel, lights the fuse, and lets the sparks fly. Charbonneau was an outstanding writer with a knack for building tension, which helps a lot.
Downsides? There’s a lot of character development and relationship drama among the guests and staff that unfolds for much of the paperback before the violence commences. This didn’t bother me at all because the cast was genuinely interesting, but understand that the novel isn’t a 180 page bloodbath. Well, not entirely.
Night of Violence is a terrific, fast-moving novel with a bunch of interesting characters being moved around a finite space like chess pieces by a confident and competent author. There’s really nothing to dislike about this taut little paperback. I can certainly recommend this motel story without reservations.
Addendum:
Friend-of-the-blog and bestselling author James Reasoner informs us that Louis Charbonneau also wrote western novels under the name Carter Travis Young. Now, go forth and read!
Buy a copy of this book HERE
Thursday, May 28, 2020
Wednesday, May 27, 2020
Survivor of Nam #01 - Baptism
Author Donald E. Zlotnik (born 1941) published over 300 weekly newspaper columns for two metro-Detroit newspapers. Most of Zlotnik's paperback novels are based on his harrowing, and highly respected career in the United States Army Special Forces. Zlotnik's 31 months in combat during the Vietnam War was commemorated by the awarding of three Bronze Stars, The Soldier's Medal and The Purple Heart. Beginning in 1986, Zlotnik began authoring military “fiction” novels based on his own experiences in Southeast Asia. The first was a stand-alone novel, Eagles Cry Blood (1986), followed by a four-book series titled Survivor of Nam (1988). Zlotnik followed with another run of combat-related novels, the five-book Fields of Honor (1990-1992) series. My first experience with the author is the debut novel of the Survivor of Nam series, Baptism, published by Popular Library.
Baptism introduces a handful of characters that will play dominant roles throughout the Survivor of Nam series. The chief protagonist is Private First Class Woods, a wet-behind-the-ears grunt who's introduced on the first page when he arrives at a U.S. Army airfield in Saigon. Zlotnik's sense of realism is reflected in the smallest of details, like the rubber around a transport vehicle's windows with a crisscross of tape to avoid glass shards in the event of an attack. You can immediately sense the horror, fear and remembrance in the author's writing style. After Woods partners with PFC Barnett, the two become close friends as they brave the first days in Vietnam. After being ordered to the 1st Cavalry Division in deadly Qui Nhon, the two soldiers are asked if they want to volunteer for MACV Recondo School. They jump at the chance and the book's opening chapters details the duo's training in small, heavily-armed long range reconnaissance patrols into enemy territory.
Upon graduation, the two soldiers, along with a handful of consistent characters, immediately experience their first battles. Victorious, Woods/Barnett's recon force is dropped along the borders of Laos and Cambodia, where the South Vietnam border touched Laos and North Vietnam. The mission is border surveillance, but U.S. Intelligence instructs the team to drop innovative, unique listening devices along the routes spreading from the Ho Chi Minh Trail. It's here where the bulk of the action lies, eventually separating Woods while readers learn that Barnett has been captured. At 185-pages, the book ends with a cliff-hanger that provoked me to research the second book in the series. Sure enough, it picks right up with Barnett's experience as a prisoner-of-war in the aptly titled installment P.O.W.
First and foremost, this is a work of fiction. Many readers, like myself, will ponder the decision to read Vietnam War fiction when so much non-fiction exists. There's a vast abundance of grunts, snipers, tunnel rats, pilots and tank commanders that have recounted their battle experience in explicit, detailed (often with photos) autobiographies. I think the fictionalization of true stories helps to separate the horror from reality and makes for a more enjoyable read. Your mileage may vary.
Baptism focuses on Woods (18) and Barnett's (17) coming of age experiences in the volatile jungles of Vietnam and is worth the sticker price. But, the author creates a number of engaging, side stories that further enhance the reading experience. There's a Black Panther member in the patrol unit that may be killing off white soldiers. There's a black market story-line involving guns, drugs and money with the supply detail with ranking members in the recon force caught in the crossfire. Zlotnik gives readers plenty to absorb and enjoy, and the book reminded me of a good young adult novel - albeit with added graphic sex, violence and profanity.
Overall, Baptism was an effective, but admittedly disturbing, first installment. The characters were compelling, the action propulsive and the author's combat experiences were conveyed to readers through the characters and story. I've already purchased the second installment and have the remaining two in my shopping cart. I absolutely loved this book, and I think you will too.
Buy a copy of this book HERE
Baptism introduces a handful of characters that will play dominant roles throughout the Survivor of Nam series. The chief protagonist is Private First Class Woods, a wet-behind-the-ears grunt who's introduced on the first page when he arrives at a U.S. Army airfield in Saigon. Zlotnik's sense of realism is reflected in the smallest of details, like the rubber around a transport vehicle's windows with a crisscross of tape to avoid glass shards in the event of an attack. You can immediately sense the horror, fear and remembrance in the author's writing style. After Woods partners with PFC Barnett, the two become close friends as they brave the first days in Vietnam. After being ordered to the 1st Cavalry Division in deadly Qui Nhon, the two soldiers are asked if they want to volunteer for MACV Recondo School. They jump at the chance and the book's opening chapters details the duo's training in small, heavily-armed long range reconnaissance patrols into enemy territory.
Upon graduation, the two soldiers, along with a handful of consistent characters, immediately experience their first battles. Victorious, Woods/Barnett's recon force is dropped along the borders of Laos and Cambodia, where the South Vietnam border touched Laos and North Vietnam. The mission is border surveillance, but U.S. Intelligence instructs the team to drop innovative, unique listening devices along the routes spreading from the Ho Chi Minh Trail. It's here where the bulk of the action lies, eventually separating Woods while readers learn that Barnett has been captured. At 185-pages, the book ends with a cliff-hanger that provoked me to research the second book in the series. Sure enough, it picks right up with Barnett's experience as a prisoner-of-war in the aptly titled installment P.O.W.
First and foremost, this is a work of fiction. Many readers, like myself, will ponder the decision to read Vietnam War fiction when so much non-fiction exists. There's a vast abundance of grunts, snipers, tunnel rats, pilots and tank commanders that have recounted their battle experience in explicit, detailed (often with photos) autobiographies. I think the fictionalization of true stories helps to separate the horror from reality and makes for a more enjoyable read. Your mileage may vary.
Baptism focuses on Woods (18) and Barnett's (17) coming of age experiences in the volatile jungles of Vietnam and is worth the sticker price. But, the author creates a number of engaging, side stories that further enhance the reading experience. There's a Black Panther member in the patrol unit that may be killing off white soldiers. There's a black market story-line involving guns, drugs and money with the supply detail with ranking members in the recon force caught in the crossfire. Zlotnik gives readers plenty to absorb and enjoy, and the book reminded me of a good young adult novel - albeit with added graphic sex, violence and profanity.
Overall, Baptism was an effective, but admittedly disturbing, first installment. The characters were compelling, the action propulsive and the author's combat experiences were conveyed to readers through the characters and story. I've already purchased the second installment and have the remaining two in my shopping cart. I absolutely loved this book, and I think you will too.
Buy a copy of this book HERE
Tuesday, May 26, 2020
Mike Shayne #65 - Last Seen Hitchhiking
Mike Shayne began his life as a fictional private detective in a 1939 novel written by David Dresser under the pseudonym of Brett Halliday. After about 50 novels by Dresser, the series was handed over to a number of ghostwriters including Robert Terrall, who also wrote the Ben Gates mysteries under the pen name of Robert Kyle. As Mike Shayne was nearing the end of his run in 1974, Terrall authored the 65th novel-length installment, Last Seen Hitchhiking, a book that takes Shayne to some very dark places.
Meri Gillespie is a 23 year-old grad student hitchhiking north from Miami - a mode of transportation she’s been using without incident since she was 14. She ignores news reports of a maniac killing female hitchhikers on Florida highways and takes a ride from a sour-smelling young man. Just her luck, he injects poor Meri with a needle rendering her unconscious in the passenger seat of his station wagon.
Meri awakens naked and strapped to what appears to be a gynecologist’s examination table with her feet belted into stirrups. The kidnapper explains that he is a med student seeking to use Meri in his own research involving human sexuality - specifically unlocking the female orgasm with an unwilling participant. If you’re gathering that this is a bit more graphic and extreme than Michael Shayne circa 1945, you’d be right. The scenes where Meri is forced to submit to her captor’s wishes are far more graphic than we normally read in vintage crime paperbacks. Consider yourself warned.
Before getting kidnapped, Meri had been banging her college professor (consensually), and the relationship had gone south. As Meri was leaving to hitchhike to an ex-boyfriend’s place in Fort Myers, she stole a valuable artifact of great academic significance from the professor who hires a female private investigator named Frieda to recover the artifact. The lady gumshoe quickly learns that Meri never made it to Fort Myers and brings Mike Shayne into the case suspecting foul play on the highway. After all, there’s a maniac in Florida snatching up female hitchhikers.
The Florida Highway Patrol has been notified of Meri’s disappearance, but it doesn’t seem like they’re doing much. Working as partners, Mike and Freida trace logical leads to see if Meri’s disappearance was a targeted attack by someone looking to obtain the valuable artifact that Meri swiped from the professor. It’s an interesting literary tactic because the reader is told in the opening chapters the precise awfulness that actually befell the young coed - making the normal investigation seemingly fruitless. How will Mike and Freida connect the dots to find the creepy sex-researcher holding Meri and the artifact?
The story regarding the sex-fiend kidnapper of hitchhikers was awesome. It was a fantastically perverted cat and mouse game. The subplot about the missing artifact was a distraction that felt like filler to me. It was a weird dichotomy to have Shayne so concerned about an archaeological treasure and be seemingly unconcerned about the missing hitchhikers for much of the paperback. Interestingly, Freida was one of the best female detectives I can ever remember reading. She far outshines Shayne in his own book.
Despite these reservations, I still thought Last Seen Hitchhiking was a pretty good Mike Shayne installment. I’ve always found Shayne to be rather generic, and this one was no different in that regard. The biggest asset for the novel was a villain who will really make your skin crawl, so this late-series installment is an easy, if not full-throated, recommendation.
Meri Gillespie is a 23 year-old grad student hitchhiking north from Miami - a mode of transportation she’s been using without incident since she was 14. She ignores news reports of a maniac killing female hitchhikers on Florida highways and takes a ride from a sour-smelling young man. Just her luck, he injects poor Meri with a needle rendering her unconscious in the passenger seat of his station wagon.
Meri awakens naked and strapped to what appears to be a gynecologist’s examination table with her feet belted into stirrups. The kidnapper explains that he is a med student seeking to use Meri in his own research involving human sexuality - specifically unlocking the female orgasm with an unwilling participant. If you’re gathering that this is a bit more graphic and extreme than Michael Shayne circa 1945, you’d be right. The scenes where Meri is forced to submit to her captor’s wishes are far more graphic than we normally read in vintage crime paperbacks. Consider yourself warned.
Before getting kidnapped, Meri had been banging her college professor (consensually), and the relationship had gone south. As Meri was leaving to hitchhike to an ex-boyfriend’s place in Fort Myers, she stole a valuable artifact of great academic significance from the professor who hires a female private investigator named Frieda to recover the artifact. The lady gumshoe quickly learns that Meri never made it to Fort Myers and brings Mike Shayne into the case suspecting foul play on the highway. After all, there’s a maniac in Florida snatching up female hitchhikers.
The Florida Highway Patrol has been notified of Meri’s disappearance, but it doesn’t seem like they’re doing much. Working as partners, Mike and Freida trace logical leads to see if Meri’s disappearance was a targeted attack by someone looking to obtain the valuable artifact that Meri swiped from the professor. It’s an interesting literary tactic because the reader is told in the opening chapters the precise awfulness that actually befell the young coed - making the normal investigation seemingly fruitless. How will Mike and Freida connect the dots to find the creepy sex-researcher holding Meri and the artifact?
The story regarding the sex-fiend kidnapper of hitchhikers was awesome. It was a fantastically perverted cat and mouse game. The subplot about the missing artifact was a distraction that felt like filler to me. It was a weird dichotomy to have Shayne so concerned about an archaeological treasure and be seemingly unconcerned about the missing hitchhikers for much of the paperback. Interestingly, Freida was one of the best female detectives I can ever remember reading. She far outshines Shayne in his own book.
Despite these reservations, I still thought Last Seen Hitchhiking was a pretty good Mike Shayne installment. I’ve always found Shayne to be rather generic, and this one was no different in that regard. The biggest asset for the novel was a villain who will really make your skin crawl, so this late-series installment is an easy, if not full-throated, recommendation.
Monday, May 25, 2020
Paperback Warrior Podcast - Episode 45
Paperback Warrior Episode 45 is our All-Spy Spectacular where we discuss the best fictional spies of 20th Century fiction including Matt Helm, James Bond, Evan Tanner, Boise Oakes, and much, much more! Listen on your favorite podcast app, stream below or download directly HERE.
Listen to "Episode 45: All-Spy Spectacular" on Spreaker.
Friday, May 22, 2020
Danny Fontaine #01 - As Bad As I Am
William Ard wrote a two-book series starring Danny Fontaine - an actor turned ex-con trying to make a life for himself in New York City. Those books were As Bad As I Am (1959 - also released as Wanted: Danny Fontaine) and the second book, When She Was Bad (1960). Ramble House has released the two Danny Fontaine books in a single trade paperback as Two Kinds of Bad with a helpful introduction by Francis M. Nevins. I’ve been dying to explore the first Fontaine book, and the reprint made it an easy lift.
As Bad As I Am opens with 30 year-old former stage actor Danny Fontaine being paroled from prison where he just served five years for beating a muscle-man to death because the meathead was being rough with a girl. We learn early in the novel that Danny’s Achilles heel is his desire to help women - regardless of legalities, and this affliction has landed Danny in jail before. Because of this, a condition of Danny’s parole is that he can’t date or have sex with a woman for the 18 month term of his supervised release.
Danny warms up to the idea of getting back into acting, and, of course, meets a girl in the process. Her name is Gloria, and the aspiring actress is the hottest little dish - and sweetness personified. When Danny becomes a murder suspect, Gloria is the one he turns to for shelter and a base of operations to establish his innocence. Late in the novel, they turn to a Manhattan private eye named Barney Glines to help clear Danny’s name.
Earlier in his career, William Ard wrote two books under the pen name of Thomas Wills starring a private eye named Barney Glines. Those two books were: You'll Get Yours (1952) and Mine To Avenge (1955). Later, when Ard began the Danny Fontaine series, Glines becomes a major character in the short-lived franchise. Ard basically created his own little Marvel Universe of overlapping series titles shared between his own name and a pseudonym.
In any case, Private Eye Barney Glines is, by far, the best character in this Danny Fontaine debut. He’s a funny, self-confident, can-do guy who takes control of the situation and helps navigate Danny out of his mess. It’s not a fast-moving thrill-ride of a paperback, but I still enjoyed As Bad As I Am. Ard was an awesome writer and he unfolds his plots really well - even when there’s not much action taking place. The dialogue and characters were vivid and real. I’m told that in the second book starring Danny, When She Was Bad, the jailbird becomes a private investigator working for Barney’s firm. I can’t wait to read it and tell you about it.
William Ard probably would have written more books starting Danny Fontaine after the second installment, but the 37 year-old author died of cancer in 1960 ending a promising career as an edgy and innovative voice on the crime fiction landscape. For my part, I’m just thankful that some of his work remains available today. Ard was a powerhouse talent in a crowded field, and he deserves to be remembered.
Fun-Fact:
The title As Bad As I Am comes from a traditional Scottish toast:
Here’s to you, as good as you are,
And here’s to me, as bad as I am;
As bad as I am and as good as you are,
I am good as you are, as bad as I am.
Buy a copy of the two-book compilation HERE
As Bad As I Am opens with 30 year-old former stage actor Danny Fontaine being paroled from prison where he just served five years for beating a muscle-man to death because the meathead was being rough with a girl. We learn early in the novel that Danny’s Achilles heel is his desire to help women - regardless of legalities, and this affliction has landed Danny in jail before. Because of this, a condition of Danny’s parole is that he can’t date or have sex with a woman for the 18 month term of his supervised release.
Danny warms up to the idea of getting back into acting, and, of course, meets a girl in the process. Her name is Gloria, and the aspiring actress is the hottest little dish - and sweetness personified. When Danny becomes a murder suspect, Gloria is the one he turns to for shelter and a base of operations to establish his innocence. Late in the novel, they turn to a Manhattan private eye named Barney Glines to help clear Danny’s name.
Earlier in his career, William Ard wrote two books under the pen name of Thomas Wills starring a private eye named Barney Glines. Those two books were: You'll Get Yours (1952) and Mine To Avenge (1955). Later, when Ard began the Danny Fontaine series, Glines becomes a major character in the short-lived franchise. Ard basically created his own little Marvel Universe of overlapping series titles shared between his own name and a pseudonym.
In any case, Private Eye Barney Glines is, by far, the best character in this Danny Fontaine debut. He’s a funny, self-confident, can-do guy who takes control of the situation and helps navigate Danny out of his mess. It’s not a fast-moving thrill-ride of a paperback, but I still enjoyed As Bad As I Am. Ard was an awesome writer and he unfolds his plots really well - even when there’s not much action taking place. The dialogue and characters were vivid and real. I’m told that in the second book starring Danny, When She Was Bad, the jailbird becomes a private investigator working for Barney’s firm. I can’t wait to read it and tell you about it.
William Ard probably would have written more books starting Danny Fontaine after the second installment, but the 37 year-old author died of cancer in 1960 ending a promising career as an edgy and innovative voice on the crime fiction landscape. For my part, I’m just thankful that some of his work remains available today. Ard was a powerhouse talent in a crowded field, and he deserves to be remembered.
Fun-Fact:
The title As Bad As I Am comes from a traditional Scottish toast:
Here’s to you, as good as you are,
And here’s to me, as bad as I am;
As bad as I am and as good as you are,
I am good as you are, as bad as I am.
Buy a copy of the two-book compilation HERE
Thursday, May 21, 2020
Mike Ballard #01 - Brute in Brass (aka Forgive Me Killer)
Brute in Brass was a 1956 Fawcett Gold Medal paperback by Harry Whittington (1915-1989) published at a time when the prolific Florida author was at the top of his game. He probably was paid $2,000 for the novel with the promise of bonuses if the paperback saw multiple printings. In 1987, Black Lizard Books reprinted a handful of Whittington books including Brute in Brass under Whittington’s original manuscript title Forgive Me Killer.
Mike Ballard is a vice cop currently under investigation for corruption. This presents an immediate problem because he is also a bag man and fixer for a mobster nightclub owner with plenty of secrets. Mike’s got a girlfriend of sorts he set up in an apartment who’s not getting the emotional connection she desires. She wants to be his wife - anyone’s wife, really - but Mike likes the current no-strings arrangement.
Mike travels to a prison to see a death row inmate named Earl Walker who maintains his innocence of the murder that landed him on the electric chair waiting list. During the investigation, Mike was the only cop who didn’t beat Walker to elicit a confession, so he’s the one Walker begs to help save his life. Mike also has his eye on Walker’s comely wife, which is the real reason he agrees to help.
As you may have gathered, Mike is kind of a heel. But he’s one of those heels that you kind of like because he’s smart, tough and blunt - a good, but somewhat dirty, cop. He also evolves over the course of the novel to locate the decency within himself while solving a fascinating mystery and navigating a minefield of personal and professional problems.
Brute in Brass was another winner among Whittington’s 170 identified novels. The hero, Mike Ballard, is a badass fighter who should have starred in a series of his own.
Trivia:
There’s a theory that Mike Ballard was intended by Harry Whittington to be a series character - the key to a crime fiction author’s commercial success in the 1950s and now. He wrote a second Ballard novel called Any Woman He Wanted, but it was rejected by Fawcett Gold Medal.
The sequel was finally published in 1961 by second-tier paperback house Beacon under the pseudonym Whit Harrison. By then, any momentum toward making the protagonist a franchise was gone, and Whittington never tried again to launch a series of his own.
Any Woman He Wanted (Mike Ballard #2) remains available as a reprint from Stark House Noir Classics (HERE). Watch Paperback Warrior for a review coming soon.
Buy a copy of this book HERE
Mike Ballard is a vice cop currently under investigation for corruption. This presents an immediate problem because he is also a bag man and fixer for a mobster nightclub owner with plenty of secrets. Mike’s got a girlfriend of sorts he set up in an apartment who’s not getting the emotional connection she desires. She wants to be his wife - anyone’s wife, really - but Mike likes the current no-strings arrangement.
Mike travels to a prison to see a death row inmate named Earl Walker who maintains his innocence of the murder that landed him on the electric chair waiting list. During the investigation, Mike was the only cop who didn’t beat Walker to elicit a confession, so he’s the one Walker begs to help save his life. Mike also has his eye on Walker’s comely wife, which is the real reason he agrees to help.
As you may have gathered, Mike is kind of a heel. But he’s one of those heels that you kind of like because he’s smart, tough and blunt - a good, but somewhat dirty, cop. He also evolves over the course of the novel to locate the decency within himself while solving a fascinating mystery and navigating a minefield of personal and professional problems.
Brute in Brass was another winner among Whittington’s 170 identified novels. The hero, Mike Ballard, is a badass fighter who should have starred in a series of his own.
Trivia:
There’s a theory that Mike Ballard was intended by Harry Whittington to be a series character - the key to a crime fiction author’s commercial success in the 1950s and now. He wrote a second Ballard novel called Any Woman He Wanted, but it was rejected by Fawcett Gold Medal.
The sequel was finally published in 1961 by second-tier paperback house Beacon under the pseudonym Whit Harrison. By then, any momentum toward making the protagonist a franchise was gone, and Whittington never tried again to launch a series of his own.
Any Woman He Wanted (Mike Ballard #2) remains available as a reprint from Stark House Noir Classics (HERE). Watch Paperback Warrior for a review coming soon.
Buy a copy of this book HERE
Wednesday, May 20, 2020
Eagle Force #06 - Berserker
The 1980s proved to be a successful era for author Dan Schmidt. Beginning in 1986, Schmidt began contributing to the Mack Bolan universe with an astounding 40-installments across The Executioner, Stony Man and Mack Bolan product line. The busy author also launched a series of team-based combat novels called Killsquad that ran 10-books from 1986 through 1988. Of the author's extensive catalog of violent, bloody literary works, perhaps my favorite was the Eagle Force series. Like Killsquad, it was a team-based combat series and featured four ex-CIA members working as freelance mercenaries. The series lasted nine novels from 1989-1991 and was published by Bantam. I've slowly been collecting these books over the years and I was happy to finally locate the sixth installment, 1990's Berserker.
The first five novels of the series tied up some loose ends involving Eagle Force leader Vic Gabriel and his quest to learn how his father was betrayed and killed on covert operations in Vietnam. The climactic conclusion to that story arc was the emphasis of Ring of Fire. Berserker is the first of the series to feature a full-length action mission without the backstory baggage.
In the book's first chapter, a seemingly invincible man commences to sprint across the White House grounds. Using just brute strength and a primal rage, the man begins tearing at the frantic Secret Service men while absorbing a barrage of bullets. After the carnage, the chapter reveals that the man's furious assault was a final experiment performed by the KGB under top secret clearance from Soviet High Command. Project Berserker, in collaboration with East Germany, was created to modify human soldiers into savage, flesh tearing combatants that can be used to destroy villages, small cities and most importantly, military installations. It's like Marvel Comic's Weapon X program that created the Wolverine character...but only really, really evil. And communist.
Dan Schmidt utilizes the vile Berserkers as the perfect enemy for his rejuvenated Eagle Force. However, the author creates a number of fire-fights and smaller battles as foreplay before the bullet-orgy with the Kremlin and Project Berserker. The first of these battles is with a tactical mercenary unit calling themselves the German Fury. The mid-section of Schmidt's narrative focuses on Eagle Forces assault on a remote Greek island and their action-packed gunfight with the SPETSNAZ, an elite Soviet fighting force.
Berserker is another exciting installment of the Eagle Force series. The author's commitment to “brand new” adventures after five prior novels of backstory - using annoying recollections presented in italic fonts – was a much needed change. Because of that, readers receive 132-pages dedicated to Eagle Force versus Soviets, mercs and beastly soldiers. It's over-the-top, slightly deranged and completely unrealistic, three traits that make Dan Schmidt's writing so much fun.
The first five novels of the series tied up some loose ends involving Eagle Force leader Vic Gabriel and his quest to learn how his father was betrayed and killed on covert operations in Vietnam. The climactic conclusion to that story arc was the emphasis of Ring of Fire. Berserker is the first of the series to feature a full-length action mission without the backstory baggage.
In the book's first chapter, a seemingly invincible man commences to sprint across the White House grounds. Using just brute strength and a primal rage, the man begins tearing at the frantic Secret Service men while absorbing a barrage of bullets. After the carnage, the chapter reveals that the man's furious assault was a final experiment performed by the KGB under top secret clearance from Soviet High Command. Project Berserker, in collaboration with East Germany, was created to modify human soldiers into savage, flesh tearing combatants that can be used to destroy villages, small cities and most importantly, military installations. It's like Marvel Comic's Weapon X program that created the Wolverine character...but only really, really evil. And communist.
Dan Schmidt utilizes the vile Berserkers as the perfect enemy for his rejuvenated Eagle Force. However, the author creates a number of fire-fights and smaller battles as foreplay before the bullet-orgy with the Kremlin and Project Berserker. The first of these battles is with a tactical mercenary unit calling themselves the German Fury. The mid-section of Schmidt's narrative focuses on Eagle Forces assault on a remote Greek island and their action-packed gunfight with the SPETSNAZ, an elite Soviet fighting force.
Berserker is another exciting installment of the Eagle Force series. The author's commitment to “brand new” adventures after five prior novels of backstory - using annoying recollections presented in italic fonts – was a much needed change. Because of that, readers receive 132-pages dedicated to Eagle Force versus Soviets, mercs and beastly soldiers. It's over-the-top, slightly deranged and completely unrealistic, three traits that make Dan Schmidt's writing so much fun.
Tuesday, May 19, 2020
The Good Guy
During his productive career as an author, Lou Cameron (1924-2010) transcended genres from crime fiction to westerns to war adventures. In 1968, Cameron tried his hand at a mainstream political thriller called The Good Guy that promises “an exciting shocker with a double-twist finish,” so I buckled in for what was sure to be a wild ride.
The paperback’s conversational narrator is a doctor of behavioral psychology working as an advertising consultant named Woody Legion. He’s the guy you hire to manipulate the minds of the public if you’re trying to get them to change their favorite soda pop. His field of expertise is called “Motivation Research,” but it really amounts to political dirty tricks - picking out the perfect unassailable lie about the opposition that will alienate the candidate from the electorate.
Enter presidential candidate and freshman congressman Rex Vane. Before Vane became a politician, he was an actor in the westerns who parlayed his fame as a “good guy” into the the U.S. House of Representatives. It’s worth noting that real-life movie cowboy Ronald Reagan was elected governor of California in 1967, so I’m guessing that this was fresh on Cameron’s mind while creating the fictional version in the paperback.
In any case, Woody gets hired to work his psychological black magic as a part of Vane’s campaign. He leaks carefully-chosen false information about Vane’s primary opponent and watches his poll numbers deteriorate. He performs his analysis with giant IBM computers while his staff wears white lab coats. It’s pretty much what people in 1968 thought the future would look like today when algorithms would be making our judgement calls.
There are many problems with The Good Guy as a novel. As a narrator and main character, Woody is not a likable guy with a good personality. Even discounting his dishonorable profession, he’s not the kind of person you want to accompany for 224 big-font pages. For a political thriller, The Good Guy is almost completely devoid of thrills. It’s a boring book because Cameron never took the time to get the reader invested in the characters or the high-stakes of the election. It’s like he wanted to write a fictional expose regarding the dirty tricks that accompany modern politics. 52 years later, these revelations are all rather ho-hum.
The author makes an attempt to emulate an actual breakneck thriller in the paperback’s last 30 pages, but the whole thing was rather contrived and didn’t follow the novel’s own internal logic. This book was just awful. I’m normally a fan of Lou Cameron, but don’t bother with this stinker. The Good Guy was just A Bad Book.
Buy a copy of this book HERE
The paperback’s conversational narrator is a doctor of behavioral psychology working as an advertising consultant named Woody Legion. He’s the guy you hire to manipulate the minds of the public if you’re trying to get them to change their favorite soda pop. His field of expertise is called “Motivation Research,” but it really amounts to political dirty tricks - picking out the perfect unassailable lie about the opposition that will alienate the candidate from the electorate.
Enter presidential candidate and freshman congressman Rex Vane. Before Vane became a politician, he was an actor in the westerns who parlayed his fame as a “good guy” into the the U.S. House of Representatives. It’s worth noting that real-life movie cowboy Ronald Reagan was elected governor of California in 1967, so I’m guessing that this was fresh on Cameron’s mind while creating the fictional version in the paperback.
In any case, Woody gets hired to work his psychological black magic as a part of Vane’s campaign. He leaks carefully-chosen false information about Vane’s primary opponent and watches his poll numbers deteriorate. He performs his analysis with giant IBM computers while his staff wears white lab coats. It’s pretty much what people in 1968 thought the future would look like today when algorithms would be making our judgement calls.
There are many problems with The Good Guy as a novel. As a narrator and main character, Woody is not a likable guy with a good personality. Even discounting his dishonorable profession, he’s not the kind of person you want to accompany for 224 big-font pages. For a political thriller, The Good Guy is almost completely devoid of thrills. It’s a boring book because Cameron never took the time to get the reader invested in the characters or the high-stakes of the election. It’s like he wanted to write a fictional expose regarding the dirty tricks that accompany modern politics. 52 years later, these revelations are all rather ho-hum.
The author makes an attempt to emulate an actual breakneck thriller in the paperback’s last 30 pages, but the whole thing was rather contrived and didn’t follow the novel’s own internal logic. This book was just awful. I’m normally a fan of Lou Cameron, but don’t bother with this stinker. The Good Guy was just A Bad Book.
Buy a copy of this book HERE
Monday, May 18, 2020
Paperback Warrior Podcast - Episode 44
On Paperback Warrior Podcast Episode 44, we plunge into the life and career of crime fiction author Ed Lacy with lots of reviews and revelations. We’ll also check in with Wolfpack Publishing and a special review of Protector #1 by Rich Rainey. Listen on any podcast app, stream below or download directly HERE.
Listen to "Episode 44 - Ed Lacy" on Spreaker.
Friday, May 15, 2020
Matthew Scudder #03 - In the Midst of Death
Beginning in 1976, prolific author Lawrence Block launched a 17-book series starring former New York City detective Matthew Scudder. The series provoked two movie adaptations – Eight Million Ways to Die (1986) and A Walk Among the Tombstones (2014). Despite being the second series installment published - one year before Time to Murder and Create (1977) - Block considers In the Midst of Death (1976) the series' third entry. After enjoying the prior novels, I was anxious to return to the dark streets of Hell's Kitchen again.
In the Midst of Death provides a slight shift in the murder mystery formula. In it, Scudder is asked to do a favor for $2,500. But, unlike the prior novels, this one isn't setup as a murder case right away. Instead, a NYPD cop named Jerry Broadfield has been accused of extorting money from a prostitute. When he asks Scudder for help, Broadfield explains that he was in the middle of working with the city on exposing the department's corruption. Broadfield, and Scudder by proxy, believes that the extortion charges are an attempt to silence him. Scudder is skeptical to side with Broadfield, or do the favor, fearing that the truth isn't entirely clear. Later, when the prostitute is found murdered in Broadfield's apartment, Scudder's investigation becomes way more complicated.
Block's dark portrait of Scudder is one of the many enjoyable facets of this series. With In the Midst of Death, Scudder strains at the ties that bind – his former life with the NYPD and the remaining responsibility that he feels he owes the brotherhood. Broadfield's exposure of the department and his fraternity of peers, put Scudder on a balance beam of ethical repercussions. Broadfield's push to clean up the corruption and Scudder's protective nature of the business and its inner sanctum – despite how corrupt it might be. The author also weaves in a romantic fling with Broadfield's wife in a brilliant parallel of what Scudder experienced with his former wife – dissatisfied family, neglected marriage, disposable fatherhood. Scudder knows where the Broadfields are headed, but knows he can't save their marriage anymore than he could save his own.
In the Midst of Death is another gripping, extremely enjoyable installment in the series. Lawrence Block is an incredible storyteller and the book's last sentence left me reeling. Some authors strive their whole lives to leave readers with a lasting impact. For Block, it's a common occurrence.
Buy a copy of this book HERE
In the Midst of Death provides a slight shift in the murder mystery formula. In it, Scudder is asked to do a favor for $2,500. But, unlike the prior novels, this one isn't setup as a murder case right away. Instead, a NYPD cop named Jerry Broadfield has been accused of extorting money from a prostitute. When he asks Scudder for help, Broadfield explains that he was in the middle of working with the city on exposing the department's corruption. Broadfield, and Scudder by proxy, believes that the extortion charges are an attempt to silence him. Scudder is skeptical to side with Broadfield, or do the favor, fearing that the truth isn't entirely clear. Later, when the prostitute is found murdered in Broadfield's apartment, Scudder's investigation becomes way more complicated.
Block's dark portrait of Scudder is one of the many enjoyable facets of this series. With In the Midst of Death, Scudder strains at the ties that bind – his former life with the NYPD and the remaining responsibility that he feels he owes the brotherhood. Broadfield's exposure of the department and his fraternity of peers, put Scudder on a balance beam of ethical repercussions. Broadfield's push to clean up the corruption and Scudder's protective nature of the business and its inner sanctum – despite how corrupt it might be. The author also weaves in a romantic fling with Broadfield's wife in a brilliant parallel of what Scudder experienced with his former wife – dissatisfied family, neglected marriage, disposable fatherhood. Scudder knows where the Broadfields are headed, but knows he can't save their marriage anymore than he could save his own.
In the Midst of Death is another gripping, extremely enjoyable installment in the series. Lawrence Block is an incredible storyteller and the book's last sentence left me reeling. Some authors strive their whole lives to leave readers with a lasting impact. For Block, it's a common occurrence.
Buy a copy of this book HERE
Thursday, May 14, 2020
Rain of Terror
Jake Abbott is an American living in Rome working as a news reporter for a wire service. He’s got a lucrative side-hustle introducing suckers to a counterfeit art dealer named Mr. Turrido. For his part, Turrido is a diminutive and foppish member of high society who made his money through theft, pimping, and fraud. The author does a fantastic job of painting Turrido as a particularly reprehensible villain.
Anyway, Jake is sick of dealing with Turrido’s arrogance and decides to quit his association with the irritating wannabe mobster. This leads to a Chapter One fight with the American beating and humiliating the Sicilian. Turrido swears vengeance on the insolent Jake and dispatches an 18 year-old toady named Angelo to find and kill the man who dishonored him.
Meanwhile, Jake has been banging his newspaper boss’ wife (with all the guilty feelings associated with that) and is trying to end that relationship. So, when an assignment arises to travel to a mountain village where a flood has killed 32 people, Jake jumps at the opportunity to escape the drama of Rome and cover a natural disaster in progress. He hops a train into the flood zone without the knowledge that Angelo the teenage killer is following him close behind. Complicating matters further, his boss’ wife - her name is Grace - also traveled to Piscoli so she could be with her secret lover.
Upon arrival at the town, the rain is still falling in buckets, and the village’s survival is threatened as the aqueducts and bridges become overwhelmed. The author does a nice job interspersing the “disaster movie” segments with the manhunting and relationship drama stuff. There are some great scenes including one in a tunnel that reminded me of the kind of horror that Stephen King would produce decades later.
My one complaint with Rain of Terror was that there are too many subplots. The assassin storyline was great. The love triangle was great. But then we also have an art theft, a 16 year-old waif, a political power struggle in the flooding town, two mid-novel murders to solve and more. Some of these subplots overtake the assassin story and transform the novel into a pretty standard whodunnit. That’s a lot for the hero to deal with as the water is rising, but it’s also a lot for the reader to digest at once in a thin Fawcett Gold Medal paperback. It was a bit like playing whack-a-mole at times
It’s interesting to read a “man on the run from an assassin” book where the motive is an old-country honor killing. It’s also interesting that the assassin is a wet behind the ears teenager trying to prove himself to a loathsome boss. I wish the author had developed that storyline more fully rather than shoehorning in all those competing plotlines.
Despite my quibbles, Rain of Terror is a solidly-good read, and Sanderson was a quality writer who knew how to keep a story moving. This definitely won’t be the last of his novels for me.
Buy a copy of this book HERE
Wednesday, May 13, 2020
The Butcher #07 - Death Race
The Butcher was a Pinnacle series of men's action-adventure novels that ran 35 installments from 1970 through 1982. While it's a bit confusing on who wrote the novels, the series is mostly authored by either James Dockery or Michael Avallone under the house name of Stuart Jason. While I despised The Butcher debut, Kill Quick or Die, I loved the 23rd entry, Appointment in Iran. I've always enjoyed action novels set in Alaska, so I was curious about the “cold weather” premise of the series' seventh novel, Death Race, published in 1973.
The novel's first 14-pages outlines the origin of The Butcher – real name Bucher (one word). He was a Syndicate killer who left the mob and then became a high-priced target for his former employers. Bucher joined a secret branch of U.S. Intelligence called White Hat and now serves his country by globetrotting to foreign locales and eliminating criminals. For Death Race, Dockery places the quick-draw crime-fighting hero in southwestern Alaska to complete a rather bizarre assignment.
White Hat has learned of a grave threat at a remote military installation called Dewline. The outpost is maintained as a joint venture between Canada and America to provide an advanced warning in the event of an enemy's attack by land, sea or air from the northern part of the world. The shadowy organization informs Bucher that Dewline's key personnel have been murdered and replaced by sinister doubles. Bucher is to learn why and how this invasion began and to provide pertinent details to White Hat regarding how to alleviate the situation.
Bucher makes the journey by snowmobile to the remote outpost. There, he infiltrates the facility as a research scientist and begins to dig into the details about the facility's origin, it's key components and the ultimate betrayal of American and Canadian intelligence. Dockery's utilization of Bucher's Syndicate killing power is vividly displayed as he targets the sinister doubles and fights the resistance man to man. Eventually, Bucher is able to eliminate....wait! Hold up. Let me stop right here.
The above paragraph was wishful thinking on my part. Here's what really happened...
Upon arrival in an Alaskan village called Kasynguk, Bucher visits a woman named Sonya Rostov hoping to learn about her brother's murder at Dewline and his subsequent replacement with an “evil twin”. However, Bucher falls in love with Sonya and leaves her house twice over the scope of 184-pages. Dockery spends pages and pages having Bucher confess his wants and needs to the needy, sexually-starved Sonya. Bucher and Sonya do the nasty at her place and at a relaxing bath house. Eventually, Bucher decides to marry Sonya and the two engage in an Alaskan ritual that most of the world calls a wedding ceremony. Bucher plans to leave White Hat and live off of his savings, learn to fish and bump uglies with Sonya for the rest of his life. Oh, and he leaves her house once to go to Dewline and kill an old foe named Dr. Wan Fu who fakes his own death in the syndicate because he had an extra brain growing on the side of his head that made him wicked and motivated him to attempt to destroy the lower 48 states by taking over Dewline while raising ravenous dogs to devour humanity. Yeah, Bucher goes and shoots that guy.
Death Race is a waste of paper. I wouldn't trust it to be a beer coaster for fear that it's awe-inspiring stupidity could somehow poison my beer and make me as stupid as the book's storyline. My personal bucket list entry #2 of “Visit Alaska” has been ruined by this preposterous, insanely written piece of literary garbage. It's clouded my frosty, wonderful visions of this snowy beautiful region of Earth and replaced it with the memory of this literary Hell. Reading Death Race was a race to the final page begging for the awfulness to end. Counting pages, counting paragraphs, counting the number of words to reach the end of a page. I took one for the team and read what could be one of the worst books of the series. Kill Quick or Die, as shitty as it was, could have been written by John Steinbeck compared to the steaming pile of trash known as Death Race. Stay away readers...for God's sake stay away. Hall of Shame...open the doors wide for this fat load of crap.
Buy a copy of this beer coast...book HERE and don't tell anyone you own it.
The novel's first 14-pages outlines the origin of The Butcher – real name Bucher (one word). He was a Syndicate killer who left the mob and then became a high-priced target for his former employers. Bucher joined a secret branch of U.S. Intelligence called White Hat and now serves his country by globetrotting to foreign locales and eliminating criminals. For Death Race, Dockery places the quick-draw crime-fighting hero in southwestern Alaska to complete a rather bizarre assignment.
White Hat has learned of a grave threat at a remote military installation called Dewline. The outpost is maintained as a joint venture between Canada and America to provide an advanced warning in the event of an enemy's attack by land, sea or air from the northern part of the world. The shadowy organization informs Bucher that Dewline's key personnel have been murdered and replaced by sinister doubles. Bucher is to learn why and how this invasion began and to provide pertinent details to White Hat regarding how to alleviate the situation.
Bucher makes the journey by snowmobile to the remote outpost. There, he infiltrates the facility as a research scientist and begins to dig into the details about the facility's origin, it's key components and the ultimate betrayal of American and Canadian intelligence. Dockery's utilization of Bucher's Syndicate killing power is vividly displayed as he targets the sinister doubles and fights the resistance man to man. Eventually, Bucher is able to eliminate....wait! Hold up. Let me stop right here.
The above paragraph was wishful thinking on my part. Here's what really happened...
Upon arrival in an Alaskan village called Kasynguk, Bucher visits a woman named Sonya Rostov hoping to learn about her brother's murder at Dewline and his subsequent replacement with an “evil twin”. However, Bucher falls in love with Sonya and leaves her house twice over the scope of 184-pages. Dockery spends pages and pages having Bucher confess his wants and needs to the needy, sexually-starved Sonya. Bucher and Sonya do the nasty at her place and at a relaxing bath house. Eventually, Bucher decides to marry Sonya and the two engage in an Alaskan ritual that most of the world calls a wedding ceremony. Bucher plans to leave White Hat and live off of his savings, learn to fish and bump uglies with Sonya for the rest of his life. Oh, and he leaves her house once to go to Dewline and kill an old foe named Dr. Wan Fu who fakes his own death in the syndicate because he had an extra brain growing on the side of his head that made him wicked and motivated him to attempt to destroy the lower 48 states by taking over Dewline while raising ravenous dogs to devour humanity. Yeah, Bucher goes and shoots that guy.
Death Race is a waste of paper. I wouldn't trust it to be a beer coaster for fear that it's awe-inspiring stupidity could somehow poison my beer and make me as stupid as the book's storyline. My personal bucket list entry #2 of “Visit Alaska” has been ruined by this preposterous, insanely written piece of literary garbage. It's clouded my frosty, wonderful visions of this snowy beautiful region of Earth and replaced it with the memory of this literary Hell. Reading Death Race was a race to the final page begging for the awfulness to end. Counting pages, counting paragraphs, counting the number of words to reach the end of a page. I took one for the team and read what could be one of the worst books of the series. Kill Quick or Die, as shitty as it was, could have been written by John Steinbeck compared to the steaming pile of trash known as Death Race. Stay away readers...for God's sake stay away. Hall of Shame...open the doors wide for this fat load of crap.
Buy a copy of this beer coast...book HERE and don't tell anyone you own it.
Monday, May 11, 2020
Paperback Warrior Podcast - Episode 43
On Paperback Warrior Episode 43, we countdown the blog’s 10 most popular reviews chosen by our readers. Tom discusses new finds by old authors Robert Colby and Andrew Frazer. Eric laments the horror of moving thousands of vintage paperbacks and shelves to a new home. Listen on your favorite podcast app, PaperbackWarrior.com, or download directly HERE.
Listen to "Episode 43: Top 10 Review Countdown" on Spreaker.
Monday, May 4, 2020
Paperback Warrior Podcast - Episode 42
On Episode 42 of the Paperback Warrior Podcast, we do a deep dive into the life and work of author William Ard (aka Jonas Ward) as well as a review of Clifton Adams’ DAY OF THE GUN and much, much more! Listen on your favorite podcast app, Paperback Warrior.com or download directly here (LINK).
Listen to "Episode 42: William Ard" on Spreaker.
Thursday, April 30, 2020
The Executioner #59 - Crude Kill
Chet Cunningham authored six Executioner novels between 1983 and 1986 beginning with the 59th installment, Crude Kill. I have always enjoyed Cunningham's blunt writing style, and I liked his violent Executioner novel, Baltimore Trackdown, the series' 88th entry. With another exceptional Gil Cohen cover, a solid author and the promise of quality consistency, there was no hesitation behind choosing Crude Kill to read and review.
After liberating hostages from a Milan stronghold, Bolan learns that a mastermind-terrorist named Lufti has targeted an enormous oil tanker called The Contessa. His evil plan is to dump thousands of tons of oil into the Mediterranean Sea if he doesn't obtain millions in gold and the obligatory freeing of all criminal cohorts associated with his criminal empire. Of course the ransom won't be met because Bolan arrives just in time to terminate the baddies. The real enjoyment is the journey to get there.
After working closely with series mainstay pilot Jack Grimaldi, Bolan's first target is to destroy a commandeered former German U-Boat that Lufti's forces are using as protection. Cunningham soaks 40 pages with blood and guts, propelling the narrative, along with Bolan, onto the oil tankard's deck. The remaining 150-pages is saturated with bullets, bravado and bombs. Cunningham's literary style always borders on the grotesque – brains jellied, intestines splattered, flesh searing – but it’s all just an over-the-top attempt to please his dominant male audience. The intense violence factor is probably a prerequisite to write Bolan books. Trust us, none of his fans were tipping off Tipper Gore in 1983.
Crude Kill is another enjoyable Bolan saga sure to please fans of the series. The book also features an explanation from Don Pendleton regarding why he handpicked Chet Cunningham to join his revolving carousel of Bolan authors. Based on just Crude Kill, the reason is obvious.
Buy a copy of this book HERE
After liberating hostages from a Milan stronghold, Bolan learns that a mastermind-terrorist named Lufti has targeted an enormous oil tanker called The Contessa. His evil plan is to dump thousands of tons of oil into the Mediterranean Sea if he doesn't obtain millions in gold and the obligatory freeing of all criminal cohorts associated with his criminal empire. Of course the ransom won't be met because Bolan arrives just in time to terminate the baddies. The real enjoyment is the journey to get there.
After working closely with series mainstay pilot Jack Grimaldi, Bolan's first target is to destroy a commandeered former German U-Boat that Lufti's forces are using as protection. Cunningham soaks 40 pages with blood and guts, propelling the narrative, along with Bolan, onto the oil tankard's deck. The remaining 150-pages is saturated with bullets, bravado and bombs. Cunningham's literary style always borders on the grotesque – brains jellied, intestines splattered, flesh searing – but it’s all just an over-the-top attempt to please his dominant male audience. The intense violence factor is probably a prerequisite to write Bolan books. Trust us, none of his fans were tipping off Tipper Gore in 1983.
Crude Kill is another enjoyable Bolan saga sure to please fans of the series. The book also features an explanation from Don Pendleton regarding why he handpicked Chet Cunningham to join his revolving carousel of Bolan authors. Based on just Crude Kill, the reason is obvious.
Buy a copy of this book HERE
Grave Digger & Coffin Ed #07 - Cotton Comes to Harlem
Between 1957 and 1969, trailblazing African-American hardboiled crime author Chester Himes (1908-1984) authored an eight-book series starring black NYPD detectives Grave Digger Jones and Coffin Ed Johnson. The conventional wisdom is that the high-water mark of the series was the seventh installment Cotton Comes to Harlem from 1965.
The story opens with Reverend Deke O’Malley selling Harlem residents a chance to emigrate back to Africa for $1,000 per family. The reverend is quite a salesman and the money is pouring in - $87,000 in a few hours of making his sales pitch in the vacant lot next to the housing project. The festivities are interrupted by two white men with machine guns who pull up, shoot up one of the reverend’s men, and rob the $87,000 of Back-to-Africa money before making a clean getaway.
Grave Digger and Coffin Ed are tough cops on the Harlem beat assigned the case of the violent heist. The two cops are riddled with scar tissue and healed bullet holes from previous adventures. They have good reason to be skeptical of the grifter reverend and his Back-to-Africa scheme, but they also have deep compassion for the poor blacks so disillusioned with American life that they’d be willing to spend their last dime to leave the nation behind and start a new life in Africa.
Himes really beats the drum on the disenchantment that Harlem’s blacks had with the American Dream. The tension between the white establishment - including white cops - and the poor blacks is also on full display in the novel and recalls many of the complaints and divisions we grapple with today. If these issues are interesting to you, Himes gives the reader a lot to chew on. If you already have way too much racial grievance talk in your life, Cotton Comes to Harlem is probably not for you.
As a straight-up violent police procedural mystery, the novel works quite well, particularly when you consider that the author honed his writing skills in prison. As the criminals who stole the money were making their getaway, they shoved a large bale of unprocessed cotton onto the roadway (thus, the book’s title). The mob of white bandits and unprocessed cotton in Harlem provide their starting point for a decent mystery for our heroes to solve.
Although I can recognize the achievement of Cotton Comes to Harlem, I didn’t love the book. It felt long and dragged a bit to me. The heroes were awesome, but I found most of Harlem supporting characters fairly cartoonish and unrelatable - particularly to a middle-aged, white, suburban guy in the 21st century. The comic relief scenes were kind of silly (although you won’t forget the paper bag scene), and the entire novel could have used a stronger editing hand. Chester Himes and the series are revered by literary scholars, but I suspect that’s more for the cultural significance than the actual greatness of the novels. But by all means, try the paperback for yourself as your mileage may vary.
Buy a copy of this book HERE
The story opens with Reverend Deke O’Malley selling Harlem residents a chance to emigrate back to Africa for $1,000 per family. The reverend is quite a salesman and the money is pouring in - $87,000 in a few hours of making his sales pitch in the vacant lot next to the housing project. The festivities are interrupted by two white men with machine guns who pull up, shoot up one of the reverend’s men, and rob the $87,000 of Back-to-Africa money before making a clean getaway.
Grave Digger and Coffin Ed are tough cops on the Harlem beat assigned the case of the violent heist. The two cops are riddled with scar tissue and healed bullet holes from previous adventures. They have good reason to be skeptical of the grifter reverend and his Back-to-Africa scheme, but they also have deep compassion for the poor blacks so disillusioned with American life that they’d be willing to spend their last dime to leave the nation behind and start a new life in Africa.
Himes really beats the drum on the disenchantment that Harlem’s blacks had with the American Dream. The tension between the white establishment - including white cops - and the poor blacks is also on full display in the novel and recalls many of the complaints and divisions we grapple with today. If these issues are interesting to you, Himes gives the reader a lot to chew on. If you already have way too much racial grievance talk in your life, Cotton Comes to Harlem is probably not for you.
As a straight-up violent police procedural mystery, the novel works quite well, particularly when you consider that the author honed his writing skills in prison. As the criminals who stole the money were making their getaway, they shoved a large bale of unprocessed cotton onto the roadway (thus, the book’s title). The mob of white bandits and unprocessed cotton in Harlem provide their starting point for a decent mystery for our heroes to solve.
Although I can recognize the achievement of Cotton Comes to Harlem, I didn’t love the book. It felt long and dragged a bit to me. The heroes were awesome, but I found most of Harlem supporting characters fairly cartoonish and unrelatable - particularly to a middle-aged, white, suburban guy in the 21st century. The comic relief scenes were kind of silly (although you won’t forget the paper bag scene), and the entire novel could have used a stronger editing hand. Chester Himes and the series are revered by literary scholars, but I suspect that’s more for the cultural significance than the actual greatness of the novels. But by all means, try the paperback for yourself as your mileage may vary.
Buy a copy of this book HERE
Wednesday, April 29, 2020
Death by the Day
We read so many vintage paperbacks by authors with dozens - or even hundreds - of titles that it’s easy to forget that some guys only had one or two books in them. I’ve had a helluva time learning anything about author Lawrence Fisher. I know he wrote two crime novels: a 1961 paperback called Death by the Day (reviewed below) and a 1963 book club hardcover called Die a Little Every Day. Based on copyright data, his real name appears to be Lawrence V. Fisher. I don’t know where he was from, his birth year, his death year, his turn-ons, or any particulars. I did read his paperback, though, and I enjoyed it quite a bit.
One month ago, our narrator Nick Paulson and his 15 year-old brother traveled to the mountain resort town of Park Village with 75 cents in their pockets to begin a lucrative summer as bellhops during the busy season at a Colorado resort. The monotony of elderly guests and bad tippers is broken one day with the arrival of a rich man named Mr. Rinehart, his driver and his young, sexy arm-candy, Margo. By page seven of the paperback, you know that this dame has femme fatale written all over her.
As the plot thickens, Nick becomes enmeshed in the real agenda behind Rinehart and Margo’s visit to the mountains - Rinehart and his “driver” are planning a heist. Meanwhile, it takes no time at all for the sexual tension between Nick and Margo to reach a boiling point. Can Nick get the girl and the money without being filled with bullet holes?
It’s a shame that Fisher didn’t produce more fiction because he was an excellent writer with a real knack for exciting plotting. His style reminds me of early Lawrence Block, top-shelf Harry Whittington or the best of Gil Brewer. He doesn’t reinvent the genre in Death by the Day, but he executes the crime noir formula with great skill. Some publisher should resurrect this paperback for modern audiences. It hasn’t seen the light of day in 60 years and deserves to be remembered. This one’s an easy, full-throated recommendation.
Caveat:
Neither the cover art nor the back cover’s plot description bear any resemblance to actual events in the novel. Both were certainly created by people who never read the book and were probably recycled from elsewhere.
Buy a copy of this book HERE
One month ago, our narrator Nick Paulson and his 15 year-old brother traveled to the mountain resort town of Park Village with 75 cents in their pockets to begin a lucrative summer as bellhops during the busy season at a Colorado resort. The monotony of elderly guests and bad tippers is broken one day with the arrival of a rich man named Mr. Rinehart, his driver and his young, sexy arm-candy, Margo. By page seven of the paperback, you know that this dame has femme fatale written all over her.
As the plot thickens, Nick becomes enmeshed in the real agenda behind Rinehart and Margo’s visit to the mountains - Rinehart and his “driver” are planning a heist. Meanwhile, it takes no time at all for the sexual tension between Nick and Margo to reach a boiling point. Can Nick get the girl and the money without being filled with bullet holes?
It’s a shame that Fisher didn’t produce more fiction because he was an excellent writer with a real knack for exciting plotting. His style reminds me of early Lawrence Block, top-shelf Harry Whittington or the best of Gil Brewer. He doesn’t reinvent the genre in Death by the Day, but he executes the crime noir formula with great skill. Some publisher should resurrect this paperback for modern audiences. It hasn’t seen the light of day in 60 years and deserves to be remembered. This one’s an easy, full-throated recommendation.
Caveat:
Neither the cover art nor the back cover’s plot description bear any resemblance to actual events in the novel. Both were certainly created by people who never read the book and were probably recycled from elsewhere.
Buy a copy of this book HERE
Red Sonja #01 - The Ring of Ikribu
A common misconception in fantasy literature is that the Red Sonja fictional character was entirely created by Robert E. Howard. The fiery red-headed swordswoman is often affiliated with Howard's own hero, Red Sonya of Rogatino, a female swashbuckler that was featured in the 1934 short-story Shadow of the Vulture. However, the Red Sonja (note the “J”) character didn't appear until 1973 and was created by Roy Thomas Jr. (Ghost Rider, Conan the Barbarian) and Barry Windsor Smith (Wolverine).
Influenced by Howard's Red Sonya of Rogatino, the Red Sonja character made her debut in Marvel Comic's Conan the Barbarian #23. Since then, the character has become a pop-culture icon appearing in numerous comics by multiple publishers and series. Along with graphic novels, action figures, television appearances and a 1985 theatrical film, Red Sonja was also a short-lived paperback series published by Ace. The debut, The Ring of Ikribu, was published in 1981 and kick-started a six-book run of paperback novels with covers by Boris Vallejo. The books were authored by fantasy authors David C. Smith and Richard L. Tierney.
The Ring of Ikribu is a powerful gem that can crush or create kingdoms. A powerful sorcer named Astoth is pursuing the ring in hopes of ruling a portion of the Hyborian kingdoms. His search for divine power brings him to the city of Suthad. Off page, Astoth and his army decimate Suthad leaving their King Olin and a thousand soldiers fleeing from the city. It's in this part of the book that Olin meets Red Sonja.
Through alternating chapters, the authors retell Sonja's origin story originally presented in Kull and the Barbarians #3 (1975). Before being raped repeatedly, Sonja watched invading marauders murder her family. After wandering into the forest, Sonja is empowered by a spirit/deity that provides her an uncanny, supernatural swordsmanship. The curse is that she can never love anyone unless they can best her in swordplay. Swearing vengeance, she is now a drifting adventurer that conveniently serves as a blank page for creators to craft countless stories and adventures around. Just like Conan. After hearing of King Olin's losses at Suthad, Sonja teams with the brutish warrior to retake Suthad.
The Ring of Ikribu is similar to a traditional western tale - an action-packed road trip that features a lone hero assisting the downtrodden to overthrow the town bully. In this case, the bully is a sorcerer that conjures plagues of undead combatants, ghoulish worm creatures and phantom ghosts. Sonja rides tall, speaks the truth and shoots straight. Only with a lightning quick sword instead of the six-gun. The authors weave a romantic notion that Sonja and Olin can truly fall in love, but the concept drowns in a murky black swamp (you'll never guess who dies!).
Paperback Warrior covers very little Fantasy, but we seem to be drawn to the pulpy, men's adventure styling of heroic icons such as Conan and Red Sonja. While serving as pillars for the Fantasy genre, the characters themselves could seemingly be interchanged with Ben Haas's Fargo, Jon Messman's Trailsman or Barry Sadler's Casca. The Ring of Ikribu displays the same literary style. If you have avoided the series due to the sword and sorcery wrapping paper, I urge you to rethink your position and try again. Red Sonja can be as badass as Mack Bolan.
Buy a copy of this book HERE
Influenced by Howard's Red Sonya of Rogatino, the Red Sonja character made her debut in Marvel Comic's Conan the Barbarian #23. Since then, the character has become a pop-culture icon appearing in numerous comics by multiple publishers and series. Along with graphic novels, action figures, television appearances and a 1985 theatrical film, Red Sonja was also a short-lived paperback series published by Ace. The debut, The Ring of Ikribu, was published in 1981 and kick-started a six-book run of paperback novels with covers by Boris Vallejo. The books were authored by fantasy authors David C. Smith and Richard L. Tierney.
The Ring of Ikribu is a powerful gem that can crush or create kingdoms. A powerful sorcer named Astoth is pursuing the ring in hopes of ruling a portion of the Hyborian kingdoms. His search for divine power brings him to the city of Suthad. Off page, Astoth and his army decimate Suthad leaving their King Olin and a thousand soldiers fleeing from the city. It's in this part of the book that Olin meets Red Sonja.
Through alternating chapters, the authors retell Sonja's origin story originally presented in Kull and the Barbarians #3 (1975). Before being raped repeatedly, Sonja watched invading marauders murder her family. After wandering into the forest, Sonja is empowered by a spirit/deity that provides her an uncanny, supernatural swordsmanship. The curse is that she can never love anyone unless they can best her in swordplay. Swearing vengeance, she is now a drifting adventurer that conveniently serves as a blank page for creators to craft countless stories and adventures around. Just like Conan. After hearing of King Olin's losses at Suthad, Sonja teams with the brutish warrior to retake Suthad.
The Ring of Ikribu is similar to a traditional western tale - an action-packed road trip that features a lone hero assisting the downtrodden to overthrow the town bully. In this case, the bully is a sorcerer that conjures plagues of undead combatants, ghoulish worm creatures and phantom ghosts. Sonja rides tall, speaks the truth and shoots straight. Only with a lightning quick sword instead of the six-gun. The authors weave a romantic notion that Sonja and Olin can truly fall in love, but the concept drowns in a murky black swamp (you'll never guess who dies!).
Paperback Warrior covers very little Fantasy, but we seem to be drawn to the pulpy, men's adventure styling of heroic icons such as Conan and Red Sonja. While serving as pillars for the Fantasy genre, the characters themselves could seemingly be interchanged with Ben Haas's Fargo, Jon Messman's Trailsman or Barry Sadler's Casca. The Ring of Ikribu displays the same literary style. If you have avoided the series due to the sword and sorcery wrapping paper, I urge you to rethink your position and try again. Red Sonja can be as badass as Mack Bolan.
Buy a copy of this book HERE
Tuesday, April 28, 2020
In a Vanishing Room
I took inventory, and 15 of the 17 novels written by Robert Colby between the years 1956 and 1972 are now available as ebooks for your Kindle. Based on the three Colby novels I’ve read thus far, I’m convinced that the author is an unsung hero of American crime fiction. As such, I was excited to read his lean 1961 novel, In a Vanishing Room, a book originally released as half of an Ace Double paperback.
The novel opens with an odd scene. While waiting to board a flight from Miami to New York, Paul Norris sees a fellow passenger in line abruptly run out of the airport and two other men in the airport pursue the runner on foot. Upon arriving in New York, a woman waiting at the gate (ah, remember when that was a thing?) is clearly waiting for the man who ran away before boarding. She says the man is her lawyer and appears perplexed that he didn’t make the flight.
Norris accepts a ride into Manhattan from the woman - her name is Eileen - and tells her about the odd circumstances surrounding her lawyer’s escape from the airport. Upon arrival into the city, she invited him up to her apartment for a drink, and it becomes a near-certainty that Norris is about to get laid - 1961 style.
Not so fast, Mr. Norris! It seems that Eileen has something else up her sleeve. The seduction routine is just a ploy to get her hands on a shipping receipt for a large crate slipped into Norris pocket before the lawyer took off running at the Miami airport. In any case, Eileen splits fast leaving Norris with the receipt and a case of epididymal hypertension (Google it). This set-up is all rather contrived and tortured but will be worth it if the mysterious crate propel Norris into an exciting and mysterious adventure, right?
Lots of people want the receipt, so they can get the contents of the crate. Some are willing to befriend Norris to get the crate. Some are willing to pay dearly for it. Some are willing to kill for it. Understandably, Norris (and the reader) is uncertain who to trust. As the story winds through additional twists and turns, he pairs up with an attractive female corporate secretary on his mission to recover the crate for a wealthy benefactor.
The second half of the book introduces a fascinating hired killer and a vexing architectural mystery - the titular Vanishing Room - making for the kind of floor-plan mystery often devised by author John Dickson Carr. Unfortunately, the solutions to the Vanishing Room Mystery and the What’s Inside the Crate Affair were both rather ho-hum.
In a Vanishing Room is a difficult book to recommend. There were definitely some cool parts, but none of them fit together nicely into a coherent or particularly enjoyable crime novel. I’m not giving up on Robert Colby because I’ve seen what he can do when he’s firing on all cylinders - check out The Captain Must Die. Unfortunately, this one just isn’t much good. Take a pass.
Buy a copy of this book HERE
The novel opens with an odd scene. While waiting to board a flight from Miami to New York, Paul Norris sees a fellow passenger in line abruptly run out of the airport and two other men in the airport pursue the runner on foot. Upon arriving in New York, a woman waiting at the gate (ah, remember when that was a thing?) is clearly waiting for the man who ran away before boarding. She says the man is her lawyer and appears perplexed that he didn’t make the flight.
Norris accepts a ride into Manhattan from the woman - her name is Eileen - and tells her about the odd circumstances surrounding her lawyer’s escape from the airport. Upon arrival into the city, she invited him up to her apartment for a drink, and it becomes a near-certainty that Norris is about to get laid - 1961 style.
Not so fast, Mr. Norris! It seems that Eileen has something else up her sleeve. The seduction routine is just a ploy to get her hands on a shipping receipt for a large crate slipped into Norris pocket before the lawyer took off running at the Miami airport. In any case, Eileen splits fast leaving Norris with the receipt and a case of epididymal hypertension (Google it). This set-up is all rather contrived and tortured but will be worth it if the mysterious crate propel Norris into an exciting and mysterious adventure, right?
Lots of people want the receipt, so they can get the contents of the crate. Some are willing to befriend Norris to get the crate. Some are willing to pay dearly for it. Some are willing to kill for it. Understandably, Norris (and the reader) is uncertain who to trust. As the story winds through additional twists and turns, he pairs up with an attractive female corporate secretary on his mission to recover the crate for a wealthy benefactor.
The second half of the book introduces a fascinating hired killer and a vexing architectural mystery - the titular Vanishing Room - making for the kind of floor-plan mystery often devised by author John Dickson Carr. Unfortunately, the solutions to the Vanishing Room Mystery and the What’s Inside the Crate Affair were both rather ho-hum.
In a Vanishing Room is a difficult book to recommend. There were definitely some cool parts, but none of them fit together nicely into a coherent or particularly enjoyable crime novel. I’m not giving up on Robert Colby because I’ve seen what he can do when he’s firing on all cylinders - check out The Captain Must Die. Unfortunately, this one just isn’t much good. Take a pass.
Buy a copy of this book HERE
Dragon's Eye
Scott C.S. Stone was a veteran of the Korean and Vietnam wars before settling into life in Hawaii as a journalist working for Reuters and The New York Times. He wrote a lot of non-fiction books about Hawaii and Asian culture as well as a handful of novels leveraging his knowledge of the Far East. His most enduring book is The Dragon’s Eye from 1969, an espionage adventure that won the 1969 Edgar Award buoyed by some great Robert McGinnis cover art in the original paperback printing.
Michael Hawkins, our narrator, is a war correspondent in Vietnam who quits the life after a colleague is killed in action. He retreats to Honolulu to work on a book, get laid and learn to surf. Hawkins’ easy life is interrupted by a visit from an old friend - a former journalist who now appears to be working for the CIA. He recruits Hawkins to help a British-born journalist defect to the United States from China. The would-be defector is currently working for Communist China’s state-run news agency.
Hawkins’ bounces from Taiwan to Hong Kong to Thailand to Laos and much of the novel feels like a bit of a Fodor’s Guide to 1969 Asia. I found it interesting because the narrator is an excellent tour guide, but those seeking wall-to-wall espionage action may get bored. Hawkins (and the reader, by proxy) learns about the labyrinthine structure of Red China’s intelligence apparatus, and it’s a pretty fascinating academic lesson. The upshot for the plot is that the New China News Agency is not like the AP or Reuters but functions as an intel agency with every reporter functioning as a spy. As such, the defecting journalist is a big deal - the highest ranking non-Chinese in Red China’s government who wants to come over to America and spill his guts.
Along the way to facilitate the defection, there is torture and sex and murder and lies and romance and double-crosses and everything else you might expect from a competently-written international espionage paperback. Stone’s writing is pretty excellent, and the story moves at a nice clip. It’s denser than most disposable fiction from the 1960s, but the extra attention that the paperback demands is rewarded by a compelling story with interesting characters and exotic locales.
For a book coveted by paperback collectors for its iconic cover art, The Dragon’s Eye was a total pleasure to read. If you are thoroughly disinterested in the spread of communism in Southeast Asia during the late 1960s, you’ll probably be bored silly with much of the book, but I found the whole thing pretty riveting and learned a lot within the body of this exciting adventure story. Recommended.
Buy a copy of this book HERE
Michael Hawkins, our narrator, is a war correspondent in Vietnam who quits the life after a colleague is killed in action. He retreats to Honolulu to work on a book, get laid and learn to surf. Hawkins’ easy life is interrupted by a visit from an old friend - a former journalist who now appears to be working for the CIA. He recruits Hawkins to help a British-born journalist defect to the United States from China. The would-be defector is currently working for Communist China’s state-run news agency.
Hawkins’ bounces from Taiwan to Hong Kong to Thailand to Laos and much of the novel feels like a bit of a Fodor’s Guide to 1969 Asia. I found it interesting because the narrator is an excellent tour guide, but those seeking wall-to-wall espionage action may get bored. Hawkins (and the reader, by proxy) learns about the labyrinthine structure of Red China’s intelligence apparatus, and it’s a pretty fascinating academic lesson. The upshot for the plot is that the New China News Agency is not like the AP or Reuters but functions as an intel agency with every reporter functioning as a spy. As such, the defecting journalist is a big deal - the highest ranking non-Chinese in Red China’s government who wants to come over to America and spill his guts.
Along the way to facilitate the defection, there is torture and sex and murder and lies and romance and double-crosses and everything else you might expect from a competently-written international espionage paperback. Stone’s writing is pretty excellent, and the story moves at a nice clip. It’s denser than most disposable fiction from the 1960s, but the extra attention that the paperback demands is rewarded by a compelling story with interesting characters and exotic locales.
For a book coveted by paperback collectors for its iconic cover art, The Dragon’s Eye was a total pleasure to read. If you are thoroughly disinterested in the spread of communism in Southeast Asia during the late 1960s, you’ll probably be bored silly with much of the book, but I found the whole thing pretty riveting and learned a lot within the body of this exciting adventure story. Recommended.
Buy a copy of this book HERE
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