Cut Me In

According to Stark House Press, the publisher that reprinted Cut Me In (1959) via their subsidiary Black Gat Books, Jack Karney was born in New York in 1911 and specialized in crime-fiction. He was married with three children and spent his entire life in the same Lower East Side neighborhood in New York City. He tried out for the police department, but ultimately ended up working in the Civil Service within the District Attorney's office. He authored a number of titles like Tough Town (1952), Cop (1952), and Knock 'em Dead (1955). As Mike Skelly he authored the novel There Goes Shorty Higgins (1953). Cut Me In is my first experience with Karney's work.

This novel is similar to other 1940s and 1950s crime-fiction where the rise from rags to riches becomes a captivating look at criminality. Like Benjamin Appel's The Life and Times of a Tough Guy (1960) and Ed McBain's Big Man (written as Richard Marsten, 1959), Jack Karney centers his narrative on Coley Walsh, a young beat cop working the New York streets. His wife died, and now he raises his crippled son while living with his mother on swing shifts. Coley's righteous path becomes corrupt with the simple longing for a patrol car and a promotion to investigator. Coley decides to cut some corners on the way to the top.

While working the beat, Coley saddles an armed robber that is fleeing from the police. In a devilish conversation, Coley learns that the police precinct is corrupt with several key personnel working hand-in-hand with the Syndicate. They run the protection rackets, gambling joints, and swindle politicians to do their bidding. Coley conceives the idea that he should assemble a small group of police officers willing to push the Syndicate out. But, these criminal elements would then be replaced by Coley and his guys. Instead of looking out for the Syndicate, they should become a new Syndicate. 

Through 200 pages, Karney documents Coley's rise through the ranks from small time to the big man. The most compelling portions concern Coley's relationship with a small business owner named Joseph Cantor and his adopted daughter. Coley looks out for Cantor, and understands he represents everything right about America – work hard, build a legitimate owner-operator business, serve the community. In creating his criminal empire, Coley realizes guys like Cantor are prime targets for protection rackets, thus an emotional conflict arises within Coley's pursuit of fortune. It's this conflict that really propels Karney's well-written narrative.

Cut Me In was a wonderful reading experience laced with criminal plans, fall-guys, payoffs, heartbreaks, and violence. Karney's writing style relies heavily on dialogue to tell the tale, and the author created enough diverse characters to keep the story alive and moving. The book's beginning and ending are its strongest parts, with the finale a real barn-burner with flourishes of action and cool-headed resolve. The balance was exceptional, and a difficult feat considering the moving parts. Karney was a pro and Cut Me In must surely represent some of his best work. Recommended. 

Buy a copy of this book HERE.

The Bells Are Ringing

We've covered three Jack Karney novels here on Paperback Warrior and we've covered his life and literary work on the podcast. I wanted to experience Karney's short-story writing style, which is steeped in boxing stories and the fighter lifestyle. There's a few scans that float around online and the one I gravitated towards is “The Bells Are Ringing”. It was published in the November 25th, 1947 issue of Short Stories.

The story is presented in a unique and colorful way by weaving the rounds of an exciting boxing bout with the prior events affecting protagonist Rocky Sears before the fight. It is an unusual storytelling method that blends in-ring action, the ticking of the rounds, with a sort of countdown of Rocky's turbulent weeks prior to the opening bell. 

As the story begins, Rocky is in the ring taking hammer blows and shots from the Champ in the Garden. Then the narrative flashes back to the early days of the fight preparation. Readers learn that Rocky's trainer, Pop, is an old-timer on the cusp of retirement. Rocky plans on marrying Pop's daughter Virgie and the two want the old man to live with them once Rocky wins the big money fight. But, there's a wrench stuck in the gears – Rocky's former flame Francine is in town and wants to see him.

The story then fluctuates back and forth between Rocky being pummeled in the ring by the Champ and a broken-heart story concerning Rocky's former lover. It turns out Francine is an actress that left Rocky and New York behind to pursue a film industry in Hollywood. She returned to New York looking for work (read that as Sugar Daddy) after her career fizzled out. She also wants to strike up a relationship with Rocky. She brought along a boy toy though in case things don't work out with Rocky. In a riveting twist, the boy toy has eyes on Virgie. This weird love triangle puts Rocky's match with the Champ in perspective. 

If he wins then Francine will follow the money and want Rocky all for herself, leaving the boy toy to aggressively pursue Virgie, thus affecting Rocky's proposed  marriage and the planned landing spot for the tired old man Pop. 

If he loses, Francine and her boy toy will probably hit the road for action elsewhere, leaving Virgie back with Rocky...and a wedding and house that neither can afford.

Karney can tell a story and “The Bells Are Ringing” was just a remarkable mix of emotions. The comeback from Jack in the ring pairs well with the storytelling aspect of this love triangle and how it develops into a conundrum for all the interested parties. Rocky is a likable character and Pop plays a minor role in terms of dialogue and presence, but in reality is the narrative's most pivotal point. This was a real pleasure to read and deserves a reprint in some fashion. In the meantime you can read the story online HERE or stream below.

Paperback Warrior Podcast - Episode 122

In this double-feature episode, Eric investigates the mysterious life and work of crime-fiction and boxing-story writer Jack Karney, while also spotlighting S.S. Rafferty, a regular contributor to Ellery Queen and Alfred Hitchcock Mystery Magazines. The episode also includes a segment on a non-fiction book about MGM Studios, a look at this summer's conventions, and fiction's first colonial continental op. Stream below, listen on any streaming platform, download HERE, or play on YouTube HERE.

Listen to "Episode 122: Jack Karney & S.S. Rafferty" on Spreaker.

Jim Breen #01 - The Knave of Diamonds

Jack Karney (1911-????) was an employee of the Manhattan District Attorney’s Office who wrote 11 paperback crime novels in his day, including two Ace Doubles. Insurance Investigator Jim Breen was his two-book “series” character first appearing in 1959’s The Knave of Diamonds. The short novel has been reprinted by Wildside Press as a one-dollar ebook or a ten-dollar paperback. 

Our narrator is Jim Breen, who grew up among the youthful toughs on New York’s Cherry Street. He’s now the in-house investigator for Bender’s Insurance Company, and working the streets of Manhattan is a good deal for everyone because Breen is well-connected on both sides of the law. 

An insured party had $80,000 in jewelry stolen in a home-invasion robbery. Rather than paying out the whole claim, Breen is hitting the streets with the plan of buying back the hot rocks for $30,000 — no questions asked. In order to make the deal happen, Breen needs to find the burglar to negotiate the deal. 

For Breen, that means canvassing hoodlums that he grew up with on the streets. A particular childhood friend comes to mind who may have actually pulled off the heist, but what kind of reception is Breen likely to get when accusing any local hoodlum of a robbery?

Breen faces plenty of resistance along his unusual quest to give $30,000 away to a robber. The fistfight scenes are top-notch, and Breen really gets to kick some ass. Overall, The Knave of Diamonds was a solid, if unremarkable, hardboiled private eye novel that was perfectly-consistent with the genre output in 1959. If you like that type of thing, you’re bound to enjoy this one just fine. 

Buy a copy of this book HERE.