Conan - Conan the Wanderer

Conan the Wanderer was first published by Lancer Books in 1968. The painted cover was created by John Duillo, who also created the cover for Conan of the Isles (bearded Conan!) and Conan the Freebooter (Conan is Tarzan!). The later Ace edition of the novel features a superior cover painted by Boris Vallejo. 

This collection is an odd one, featuring just four stories, one being the novella “The Flame Knife”, written by L. Sprague de Camp from a Robert E. Howard manuscript. It features two sole REH stories, “The Devil in Iron” and “Shadows in Zamboula”. The other story, “Black Tears”, is an original authored by both L. Sprague de Camp and Lin Carter. 

The typical introduction by L. Sprague de Camp features the obligatory map and a history of the stories involved. He makes note that “The Flame Knife” was originally a 42,000-word novella of adventure in Afghanistan titled “Three-Bladed Doom”. The story failed to sell, so Howard shortened it to 24,000 words to no avail. de Camp also provides examples of heroic fantasy, citing works like Tolkien's The Lord of the Rings, Fletcher Pratt's The Well of the Unicorn, and Fritz Leiber's Fafhrd and the Gray Mouser. The introduction concludes with a brief bio of the Conan character.

“Black Tears” is the first story in the collection (full review HERE). This is penned by de Camp and Carter, and later was adapted by Roy Thomas and Ernie Chan for The Savage Sword of Conan #38. Additionally, the story is included in the Orbit Books omnibus The Conan Chronicles 2. “Black Tears” picks up after the events in “A Witch Shall Be Born”. Conan is the chief of the Zaugir, an outlaw band of Kozak horsemen. In a setup, a blood brother of the former Zuagir leader sells Conan out to the rival Turanians, who ambush the group. After the battle, Conan is drugged by the Zuagir and left to die in the desert. He eventually finds a city called Akhlat the Accursed. There's an old prophecy that a man will come to town and liberate the city from a vampiric force. 

Parts of this story reminded me of Robert E. Howard's “The Scarlet Citadel”, especially the inevitable boss fight in the city's underground tunnels. The stone statue part of the story was reminiscent of “Shadows in the Moonlight”, with a little bit of “Red Nails” thrown in with the inner-city stuff. I really enjoyed the story and found it to be a perfect companion to “A Witch Shall Be Born”. The descriptions of mountains, tunnels, and the “beast” were executed very well. I know some Conan fans really don't like Carter or de Camp's pastiche style, but as I've stated in numerous reviews, I find their work to be mostly enjoyable.  

Howard's “Shadows in Zamboula” is next (full review HERE). This was originally published by Weird Tales in November 1935 as “The Man-Eaters of Zamboula”. The story was later republished in the Gnome Press collection Conan the Barbarian. It was adapted into comics for Savage Sword of Conan #14. It is a simple formula with Conan investigating a town's mystery, this one being a mysterious inn owned by a man named Aram Baksh. Conan voluntarily checks in at the inn and discovers the secret of the old inn – the guests are on the menu for flesh-eating cannibals! Howard's writing is rich on atmosphere, violence, and Lovecraftish imagery. The theme of Conan accepting a challenge always includes a twist, and this one was no different. This was a fantastic story.

Next is another of Howard's stories, “The Devil in Iron” (reviewed HERE). This first appeared in the August 1934 issue of Weird Tales and was adapted to comics for the October 1976 issue of The Savage Sword of Conan. Like many of these Conan stories, this one features a setup as Conan is lured to an abandoned island by Turan's king. The bait is a young woman, the trap is a giant! Along with the monster and the maiden is a raiding party led by the king's henchman, Agha. The giant's colossal nature and threat didn't affect me much, and the overall adventure left something to be desired. I didn't care for this story that much.

"The Flame Knife" finishes the collection (full review HERE). As I mentioned earlier, this was originally a manuscript titled “Three-Bladed Doom” featuring an Afghanistan adventure. The original hero was Howard's lovable El Borak. There are two versions of this story, one printed in REH Lone Star Fictioneer in 1976 and another in the Zebra paperback Three-Bladed Doom in 1977. Both of these versions feature an ending rewritten by Byron Roark. de Camp decided to take Howard's original work and modify it to fit as a Conan-led story titled “The Flame Knife”. This was originally published in Tales of Conan in 1955. The novella was also published as its own book in 1981 by Ace. It was adapted into comic form in Savage Sword of Conan #31-32. 

In de Camp's novels and stories, Conan is a cookie-cutter hero who personifies all that is good. The bad guys are carbon-copy bad. Conan's characteristics are much different than Howard's more nihilistic approach. That difference in style and characterization weighs down “The Flame Knife”.

Conan is instructed by the king of Iranistan to lead a team of men to hunt and kill a bandit named Balash. The problem is that Conan is friends with the bandit, so he leads his team to warn Balash of the king's pursuit. There's a bloated, convoluted backstory on the Hidden Ones cult and how they feel Conan is instrumental in their affairs. They soon create an army and hunt Conan. 

This story, albeit an average read, feels like something Steve Perry would dredge up as a Tor full-length. Conan fights a giant snow-ape (depicted by Sanjulian on the Ace paperback cover) and ends a longtime rivalry with a foe that was originally introduced in “A Witch Shall Be Born”. Those are the real highlights of the novella, along with the conventional swordplay, typical crazy cults, cave creatures, and prison escapes. 

Overall, this is a really enjoyable collection of Conan adventures, highlighted by “Black Tears” and “Shadows in Zamboula”. If anything, these old Lancer and Ace paperback collections are worth having in any book collection. I see them often in used bookstores, and they make great travel companions for a quick read on the go. Get a copy of the book HERE.

Conan - Conan and the Spider God

L. Sprague de Camp collaborated with Lin Carter and Bjorn Nybert to author several Conan stories. However, he only attempted one solo Conan effort, the 1980 Bantam paperback Conan and the Spider God. The novel was also published in hardcover in 1984 by Robert Hale, and reprinted twice by Ace, once in 1989 and again in 1991. Tor also published the book as a hardcover and paperback, and collected it as part of Sagas of Conan in 2004. The novel was adapted into comic form in Savage Sword of Conan #207-210 in 1993.

In the book's first few chapters, Conan is on the fugitive trail after slaying a fellow officer in the Turanian military - over a girl, of course. His quest to flee his pursuers places him on wacky adventures that essentially just fill paperback pages until de Camp settles on an actual plot. In these pages, Conan fights a swamp cat, rescues an old lady from a burning stake, and meets a blind man who utters some prophetic nonsense. The most interesting of these side quests is Conan's night with mysterious Zamorian merchants. It is in their camp that Conan discovers the men have captured King Yildiz's favorite wife, although at the time, he thinks she is just a mysterious female traveler. 

Eventually, Conan arrives in Yezud and is still being pursued by Turanian guards. It is here that the book settles into a long, boring narrative as the titular hero becomes a blacksmith, romances a woman named Rubadeh, and learns that the town's priests are divided, one half serving the King and the others serving a spider god named Zath. Conan is intrigued by the division and learns that Zath is really a giant statue of a spider, complete with gemstones representing the deity's eyes. Conan also learns that King Yildiz's wife is being held captive in a tower there guarded by a tiger. His quest is to continue infiltrating the city's political and military circumference, steal the gemstones, rescue the wife, and ride into peace and tranquility with the love of his life Rubadeh.

Obviously, there are only two real reasons to read or own de Camp's critically-panned pile of trash – Bob Larkin's Bantam paperback cover and the idea that Conan fights a large spider. Beyond those two things, the book is completely worthless (as much as it pains me to call a book disposable). This isn't Robert E. Howard's Conan. It isn't even a worthy Marvel interpretation that dominates the Tor paperback line. Instead, de Camp is making up his own version of Conan, one that cries, pines for love, debates becoming married, and is submissive to authority. This is a mere shell of Howard's nihilistic pulp hero. 

If his sympathetic and deranged take on Conan's character isn't insulting enough, de Camp even borrows entire scenes from Howard's work. In the setup to the book's finale, Conan provides spoiled meat to the tiger prowling around the base of the tower. Once the tiger “dies”, Conan scales the tower, gets the wife, and comes down only to be surprised that the tiger isn't dead. He kills it with his sword and continues on. This is from The Tower of the Elephant, in which Conan's ally Taurus blows magic lotus dust on a lion prowling the base of a tower. Conan eventually comes down from the tower and is surprised to find there is another lion there that he must kill with his sword. Same thing. The book is riddled with this stuff.

Conan and the Spider God is a boring, uninspired novel that rests securely in the basement of Conan literature. It can't possibly get any worse than this, thus earning my not-so-coveted ranking as a Hall of Shame member.

Conan - Conan of Cimmeria

The tenth of the Lancer Conan paperbacks, Conan of Cimmeria, was published in 1969. The publisher reprinted it in 1970 through 1973. Ace took over the publication in 1977, after Lancer's bankruptcy. The paperback was also published by Sphere Books in England in 1974. The book's contents is disappointing considering that Robert E. Howard's sole work, “The Frost Giant's Daughter”, “Queen of the Black Coast”, and “The Vale of Lost Women” only make up three of the eight selections. The rest are written by L. Sprague de Camp and Lin Carter either together, solely, or with the aid of Howard's prior unpublished work. However, Frank Frazetta's cover painting is one of the most iconic of Conan culture.

The book begins with the obligatory map of the world of Conan in the Hyborian Age followed by an introduction authored by de Camp regarding Howard's short-lived life, the pseudo-history of Conan's world, and the fictional biography of the titular hero.

The highlight of the paperback is “The Frost-Giant's Daughter”. This was originally published with different characters as “The Gods of the North” (The Fantasy Fan #7, March 1934) after being rejected as a Conan story by Weird Tales. “The Frost-Giant's Daughter” version was first published in The Coming of Conan (Gnome Press, 1953). 

In the story, the hero has returned to his homeland in Cimmeria, but grows a hunger for battle. He decides to participate in a raid into Vanaheim with his old barbaric friends the Aesirs. As the narrative begins, Conan is the last remaining combatant of the Aesirs and an enemy named Heimdul is the sole member left of Vanaheim's fighting forces. They both lock into battle and Conan kills Heimdul, but collapses from exhaustion on the hard frozen ground. Conan awakens to feminine laughter and then sees a beautiful ivory-skinned woman in front of him. She's naked and barefoot, yet dancing on the snow. Lusting for this cold-weather maiden, Conan trails the woman for miles through the frozen wastelands. Growing tired, he suddenly realizes that the woman has led him to her two brothers, savage frost giants. 

“The Frost-Giant's Daughter” has a special kind of frosty ambiance and a dreamlike presentation that is unique for a Conan story. I'm surprised it wasn't picked up by one of the publishers of that era in its original form, yet I can foresee how they may have perceived Conan in this odd sort of icy trance. In the end, it all worked out for readers and fans as this story is one of Howard's finest stories. 

The other iconic Howard story in this paperback edition is “Queen of the Black Coast”. It was originally published in Weird Tales (May 1934) and then reprinted in Avon Fantasy Reader (#8, Nov. 1948). It's ranked in the higher echelons of Howard's Conan offerings for a reason. 

The story begins with Conan fleeing the law in Argos. Conan, in an effort to avoid his pursuers, demands passage on the Argus, a trading barge. When the Argus crew refuses to allow Conan to board, he threatens to kill the captain and his crew. Conan then befriends the ship's captain, a guy named Tito. 

The story's title comes to fruition when Belit arrives, a gorgeous female pirate commanding the Tigress. Her clashing with Conan's crew in Kush is a violent, epic struggle as the Argos crew is annihilated by Belit's black pirates. However, she finds Conan's fighting skills to be superb, peaking her interest in the adventurer. Belit is sexually attracted to Conan and soon the two become lovers as they ravage Stygian coastlines.

On the river Zarkheba, Conan and Belit discover an ancient tower in the jungle. After rotating the tower, they find a wealth of treasures, including a cursed necklace for Belit. Soon, subhuman creatures (hyena men?) and a winged demon appear to slaughter the Tigress's crew. The necklace creates madness for Belit and after Conan's lone departure to kill a monster, he returns to find her corpse hanging from the ship. 

“Queen of the Black Coast” presents something unusual for Conan – a true love. While readers don't partake in the relationship itself, they are there for the beginning. Belit's attraction to Conan is nearly hypnotic, submitting to the hero despite the number of crewmen she commands and the overall superiority of her ship. Conan instantly feels the attraction and is magnetized by this “She-Devil” as are readers.

The other sole Howard offering here is “The Vale of Lost Women”, estimated to have been written in 1933. It was never published in Howard's lifetime, only seeing a release much later in Magazine of Horror (Spring 1967). There was never any indication that the story was submitted to the pulps.

“The Vale of Lost Women” takes place after the events of “Queen of the Black Coast” and Belit's death. Conan has joined the Bamula tribe in the jungles of Kush, becoming their new tribal king. In an effort to propose a possible truce, Conan visits a rival tribe called The Bakalah. It is here that he meets a white female prisoner named Livia. He learns that both Livia, and her brother, are scientists from Ophir that were captured by Bakalah warriors. Livia's brother was tortured to death, and she's certainly next to die. 

Livia suggests to Conan that she is a virgin, and after he refuses to free her, she offers him her body. Conan then agrees to help her escape. Later that day, she sees Conan walking towards her carrying the bloody severed head of the Bakalah's tribal chief. In fear that Conan, now drenched in crimson, is coming for her, she escapes on horseback into the jungle. 

Livia falls from her horse and discovers she's in a beautiful valley that is home to a tribe of black lesbians! But, the lesbians are using poisonous orchids to create a hallucinogenic effect, placing Livia in a trance. She finds that these lesbians are sacrificing her on an alter to a giant black bat! Thankfully, Conan has trailed Livia and fights off the giant bat thing. Livia, fearing that Conan will attempt to claim her, becomes frightened. However, Conan simply advises her that he made a mistake in accepting her proposal to give herself to him. Arguably, he is suggesting there is no honor in that. Instead, he agrees to guide her to the Stygian border where she can eventually find passage to Ophir. 

There isn't much to Howard's story, which probably contributes to the possibility that it was never submitted for publication during the author's lifetime. The imagery of Conan slowly walking through carnage holding a severed head is memorable, but aside from that there isn't a whole lot to highlight. But, the story does present a rarely seen moment of the hero's life as the Bamula leader.

The best of the de Camp and Carter stories featured in the paperback is “Lair of the Ice Worm”, an original story published for the first time here. 

The story picks up after the events of "The Frost-Giant's Daughter" as a twenty-something Conan is trudging through the snowfall in Aesir. A short distance away, Conan sees a young woman being attacked by savage men resembling Neanderthals. Soon, Conan is slicing his way to the woman's rescue, but his horse is killed in the battle. In an eerie premonition, the girl warns Conan of something ominous called a Yakhmar, but Conan (and readers) isn't sure what that is.

Finding shelter in a cave, Conan makes love to the girl by the firelight. He awakens to discover the girl is no longer in the cave. With the icy conditions outside, Conan fears something may have happened to her. Outside, he follows a trail that leads to two skeletons, one of the girl and another of his horse. Both have been picked clean of all flesh and oddly enveloped in ice. Conan begins to think that this Yakhmar thing is actually a Remora, a giant vampire-like worm. Feeling responsible for the girl's death, Conan tracks the worm's trail to an icy cave. Will he escape this fiendish assault of Remora?

An eerie atmosphere and ambiance prevails throughout this short fantasy story. There's the obvious elements of horror, complete with a worm-like creature squirming under the icy tundra. The early battle with the savages was written well and contained the sweeping adventure that REH's Conan stories frequently possessed. As an aside, the brawny hero had no resistance in bedding down the beauty of the story, another obvious trope of Conan storytelling. 

Other stories in the paperback:

“The Curse of the Monolith” - an original de Camp & Carter story
“The Bloodstained God” - originally an unpublished Kirby O' Donnell story, reworked by Carter & de Camp
“The Castle of Terror” - originally an unfinished Howard manuscript, completed by Carter
“The Snout in the Dark” - originally an untitled fragment not finished or published, completed by Carter & de Camp.

Solomon Kane - Castle of the Devil

In the 1968 hardcover Red Shadows (red binding), a fragmented six-page story appeared titled “The Castle of the Devil” by Robert E. Howard. The unfinished story included Howard's stalwart Puritan hero Solomon Kane. The story would circulate in a reissue of the same book in 1971 and 1978, as well as the books Solomon Kane (Centaur 1971), Solomon Kane (Haddock 1972), and the reprints of that same work in 1974 and 1976. It wasn't until Bantam's 1978 paperback Solomon Kane: Skulls in the Stars that readers and fans would find the story completed. The published requested a young British author named Ramsey Campbell to complete Howard's vision. Campbell, at the time a relatively unknown writer, added and edited an additional 12 pages to the story.

In the opening pages a man on horseback spots a “lean somber man clad in plain dark garments, he features a dark pallor.” The man, John Silent, introduces himself and is met with a greeting from Solomon Kane. He tells Silent, “I am a wanderer on the face of the Earth and have no destination.” Silent is shocked to find a Puritan in this savage desolate countryside. He invites Kane to travel with him to Genoa to board a ship for sea. Kane explains he has sailed and found little to his liking on the ocean. 

As the two travel together Silent learns that Kane recently saved a young man from hanging. The man was sentenced to the gallows by Baron Von Staler, who lives in a castle that both Silent and Kane can see through the trees. Upon insistence from Kane, the two travel to the “Castle of the Devil” to learn more about the Baron's presence in this vast forested region.

At the castle, Silent and Kane are introduced to the Baron and his one servant, a hardheaded man named Kurt. In conversation, Kane learns that a Baroness lives in the castle, but keeps to her room and never leaves. Later that night, Kane goes exploring to learn of the Baroness and if she is being kept imprisoned in the castle against her will. What he finds is a shock that involves a fight with Von Staler and the return of the man that Kane saved. 

“The Castle of the Devil” was a unique Solomon Kane story and one that still, after Campbell's contribution, still seems open-ended and incomplete. I was anticipating a larger payoff to the story's finale but was met with a bit of a disappointing end. However, I did enjoy this lackadaisical aura from Kane that I haven't experienced in Howard's presentation of the swashbuckler. Like the Biblical King Solomon, evident in Ecclesiastes, Kane comes across as despondent, lofty-minded, and often perplexed at the meaning of life. When asked about his mission, Kane responds, “I have but one mission, wherever Providence may choose to take me.” The character has always been motivated by purity and an unmatched stamina to defeat evil. But, in this story he seems more intimate and self-reflective, visually as the “thinker upon the rock” as he's seen in the opening page. It reminded me of King Solomon's wisdom literature of “Fear God and keep his commandments, for that is the duty of all of mankind.” 

“The Castle of the Devil” was adapted into comic form in the 19th issue of The Savage Sword of Conan (1977 Marvel), and Solomon Kane Vol. 1: The Castle of the Devil (2009 Dark Horse). 

Conan the Usurper

Conan the Usurper was published in 1967 by Lancer with a painted cover by Frank Frazetta. It was later reprinted by Ace once Lancer ceased publishing operations. The book includes an introduction by L. Sprague de Camp and two short stories solely authored by Robert E. Howard. There are two additional stories included that were manuscripts by Howard that de Camp took it upon himself to edit and complete. 

According to L. Sprague de Camp's introduction in Conan the Usurper, de Camp discovered unpublished manuscripts written by Howard in 1951. With one of the manuscripts, “The Black Stranger”, de Camp took the liberty of editing and re-writing the story as an adaptation into the Conan saga, specifically Aquilonian revolution. Lester del Rey, editor of Fantasy Magazine, made further additions and deletions and published the manuscript as “The Black Stranger”. The story was re-titled to "The Treasure of Tranicos" and included the same year in a Gnome Press hardcover omnibus called King Conan. de Camp explained that the title change was a result of too many of Howard's Conan stories containing the word “black” in their titles. That story appears in this collection as "The Treasure of Tranicos".

In "The Treasure of Tranicos", the titular hero is running through the Pictish Wilderness, crossing Thunder River and brushing up against the Western Sea. Chased by Picts, Conan is shocked when the painted, savage warriors refuse to venture forward. Instead, as if scared of this part of the mountainous shoreline, they retreat. Conan, puzzled by the experience, finds a wooden door recessed into the mountain. Forcing it open, he discovers a dark cavern filled with preserved bodies and shiny piles of hidden treasure. But, he's quickly choked by hands that appear out of a dark mist. Then, Conan disappears for the bulk of the narrative's first half. 

In the next chapters, readers learn that this shoreline is a residence inhabited by Count Valenso. The Count, and his people, became shipwrecked and trapped on the shore months ago. Caught between the ocean and the savage Picts, the Count built a fort and has defended it since. Two rivals appear before the Count's fort, both greedy, savage pirates with a multitude of nefarious crewmen. It turns out that they have read pieces of a treasure map that points to the shoreline's location as home to hordes of precious loot. But, as Conan learned, it might come with a deadly price.

I can see that Howard's original manuscript was borderline Conan material. The Cimmerian isn't necessarily integral to the story, but by adding in a few descriptive details, and a brief mention of Aquilonian history, it works as another installment of the Conan mythos.

The next story in the book is "Wolves Beyond the Border", authored by both Howard and de Camp. Technically, it's in the same fictional universe and mentions the hero, but Conan doesn't actually appear in the story. It takes place along the Pictish border. For Hyborian Age rookies, the Picts are similar to the Native American tribes of the North American continent in the 1500-1800s. If you read early frontier novels by the likes of James Fenimore Cooper (Leatherstocking Tales) or later, traditional westerns by Zane Grey (his Border Trilogy for example), the narratives mostly consist of early settlers and pioneers struggling to live in the same territorial regions as Native American tribes. So, Robert E. Howard used this as a blueprint when creating Conan stories like “The Treasure of Tranicos” and “Wolves Beyond the Border”. The Pictish borders are similar to the surrounding areas of North America's early Ohio River Valley.

This story is told in first-person narrative by a border ranger. In the early pages, this ranger (unnamed and referred to as Gault Hagar's son) witnesses a bizarre ritual by the Picts, where they torture a man and then magically place him in the body of a snake. It is a disturbing, horrific passage that surpasses even the mad-scientist terrors lurking in “The Scarlet Citadel”. This ranger sees that an Aquilonian named Lord Valerian is conspiring to secretly ally with the Picts. This is important because the story is set during a time when Conan was attempting to overthrow Aquilonia's leaders and become the new king. An alliance of Picts and Aquilonian noblemen doesn't promise success for Conan. 

At nearly 60 paperback pages, the story becomes bogged down and convoluted in the middle. The ranger hero confronts Lord Valerian and Pictish leaders at a swamp cabin and there's a fight and a capture. The beginning and end are exciting skirmishes and chase sequences, but overall I found the story to be of middling quality.

"The Phoenix on the Sword" follows. In 1929, Robert E. Howard submitted a story called "By This Axe I Rule" to magazines like Argosy, Weird Tales, and Adventure. The story starred King Kull, the hero of Howard's published story, "The Shadow Kingdom", which is arguably the grandfather of the sword-and-sorcery genre. "By This Axe I Rule" received the same cold shoulder as 10 of Howard's other Kull manuscripts. Instead of giving up on the story, Howard modified the manuscript to include a different king, a dark haired barbarian called Conan. The story was re-titled as "The Phoenix on the Sword" and published by Weird Tales in December, 1932.

The story begins with an outlaw named Ascalante formulating a plot to assassinate King Conan of Aquilonia, a country that has turned against their king due to his foreign heritage. The Rebel Four (Volmana, Gromel, Dion, Rinaldo) all feel as though they are employing Ascalante's services. In reality, Ascalante plans on betraying the killers so he can seize the crown for himself. Ascalante's ace-in-the-hole is Thoth-Amon, an evil wizard he has enslaved to do his bidding.

A number of events occur that aid King Conan in escaping the assassination. A dead sage (ghost?) appears before Conan and warns him of the plot, allowing the barbarian king to prepare for their arrival. Additionally, this dead sage singes Conan's sword with the symbol of the phoenix, a tribute to a God named Mitra. At the same time, Thoth-Amon gains back a magical ring he lost years ago. To exact revenge on Ascalate for enslaving him, he conjures a large ape-like creature to venture out to hunt and kill Ascalante. All of this culminates in a bloody and vicious fight in Conan's throne room as he battles the Rebel Four, Ascalante, and sixteen of his rogue warriors. 

Obviously, there's a lot to digest over the course of this 9,000 word short story. In the manuscript's original form as "By This Axe I Rule", the magic element is absent, replaced with a simpler approach of Kull being warned of the assassination plot by a slave girl. Perhaps the story was too simple for Weird Tales editor Farnsworth Wright. Thus, Howard injects a magical pageantry to the tale, mystifying readers with political intrigue, monstrous mayhem, and a violent hero to cheer. The story is beautifully constructed with all of these moving, intricate parts blended together to create an artistic apex. This is Howard in brilliant form.

The last story is "The Scarlet Citadel" written solely by Howard. It was originally published in the January 1933 issue of Weird Tales. It was later included in the King Conan (1953) omnibus. The story was published more recently in The Conan Chronicles Vol. 2 (2001) and Conan of Cimmeria Vol. 1 (2003).

“The Scarlet Citadel” features Howard's famed Conan the Cimmerian in a much later period of his life. Readers discover that Conan is now an older, wiser warrior that has taken the crown of Aquilonia. King Conan receives a message from the king of Ophir claiming that the emperor of the nearby region Koth is threatening his kingdom. Ophir needs Aquilonia's assistance, so King Conan generously leads an army of 5,000 knights to fight Koth's invasion. 

Upon arrival, Conan discovers that it was a trap. Both Ophir and Koth's leaders were working together to ensnare the hero. Their secret weapon is Tsotha-Lanti, an evil sorcerer that captures Conan and places him in a deep, multi-chambered dungeon in a high tower. It is here that Conan experiences horrifying creatures that have been created or altered by the “mad scientist” Tsotha-Lanti. His biggest rival is a giant, slithering serpent that seems to guard the dungeon's cavernous hallways. 

In an attempt to escape, Conan frees a powerful wizard named Pelias. In a short backstory, Pelias explains to Conan that he was a rival of Tsotha-Lanti before being captured and imprisoned for ten years by the mad sorcerer. As the story continues, there's a prison escape, Conan riding a flying dragon (?), and an epic showdown as Conan and Pelias extract their revenge.

This story is on par with “The Tower of the Elephant” and “Rogues in the House” in terms of pure storytelling excellence. The escapism, extraordinary sense of adventure, and suspenseful dungeon horror are key elements that catapult the story into the higher echelons of Howard's literary showcase. His attention to detail grips the reader with an ominous overtone that promises nothing short of death and bloody destruction. Howard's lengthy paragraph describing Tsotha's castle overlooking the city, its lone road with steep, daunting hills on each side, makes for an impregnable tomb. This description makes Conan's dazzling, unorthodox escape more powerful and entertaining. 

Overall, the quality of both "The Phoenix on the Sword" and "The Scarlet Citadel" make Conan the Usurper a must-have book. However, at this point in time you can easily obtain these two stories in other editions, including the fantastic collections published by Del Rey. The other two stories aren't mandatory reads and serve as filler to pad out the page count. If you are a Conan completist you probably need this book just for Frazetta's painted cover alone. Recommended. Get the book HERE.

Ranking January Reads

The year's first book ranking video is now out! In this video, Eric ranks his top ten reads of January 2025. This is the widest span of reading in the show's history - the 1800s all the way to 2024! All ten books are presented here with capsule reviews, loads of amazing artwork, and tidbits about authors. Stream below or on the YT channel HERE.

Snakehaven #01 - Doom of the Dark Delta

Author James Reasoner is mostly known for his western contributions in the Stagecoach Station, Longarm, Trailsman, and Wind River series titles. But, Reasoner has a sincere fondness for the pulps, evident with his blog reviews and commentary on the subject through social media. It is that admiration for the genre that prompted him to author a pulpy sword-and-sorcery series titled Snakehaven. As of this writing there are three installments – Doom of the Dark Delta, Fear on the Fever Coast, and Lair of the Serpent Queen. These are one-buck ebooks that weigh in at one-hundred pages give or take a font size. 

In Doom of the Dark Delta, readers learn that series hero Jorras Trevayle is from the land of Albrionne. His father is Lord Amaril and he has two brothers, both of which serve in a loyal and honorable way. Trevayle, being the brave-hearted iron-fisted hero, served as a soldier. On a mission to quell an uprising, Trevayle was betrayed by a superior officer and sent back to his land in chains. Lord Amaril, apparently torn on the matter, buried Trevayle in work – which is where this novella begins. 

Trevayle began a journey down the Gulf of Matoxia to have a contract signed by a plantation owner specializing in giant snakes. These enormous serpents are called Nloka Maccumba. His ship was taken over by pirates and Trevayle washes ashore on an island unknown to him. Immediately a naked woman burst from the swamp as warriors chase her. Trevayle, unarmed, joins the woman in running from these armed combatants. 

Later, he learns that this woman is the daughter of the plantation owner he was to originally meet. Trevayle is then thrust into a battle with a ruler named Ostrizahl as well as the giant serpents, savage troops, and even the woman's own allies. On this island Trevayle has no alliances, no allegiance, and often no weapons. Outnumbered, he must fight to survive this grisly ordeal. 

Through chases, sword fights, prison escapes, and damsel-in-distress rescues, Doom of the Dark Delta is a pulp-inspired sword-and-sorcery tale that is brimming over with nonstop action. With the shorter page length, Reasoner puts his skills to the test with quick character development that matches the fast-paced narrative. I'm imagining this is just as fun for the author as it is for the reader. Doom of the Dark Delta is just fantastic and highly recommended for anyone that loves a great men's adventure. Get it HERE.

Paperback Warrior Podcast - Episode 112

Today's exciting episode reviews the life and career of a crime-fiction and pulp megastar named Stewart Sterling. He wrote over 400 pulp detective stories and is credited as the creator of the specialty detective formula. Sterling also wrote numerous paperbacks for publishers like Beacon, Fawcett Gold Medal, Dell, Ace, Pyramid, and Avon. Additionally, the fallout from the Brian G. Berry accusations, Eric reviews the new sword-and-sorcery novella Doom of the Dark Delta by James Reasoner, and much more. Listen to the episode below or on any streaming platform. You can also download HERE. If you prefer to listen on YouTube you can click HERE.

Listen to "Episode 112: Stewart Sterling" on Spreaker.

Conan - Conan the Valorous

Author John Maddox Roberts took his first swing at Tor's Conan pastiche novels in 1985 – Conan the Valorous. Many consider Roberts contributions to the Tor line as the most enjoyable, and thus far I would agree. I enjoyed his novel Conan the Bold and wanted to try his very first experience with the character. 

Conan the Valorous is stationed between the L. Sprague de Camp/REH story “The Blood-stained God” and “The Frost Giant's Daughter”. Conan is out of money and staying at an inn in northern Koth. A messenger comes to his room and asks that he meet a Stygian woman named Hathor-Ka. In that meeting Hathor-Ka, an aspiring Stygian sorcerer, offers Conan a great deal of money to carry a magical flask to Cimmeria. The goal is for Conan to pour this flask in the cave of Ben Morgh, the ancestral home of Conan's god Crom. Conan swears he will make the journey and perform the task in exchange for up-front money.

While Conan is on a road trip through Ophir, Nemedia, and the Border Kingdom, another aspiring sorcerer is doing the same, only a shortcut by river. Conan can't take this same route due to his Cimmerian heritage feuding with the Picts. This sorcerer, Jaganath, plans to ambush Conan in Cimmeria and steal this flask for himself. 

The book mostly works like one long road trip for the three-fourths of the narrative. The most entertaining portion of the novel is Conan's miniature adventure in a town called Cragsfell. Here, a chieftainess named Aelfrith is warring with a psychotic ruler living nearby. This part of the narrative explains the origins of the feud and how Conan can help. Initially, Conan declines his services to Aelfrith – despite her beautiful seduction – but once he learns that Aelfrith's daughter has been captured he changes his mind and leads a rescue by storming a castle and fighting off hordes of baddies. 

The book's last quarter features Conan aligning various Cimmerian clans to fight a sorcerer growing legions of followers, and a hideous creature, in the underground tunnels below Ben Morgh. 

The entertaining portions include the aforementioned rescue of Aelfrith's daughter (which could have been its own novel), Conan meeting various kinsmen from his boyhood, and the brief appearance of Conan villain-royalty in Thoth-Amon (from “The Phoenix on the Sword”). However, I feel that the last few scenes wrapped up the story too quickly with many promised fights evaporating like a silent fart. Jaganath has a killer in his ranks named Gopal and I was anticipating an epic fight with Conan. That never came to fruition. 

If you enjoy the very honorable, true good-guy boy-scout Conan character of Marvel's Conan the Barbarian comics or these pastiche novels, then this novel is certainly worth reading. I have a mindset when I read these types of Conan novels – this isn't the nihilistic gritty character created by Robert E. Howard, it's a re-imagining of Conan. If you can live with that then this book along with hundreds of other Conan works should be entertaining. Conan the Valorous is recommended. Buy it HERE. 

Conan - Savage Sword of Conan #3 (Curtis)

The Savage Sword of Conan #3 was first published in December of 1974. The cover, inspired by Bjorn Nyberg's short story “The People of the Summit” (more on that in a bit), was painted by Mike Kaluta. The first pinup, which again is probably inspired by Nyberg's story, is penciled by Alfredo Alcala. 

The book's first story is “At the Mountain of the Moon-God”, a sequel to Robert E. Howard's “Black Colossus” story that first appeared in Weird Tales in 1933. That story was adapted to comic form in the second issue of The Savage Sword of Conan by Roy Thomas, who takes the writing reigns to pen this sequel to Howard's original story. The art was created by both John Buscema and Pablo Marcos. 

After the events of “Black Colossus”, Conan and a Khoraja princess named Yasmela are enjoying each other's company. However, a messenger climbs through the window carrying a warning that Yasmela's brother, King Khossus, is being held prisoner in Ophir. The messenger dies but passes a scrawled map of Khossus' whereabouts – the Mountain of the Moon-God. Conan makes the decision to journey to Ophir to liberate Khossus despite the qualms of a Prince of Stygia now serving Yasmela. Unfortunately, Yasmela's servant steals the map and delivers it to the King of Koth. The King of Koth wants to capture Khossus as well so he leads a badass named Sergius to the Mountain of the Moon God. Thankfully, Conan arrives and there's a three-way tussle to free Khossus. 

This was an entertaining story perfectly penned by Thomas to incorporate so many elements and layers to this otherwise standard search-and-rescue tale. The artists create two formidable foes in Captain Geballus and Sergius, both possessing facial expressions that would stop a clock. The story's ending puts to rest this chapter of Conan's life. 

“The First Barbarian: Chronicles of the Sword Part II” follows next. It is a continuation of the essay written by Lin Carter dating the sword-and-sorcery origins and Howard's acknowledgment of Clark Ashton Smith. He cites Smith's Atlantis stories as an inspiration on King Kull. 

The next story continues Gil Kane's Blackmark novel with “The Testing of Blackmark”. The first two issues of Savage Sword of Conan introduced this post-apocalyptic hero. In this story, Blackmark is hurled into savage gladiator games by King Kargon. The main event is a highly touted match between Blackmark and the Flame Lizard. I enjoyed the story and liked the connection to a character from Blackmark's childhood. Kane's art is always delightful as he introduces another element to Blackmark mythos with a silver rocket. That will be the highlight of the next Blackmark adventure.

Next is “Kull of Atlantis”. The editors explain that in the early days of the Conan comic-magazine (I assume they are referencing Conan the Barbarian), Barry Smith and Roy Thomas toyed briefly with the idea of a Kull of Atlantis comic book. What follows is seven pages of Smith's artwork with quotes taken from Robert E. Howard's “Exile of Atlantis”. It is interesting to see that Smith draws Kull just like the early issues of Conan the Barbarian, complete with the same face and horned helmet. I'm fairly certain some of the character's poses and positioning were repurposed for Conan the Barbarian or vice-versa. Conan the Barbarian's first issue was in 1970 and this magazine was published in 1974. It would depend on what the editors are referring to as “the early days of the Conan comic-magazine”. My guess is that these drawings of Kull came after Conan the Barbarian's debut. 

The last story is an adaptation of Bjorn Nyberg's “The People of the Summit”, originally published in The Mighty Swordsmen in 1970 by Lancer. Roy Thomas changed the title to “Demons of the Summit” and the artist is Tony deZuniga. 

"Demons of the Summit” features a twenty-something Conan taking a job as a mercenary to serve King Yildiz of Turan. Conan is provided the role of makeshift sergeant and ordered to lead a small army of Turanians into the Khozgari Hills in hopes to bribe and threaten the restless tribesmen from raiding Turan's lowlands. 

The Khozgari are brutal barbarians and they ambush the Turanian force leaving only Conan and a fellow soldier named Jamal alive to escape. The two are spotted by the daughter of a Khozgari chief, Shanya, and Conan takes her hostage to secure a safe pass back to a Turanian city. But, to avoid any unnecessary engagement, Conan decides to take the trio across the Misty Mountains. The chief's daughter begins screaming at Conan's decision and swears they will all be killed by the mysterious people there. 

I read and reviewed Nyberg's short story recently and found this adaptation by Thomas a much better narrative. The inclusion of a ghastly leader named Shangara vying for control of Shanya really enhanced the story. Conan's fights with the hideous creatures is worth the price of this whole issue. de Zuniga's use of pitch black pencil shading cleverly leaves a little for the imagination. This was an excellent adaptation to what is otherwise an average Nyberg story.

The last pages of the issue advertises “Iron Shadows in the Moon” is included in the next issue. There is also a great advertisement for the seventh issue of Savage Tales featuring Ka-Zar. 

Conan - The Flame Knife

“Three-Bladed Doom” was a short story authored by Robert E. Howard starring his character El Borak. It was not published during Howard's lifetime. There were two versions of the story, one printed in REH Lone Star Fictioneer in 1976 and a longer version in the Zebra paperback of the same name published in 1977. However, L. Sprague de Camp decided to rewrite the story to feature Conan, which was a common occurrence for both de Camp and Lin Carter in the 1960s and 1970s. “Three-Bladed Doom” was rewritten and included as part of de Camp's novella The Flame Knife. It was originally published in Tales of Conan in 1955. The novella was then reprinted as part of the Conan the Wanderer collection by Lancer in 1968 and then again as its own book, Conan: The Flame Knife, in 1981 by Ace. The story was also adapted to comic form in Savage Sword of Conan #31-32.

The Flame Knife is set during Conan's “Free Companions” era. He's instructed by Kobad Shah, the king of Iranistan, to lead a team of men to hunt a bandit named Balash. The problem is that Conan and Balash are old allies and Conan refuses the task. Instead, he teams with his companion Tubal and the two, along with a woman named Nanaia, ride to Balash's camp in the Ilbars Mountains to warn him of Shah's pursuit. Meanwhile, Shah is stabbed in his chambers by an assassin carrying a sacred knife marked with a symbol of the Hidden Ones. Whatever that means. Shah, along with his royal guard's captain, believe that Conan's sudden departure and the arrival of this assassin means that the Cimmerian is instrumental to this Hidden Ones cult. Shah orders a large army to hunt and kill Conan.

Convinced by Balash that there are mysterious things happening on the Drujistan border, Conan, Tulal, and Nanaia head there. This is where the narrative finally begins to settle in. Conan discovers a large city within the rocky terrain housing the Zuagirs, a mysterious tribe led by a leader deemed The Magus who declares he is part of the ancient Hidden Ones cult. 

Soon, the book kicks off a rapid pace as Conan escapes imprisonment and commits to freeing Nanaia, who has been captured by The Magus. Conan's overall goal is to overtake the Zuagirs and use their fortified city as a compound where he and the Free Companions can hold off Shah's oncoming forces. Conan fights a giant snow ape (depicted beautifully by Sanjulian on the Ace paperback cover) and finally ends a longtime rivalry with Olgerd Vladislav, the raider he usurped in Howard's 1934 Weird Tales story ”A Witch Shall Be Born”. 

Overall, this was just an average novella. If you have read de Camp's Conan stories you know that his version of Conan is much different than Robert E. Howard's. In de Camp's novels Conan is a cookie-cutter hero that personifies all that is good. The bad guys are carbon-copy bad. In The Flame Knife, Conan wants to free Nanaia. If Howard wrote this, Conan's nihilistic approach would be something to the effect of, “So what?” Additionally, I'm not sure under Howard's watch if Conan would attempt to even save Balash. With de Camp's writing, I mentally can compartmentalize his work as more of Conan the Barbarian's comic character. I do the same with the Tor paperbacks. These are “heroic” Conan stories. 

The Flame Knife is an average Conan novella filled with swordplay, prison escapes, crazy cults, and a fiendish cave creature. If the comic version of Conan is your jam, then this knife spreads the enjoyment. Get the book HERE.

Conan - The People of the Summit

Bjorn Nyberg (1929-2004) briefly associated himself with Conan lore beginning in the 1950s. The Swedish author collaborated with L. Sprague de Camp in 1957 to write the novel The Return of Conan, published by Gnome Press. Nyberg authored two short Conan stories, “The People of the Summit” and “The Star of Khorala”, and both are featured in the paperback collections published by Bantam and Ace. Lately, I've been reading early The Savage Sword of Conan magazines and stumbled up on a story titled “Demons of the Summit” in issue three. It was based on “The People of the Summit”, so I decided to check out Nyberg's story before reading the comic adaptation. 

“The People of the Summit” features a twenty-something Conan taking a job as a mercenary to serve King Yildiz of Turan. Conan is provided the role of makeshift sergeant and ordered to lead a small army of Turanians into the Khozgari Hills in hopes to bribe and threaten the restless tribesmen from raiding Turan's lowlands. Sounds easy enough, right?

The Khozgari are brutal barbarians and they ambush the Turanian force leaving only Conan and a fellow soldier named Jamal alive to escape. The two are spotted by the daughter of a Khozgari chief and Conan takes her hostage to secure a safe pass back to a Turanian city. But, to avoid any unnecessary engagement, Conan decides to take the trio across the Misty Mountains. The chief's daughter begins screaming at Conan's decision and swears they will all be killed by the mysterious people there. She describes it, “'Tis a land of terror and death! Do not go there!”. 

But they do and this is where the bulk of the story remains. Nyberg's action scenes were well-written, but I felt Conan's dialogue left something to be desired. Additionally, Conan's strategies were nothing short of awful – he led his men into an ambush and then foolishly took a shortcut that led to even more danger than the original Khozgari warriors. On top of that, the chief's daughter is captured. It's just a complete failure on Conan's part, but I suppose without that we don't have a story. Nyberg's descriptions of a tower existing in the foggy whiteness of the Misty Mountains was very effective and moody, leaving a supernatural atmosphere to blanket these characters and story. 

As I mentioned in my opening, “The People of the Summit” was adapted into “Demons of the Summit” by Roy Thomas and printed in Savage Sword of Conan #3. The story's original appearance was in The Mighty Swordsmen collection published by Lancer in 1970. Additionally the story was also edited and published in Conan the Swordsman by Bantam in 1978 and was also included in a collection titled Sagas of Conan by Tor in 2004. Get the Bantam paperback HERE.

Conan - Lord of the Mount

British publisher Titan Books began licensing Robert E. Howard's Conan character from Heroic Signatures in 2022. The publisher has been very active in printing a new series of Conan the Barbarian comics and The Savage Sword of Conan magazine. In addition, the publisher has thrust the character into novels and novellas like S.M. Stirling's Blood of the Serpent. In 2023 the publisher launched a series of ebook short stories dedicated to Conan and other characters like Solomon Kane and Belit titled Heroic Legends. The first of the stories was Conan: Lord of the Mount, published in September 2023 as an ebook and authored by Stephen Graham Jones (Night of the Mannequins, I Was a Teenage Slasher).

In this 23-page story, Conan awakens as a cow is licking his face. He has no clear memory of what has happened to him other than he was engaged in battle with the Two Kings' army. A cattle farmer named Jen Ro is nearby and he explains that he thought Conan was another sacrifice to something called Lord of the Mount. Jen Ro then uses some sort of magical black lotus to cut a piece of steak from a live cow. Weird. Just weird.

Jen Ro advises Conan that if he will ride with him and the cattle through a mountain pass then he will bring him to the fabled village of Trinnecerl where “your cup will never run dry”. The catch is that Conan will kill this aggravating creature deemed Lord of the Mount. 

The duo venture through the pass and Conan fights the creature(s). He learns that Jen Ro had a reason for leading him to the creature and the reader is left with this very forgettable story. 

Needless to say, this may be one of the worst Conan stories I've read this far. It was shocking to me considering that Stephen Graham Jones, a quality writer, wrote this kind of uninspired drivel. While I've read some mixed reviews of these new Titan shorts, I had no idea that it would be this underwhelming. Or, how someone like Jones became involved in this. He clearly has no understanding of the Conan character. An example would be in this scene when the creature claws Conan's stomach: “Conan screamed, rolled away, and when he came down it was to nearly impale himself on the faint purple horns of a long-dead cow or bull.” Two words - “Conan screamed”. That doesn't happen. 

Conan's dialogue and mannerisms fail to match what fans have come to expect from the mighty Cimmerian. Granted, every author has a unique perspective on the characteristics and traits, but they should still have a uniform scope to preserve the integrity of the character and series. Despite the identification issues, the story just isn't that interesting. 

Conan: Lord of the Mount is nothing short of abysmal. Even at the $2 price point it isn't worth the pixels it possesses.

Conan - Savage Sword of Conan #01 (Titan)

Robert E. Howard's Conan licensing is a moving target in the comics industry. Many associate the character with Marvel based on the success of the 1970s Conan the Barbarian comic and the Savage Sword of Conan magazine. However, the character was a dominant force when Dark Horse comics purchased the license, only to lose it to Marvel decades later. Recently, the entertainment studio company Heroic Signatures purchased the licensing and offers their IP to anyone with a thick wallet – like British publisher Titan Comics.

Titan began publishing their series, Conan the Barbarian, in August of 2023 through a licensing agreement with Heroic Signatures. In February, 2024, the inevitable The Savage Sword of Conan black and white magazine was published. Like any respectable Conan fan, I bought two copies of the first issue in hopes that I can wallpaper my future grandchildren's home in thousand-dollar bills. I hope to review more modern Conan publications so I thought I would begin here with the first issue of The Savage Sword of Conan by Titan Comics. 

My issue features the cover created by Joe Jusko, an astounding artist that painted Conan the Barbarian trading cards in the 1990s. In other Conan-related works, he provided interior illustrations for the Conan: Adventures in an Age Undreamed RPG and Dynamite's Red Sonja. The other Jusko cover associated with this issue is the FOC cover which is the full panel with no fonts or title. The cover is also featured in black and white in the inside to accompany a Conan short-story titled "Sacrifice in the Sand" by Jim Zub, which was inspired by Jusko's art. 

Roberto De La Torre is an important artist in modern Conan. De La Torre was an active contributor on the Conan the Barbarian (2019-2021), King Conan (2021-2022), and Conan: Exodus and Other Tales (2021) titles that were all published by Marvel. I really enjoy his artwork and his amazing Conan pin-up is on page three. Additionally, Rebeca Puebla (007: King and Country, Bettie Page) provides a pin-up of Belit on page six. Fans of the 1970s Conan the Barbarian comic will enjoy artist Howard Chaykin's pin-up of Solomon Kane on page 77.

As you open the magazine, the first thing that really stands out is a personal introduction by Conan royalty, Roy Thomas. He provides a brief history of Conan in the comics and the pains and triumphs of the character in print. Thomas also adds that he was invited by Titan to write more Conan stories for this magazine – an offer he is apparently taking them up on.

The issue's main story is "Conan & The Dragon Horde". It was written by John Arcudi, a veteran comic storyteller that wrote in Savage Sword of Conan issues #150-152, 158, 165, 182 and also penned stories for Savage Tales. Arcudi is a dynamic, all-around author that has contributed to hundreds of comic titles since 1986. The story's art was created by Max Von Fafner. He created the cover for Conan the Barbarian #3 (2023), Conan: Battle of the Black Stone #2 (2024), and a variant cover for this Savage Sword of Conan issue. 

In the story, Conan is serving as a general in a Hyrkanian cavalry division headed to a large fortress in the Hyrkania desert. Conan is leading a band of soldiers, bandits, and mercenaries that are assisting an ousted prince in returning to the fortress to seize a lucrative treasure hold. There are twin soldiers serving the prince (who totes around two lions) that immediately piss Conan off when they insult a Turanian woman, Ineah, serving as a weapons engineer. 

Soon, Conan beds down Ineah and Von Fafner leaves nothing to the imagination. She is gorgeous. But, she proves to be a capable fighter and a brilliant mastermind in terms of weapon placement and use. The bizarre part of the story is when a dinosaur – yes a dinosaur – breaks from the fortress and attacks Conan's men. Thankfully, Ineah saves the day with her ballista. 

When Conan and company make camp outside of the fortress, they are surprised that no one from within the compound has bothered to attack them. As the days continue with no activity, Conan uses his thief background to climb into the city to determine what is actually happening there. 

I felt that the story was just okay. The artwork leads the way, as usual, and Conan's mannerisms and leadership is par for the course. There's nothing to dislike about Arcudi's writing, but it didn't wow me like a traditional first issue's lead story should. 

The aforementioned “Sacrifice in the Sand” short story by Jim Zub followed. Honestly, I just skipped it to jump into the Solomon Kane story, “Master of the Hunt”. This is the first of a promised trilogy of stories that places Kane on the hunt for a monster terrorizing a village. The story and art is by Patrick Zircher, a veteran that has worked on numerous Marvel and DC titles like Action Comics, Detective Comics, Superman, Captain America, Avengers, and Iron Man just to name a few. I love Solomon Kane so I was anxious to see what he could do with the character.

The story is set in Glamorgan, Wales on All Hallow's Eve. A blind man drinking ale in a bar explains that this night is when the gateways between worlds is very thin. Outside the tavern, readers are treated to small panels showing some sort of monster attacking and killing sheep. The next day Kane arrives and sees the monster's tracks. He chances upon a woman and her son living in a small farmhouse. The woman explains that her husband has embarked on the “great hunt” with other villagers in search of the monster.

I can't give too much away here due to spoilers, but this was a well-written, fast-paced narrative that excellently “got” REH's Kane character. There are scenes of Kane praying as well as dialogue emphasizing Kane's commitment to God to rid the world of evil. Although the twist ending could be seen a mile away, it didn't detract me from the story and art. The promised sequel should take the characters and monster in a new direction and I'm looking forward to that. 

More Solomon Kane is included at the end with an excellent essay penned by Jeffrey Shanks explaining the character's publication history and failure to equal the popularity of Kull and Conan. 

Overall, The Savage Sword of Conan #1 was pretty good. There's nothing to complain about, but at this point there is just so many Conan comics, books, collections, ebooks, and stories being published that the market is completely saturated. You could read nothing but Conan your entire life and never get through it all. With that being said, my failure to be overly stimulated by this new version of Savage Sword can partly be blamed on too much too fast. I have the same issue with Batman. It's an embarrassment of riches available to anyone anytime.

Get this issue plus the following two issues HERE.

Island of the Dead

It would be difficult to discuss zombie novels without including a cornerstone of the genre, Brian Keene. Many consider his novel The Rising (2003), along with Robert Kirkman's The Walking Dead, as catalysts for zombie pop-culture of the 2000s. Keene's novel spawned a sequel, City of the Walking Dead, and two additional entries that live in the very undead world of The Rising. Additionally, Keene authored stand-alone "zombie" novels like Dead Sea (2007), Entombed (2011), and The Complex (2016). Now, in 2024, he returns with another living dead novel in Island of the Dead, published by independent publisher Apex Book Company with glorious artwork by Mikio Murikami (Silent Q Design). The book flips the narrative by placing zombies in a sword-and-sorcery environment, an ambitious hybrid described by Keene as Robert E. Howard (Conan the Barbarian) meets George Romero (Night of the Living Dead).

In the book's opening pages, slaves aboard a galley ship learn that Einar is from the northern barbarian tribes. But Einar, who has worked as a thief, mercenary, pirate, and a bodyguard across sweltering deserts, mountain peaks, and jungles, is quick to explain to his fellow captives that his tribe doesn't call themselves barbarians. As introductions are made, readers learn that Einar was arrested after a tavern brawl that left several people dead. He now serves as a slave on a ship lifting, pushing, and pulling oars across the sea to a war-torn land. 

Einar hesitantly advises a charismatic slave named Chuy that he plans on escaping the ship. After convincing the guards that he must relieve himself at the head, Einar is able to overtake the guards and free the slaves. However, a freak storm has appeared that creates a disaster for the ship and crew. While the fight for liberation ensues, monstrous tidal waves thrust the men into the depths of the ocean as the ship is destroyed. When Einar awakens he discovers he has washed ashore on an island alongside a few fellow slaves and a number of guards. What is this mysterious island? What horrors does it host? These are all enjoyable surprises that await readers as they explore the Island of the Dead.

Keene makes a valid reference to Robert E. Howard with his Conan-styled hero Einar. The barbarian often speaks like the Cimmerian, referring to friend and foe as “dogs” while expertly wielding a sword to hack and decapitate enemy hordes. His diverse background parallels Conan's own experiences as a pirate, thief, and mercenary. In fact, in terms of Conan lore, Island of the Dead's early premise is similar to Lin Carter and L. Sprague de Camp's 1967 story “The City of Skulls”, which was adapted to comic form in Savage Sword of Conan #59, Conan the Barbarian #37, and even the “Blood Brother” episode of the Conan: The Adventurer animated show. 

The placement of this barbaric hero in a zombie-styled universe is an exhilarating concept enhanced by the violence, gore, and temperament of Keene's unique storytelling. In a horror sense, this story delivers the goods in grand fashion. However, looking beyond the zombie dangers, the story also possesses a cagey human element that presents both the slave and ruler's eternal dilemma and the political strife that ignites a powder keg. These apocalyptic stories always prove that human design and the quest for power leads to chaos and ruin. As scary as they may be, the zombies are just the innocent weapons of man's destruction.

Island of the Dead is out now and you can get your copy HERE.